AYN Gallery Mixed Media

A Tribute to Arab Women – A Collaboration Between Marion Boehm & Roger Moukarzel For this tribute to Arab women, Marion Boehm collaborated with Lebanese photographer Roger Moukarzel,...

A Tribute to Arab Women – A Collaboration Between Marion Boehm & Roger Moukarzel For this tribute to Arab women, Marion Boehm collaborated with Lebanese photographer Roger Moukarzel,...

For celebrating Love, Life, friendship and extravagance ! "Art is transformation" Art is the purpose of art as love is the purpose of love. “Heinrich Heine Ines Hildur...

Too many people have the idea that art caters to the eyes. Marielle's works go beyond contemplation, her paintings as her minimalist engravings, confront us with the beauty of a quie...

Too many people have the idea that art caters to the eyes. Marielle's works go beyond contemplation, her paintings as her minimalist engravings, confront us with the beauty of a quie...

" Non-Color Augsburg", Mixed Media on Canvas 2016 signed No frame "Art is transformation" Art is the purpose of art as love is the purpose of love. “Heinrich Heine...

"" Green and Black Field"" , Mixed Media on Canvas 2019 signed on the back Not framed "Art is transformation" Art is the purpose of art as love is the purpose of love. “Heinrich Heine...

" Serie White" , Mixed Media on Canvas 2019 signed on the front No frame "Art is transformation" Art is the purpose of art as love is the purpose of love. “Heinrich Heine Ines Hildur...

" Black and White", Mixed Media on Canvas 2019 signed on the back No frame "Art is transformation" Art is the purpose of art as love is the purpose of love. “Heinrich Heine Ines Hil...

Blackfield over Light field, mixed media on canvas 2019 signed on the back No frame "Art is transformation" Art is the purpose of art as love is the purpo...

" Diptichon" Mixed Media on Canvas Signed on the back No framed "Art is transformation" Art is the purpose of art as love is the purpose of love. “Heinrich Heine Ines Hildur...

