Allinson Gallery, Inc. Landscape Prints
to
120
184
38
106
69
86
73
12
4
2
Overall Height
to
Overall Width
to
147
13
3
1
1
89
70
33
29
25
20
20
18
15
13
11
11
10
9
8
7
7
7
6
5
29
155
7
11
36
18
4
13
12
12
9
9
139
104
88
20
12
Querelle d'amoureux. (Quarreling). 1
By James Tissot
Located in Storrs, CT
En plein soleil. (In the Sunlight). 1881. Etching and drypoint. Tissot 54, Béraldi 45, Wentworth 54. 7 13/16 x 11 1/2 (sheet 11 1/4 x 15). Edition about 100. Mat line and two hinge s...
Category
19th Century Impressionist Figurative Prints
Materials
Drypoint, Etching
February -- Orchid. (Nigatsu - Ranjo no saku).
By Shiko Munakata
Located in Storrs, CT
February -- Orchid. (Nigatsu - Ranjo no saku). 1956. Woodcut with hand-applied color from the verso. Kodansha vol.9 No. 125. 17 x 13 (sheet 18 1/4 x 21 1/2). Series: Calender in the ...
Category
Mid-20th Century Modern Landscape Prints
Materials
Watercolor, Woodcut
Automne (Autumn)
By Georges Rouault
Located in Storrs, CT
Automne (Autumn). 1938. Aquatint print in colors. Chapon/Rouault 288C. 19 1/2 x 25 1/2 ( sheet 22 5/8 x 30 3/4). Edition 175, #44 Published by Vollard. A rich impression with bright...
Category
Mid-20th Century Impressionist Figurative Prints
Materials
Aquatint, Color
Fly Fishing, Saranac Lake
By Winslow Homer
Located in Storrs, CT
Fly Fishing, Saranac Lake. 1889. Etching, aquatint and burnishing. Goodrich 104. 14 1/4 x 20 5/8; sheet 18 1/2 x 24 1/2. Edition unknown but quite possibly intended 100; highest numb...
Category
Late 19th Century American Modern Figurative Prints
Materials
Etching
Statue of Liberty Suite: Day and Night
By Erte - Romain de Tirtoff
Located in Storrs, CT
Statue of Liberty (Day). 9886. Seriagraph with embossing and hand stamping. Image: 28 x 20. Series: Statue of Liberty Suite Edition 300, #248. A fine impression printed on the full s...
Category
Late 20th Century Art Deco Figurative Prints
Materials
Screen
The Helmsman
By Arthur John Trevor Briscoe
Located in Storrs, CT
The Helmsman. 1925. Etching. Hurst 130. 7 x 10 7/8 (sheet 11 x 5). Trial proof, apart from the edition of 75 An extremely rich impression printed cream wove paper. An exceptionally r...
Category
1920s Modern Landscape Prints
Materials
Drypoint, Etching
The Passing Freight, Danbury
By Martin Lewis
Located in Storrs, CT
.The Passing Freight, Danbury. 1934. Drypoint and sand ground. McCarron 108. 8 7/8 x 14 7/8 (sheet 12 1/7 x 17 5/8). Edition 46 (including 6 trial proofs). A rich, tonal impression p...
Category
1930s American Modern Figurative Prints
Materials
Drypoint
Little Hall's Island.
By Kerr Eby
Located in Storrs, CT
Little Hall's Island. 1940. Etching and sandpaper ground. Giardina 199. 10 x 15. Edition 100. Little Hall's Island is located off the coast of Friendship. Maine. Signed and annotated 'imp' (imprimit) in pencil, indicating a proof printed Eby. Housed in a 16 x 20-inch archival mat.
Eby was an Associate of the National Academy NA (1930); National Academy of Design (1934); Society of American Etchers; Chicago Society of Etchers; Philadelphia Society of Etchers; National Institute of Arts and Letters. Kerr...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Etching
The Spire -- New York
By Lawrence Wilbur
Located in Storrs, CT
The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building.
Painter and printmaker Lawrence Nelson...
Category
20th Century American Modern Figurative Prints
Materials
Drypoint, Etching
Manhattan Mountains
By Lawrence Wilbur
Located in Storrs, CT
Manhattan Mountains. 1938. Etching and drypoint. 14 3/4 x 12 3/8 (sheet 17 1/4 x 14 3/4). Artist proof, previous to the edition of 40. An atmospheric impression printed on buff-colored laid paper. Signed and dated in the plate. Signed, titled, and annotated 'Final state' and 'Jones Proof'in pencil. Housed in an archival sleeve.
