Adrian Alan Tables

A Fine Sèvres-Style Porcelain and Gilt-Bronze Mounted Ebonised Centre Table The top inset with a turquoise ground central plaque of Francis I (1494-1547) at the Battle of Pavia, sig...

A Large William IV 'Antiquarian' Yew Wood Centre Table. The impressive centre table is of large proportions. The circular top is veneered in radiating segments with ebony and boxwo...

A Pair of Rare 'Neo-Grec' Gilt and Patinated Bronze Torchère Stands, Attributed to Ferdinand Barbedienne. Each torchere has an inset marble top with suspended chains, raised on a fl...

A Biedermeier Satin Birch Occasional Table. The canted rectangular top above a frieze drawer and sides with lion mask handles, on swept legs joined by an 'X'-shaped stretcher. Aust...

A Fine Louis XVI Style Oval Three Tier Gueridon After The Model by Simon Phillippe Poirier and Martin Carlin. This fine and unusual gueridon has three graduating oval shelves surmo...

A Louis XVI style gilt-bronze and polished steel pedestal table. The circular white marble top with bead cast surround, on athenienne tripod support with central spirally-fluted ste...

A Pair of Louis XV Style Giltwood Console d'Appliques. Each console has a serpentine-shaped fleur de pêcher marble top over ...

A unique monumental Louis XVI Style giltwood centre table with a Brèche Violette marble top by François Linke. French, circa 1914. Giltwood furniture by Linke is not only rare, but can be difficult to identify as it tends to be unmarked. This table can however be confidently attributed to Linke, as an early black and white photograph of the piece, Linke index no. 2575, survives in the Linke Archive (see page 428 pl. 501, in Christopher Payne: François Linke, 1855-1946, The Belle Époque of French Furniture). The only one of its kind known to have been produced, it was carved for Linke in May 1914 by the outworker Derivry. It formed part of the important commission of furniture ordered by the Italian born Argentinean banker Antonio Devoto...

An Edwardian Gilt-Bronze Standard Lamp Tier Table. Designed in the rococo style with spirally fluted stem supporting an urn with bulb fitment abo...

A Fine Pair of Louis XVI Style Gilt-Bronze Mounted Mahogany Occasional Tables, Attributed to Henry Dasson. France Circa 1880. Henry Dasson (1825-1896) was one of the finest makers...

A Fine and Rare Louis XV Style Gilt-Bronze Mounted Marquetry Occasional Table. By Emmanuel Alfred (dit Alfred II) Beurdeley. Paris. France, Circa 1885. The top with marquetry of precious fruitwoods and rare timbers depicting a central cartouche of two monkeys standing in a classical landscape, dressed as men playing a drum and a tambourine. The surrounding marquetry composed of rocaille framed trellis parquetry panels with musical attributes. The shaped top surrounded by a three-quarter gilt-bronze gallery. The top slides back and the drawer opens to reveal a writing tray. The serpentine sides with cartouches with flower-filled marquetry. On cabriole legs headed by gilt-bronze rocaille clasps. Beautifully rendered by Beurdeley this ‘table Singeries’ is ennobled with the fullest frivolity of the rococo. The marquetry scene on the top derives from engravings published in Paris in the mid-eighteenth century entitled ‘Le Tambour de Basque’ and 'Le Tambourin’ by J. Guelard after designs by Christophe Huet (died 1759) from a series entitled ‘Singeries ou Différentes Actions de la Vie Humaine Representées par des Singes’. The present writing table is almost identical to an 18th century table in the James A. de Rothschild collection at Waddesdon Manor (inv. 3472) which was purchased by Baron Ferdinand de Rothschild at the legendary auction of Prince Demidov’s Florentine Palazzo San Donato in 1880 (Lot 1554 — Très jolie table...

A Louis XVI Style Gilt-Bronze Mounted Mahogany Centre Table. The table with a Villefranche de Conflent marble top of soft purple patterning against a white ground. Beneath the marbl...