"In attesa" , " Waiting" 2013, Technic mix on canvas Signed on the back The artist perform this splendid work during pregnancy, she did not want to part with it until today ! In 2018 Veronica Botticelli is one of the 222 emerging artists worth investing in. She was selected by the most prestigious curators, critics, journalists and art galleries Veronica Botticelli seems to have frozen the image and now she presents it on structured backgrounds of large fields of color, on which she intervenes by applying paper that then becomes one with the canvas. Whatever the medium, sheet, canvas, ministerial envelopes, the works of Veronica are in the form of palimpsest, they are made of accumulations, erasures, presence, absence and speak with force of painting and painting. a resolutely contemporary painting. She has chosen this object precisely because of its strong poetic message, making it the custodian of memories, both personal and collective, in which we mix the nostalgic thoughts we have as we gaze at a work that suggests to us the enchantment of a lost past. Veronica Botticelli currently lives and works in Paris. Graduated at the Accademia di Belle Arti in Rome. She began working in 2004 taking part in "Cortilarte", an exhibition held at the Casa della Letteratura in San Lorenzo. In 2006 she won the first prize at the National Contest of Visual Arts, organized by ANMIL and INAIL , held at the Palazzo della Cancelleria in Rome. In the same year she held her solo exhibition Ateliers d'Artista at the library in Villa Mercede in collaboration with Fondazione Pastificio Cerere. After participating in several collective exhibitions in 2010, Fabio Sargentini supervised Veronica Botticelli's solo exhibition "Un Quadro Nel Teatro" at the Galleria L'Attico in Rome. In 2011 she held an exhibition at the L.E.S. Gallery, CSV Center in New York City. In 2012 she was among the young artists chosen to enter the 5th edition of the Premio VAF with a traveling exhibit at the Stadtgalerie in Kiel; the Museum Biedermann in Donaueschingen; CIAC Centro per L'Arte Contemporanea, Castello Colonna in Genazzano. In 2013 she held her solo show “Sono tutto quello che vedo” at the Annamarracontemporanea gallery in Rome. In 2015 she wos awarded the prize "Premio Giovani" Accademia Nazionale di San Luca in Rome. In 2018 she held her solo show “Io ho sentito la musica" curated by Catherine Tirelli, Gallerie L & C Tirelli, Vevey, Svizzera Solo exhibitions 2018 "Io ho sentito la musica", a cura di/curated by Catherine Tirelli, Gallerie L & C Tirelli, Vevey, Svizzera 2017 "La disanza delle ragioni" , doppia personale a cura di/curated by Giorgia Calò, annamarracontemporanea, Roma, Italy (cat. ed. Gangemi) 2015 "Amore mio non te ne andare", a cura di/curated by Catherine Tirelli, Gallerie L & C Tirelli, Vevey,Svizzera 2013 "Sono tutto quello che vedo”, a cura di/curated by Giorgia Calò, annamarracontemporanea, Roma, Italy (cat. ed. Gangemi) 2011 “16, 26 tutto quello che volevo dire”, a cura di/curated by Fabrizio Pizzuto, Closet, Roma 2010 “Un quadro nel teatro”, Galleria L' attico di Fabio Sargentini, Rome, Italy 2006 "Ateliers d'Artista”, a cura di/curated by Maurizio Carresi e Rosanna Rago, Biblioteca di villa Mercede, in collaborazione con la Fondazione Pastificio Cerere, Roma (cat.) Collective exhibition 2019 Art ON PAPER, Galleria Anna Marra, Brussels, Belgium Paris Design WEEK, Ayn