Painter and printmaker Lawrence Nelson...
Category
20th Century American Modern Figurative Prints
Materials
Drypoint, Etching
The Thames from Waterloo.
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
The Thames from Waterloo Bridge. 1913. Etching. Dickins 12. 3 3/4 x 7 1/16 (sheet 7 x 10 15/16). Edition 100. A fine proof with tonal wiping, printed on cream-wove paper. Signed in pencil.
Architectural draughtsman, etcher. Born in Lustdorf, near Odessa, Russia, to a British father and Russian mother. Traveled extensively with his family before studying architecture in St Petersburg, with further studies at Ecole des Beaux-Arts and Atelier Redan, Paris. Practiced architecture in Moscow and was co-designer of the Metropole Hotel, in 1898. Moved to London in 1907 and was employed as an architectural perspectivist. After a sponsored visit to Rome and Venice he had a solo exhibit at the Fine Art Society, 1912, 'Watercolours of London and Venice'; followed by a further four shows. He also exhibited at the Royal Academy, Royal Society of British Artists, Royal Society of Painter-Etchers..., and Connell & Sons. His etchings were published in London by H C Dickens,1913-24, and a folio of his work 'Architectural watercolors and etchings of William Walcot' was published, in 1919. Elected RE, 1920; FRIBA, 1922; Associate British School at Rome. A foremost architectural draughtsman, he worked from studios in London, Oxford and Rome.
The complete set of The Arteries of Great Britain includes: The Thames, The Tyne, The Forth, The Clyde, The Mersey. Signed in pencil .Housed in a 16 x 20 inch mat suitable for framing.
Opened in 1890, the Forth Bridge...
Category
Early 20th Century Modern Landscape Prints
Materials
Etching
Charing Cross - The Statue of Charles I.
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Charing Cross -- The Statue of Charles I. 1919. Etching with aquatint and drypoint. 3 5/8 x 4 7/8 (sheet 9 1/8 x 11 3/8). A fine proof with tonal wiping, printed on cream-wove paper. Signed in pencil.
Charing Cross is located at the junction of the Strand, Whitehall, and Cockspur Street in Central London, England. The name originates from the Eleanor cross installed by King Edward I as a memorial to his wife, Eleanor of Castile at the former hamlet of Charing. Since 1675, the cross site has been occupied by a statue of King Charles I mounted on a horse. The pedestal is thought to be designed by Wren and carved by Grinling Gibbons.
Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein.
When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category
Early 20th Century Modern Landscape Prints
Materials
Drypoint, Etching, Aquatint
Snow on the Aspetuck.
By Kerr Eby
Located in Storrs, CT
Snow on the Aspetuck. 1927. Etching. Giardina catalog 109 state iii. Image: 6 1/16 x 10 7/8 (sheet 9 x 13 3/4). Trial proof, apart from the edition of 90. A rich impression with plate tone printed on cream-laid paper. Signed and annotated 'trial proof' and 'imp' (imprimit) in pencil, indicating a proof printed Eby
Kerr Eby is one of the great 20th-century printmakers, heralded for his use of negative space and plate tone. His plates usually held a combination of drypoint and etched lines, resulting in an interplay of strong lines and delicate details. His landscapes are just as telling of his talents and skilled hand. They speak to his ability to edit, as he would enlist only one or two lines to do the work of many- letting the almost unmarked plate...
Category
Early 20th Century American Modern Landscape Prints
Materials
Etching
The Whale's Back [Connecticut]
By Kerr Eby
Located in Storrs, CT
The Whales Back. 1925. Etching. Giardina catalog 95 stateiii. Image: 6 1/2 x 12 (sheet 10 x 16). Trial proof, prior to the edition of 90. Illustrated in Fine Prints of the Year, 1927. A rich impression with plate tone printed on cream laid paper. Signed and annotated 'imp' (imprimit) in pencil, indicating a proof printed Eby.
The scene is probably Westport or Cos Cob, Connecticut.
The scene is probably Westport or Cos Cob, Connecticut.
Kerr Eby...
Category
Early 20th Century American Modern Landscape Prints
Materials
Etching
![The Whale's Back [Connecticut]](https://a.1stdibscdn.com/kerr-eby-prints-works-on-paper-the-whales-back-connecticut-for-sale/a_3352/a_115476821673484515318/whalesbackeimage3_master.jpg?width=240 "Kerr Eby - The Whale's Back [Connecticut]")
Evening, Port of Genoa
By Sir Muirhead Bone
Located in Storrs, CT
Evening, Port of Genoa. 1915. Drypoint. Dodgson 337.i/v. 7 5/8 x 9 15/16 (sheet 9 1/8 x 14). Edition of 45 in five states. An exceptionally rich impression with drypoint burr, printe...