A Fine Louis XV Style Gilt-Bronze Mounted Bois Satiné and Lacquered Tray-Top Table, by Henry Dasson. This elegant table is inset to the top with a lacquered tray decorated with a s...

A Louis XVI Style Porcelain Mounted Gueridon. The oval top with a pierced gallery centred by an inset Sèvres-style porcelain plaque painted ...

A Very Large Chinoiserie Lacquer, Polished Brass and Glass Coffee Table. In the manner of Maison Jansen. The glass top above a Chinese-style 'Coromandel lacquer' panel. The tubular...

A Fine and Unusual Pair of Louis XVI Style Gilt-Bronze Low Side Tables With Sèvres-Style Porcelain Tops. Each table has a fine Sèvres-style porc...

A Fine Louis XVI Style Patinated and Gilt-Bronze Mounted Centre Table After The Fontainebleau Model with a Verde Patricia Marble Top, by Zwiener Jansen Successeur. The bronze mounts...

A Gilt-Bronze Marquetry Inlaid Occasional Table, Attributed to Emmanuel Zwiener. The reverse of the gilt-bronze sabot incised 'Z' This exquisite table is perfect for a living room ...

A Gilt-Bronze Mounted Burr Walnut Writing Table, Probably by Gillows. The rectangular top has a gilt-bronze surround above a serpentine frieze fronted by a central drawer. The corn...

A Louis XV Style Gilt-Bronze Mounted Mahogany and Parquetry Occasional Table. The Sarrancolin marble top within a gilt-bronze surround. The frieze is decorated with superb parquetry...

A Rare Pair of Louis XVI Style Gilt-Bronze Mounted Vitrine Tables In The Manner of Weisweiler, by Georges-François Alix. This rare pair of mahogany vitrine tables each have a hinged...

A Fine Italian Carved Giltwood Low Centre Table with A Pietre Dure Marble Top. This impressive giltwood low table has a fine pietre dure inlaid marble top inset within a gadrooned b...

An Impressive Goncalo Alves (tiger wood) and Mahogany Centre Table With a Specimen Marble Top. This fine table is of imposing size with the specimen top measuring almost 137 cm (55 ...

A Louis XVI Style Gilt-Bronze Mounted Mahogany Gueridon. This charming occasional table is of an especially useful Size. It has a white marble top with a brass gallery pierced wit...

‘Table des Muses’ A Louis XVI Style Gilt-Bronze Mounted Marquetry Centre Table By Emmanuel-Alfred (Dit Alfred II) Beurdeley, After The Model By Jean-Henri Riesener. Stamped ‘A...

A gilt-bronze Marquetry Inlaid Gueridon, attributed to Emmanuel Zwiener. This large gueridon or occasional table has a beautiful quarter veneered top which is inlaid with flower s...

An important and rare gilt-bronze, mahogany and Bois Satiné centre table, with campan rubané marble top. By François Linke. Linke index number 1103. The g...

A Louis XV Style gilt-bronze mounted bureau plat by François Linke. The rectangular top inset with a green leather writing surface with gilt-tooled border, within a gilt-bronze su...

A rare and unusual Victorian gilt-bronze and marquetry metamorphic table. The serpentine shaped top with beautiful marquetry in precious woods depicting a flower-filled basket att...

A Biedermeier Satin birch and ebonised centre table. This handsome centre table has a circular top of beautifully figured birch. It rests on s...

A pair of George III Polychrome-decorated satinwood console tables. In the manner of Seddon, Sons and Shackleton. Each with a rectangular top with rounded front corners and paint...

A Rare Belle Epoque Gilt-Bronze Mounted Parquetry Inlaid Centre Table, By François Linke. The Mounts Designed by Léon Messagé. Signed 'F. Linke'. This opulent centre table has a beautifully patterned onyx top inset within a gilt-bronze moulded surround signed 'F. Linke'. The curved frieze centred to each side by a shell shaped mount. The front fitted with a central drawer. The apron mounted with swept acanthus and trailing hibiscus. The corners with female busts with ribbon-tied bodices. On cabriole legs. France, Circa 1900. Linke, François François Linke (1855 - 1946) was the most important Parisian cabinet...