Gallery, Paris, France/ curated by Yasmine Azzi “Libri d' Artista, l’arte da leggere”, a cura di/curated by Mariastella Margozzi e Valentina Gigante, Castello Svevo di Bari; Castello di Copertino, Lecce, Italy Art Paris Art Fair, Galleria Anna Marra, Grand Palais, Paris, France “Brias'' Internationale Art Symposium and master Classes, a cura di/curated by Tima Jam, Istanbul, Turkey 2018 “Arimondi3 rewired’’ a cura di/curated by Angelo Cricchi e Barbara Santoro, via Arimondi, Roma, Italy 2017 "Invisibili connessioni" a cura di/curated by Viola Invernizzi, Museo Italgas.Torino “Una Festa dell'Arte” a cura di/curated by di Anna Nassisi, scuderie di palazzo Farnese di Caprarola. Viterbo, Italy 2015 Vincitrice del premio "Premio giovani" Accademia Nazionale di San Luca. Roma, Italy(cat.) 2015 "[ Sé-gni]", a cura di/curated by Giorgia Calò, Galleria Riccardo Crespi, Mostra realizzata in occasione dell'asta raccolta fondi in favore della IIFCA-Fondazione Italia Israele per la Cultura e le Arti, Teatro Franco Parenti di Milano. Milano,Italy (cat.) 2014 “L'arte guarda avanti" (Premio Terna) a cura di/curated by di Cristiana Collu e Gianluca Marziani, Archivio di Stato di Torino, Torino (cat.) 2013 “Interno e memoria”, a cura di/curated by Valentina Casacchia, Edward Cutler Gallery, Milano (cat.) “It diary of a neuter”, a cura di/curated by Caterina Silva, Private Basement, Parigi 2012 “PPP Una Polemica Inversa, omaggio a Pier Paolo Pasolini”, a cura di/curated by Flavio Alivernini, Palazzo Incontro, Roma (cat. Fandango libri) “Premio Fondazione VAF”, a cura di/curated by Volker W. Feierabend, Silvia Holler, Norbert Nobis, Peter Weiermair, Klaus Wolbert, CIAC Centro Internazionale per l'Arte Contemporanea, Castello Colonna di Genazzano; Museum Biedermann, Donaueschingen; Stadtgalerie, Kiel (cat.) “Portonaccio, Artisti in condominio”, a cura di/curated by Achille Bonito Oliva studi di Via Arimondi n.3, Roma (cat.) “Ditelo con i fiori”, a cura di/curated by Claudio Libero Pisano, CIAC Centro Internazionale per l'Arte Contemporanea, Castello Colonna di Genazzano 2011 “The Shadow Line”, a cura di/curated by Valentina Casacchia, L.E.S Gallery, CSV Center, New York “Brooklyn Boudoir”, a cura di/curated by Valentina Casacchia, Studio 400, New York “Via Arimondi”, a cura di/curated by Shara Wasserman e Mauro Di Silvestre, Temple Gallery – Temple University, Roma 2010 “Che cento fiori sboccino...”, a cura di/curated by Roberto Gramiccia, La Nuova Pesa Centro per l'Arte Contemporanea, Roma 2009 “Sursum Corda”, a cura di/curated by Cinzia Fratucello, Interno Ventidue Arte Contemporanea, Roma 2008 “Falce e Martello, Simboli di ferro”, a cura di/curated by Daniele Arzenta, Giorgia Calò, Roberto Gramiccia, MUSPAC, Museo Sperimentale d'Arte Contemporanea de L'Aquila (cat. Edizioni Horti Lamiani Bettivò) 2007 Opera selezionata per la campagna abbonamenti Teatro Ambra Jovinelli, Roma “Detour the Moleskine city notebook”, a cura di/curated by Raffaella Guidobono, Londra 2006 “Premio Vasto. Vertigini, il fantastico oggettuale”, a cura di/curated by Silvia Pegoraro, Vasto (cat.) Vincitrice del primo premio “Lʼaltra metà del lavoro”, a cura di/curated by Pino Casagrande, Presidente di Giuria Paolo Balmas, Palazzo della Cancelleria, Roma (cat.) “Sottovetro”, a cura di/curated by Pier Paolo Pancotto, Cafè Dagnino - Galleria Esedra, Roma (cat.) 2005 “S/AGO/ME 547”, a cura di/curated by Paola...