Category
1910s Modern Landscape Prints
Materials
Drypoint
The Master Smith
By James Abbott McNeill Whistler
Located in Storrs, CT
The Master Smith. 1895. Lithograph. Way 84; Levy 123; Tedeschi, Stratis and Spink 120.i/ii. 4 1/2 x 5 1/2 (sheet 76 x 5 3/8). Only 15 lifetime impressions (in 2 states) were listed by Way; Goulding printed 38 impressions on 14 December 1903. The stone was erased in 1903. Printed on cream wove proofing paper. Monogrammed with the butterfly in the stone. A fine impression of this extremely rare lithograph.
Tedeschi, Stratis, and Spink write, page 366: As originally transferred to stone, the image includes trial marks made with a pointed crayon to the left of the sitter's shoulder. There is also a smudge at lower right below the image and a small stry mark upper right. Only one impression of this state has been located. Now in the Britigh Museum, London, it once belonged to Thomas Way and is illustrated in the Levy (1975) catalogue.' The impression illustrated above lacks the stray mark on the right, as the sheet is too small to accommodate it.
Tedeschi, Stratis and Spink write, page 366: 'This portrait of George Govier, was drawn ad the master smith conversed with the artist during a break from his work. Govier was born in Lyme Regis...
Category
Late 19th Century Impressionist Figurative Prints
Materials
Lithograph
Sotto Portico, Venice.
By James McBey
Located in Storrs, CT
Sotto Portico, Venice. 1928. Etching. Hardie/Carter 235. 12 1/2 x 8 3/4 (sheet 8 1/4 x 11 3/8). Edition 80, #39. A rich impression printed in black/brown ink with subtle tonal wiping...
Category
1920s Modern Landscape Prints
Materials
Drypoint, Etching
Barcarolle.
By James McBey
Located in Storrs, CT
Barcarolle. 1926. Etching. Carter 233. 14 7/8 x 8 3/8 (sheet 17 1/4 x 10 1/4). Edition 80, #xxv. Print Collector's Quarterly 24 (1938): 428; Eric Denker, Reflections & Undercurrents: Ernest Roth...
Category
1920s Impressionist Landscape Prints
Materials
Drypoint, Etching
The Passing Gondola
By James McBey
Located in Storrs, CT
The Passing Gondola. c. 1926. Etching. Edition 80, #18. Hardie/Carter 230. 8 1/2 x 10 1/2 (sheet 11 1/4 x 13). Illustrated: Fine Prints of the Year, 1927. Printed on antique wove pap...
Category
1920s Modern Landscape Prints
Materials
Drypoint, Etching
A Gale at Port Errol
By James McBey
Located in Storrs, CT
A Gale at Port Errol. 1923. Etching. Hardie 215, #46. 13 x 8 3/4 (sheet 16 7 /8 x 11 1/2). Edition 76. #46. Illustrated: Fine Prints of the Year, 1923. A rich wiped impression on ant...
Category
1930s Modern Landscape Prints
Materials
Drypoint, Etching
A Spanish Good Friday (Ronda)
By Sir Muirhead Bone
Located in Storrs, CT
A Spanish Good Friday (Ronda). 1925. Drypoint. Dodgson catalog 412 state xxix. Image: 12 1/2 x 8 1/8 (sheet 16 3/4 x 12). Edition 160 in 29 states. Illustrated: Zigrosser: Six Centuries of Fine Prints. A rich impression with velvety drypoint burr. Printed on smooth simili-Japan paper with full margins. Signed in pencil by Bone. Housed in a 22 1/4 x 15 1/2-inch period gold leaf frame.
This is one of Bone's most dramatic images. The night shadows...
Category
1920s Modern Figurative Prints
Materials
Drypoint
Stoops in Snow
By Martin Lewis
Located in Storrs, CT
Stoops in Snow. 1930. Drypoint and sandpaper ground. McCarron catalog 89.state ii. 9 x 14 7/8 (sheet 13 1/4 x 18 7/16 ). . Edition 115 recorded impress...
Category
1930s American Modern Figurative Prints
Materials
Drypoint, Etching
A Mirage
By James McBey
Located in Storrs, CT
A Mirage. 1928. Etching. Hardie 238. 11 13/16 x 14 3/8 (sheet 12 3/16 x 18 3/4). Edition 76, #46. Illustrated: Fine Prints of the Year, 1928 and 1938; Holmes, Etchings of Today. A ri...