An Important Napoleon III Gilt-Bronze Mounted Parquetry Pedestal Desk, By Guillaume Grohé. France, Circa 1860. Stamped to the top edge of one door 'GROHE FRERES...

A Louis XVI style gilt-bronze and marquetry centre table. This impressive centre table is beautifully enriched with cuivre doré mounts. The top has a lozenge pattern parquetry gro...

A Napoleon III gilt-bronze and onyx centre table, By Maison Marnyhac, Paris. Signed to the edge of the stretcher 'MAISON MARNYHAC 1. RUE DE LA PAIX PARIS'. This opulent centre table has a beautifully patterned onyx top inset within stiff-leaf cast gilt-bronze border and guilloche patterned frieze. The legs modelled as female terms with arms crossed and holding atop their heads flower filled baskets. The lower part of the legs are formed as tapering pilasterrs joined by an elaborate loop stretcher with central platform. France, Circa 1865 This table is exemplary of the finest luxury furniture made during the opulent Second Empire period. The use of Algerian onyx-marble is especially indicative of this period as it was not until the 1840s that the quarries near Constantine in Algeria, then under French rule, which had been abandoned since antiquity, were rediscovered. Alphonse Pallu et Cie presented the stone at the Exhibition of Algerian Products in Paris in 1860 and established the Compagnie des Marbres Onyx...

A fine Louis XV style wrought iron and gilt console d'Applique with a rouge de Rance marble top. French, Circa 1890.

A fine pair of Louis XVI style gilt-bronze mounted mahogany console tables, in the manner of Adam Weisweiler. Each table has a rectangular with fleur de pecher marble top above th...

A fine Louis XV style gilt-bronze mounted marquetry inlaid dressing table by Maison Giroux. The underside of the drawer with a stencil mark and paper label for 'Alphonse Giroux &...

A very fine Empire style gilt-bronze mounted mahogany table de Milieu, with a Verde Antico Marble Top, in the Manner of Jacob Desmalter. The rectangular marble top above a frieze...

A Fine Louis XVI Style gilt-bronze Gueridon in the manner of Adam Weisweiler. This fine gueridon has a rouge granite circular top above a laurel and ...

A rare pair of Louis XVI style gilt-bronze mounted parquetry gueridons. Each table has a pierced gilt-bronze vitruvian scroll gallery with an inset grey marble top above a parquet...