"Io sono qui" 2019, Technic mix on paper Signed on the back Not framed In 2018 Veronica Botticelli is one of the 222 emerging artists worth investing in. She was selected by the most prestigious curators, critics, journalists and art galleries Veronica Botticelli seems to have frozen the image and now she presents it on structured backgrounds of large fields of color, on which she intervenes by applying paper that then becomes one with the canvas. Whatever the medium, sheet, canvas, ministerial envelopes, the works of Veronica are in the form of palimpsest, they are made of accumulations, erasures, presence, absence and speak with force of painting and painting. a resolutely contemporary painting. She has chosen this object precisely because of its strong poetic message, making it the custodian of memories, both personal and collective, in which we mix the nostalgic thoughts we have as we gaze at a work that suggests to us the enchantment of a lost past. Veronica Botticelli currently lives and works in Paris. Graduated at the Accademia di Belle Arti in Rome. She began working in 2004 taking part in "Cortilarte", an exhibition held at the Casa della Letteratura in San Lorenzo. In 2006 she won the first prize at the National Contest of Visual Arts, organized by ANMIL and INAIL , held at the Palazzo della Cancelleria in Rome. In the same year she held her solo exhibition Ateliers d'Artista at the library in Villa Mercede in collaboration with Fondazione Pastificio Cerere. After participating in several collective exhibitions in 2010, Fabio Sargentini supervised Veronica Botticelli's solo exhibition "Un Quadro Nel Teatro" at the Galleria L'Attico in Rome. In 2011 she held an exhibition at the L.E.S. Gallery, CSV Center in New York City. In 2012 she was among the young artists chosen to enter the 5th edition of the Premio VAF with a traveling exhibit at the Stadtgalerie in Kiel; the Museum Biedermann in Donaueschingen; CIAC Centro per L'Arte Contemporanea, Castello Colonna in Genazzano. In 2013 she held her solo show “Sono tutto quello che vedo” at the Annamarracontemporanea gallery in Rome. In 2015 she wos awarded the prize "Premio Giovani" Accademia Nazionale di San Luca in Rome. In 2018 she held her solo show “Io ho sentito la musica" curated by Catherine Tirelli, Gallerie L & C Tirelli, Vevey, Svizzera Solo exhibitions 2018 "Io ho sentito la musica", a cura di/curated by Catherine Tirelli, Gallerie L & C Tirelli, Vevey, Svizzera 2017 "La disanza delle ragioni" , doppia personale a cura di/curated by Giorgia Calò, annamarracontemporanea, Roma, Italy (cat. ed. Gangemi) 2015 "Amore mio non te ne andare", a cura di/curated by Catherine Tirelli, Gallerie L & C Tirelli, Vevey,Svizzera 2013 "Sono tutto quello che vedo”, a cura di/curated by Giorgia Calò, annamarracontemporanea, Roma, Italy (cat. ed. Gangemi) 2011 “16, 26 tutto quello che volevo dire”, a cura di/curated by Fabrizio Pizzuto, Closet, Roma 2010 “Un quadro nel teatro”, Galleria L' attico di Fabio Sargentini, Rome, Italy 2006 "Ateliers d'Artista”, a cura di/curated by Maurizio Carresi e Rosanna Rago, Biblioteca di villa Mercede, in collaborazione con la Fondazione Pastificio Cerere, Roma (cat.) Collective exhibition 2019 Art ON PAPER, Galleria Anna Marra, Brussels, Belgium Paris Design WEEK, Ayn Gallery, Paris, France/ curated by Yasmine Azzi “Libri