Category
1920s Modern Landscape Prints
Materials
Drypoint, Etching
Warning Camp
By Graham Sutherland
Located in Storrs, CT
Warning Camp. 1924. Etching. Tassi 9; Cooke 15. 5 1/8 x 6 1/8 (sheet 8 1/8 x 10 1/2). Edition of 62 in two states. Published by Twenty-One Gallery, London. A fine impression printed on cream-colored laid paper with wide margins. Excellent condition. A scarce early image printed by the artist. Signed in pencil. .his early etching by Sutherland is extremely rare. Housed in a 20 x 16-inch archival mat.
Warningcamp is a small village and civil parish in the Arun District of West Sussex, England. It is located to the north-east of Arundel, on the east bank of the River Arun...
Category
Early 20th Century Modern Landscape Prints
Materials
Etching
A Sunset in Ireland.
By Seymour Haden
Located in Storrs, CT
A Sunset in Ireland. 1863. Etching and drypoint. Schneiderman catalog number 47 state vii/xiv. 5 1/2 x 8 1/2 (sheet 6 7/8 x 9 1/2). An extremely rich impression with drypoint burr, p...
Category
19th Century Modern Landscape Prints
Materials
Drypoint, Etching
Loading Barges on the Thames
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Loading Barges on the Thames. 1922. Etching with drypoint and aquatint. Dickins 72. 4 5/8 x 13 1/8 (sheet 9 3/8 x 15 1/2). Series: The Arteries of Great Britain. Edition 425. A fine proof with tonal wiping, printed on 'J. Whatman' wove paper. Signed in pencil.
The complete set of The Arteries of Great Britain includes The Thames, The Tyne, The Forth, The Clyde, and The Mersey.
Architectural draughtsman, etcher. Born in Lustdorf, near Odessa, Russia, to a British father and Russian mother. Traveled extensively with his family before studying architecture in St Petersburg, with further studies at Ecole des Beaux-Arts and Atelier Redan, Paris. Practiced architecture in Moscow and was co-designer of the Metropole Hotel, in 1898. Moved to London in 1907 and was employed as an architectural perspectivist. After a sponsored visit to Rome and Venice he had a solo exhibit at the Fine Art Society, 1912, 'Watercolours of London and Venice'; followed by a further four shows. He also exhibited at the Royal Academy, Royal Society of British Artists, Royal Society of Painter-Etchers..., and Connell & Sons. His etchings were published in London by H C Dickens,1913-24, and a folio of his work 'Architectural watercolors and etchings of William Walcot' was published, in 1919. Elected RE, 1920; FRIBA, 1922; Associate British School at Rome. A foremost architectural draughtsman, he worked from studios in London, Oxford, and Rome.
The complete set of The Arteries of Great Britain includes: The Thames, The Tyne, The Forth, The Clyde, The Mersey. Signed in pencil .Housed in a 16 x 20 inch mat suitable for framing.
Opened in 1890, the Forth Bridge...
Category
Early 20th Century Modern Landscape Prints
Materials
Drypoint, Etching, Aquatint
The Tyne
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
The Tyne. 1922. Etching and drypoint. Dickins 73. 5 7/8 x 7 7/8 (sheet 9 3/4 x 12 1/2). Series: The Arteries of Great Britain. Edition 425. A fine proof with tonal wiping and more of a sepia coloring, printed on "J.Green & Son' cream-wove paper. Signed in pencil.
The image looks down on the open Swing Bridge, from the High-Level Bridge, Newcastle upon Tyne. The boats carry timber and coal.
The complete set of The Arteries of Great Britain includes The Thames, The Tyne, The Forth, The Clyde, and The Mersey.
Architectural draughtsman, etcher. Born in Lustdorf, near Odessa, Russia, to a British father and Russian mother. Traveled extensively with his family before studying architecture in St Petersburg, with further studies at Ecole des Beaux-Arts and Atelier Redan, Paris. Practiced architecture in Moscow and was co-designer of the Metropole Hotel, in 1898. Moved to London in 1907 and was employed as an architectural perspectivist. After a sponsored visit to Rome and Venice he had a solo exhibit at the Fine Art Society, 1912, 'Watercolours of London and Venice'; followed by a further four shows. He also exhibited at the Royal Academy, Royal Society of British Artists, Royal Society of Painter-Etchers..., and Connell & Sons. His etchings were published in London by H C Dickens,1913-24, and a folio of his work 'Architectural watercolors and etchings of William Walcot' was published, in 1919. Elected RE, 1920; FRIBA, 1922; Associate British School at Rome. A foremost architectural draughtsman, he worked from studios in London, Oxford and Rome.