An Exceptionally Rare and Important Louis XV Style Gilt-Bronze Mounted Marquetry Inlaid Centre Table by François Linke, the Mounts Designed by Léon Messagé. Linke Index No. 930. Signed 'Linke' to the upper bronze moulding. Stamped 'FL' to the reverse of the bronze mounts. Stamped to the carcass 'Made in France’. Of exhibition quality this magnificent table has a fine marquetry inlaid top and sumptuous gilt-bronze mounts, designed and sculpted by Léon Messagé. The shaped gilt-bronze mounted serpentine top is finely inlaid with scrolling bois de bout floral marquetry, above an undulating frieze set to the front with a long drawer and centred by a female mask, the sides are mounted with exuberant scallop-shell mounts and the angles with lively and emotive female espagnolettes emblematic of Modestie and Coquetterie; the table is raised on cabriole legs terminating in shell-capped scrolled sabots. A rare example in Linke’s oeuvre, the table is a variation of a larger example index number 930, described by Linke as modèle riche, which included an elaborate stretcher with banner-bearing cherubs based on Léon Messagé's celebrated sculptural group 'La Source' (illustrated C. Payne, François Linke: The Belle Epoque of French Furniture, Woodbridge, 2003; p.172, Pl. 186). Linke workshop's cliché of the larger modèle riche is illustrated in C. Payne, François Linke: The Belle Epoque of French Furniture, Woodbridge, 2003; p.483. The exceptional sculptural mounts are characteristic of the very finest 19th Century furniture created through François Linke and Léon Messagé’s collaboration. Messagé’s enhanced Louis XV Rococo style embraces the asymmetrical lines of designers such as J.A. Meissonnier, to create lively and emotive figures linked by sinuous encadrement, but cleverly modernised to reflect the surge of popularity of the Art Nouveau. The female busts, referred to by Linke as Coquetterie et Modestie, although reminiscent of the paintings of François Boucher and Flaconet have moved on in their design from the classical espagnolette, introduced by Charles Cressent in the 18th century, to become something new and vital. Designed for the celebrated 'Commode coquille: Coquetterie et Modestie' (index 559), presented at his award-winning stand at the 1900 Exposition Universelle in Paris, (C. Payne, François Linke: The Belle Epoque of French Furniture, Woodbridge, 2003; p.142-144, pl. 151), Linke was obliged to purchase their design at a tremendous cost from Messagé. First castings began in 1897 and they proved fruitful for Linke, becoming a favourite mount, repurposed by Linke for use on a number of important designs. The larger version of the current table was intended to be displayed en suite with the commode but was not ready in time for the exhibition. It was first exhibited at the Salon des Industries du Mobilier in 1902, and again in Liège in 1905 (C. Payne, François Linke: The Belle Epoque of French Furniture, Woodbridge, 2003; p. 170-173). Available in three sizes, 132 cm x 72 cm, 138 x 75 cm and an even larger version (index no. 965) the design proved popular with Linke’s clientele, which included commissions supplied to Elias Meyer in 1909 (Illustrated C. Payne; p.243, pl. 258), Madame d’Astoreca in 1910, Antonio Devoto...

A magnificent and very rare Régence style marquetry inlaid grand bureau plat or writing desk. Inscribed to the carcass 'Moreaux 72'. Dating from the second half of the nineteenth century this magnificent and very rare bureau plat has finely cast rocaille gilt-bronze mounts and is decorated overall with truly breath-taking seventeenth century marquetry, depicting fantastical townscapes, knights, soldiers, hunting and architectural-scenes. Of serpentine rectangular form the top is veneered with superb marquetry panels within a foliate scrolled border and a rocaille shell-cast gilt-bronze surround, both sides featuring a recessed central drawer flanked on each side by a drawer applied with male and female terms, scrolled handles, and reserves with conforming drawers; the bombé sides are centred by foliate scrolls, and the whole raised on cabriole legs headed by cartouches with foliate entwined chutes terminating in scrolled sabots. Of impressive scale this fine bureau plat, in the manner of a partners desk, features working drawers to each side. This model of bureau plat was made by a small number of celebrated Parisian cabinet makers in the second half of the 19th century including Beurdeley, Cremer and Befort Jeune. It is incredibly rare to see this model of bureau plat inlaid in marquetry. The exceptional quality and style indicate the use of older reused marquetry, almost certainly dating from the late 17th century and originating from the Augsburg region of Germany. Similar models but lacking the exceptional marquetry inlay can be found in the collection of the Duke of Buccleuch at Bowhill, and the Earl of Normanton at Somerlely. Christopher Payne notes that the latter was part of a pair sold by the London dealer Toms & Luscombe in 1871. He illustrates the present bureau plat in his book ‘European Furniture of the 19th Century’ (p. 88-89), along with two related desks minus the marquetry inlay (p. 92 -93). The exceptional and highly complex marquetry inlay and intarsia work, that sets this important bureau plat apart from other extant examples, would originally have formed the decorative panels of a late 17th century table cabinet, almost certainly ascribable to the Augsburg region of Germany. Augsburg emerged from the middle of the 16th century as the German centre of luxury cabinet making for the international market. In particular, the development of marquetry contributed to this prominent position, favoured by the ready availability of indigenous woods and the reputation that Augsburg had the best craftsmen able to cut thin layers of veneers in the most intricate motifs (C.S. Wood, ‘The Perspective Treatise in Ruins: Lorenz Stöer, Geometria et perspectiva, 1567’, Studies in the History of Art, no. 59, p. 246). Table cabinets, conceived as a form of Wunderkammer or cabinets of curiosities, were intended as repositories for all manner of wondrous and exotic objects and by the 1550s the grandest cabinets in Europe were being made in Augsburg. Decorated almost entirely with sumptuous marquetry, often depicting perspective views of ruins and fantastical townscapes, they become by the 1590s highly regarded as important diplomatic gifts. Fine Augsburg marquetry panels remained popular throughout the ages and were frequently re-used to create or embellish new items of furniture, such as this magnificent bureau plat. Their inclusion was not only for their highly decorative appeal, but to contemporary eyes, a means by which to imbue a new creation with a sense of true historical authenticity. The importance of such panels is often reflected in the high cost involved in repurposing them. A fine example of this is the celebrated 17th century cabinet on stand...