d' Artista, l’arte da leggere”, a cura di/curated by Mariastella Margozzi e Valentina Gigante, Castello Svevo di Bari; Castello di Copertino, Lecce, Italy Art Paris Art Fair, Galleria Anna Marra, Grand Palais, Paris, France “Brias'' Internationale Art Symposium and master Classes, a cura di/curated by Tima Jam, Istanbul, Turkey 2018 “Arimondi3 rewired’’ a cura di/curated by Angelo Cricchi e Barbara Santoro, via Arimondi, Roma, Italy 2017 "Invisibili connessioni" a cura di/curated by Viola Invernizzi, Museo Italgas.Torino “Una Festa dell'Arte” a cura di/curated by di Anna Nassisi, scuderie di palazzo Farnese di Caprarola. Viterbo, Italy 2015 Vincitrice del premio "Premio giovani" Accademia Nazionale di San Luca. Roma, Italy(cat.) 2015 "[ Sé-gni]", a cura di/curated by Giorgia Calò, Galleria Riccardo Crespi, Mostra realizzata in occasione dell'asta raccolta fondi in favore della IIFCA-Fondazione Italia Israele per la Cultura e le Arti, Teatro Franco Parenti di Milano. Milano,Italy (cat.) 2014 “L'arte guarda avanti" (Premio Terna) a cura di/curated by di Cristiana Collu e Gianluca Marziani, Archivio di Stato di Torino, Torino (cat.) 2013 “Interno e memoria”, a cura di/curated by Valentina Casacchia, Edward Cutler Gallery, Milano (cat.) “It diary of a neuter”, a cura di/curated by Caterina Silva, Private Basement, Parigi 2012 “PPP Una Polemica Inversa, omaggio a Pier Paolo Pasolini”, a cura di/curated by Flavio Alivernini, Palazzo Incontro, Roma (cat. Fandango libri) “Premio Fondazione VAF”, a cura di/curated by Volker W. Feierabend, Silvia Holler, Norbert Nobis, Peter Weiermair, Klaus Wolbert, CIAC Centro Internazionale per l'Arte Contemporanea, Castello Colonna di Genazzano; Museum Biedermann, Donaueschingen; Stadtgalerie, Kiel (cat.) “Portonaccio, Artisti in condominio”, a cura di/curated by Achille Bonito Oliva studi di Via Arimondi n.3, Roma (cat.) “Ditelo con i fiori”, a cura di/curated by Claudio Libero Pisano, CIAC Centro Internazionale per l'Arte Contemporanea, Castello Colonna di Genazzano 2011 “The Shadow Line”, a cura di/curated by Valentina Casacchia, L.E.S Gallery, CSV Center, New York “Brooklyn Boudoir”, a cura di/curated by Valentina Casacchia, Studio 400, New York “Via Arimondi”, a cura di/curated by Shara Wasserman e Mauro Di Silvestre, Temple Gallery – Temple University, Roma 2010 “Che cento fiori sboccino...”, a cura di/curated by Roberto Gramiccia, La Nuova Pesa Centro per l'Arte Contemporanea, Roma 2009 “Sursum Corda”, a cura di/curated by Cinzia Fratucello, Interno Ventidue Arte Contemporanea, Roma 2008 “Falce e Martello, Simboli di ferro”, a cura di/curated by Daniele Arzenta, Giorgia Calò, Roberto Gramiccia, MUSPAC, Museo Sperimentale d'Arte Contemporanea de L'Aquila (cat. Edizioni Horti Lamiani Bettivò) 2007 Opera selezionata per la campagna abbonamenti Teatro Ambra Jovinelli, Roma “Detour the Moleskine city notebook”, a cura di/curated by Raffaella Guidobono, Londra 2006 “Premio Vasto. Vertigini, il fantastico oggettuale”, a cura di/curated by Silvia Pegoraro, Vasto (cat.) Vincitrice del primo premio “Lʼaltra metà del lavoro”, a cura di/curated by Pino Casagrande, Presidente di Giuria Paolo Balmas, Palazzo della Cancelleria, Roma (cat.) “Sottovetro”, a cura di/curated by Pier Paolo Pancotto, Cafè Dagnino - Galleria Esedra, Roma (cat.) 2005 “S/AGO/ME 547”, a cura di/curated by Paola D...