The complete set of The Arteries of Great Britain includes: The Thames, The Tyne, The Forth, The Clyde, The Mersey. Signed in pencil .Housed in a 16 x 20 inch mat suitable for framing.
Opened in 1890, the Forth Bridge...
Category
Early 20th Century Modern Landscape Prints
Materials
Drypoint, Etching, Aquatint
Make Fast, Plate 2.
By Arthur John Trevor Briscoe
Located in Storrs, CT
Make Fast, plate 2. 1929. Etching. Laver catalog number 146; Hurst catalog number 258. Plate: 14 3/8 x 9 13/16 (sheet 17 5/8 x 11 3/4). Trial proof 2, before the edition or 75. Ill...
Category
1920s Modern Landscape Prints
Materials
Drypoint, Etching
Chrysanthemums and Bands
Located in Storrs, CT
Chrysanthemums and Bands. c.1900. Dark ground Japanese paper stencil on mulberry paper treated with persimmon juice and smoked. Drill and punch carving. 8 x 13 7/8 (sheet 12 1/2 x 16 1/2). Ex-collection Arthur Wesley Dow. $300. Housed in a 16 x 20-inch archival mat, suitable for framing.
Katagami are Japanese stencil patterns that were used for printing kimono patterns...
Category
Early 20th Century Edo Abstract Sculptures
Materials
Stencil
Ludgate Hill
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Ludgate Hill. 1921. Etching, aquatint, and drypoint. Dickins 69. 5 5/8 x 5 1/8 (sheet 13 5/8 x 9 3/4). A fine proof with plate tone, printed on 'J Wha[tman] cream wove paper. Edition of 275 for the UK and 125 for the US. Signed in pencil.
Ludgate Hill is a street that runs west from St. Paul's Churchyard to Ludgate Circus (built in 1864), and from there becomes Fleet Street. The Ludgate Hill railway station, between Water Lane and New Bridge Street, is a station of the London, Chatham, and Dover Railway. It was closed before World War II and the railway bridge and viaduct between Holborn Viaduct and Blackfriars stations was demolished in 1990 to enable the construction of the City Thameslink railway station in a tunnel. This also involved the regrading of the slope of Ludgate Hill at the junction. About halfway up Ludgate Hill is St Martin, Ludgate church. This was physically joined to the Ludgate.
When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category
Early 20th Century Modern Landscape Prints
Materials
Drypoint, Etching, Aquatint
Chelsea Old Church, London
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil.
Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein.
When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Landscape Prints
Materials
Drypoint, Etching, Aquatint
Old Brownstones -- New York
By Lawrence Wilbur
Located in Storrs, CT
Old Brownstones-- New York. c. 1985. Etching and drypoint. 8 7/ 8 x 12 1/3 (sheet 16 5/8 x 16 1/4). Fourth state. Printed on cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival folder. This etching has never been matted. Provenance: the artist's estate. Signed, titled, and annotated 'Fourth state -- wheel changed to left' and 'Steves' in pencil. A dramatic view of a Manhattan neighborhood.
Painter and printmaker Lawrence Nelson Wilbur...
Category
20th Century American Modern Figurative Prints
Materials
Drypoint, Etching
San Marco [Venice].
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
William Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat.
Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice.
When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Landscape Prints
Materials
Drypoint, Etching, Aquatint
![San Marco [Venice].](https://a.1stdibscdn.com/william-walcot-prints-works-on-paper-san-marco-venice-for-sale/a_3352/a_101504721690399029260/sanmarcoimage3_master.jpg?width=240 "ribasan")
The Biggest of All; Telephone and Telegraph Building.
By Joseph Pennell
Located in Storrs, CT
The Biggest of All; Telephone and Telegraph Building. 1925. Etching. Wuerth 853. 9 7/8 x 11 7/8 (sheet 11 1/2 x 17 1/8). Edition probably 35. An atmospheric impression with plate tone, printed on antique laid paper...
Category
Early 20th Century American Modern Landscape Prints
Materials
Etching, Drypoint
Twixt Dawn and Day
By Sir Frank Short
Located in Storrs, CT
Twixt Day and Dawn. 1919. Aquatint. Hardie catalog 165 state ii. Image 9 7/8 x 11 1/2 (sheet 13 9/16 x 16 7/8). A masterly inked impression produces subtle lighting variations throu...
Category
Early 20th Century Modern Landscape Prints
Materials
Aquatint
Alington in Wiltshire (The First Swallow).
