Bradbury Art & Antiques

Signed and dated 92 lower left. Oil on canvas. Frank Bramley British, 1857-1915 Frank Bramley is considered one of the most important artists of the Newlyn School, the group of artists who settled in Newlyn, Cornwall during the 1880s and 1890s, drawn by the light, lifestyle and the example of Alexander Stanhope Forbes, and were at the forefront of 'British Impressionism'. He was particularly ‘in the news’ when his painting of a woman reading in a garden made the astonishing price of $590,000 at Sotheby's New York in late May 1996. As the seminal catalogue of the famous Newlyn School exhibition states, Bramley's reputation has rested for some time on Hopeless Dawn, his major RA exhibition of 1888, and which in recent years has been hung almost constantly at the Tate Gallery. Bramley was born in Lincolnshire and trained at Lincoln Art School, later at Verlat's Academy in Antwerp, from where he went to Venice in 1882-83, where our painting was executed. He first showed at the Royal Academy in London in 1884 (both paintings were Venetian scenes), and it was in the winter of 1884/5 that Bramley settled in Newlyn. He was a quiet and reserved figure, prone to bouts of melancholy. He worked on his own in a tiny studio in an old thatched cottage - the cottage consisted of two rooms, one at ground level (which was the studio) and one which was below ground which was inhabited by a woman who'd lost her arms and who managed to look after a set of tiny children as well as a small potato and turnip shop. Bramley moved to a purpose-built glass studio in 1889. He is known as the master of the so-called 'square-brush technique' which characterizes much of the best Newlyn School work and he used this until 1893, later than most of his colleagues. Bramley was friendly with the great artist Sargent and with him was elected an associate of the Royal Academy in 1894, being elected a full member in 1911. In 1891 he had married, and 4 years later they moved to the Midlands where his work became less socially orientated and more purely decorative. His last years were spent in a London flat...

A truly rare and remarkable scene of hundreds of swordsmen meeting in a towns square. The circle is closed around the two in the duel, each of whom have drawn blood. German school 18...

"Sem Titulo" gouache on paper. Illustrated in Barsotti's book page 146. The full sheet size listed in the catalogue is 21cm x 30cm. The specialty frame incorporates a mat cut up t...

Oil on canvas, signed lower right. Canvas measurement: 21" x 29" and with frame measures 30" x 39". Provenance: Purchased from Hilde Gerst Gallery in NYC in 1990, Private Collection...

Beautiful impasto, oil on canvas. Contemporary custom frame. Unsigned, but very well executed painting.

Oil pastel and watercolor on paper. Signed and dated to lower right edge 'Vaclav Vytlacil 1953'. Signed and dated to lower left edge 'Vytlacil 1953'. It is also titled on reverse. Pa...

From the collection of Ruth Siegel owner for the Ruth Siegel Gallery in NYC on Madison Ave in the 1980s and 1990s. Katsuhisa Sakai was born in a bomb shelt...

Hobson Pittman (1899-1972) Signed upper left. Oil on panel. Provenance: Boca Raton Museum of Art Many examples of Pittman's paintings can be found in numerous museum collections, inc...

Oil on canvas, 33" x 43" including the frame, 25" x 35" canvas only. Signed lower right and signed and inscribed in verso. Henry Robertson Craig R.H.A., R.U.A. Scottish, 1916-1984...

Oil on panel, measures 17" x 21" painting and with frame 24" x 27.5". Signed and dated 1885 lower left. Charles Green studied at Leigh’s School of Fine Art and under the engraver, J W Whymper, before quickly establishing himself as a painter and illustrator. Specialising in genre pieces, he joined the Langham Sketching Club and was elected to the Royal Institute of Painters in Water Colours (ARI 1864; RI 1867). His elder brother, Henry Towneley Green, was also a member. His contribution of contemporary subjects to the early numbers of The Graphic were admired by Van Gogh, but he was best known for his depiction of period settings and for his illustrations to The Old Curiosity Shop...

Measures 36" x 29" canvas and framed 45" x 37.5". William Michaut French artist born in 1947, known for impressionistic style still life oil paintings. The painting is signed lower r...

Oil on canvas, signed lower right and inscribed and signed on the reverse. Dimensions listed include the frame. Brereton was born in Derby in 1954. He received his basic art trainin...

Oil on canvas, signed lower right. Erwin Kettemann (1897–1971) was a landscape painter from Munich. He was a representative of late Impressionism as well as the 19th century “Karlsru...

Signed lower left. (Born in Yorkshire, England in 1927; died in 2008). Dinsdale painted the sea and great ships of the era when “Britannia ruled the waves” with her fleets of clipper and fighting ships...

Signed lower left, dimensions listed include the frame. Joseph Wolins was born in Atlantic City, New Jersey in 1915. He studied at the National Academy of Design from 1935 to 1941 un...

Signed lower right and inscribed verso. Ex Geary gallery Darien CT. Oil on canvas. As a member of the Society of Equestrian Artists (SEA) and the American Academy of Equine Art, Roy is an artist of international repute. Roy began work as a professional artist at the age of 14 while studying in the evenings at Manchester College of Art. In the early 1960s he moved to London and worked as a freelance artist and illustrator. He has had many exhibitions including the Royal Academy, but the turning point of his career was in 1972 when he visited a racecourse and fell in love with the ‘sport of kings’. Within three years his talents for equestrian painting were recognized and acclaimed and he became a full-time equestrian artist. Her Majesty the Queen has a painting of Roy’s in her own collection. Other commissions from The Hong Kong Jockey Club, the Coaching Club of Great Britain and the United Racecourse Group quickly followed. His solo exhibitions include The Melbourne Cup...

Table top and of a diminutive size, signature stamped on underside of top. Margery worked during the mid-20th century at the Met in NYC.