"Art is transformation" Art is the purpose of art as love is the purpose of love.« Heinrich Heine Ines Hildur starts her paintings intuitively, without any preconceived programme. From the subconscious things occur, which she cannot predetermine. The artist does not convert these inner pictures to specific things. With a special feeling for rhythm and through subtile color sounds she tells about free, associative picture stories. The works exude tranquillity, clarity and sensuality. The visible aesthetic sensitivity has a suggestive power, which captivates the observer. If you get involved in these pictures – in the colored moods, the symbolic, fragile lines, symbols – they appear to be the beginning of a story, which the observer can continue in his imagination. At the trans-lation into the terms of language, however, something mysterious remains, which cannot be translated. The painter apparently leaves the processes for the creation of the painting: color layers overlay each other, lines are covered and released again, used papers are stuck onto the work. The artist describes her way of painting like this: » violations at places of change are connected, sewed, covered in a varnishing way, shine through like under a wax layer or can still haptically be realised. Special importance is attached to the picture passages, which appear to be particularly successful, they support their environment – are significant for fringe areas, however, can also lose their function again during the working process and have to be given up – sometimes this is quite painful like the loss of a good friend.« She discovers special beauty in apparently everyday things. This can be a crumbling wall, moss between concrete slabs, traces of transience. Due to this special talent of perception the artist converts her impressions to compact pictures, which sometimes remind me of releasing layers, preserving a certain state, which could quickly disappear: also the forms of cocoon are ambiguous, a cocoon for wrapping something up, giving protection and security – or are they projectiles reaching new shores? In an environment of over-stimulation the artist wants to train our ability of perception to see things in a new way. For several years she has been communicating the interrelation between painting and seeing at the private art school Wameling Richon in Baden near Zurich. The painter and architect Ines Hildur – this is her pseudonym – belongs to the cross-border artists, to whom one attributes a special open view due to the different fields of activity. Since 1991 she has intensively been occupying herself with painting. By encountering the Berlin film-maker and painter Jürgen Böttcher Alias Strawalde, the Vienna painter Gunter Damisch and the artist couple Nancy Spero and Leon Golub at the renowned Summer Academy of Fine Arts in Salzburg she received particularly lasting ideas and stimuli. In the meantime the artist, who presently lives in Leipzig, shows her individual and group presentations in Germany, Austria, Switzerland and France. The paintings of Ines Hildur appear to be very open, they invite to discuss about them. Perhaps it will be a dialogue between her expectations and those aspects you can find here. You can take up this trace if you want to come closer to the secret behind the obvious things, which works of art always have for us. Andrea Richter-Mahlo I Art Historian I Leipzig. Ines Hildur is born in Freiberg / Saxonia in Germany She studied architecture at the University Dresden from 1977 to 1982. In 1991 she study Arts in the Arts School of Fine Arts & Design and in the International Summer Academies of Fine Arts Saarbrücken Living and working in Leipzig as an Artist Painter she still working as an Architect and Interior Designer in Dresden, Saarbrücken, Salzburg and Leipzig since 1982 and Temporarily in Saint Paul De Vence - Cote d'Azur Teaching free painting at serval academies of Fine arts since 2002 . Selected Solo Exhibitions 1994 Galerie Filmhaus Saarbrücken 1995 Atelier Studio Silke Wagler Leipzig Galerie Mittelsächsisches Theater Freiberg 1996 Galerie Alcatraz Hallein/Austria 1997 Galerie Hofhaus Saarlouis Galerie Pro Arte Hallein/Austria 1998 Galerie Schubert Neunkirchen Mdr-Galerie Leipzig 1999 City Managment/Galerie Spandow Berlin Galerie Kunst + Objekte Leipzig 2000 Regierungspräsidium Dresden Galerie Hanstein Saarbrücken 2001 Galerie Spandow Berlin 2002 Galerie Wameling Richon, Baden/Suisse 2003 Kunstverein Die Treidler, Frankenthal Galerie Ferry, Paris 2004 Drive - Die Medienagentur, Hannover 2005 Galerie Ferry Paris Galerie Wameling Richon Baden/Suisse Galerie Victoria Wittek Schwalmtal/Rainrod/D 2006 Kunstverein Ebersberg 2007 Nexolab München 2010 Art und Ambiente Leipzig Kunst und Justiz Karlsruhe 2013 Helmaxx Salzburg 2014 Werkschau Salzburg 2015 2018 Galerie Schöllerbank Salzburg Galerie Katapult Basel Galerie Mikhail Nefedov Nizza Galerie der Havilandbank Monte Carlo Selected Group Exhibitions 1994 Galerie Filmhaus Saarbrücken 1996 Galerie am Damm, Dresden Galerie Hanstein, Saarbrücken Galerie Pro Arte Hallein/Austria 1997 Landeskunstaustellung Saar, St. Ingbert 1999 Passages - House of Artists, Saarbrücken Art in the Box - House of Artists, Saarbrücken 2001 Galerie Hanstein, Saarbrücken House of Artists, Saarbrücken 2002 Galerie Hanstein, Saarbrücken Galerie Pro Arte Hallein/Austria 2003 Galerie Hanstein, Saarbrücken Galerie Ferry, Paris 2004 Galerie Wameling Richon, Baden/Suisse Grosse Kunstausstellung, Wasserburg/Inn Galerie Nicole...

Technique collage of paper on canvas, Indian ink, charcoal, pastel "series Fragment # 3 Nature & Kraft Paper collage is a technique of artistic creation that consists in organizing ...

Technique collage of paper on canvas, Indian ink, charcoal, pastel "series Fragment # 5 signed on the back. Blue, Turkis - Rolled and unframed " Chassis" canvas, there is possibility...

Technique collage of paper on canvas, Indian ink and charcoal acrylic paint "series Fragment # 4" signed. - Unframed canvas (no frame) Paper collage is a technique of artistic crea...

This work can be hung horizontally or vertically. The artist has left the choice to the buyer to choose the meaning according to his harmony and his mood .. signed on the back Marie...

Marielle Guégan is a painter and engraver. During her studies as an interior designer, she is passionate about drawing and revelation of color with its different impacts related to o...

Marielle Guégan is a painter and engraver. During her studies as an interior designer, she is passionate about drawing and revelation of color with its different impacts related to o...

"Art is transformation" Art is the purpose of art as love is the purpose of love.« Heinrich Heine Ines Hildur starts her paintings intuitively, without any...