By Robin Tanner
Located in Storrs, CT
Alington in Wiltshire (The First Swallow). 1927. Etching. Garton 2.iv. 6 3/4 x 8 7/8 (sheet 10 1/2 x 13 1/2). Final state published by in an editon of 12 by Garton & Cooke in 1982 (Nicolson published an edition of 40 in 1927). In states iii and iv, the swallow of the title was removed. In state iv, the sky was re-etched and the cross-hatching was slightly finer. Signed in pencil.
Garton writes, page 11: "The design was based on the Anglican chapel-of-ease is the farmyard of Bulisge at Allinston near Chippenham....The print was originally entitled The First Swallow, but the swallow was burnished out before the 1927 edition....Fifty years later new work was effected in the worn-out areas of the sky and distance to produce prints which, in his opinion, were better than those of the original edition."
Robin Tanner was an English artist, etcher, and printmaker. He followed the visionary tradition of Samuel Palmer and English neo-romanticism. His etchings began following night-school classes at Goldsmiths College, London. He had been inspired by the major Samuel Palmer retrospective exhibition organized by Martin Hardie...
Category
1920s Modern Landscape Prints
Materials
Etching
Spider Chrysanthemums
Located in Storrs, CT
Spider Chrysanthemums. c.1900. White ground Japanese stencil on mulberry paper treated with persimmon juice and smoked. Silk thread insertion reinforcement. 11 7/8 x 14 1/4 (sheet 16...
Category
Early 1900s Edo Still-life Prints
Materials
Stencil
The Cow Shed
By Kerr Eby
Located in Storrs, CT
The Cow Shed. 1946. Etching, aquatint, and sandpaper ground. Giardina 211. 9 5/8 x 15 1/8. Edition 100. Tape marks at the margin edges, well away from the image. A rich impression printed on cream wove paper with full margins. Signed and annotated 'imp' (imprimit) in pencil, indicating a proof printed Eby. Housed in an 18 3/4 x 24-inch archival mat, suitable for framing.
Eby is known for his stark and lovely landscapes of Connecticut in the winter. He first got to know Connecticut when he spent several summers at the artist’s colony at Cos Cob immediately before the First World War. There he became friends with the American Impressionist artist Childe Hassam, who was almost thirty years older than Eby. Eby and Hassam had a close working relationship, with the younger artist providing the older artist with technical advice on etching and the use of his etching press.
Following the War, Eby married Frances Sheldon, whom he had met in Cos Cob, and the couple eventually settled in a pre-Revolutionary War saltbox...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Etching
The Shadowed Valley.
By Sir Frank Short
Located in Storrs, CT
Sir Frank Short, R.A., P.R.E. 1857-1945. The Shadowed Valley. 1927. Mezzotint. Hardie 128. 14 3/8 x 19 3/8 (sheet 19 x 24). A rich, glowing impression p...
Category
1920s Modern Landscape Prints
Materials
Mezzotint
Relics (Speakeasy Corner).
By Martin Lewis
Located in Storrs, CT
McCarron 74. 11 7/8 x 9 7/8 (sheet 17 1/8 x 13 3/4). Edition of 111. Illustrated: American Etchers: Martin Lewis. A brilliant, luminous impression with rich, velvety burr, printed on cream laid paper. Signed in pencil. Price upon request. Housed in an archival mat and a 25 x 21-inch black wood frame.
According to McCarron, page 136, "The popularity of Relics when first issued is clear; the entire edition sold in just a few months, a spectacular achievement for a printmaker of the time."
The location depicted in Relics is the intersection of Charles Street and West Fourth Street in Greenwich Village, a few blocks from Lewis's house on Bedford Street.
During Lewis' lifetime, Relics was his most popular print, and the entire edition was sold. Relics and Glow of the City...
Category
1920s American Modern Landscape Prints
Materials
Drypoint
Out of My Window. (Vista; My Own; De Ma Fenêtre)
By John Taylor Arms
Located in Storrs, CT
Out of My Window. (Vista; My Own; De Ma Fenêtre). 1916. Etching. Fletcher 4, Library of Congress 254. 7 x 5 9/16 (sheet 9 3/8 x 9 1/2). Edition 75. Good condition apart from two re...
Category
20th Century American Modern Landscape Prints
Materials
Etching
The Workshop (Stirling)
By Sir David Young Cameron, R.A.
Located in Storrs, CT
The Workshop (Stirling). 1905. Etching and drypoint. Rinder 369 state .ii/iv.Image: 8 3/16 x 12 (sheet 8 5/16 x 12). No published edition. A rich impression with drypoint burr printe...