A fine Louis XVI style gilt-bronze mounted and parquetry inlaid centre table, by François Linke. Signed 'F. Linke' to the bronze rim. Stamped 'FL' to the reverse of the bronze mo...

A fine Victorian gilt-bronze mounted marquetry inlaid Bureau De Dame. This richly decorated bureau de dame is of bombe shape beautifully inlaid overa...

A fine Louis XVI style gilt bronze guéridon with a green Breccia marble top, after the model by Adam Weisweiller. Of very fine quality, this elegant guéridon has a circular green ...

A fine Louis XVI style mahogany gilt bronze mounted Guéridon. This fine gilt bronze mounted mahogany Guéridon has a green marble top inset within a gilt bronze frame, above a frie...

A fine transitional style gilt bronze mounted guéridon with a Breccia marble top, by Maison Millet. The reverse of the gilt bronze stamped 'MB' for Maison Millet. The table has...

A fine Regence style gilt-bronze mounted parquetry bureau plat, in the manner of Charles Cressent. This fine parquetry inlaid bureau plat has a too...

A Louis XVI style gilt-bronze mounted bureau plat, with a Breche d'Alep marble top. The bureau plat having a rectangular breche d'Alep marble top above a frieze fitted with three ...

A Louis XVI style gilt bronze and Jasperware mounted mahogany Bureau plat. Stamped 'FOURNIER' to the reverse of the bronze mount to the drawer apron. . This fine bureau plat or...

A fine transitional style gilt-bronze and Sèvres style porcelain mounted Jewelry box on stand, attributed to Alphonse Giroux. This exquisite pe...

An unusual neoclassical style gilt bronze Gueridon with an inlaid black marble top, in the manner of Ferdinand Barbedienne and Louis-Constant Sévin. This unusual Gueridon has a ci...

A gilt-bronze mounted mahogany table Ambulante with a marble top attributed to François Linke. The table has a circular inset top above a band frieze with applied mounts. It is r...

A gilt-bronze mounted parquetry envelope card table by François Linke. Signed to the gilt-bronze 'Linke'. This fine card table has a swivel top, with four 'envelope' panels, ...

A fine Louis XV style gilt-bronze mounted console table, in the manner of François Linke. This fine console table has a shaped top above a crossbanded frieze centred by a foliate ...

A work table in the manner of Gillows. The hinged lobed sarcophagus compartment enclosing a tray and compartments. Gillows The name Gillows has been associated with the craf...

A Louis XV style gilt bronze mounted mahogany dressing table attributed to François Linke. Two lock plates stamped 'Ch. Leidenroth Paris ALF. Schmidt Suc'. François Linke ...

A Louis XVI style gilt bronze mounted mahogany and Marquetry inlaid writing table after the model by Jean-Henri Riesener. This finely inlaid writing ...

A fine Empire style gilt-bronze mounted mahogany centre table with a Vert de Mer marble top, in the manner of Jacob-Desmalter. The rectangular Verde Antico marble top sits above ...