ABC Modern Commodes and Chests of Drawers

An exquisite example from a rare series by American of Martinsville, circa 1960. Stout, expertly made mahogany case construction restored in cream lacquer. Fabulous, chunky solid bra...

Chic pair of streamline Art Moderne dressers designed by Gilbert Rohde, for Herman Miller c 1936. The dressers feature opposing right and left c...

An exceptional Modern Regency dark mahogany triple dresser or credenza By Barbara Barry for Baker Furniture USA, Circa 1990s Dark mahogany, with unique vertical fluted design draw...

Rare streamlined dresser by Count Alexis de Sakhnoffsky for Red Lion Furniture. The count was famous for his wonderfully stylized Industrial designs and worked with major automakers of the day like Auburn, Cord, Packard, Tucker and the White Truck Co. This dresser features wonderful, asymmetrical streamlined lines, unique round drawer pulls, and Stunning Circassion Walnut Veneer. This dresser was originally designed by Sakhnoffsky for display in the "House of Tomorrow" during the 1939 New York World's fair! Some more info on Count Alexis de Sakhnoffsky: Count Alexis de Sakhnoffsky was born in Russia in 1901, the son of an Advisor to Tsar Nicholas II. Following the Russian revolution he escaped to the continent and began a career as an automobile designer emigrating to America in 1929. In America he designed many famous automobiles and his drawings of futuristic cars appeared in Esquire Magazine from 1934 on. In furniture he advocated streamline design as in the Bloomingdale’s Department Store furniture shown at the 1939-40 World’s Fair in New York. Outside automobiles and furniture, de Sakhnoffsky also created designs in the areas of aircraft design (Sabca), boat design (feather-Craft), Bike design (Murray), watch design (Gruen), and radio design (Emerson). This desk represents the perfect culmination of all of these influences and is one of the best examples of his 'streamline' furniture design aesthetic. Add to all of that the 1939 World's Fair connection and you have an extremely rare collector's piece that spans an almost infinite number of genres! Automotive designs by Sakhnoffsky: 1929 Cord l-29 Special Coupe 1934 Packard Twelve Model 1106 Sport Coupe & Runabout Speedster 1947 White Labatt Streamliner Delivery Truck 1938-41 American Austin Bantam Commander Gatti's 1937 International Harvester...

Danish Modern Tambour Credenza by Peter Hvidt & Orla Mølgaard-Nielsen for Søborg, 1960s A remarkable example of Danish modern design, this tambour credenza by Peter Hvidt and Orla M...

Traditional French chest given a new glam look with shimmering silver paint. There are 3 drawers for storage, original drawer pulls and key entry hardware...

Scandinavian midcentury modern design teak credenza cabinet or bar cabinet designed by Peter Hvidt & Orla Molgaard Nielsen for Soborg Mobelfabrik with flap door that becomes a writin...

A gorgeous Modern sideboard, credenza, or bar cabinet By Barbara Barry for Henredon Philippines, Early 21st Century Walnut, with cream lacquered case, and original brass hardware....

A gorgeous pair of Milo Baughman style Mid-Century Modern three-drawer nightstands or bachelor chests By Henredon, "Scene Two" Collection USA, 1980s Burled olive wood drawer...

This is a superbly crafted leather wrapped and gold tooled embossed Maitland Smith chest of drawers. The piece is finish in an antiqued patinized leather with intentional distressing...

A Late 20th Century Davis Cabinet Company Mahogany Semainier / lingerie Chest Of Drawers Size is 22" wide, 16" deep and 49.25" tall.  

Gilbert Rohde designed this chest for Herman Miller as part of his 1941 Paldao Line of streamline modernist and modular furniture in exotic veneer. This is model no. 4103, two-door cabinet with distinctively incised large round pulls, interior fitted with two adjustable shelves behind the left door and five pull-out drawers behind the right door, fronts finished in black enamel. The case top and sides are Paldao wood; the doors are in highly figured burl Acacia. The finish is called "Beaver" which is natural color, no stain, satin varnish. The back is numbered "4130." All of Rohde's designs for Herman Miller are marked with a 4-digit number; the first two numbers indicate the year, and the second two numbers indicate the individual piece. Newly refinished and ready to place in your home. The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until Pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. Work by the pioneering American industrial and furniture designer, Gilbert Rohde, is notable for its thoroughly modern, informal, and multifunctional qualities. Rohde’s ability to create appealing modernist furnishings for middle-class homes, while also devising merchandising strategies to sell these goods, places him within a unique framework in American design history. Born and raised in New York, Rohde was the son of a cabinetmaker. He attended New York City public schools and his post-high school education included courses at the Art Students League and the Grand Central School of Art. Rohde’s visit to Europe in the spring and summer of 1927 (with later trips in 1931 and 1937) to see the Bauhaus in Dessau and the French modernist design that debuted in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, profoundly inspired his concept of design and the role it should play in daily life. The French Art Deco and German rationalist styles he saw in Europe influenced the furniture he designed from the late 1920s into the 1940s, pieces he created to suit a rapidly changing American lifestyle. In addition to his work for Herman Miller Inc., Rohde also designed for several other furniture firms, including Thonet, Troy Sunshade, and Heywood-Wakefield. What set Rohde apart from his contemporaries was his all-encompassing understanding of the furniture industry, from design and production to marketing and showroom display.[1] During his time with Herman Miller Inc. (1932-1944), Rohde set the standard for collaborative efforts between designers and furniture firms, with George Nelson and Charles and Ray Eames later...