Category
Early 20th Century Modern Landscape Prints
Materials
Drypoint, Etching
Bottle Gourds and Maple Leaves on Vertical Panels
Located in Storrs, CT
Bottle Gourds and Maple Leaves on Vertical Panels. c.1900. White and dark ground Japanese paper stencil on mulberry paper treated with persimmon juice. Reinforced with thread insertion. 7 3/4 x 14. (sheet 14 1/2 x 17). Housed in a 16 x 20-inch archival mat, suitable for framing.
Katagami are Japanese stencil patterns that were used for printing kimono patterns...
Category
Early 20th Century Edo Abstract Sculptures
Materials
Stencil
Under the Bridge
By Lawrence Wilbur
Located in Storrs, CT
Under the Bridge. 1985. Etching and drypoint. 9 1/2 x 12 1/8 (sheet 20 1/16 x 22). Edition 27, #19. Printed on cream wove paper, on the full sheet with deckle edges. A rich impression in excellent condition, housed in an archival folder. The etching has never been matted. Titled and numbered in pencil. by the artist; signed and initialed in pencil by the artist's estate. Provenance: the artist's estate A dramatic view of the lower East Side in New York. Housed in an archival folder awaiting your choice of mat and frame.
Painter and printmaker Lawrence Nelson Wilbur...
Category
20th Century American Modern Figurative Prints
Materials
Etching, Drypoint
A Regatta on the Grand Canal [Venice]
By James McBey
Located in Storrs, CT
A Regatta on the Grand Canal. 1930. Drypoint. Hardie/Carter 248. 8 7/8 x 15 3/8 sSheet 13 3/16 x 19 3/8). Edition 80, #5. A fine impression on cream-colored wove paper with full margins. Signed and numbered in ink. Housed in an 18 x20-inch archival mat.
Carter writes, "A procession of boats, gaily decorated, is entering the Grand Canal, with the Campanile and the Doges' Palace in the background. On the left is the baroque poop of a boat with a flamboyant, carved female figure; on the right, another boat with a prow of two prancing horses."
Born in Newburgh near Aberdeen, James McBey attended evening classes at Graydon's School of Art and taught himself etching, building his own press at the age of fifteen. He moved to London to prepare for a one-man show at Goupil's Gallery, and shortly after this highly successful first show, he traveled to Morocco with James Kerr Lawson...
Category
Mid-20th Century Modern Landscape Prints
Materials
Etching
![A Regatta on the Grand Canal [Venice]](https://a.1stdibscdn.com/james-mcbey-prints-works-on-paper-a-regatta-on-the-grand-canal-venice-for-sale/archivesE/upload/a_3352/a_26983011522694785622/regattaimagedibs_master.jpg?width=240 "kunsttrykk regatta")
La petite marine -- Souvenir de Medway. (Little Seascape, a Remembrance of the M
By Félix Hilaire Buhot
Located in Storrs, CT
La petite marine -- Souvenir de Medway. (Little Seascape, a Remembrance of the Medway). 1879. Etching, drypoint, false biting, aquatint, and stop-out. Bourcard-Goodfriend catalog 15...
Category
1870s Modern Landscape Prints
Materials
Drypoint, Etching, Aquatint
Ciel Gris I (Grey Sky I)
By (after) Georges Braque
Located in Storrs, CT
Ciel Gris I (Grey Sky I). 1959. Lithograph printed in colors. Vallier, Dora. Braque. The Complete Graphics, London 1988, page 294, 9 x 2 3/4 (sheet 15 x 11).
This is not a copy. It...
Category
Mid-20th Century Cubist Abstract Prints
Materials
Color, Lithograph
Ciel Gris II (Grey Sky II)
By (after) Georges Braque
Located in Storrs, CT
Ciel Gris. 1959. Lithograph printed in colors. Vallier, Dora. Braque. The Complete Graphics, London 1988, page 294, No. 1033. 9 x 3 3/8 (sheet 15 x 10 3/4). One of about 3000 imp...
Category
Mid-20th Century Cubist Abstract Prints
Materials
Color, Lithograph
Rainy Night in Rome.
By Sir Muirhead Bone
Located in Storrs, CT
Rainy NIght in Rome.. 1913. Drypoint. Dodgson 299.x. 12 x 9 (sheet 16 x 11 1/4). Edition 125 in 10 states. A rich impression with burr and tonal wiping. Pr...
Category
1910s Modern Landscape Prints
Materials
Drypoint, Etching
Rue Furstenberg
By James Abbott McNeill Whistler
Located in Storrs, CT
Rue Furstenberg. 1894. Lithograph. Way 59; Levy 90; Tedeschi, Stratis and Spink catalog 97. Only state. 8 7/8 x 6 1/4 (sheet 14 1/4 x 8 7/8). A fine ...
Category
Late 19th Century Impressionist Figurative Prints
Materials
Lithograph
The Gargoyle and His Quarry
By John Taylor Arms
Located in Storrs, CT
The Gargoyle and His Quarry, Notre Dame. 1920. Etching.Fletcher 90. 7 1/8 x 5 1/4 (sheet 10 1/2 x 9 1/16). Gargoyle series #1. Edition 75. A rich impression printed on 'FJHead&Co' c...
Category
1920s American Modern Landscape Prints
Materials
Drypoint, Etching
The Gothic Spirit
By John Taylor Arms
Located in Storrs, CT
The Gothic Spirit (also called A Gargoyle, A Gothic Spirit). 1922. Etching and stipple. Fletcher 120. 11 5/8 x 7 (sheet 15 1/4 x 11 1/4). Gargoyle Series #8. Edition 130. Illustrated...
Category
1920s American Modern Landscape Prints
Materials
Drypoint, Etching
From Knoedler's Window MCMXXXV
By John Taylor Arms
Located in Storrs, CT
From Knoedler's Window MCMXXV. 1935. Etching and Aquatint. Fletcher catalog 293 stateiv/v. Image: 5 1/16 x 4 15/16 (sheet 12/7/8 x 9 1/8). Edition 271 in this state (total edition 3...
Category
1920s American Modern Landscape Prints
Materials
Aquatint, Etching
Guardians of the Spire (Amiens Cathedral Number 2)
By John Taylor Arms
Located in Storrs, CT
Guardians of the Spire (Amiens Cathedral Number 2). 1921. Etching. Fletcher 102. 6 3/4 x 9 7/8 (sheet 8 7/8 x 13 3/4). Gargoyle Series #4. Edition 75. Illustrated: Dorothy Noyes Arms...
Category
1920s American Modern Landscape Prints
Materials
Drypoint, Etching
The Church Across the Way
By Childe Hassam
Located in Storrs, CT
The Church Across the Way. 1916. Etching. Cortissoz, Clayton 66. 8 1/4 x 4 3/8 (sheet 10 1/16 x 6 1/8). A fine impression with carefully-wiped plate tone printed on white laid paper ...
Category
1910s American Impressionist Landscape Prints
Materials
Etching
The Fair
By James Abbott McNeill Whistler
Located in Storrs, CT
The Fair. 1895-96. Lithograph. Way 92, Levy 144, Tedeschi, Stratis and Spink 135 state ii. Image 9 1/4 x 6 1/2 (sheet 13 x 9 5/8). A fine impression printed on antique cream-laid paper. Way lists 15-lifetime impressions (Goulding printed...
Category
Late 19th Century American Modern Figurative Prints
Materials
Drypoint, Etching
Automne (Autumn)
By Georges Rouault
Located in Storrs, CT
Automne (Autumn). 1938. Aquatint print in colors. Chapon/Rouault 288C. 19 1/2 x 25 1/2 ( sheet 22 5/8 x 30 3/4). Edition 175, #58. Published by Vollard. A rich impression with brigh...
Category
Mid-20th Century Expressionist Figurative Prints
Materials
Aquatint, Color
Charing Cross Bridge from My Window
By Joseph Pennell
Located in Storrs, CT
Charing Cross at Night. 1909. Mezzotint. Wuerth 510. 11 7/8 x 10 (sheet 15 x 10 3/4). Edition probably 30. Printed on 'Rome'cream laid paper, probably fr...
Category
Early 20th Century American Modern Landscape Prints
Materials
Resin, Aquatint
From the Weather Bureau. New York, New York.
By Stow Wengenroth
Located in Storrs, CT
"From the Weather Bureau. February 1940. Lithograph printed in black and cream. Stuckey catalog 106. state i. Two stone printing. 10 1/8 x 17 (sheet 16 x 21 5/8). Edition 40 in this ...
Category
1940s American Modern Landscape Prints
Materials
Lithograph
The Venetian Mast
By James Abbott McNeill Whistler
Located in Storrs, CT
The Venetian Mast. 1879-80. Etching and drypoint. Kennedy catalog 195 state .vi; Glasgow catalog 219 state x/xii. 13 3/8 x 6 3/8. Glasgow records 53 impressions. A fine, atmospheric...
Category
1870s American Impressionist Landscape Prints
Materials
Drypoint, Etching
