Carrie Haddad Gallery Sculptures

Geometric, colorful Modern wall sculpture by Stephen Walling painted wood on panel 24 x 36 inches Hangs flush to the wall Signed on vers...

Abstract Geometric wood three-dimensional wall sculpture in light blue, white, and light grey Painted wood and collaged paper on panel 36 x 36 x 2.5 inches Hangs flush to the wall wi...

"She Carried Water", 2019 (Abstract Free Standing Tabletop Sculpture in Shades of White, Grey and Black) 31 x 12 x 8 inches Precision board, Venetian plaster, pigments, beeswax The ...

Abstract geometric, minimalist wall sculpture in white and grey Precision board, Venetian Plaster, pigments, and beeswax Despite it's stone-like appearance, the sculpture weighs abo...

Abstract, minimalist three-dimensional wood wall sculpture in a soft off-white "It's a Puzzlement", hand-carved wooden wall sculpture by Hudson Valley artist, Stephen Walling, made i...

Abstract minimalist three-dimensional wall sculpture in black and white "Snakish II", made by Hudson Valley artist, Donise English, in 2022 hand-stitched paper, beeswax (encaustic) and thread 36 x 10 x 3 inches hangs with a small thread notch on back extremely lightweight, weighs no more than 1.5 lbs. Excellent condition and ready to hang This abstract minimalist three-dimensional wall sculpture was made by Hudson Valley artist, Donise English, in 2022. The playful motif of hand-stitched paper, layered with black and white acrylic paint and coated with encaustic, is inspired by the artist's interest in architecture and blueprint drawings. The winding segments of white and black encaustic layered paper are assembled in a curving, snake-like formation, which are then hand-sewn by the artist. The lightweight wall sculpture hangs with a small thread notch, installed by the artist on the back of the piece. About the artist: Donise English is a Poughkeepsie-based artist who received her MFA from Bard College and is currently a Professor of Studio Art at Marist College in Poughkeepsie, NY.Donise English has received numerous awards including a 2018 New York Foundation for the Arts Fellowship in Painting; the Invitational Award for Outstanding Contemporary Talent from the University of Bridgeport, Connecticut; Purchase Prize from the “11th National Juried Exhibition” at the College of Notre Dame of Maryland; 1st Prize, “Women in the Visual Arts,” Erector Square Gallery, New Haven, Connecticut; the Joseph A. Cain Memorial Purchase Award for Sculpture, Del Mar College, Texas, Honorable Mention; and others. Artist Statement: I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Resume: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie,NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS Finalist, “Saatchi Showdown” 2010 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 SELECTED JURIED/INVITATIONAL EXHIBITIONS 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”, Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture, Pattern, Fragment”, Krause Gallery, Moses Brown School Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”, Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”, Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition, Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”, Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery, Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

Abstract geometric three-dimensional wood wall sculpture resembling stacked books in blue, grey, and white "Blue Books", hand-carved wooden wall sculpture ...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of Light Green and Blues Acrylic on 3 panels (2 panels are 24 x 18 x 2 inches each, center panel is 24 x 6 x 2 inches) Overall measurement for horizontal install with 1-2 inch recommended spacing, 24" X 43" X 2" inches horizontally Artist Ginny Fox achieves multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel with its delicate, cross hatched motif. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Abstract geometric, pop art style, three-dimensional wood wall sculpture in burgundy, yellow, and white, with accents of royal blue "Nagamba", hand-carved wooden wall sculpture by Hudson Valley artist, Stephen Walling, made in 2022 24 x 24 x 3.5 inches Carved wood and acrylic on three tiered panel Signed, verso This abstract, three-dimensional wall sculpture was made by sculptor, Stephen Walling, in 2022. The work is composed on a three tiered wood panel, painted a deep burgundy. Hand carved wood blocks...

Abstract, minimalist three-dimensional wood wall sculpture in a pale palette of blue, grey, and sage "Splish Splash", hand-carved wooden wall sculpture by Hudson Valley artist, Steph...

Abstract geometric three-dimensional wood wall sculpture in a rich palette of brick red, burgundy, and cream "Piquante", hand-carved wooden wall sculpture by Hudson Valley artist, St...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of vibrant blue. Acrylic on 3 panels, Each panel is 24 x 18 x 2 inches Panels can be oriented or stacked horizontally or vertically, recommended spacing between panels is 1-2 inches Overall measurement for horizontal install with 1 inch spacing: 24 x 56 x 2 inches We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a vibrant blue palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of cool blues and greys. Acrylic on 3 panels, Each panel is 8 x 24 x 2 inches Panels can be oriented or stacked horizontally or vertically, recommended spacing between panels is 1-2 inches Overall measurement for vertical install with 1 inch spacing: 28 x 24 x 2 inches We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Abstract geometric three-dimensional wood wall sculpture in pale grey, light blue, light taupe, and beige, with accents of stormy blue "In, Out, Over, and About", hand-carved woode...

Abstract geometric three-dimensional wood wall sculpture in bright hues of red, peach, pink, maroon, white and beige Piquant, hand-carved wooden wall sculpture by Hudson Valley artis...

Abstract geometric three-dimensional wood wall sculpture in bright pastel hues of sage green, light grey, and beige "Turnabout", hand-carved wooden wall sculpture by Hudson Valley ar...

Abstract, minimalist and Brutalist style gray three dimensional wall sculpture "Forgotten Moons" by Dai Ban, 2021 28" X 42" X 8" Precision Board, Venetian Plaster, Pigments, Beeswax Lightweight, weighs about 5 pounds, and hangs flush to the wall with a French cleat Signed, verso This contemporary, abstract horizontal wall sculpture...

"Fruit of Poet" by Dai Ban, 2021 42" X 22" X 12" Foam Board, Venetian Plaster, Beeswax, Pigment Dai Ban designed this dynamic abstracted wall sculpture in his studio in the Berkshi...

Abstract minimalist three-dimensional wall sculpture in light grey and black "Please Leave Us Alone" by Dai Ban, 2020 29 x 24 x 10 inches Precision board, Venetian Plaster, Beeswax, Pigment Lightweight sculpture (weighs about 5 lbs.) and hangs on the wall with a French cleat Excellent condition and ready to hang as is Signed, verso This contemporary, abstract horizontal wall sculpture...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of light brown, beige, and gray Acrylic on 3 panels Each panel is 8 x 24 x 2 inches Panels can be oriented or stacked horizontally or vertically, recommended spacing between panels is 1-2 inches Overall measurement for vertical install with 1 inch spacing: 28 x 24 x 2 inches We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of Lime Green and yellows Acrylic on 3 panels Each panel is 24 x 24 x 2 inches can be oriented vertically or horizontally Overall measurement for horizontal install with 1-2 inch recommended spacing, 24 x 76 x 2 inches horizontally We are amazed by Ginny Fox's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of Emerald Green by Ginny Fox Acrylic on 2 panels Each panel is 30 x 40 x 2 inches Overall measurement for horizontal install with 2 inch recommended spacing, 30" X 82" X 2" *Panels may be oriented in various configurations Ginny Fox achieves a smooth and complex surface by applying multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

"New Growth" by Hudson Valley artist, Peter Hoffman, made in 2020 74 x 9 x 9 inches A Vertical Wooden sculpture created with multiple sections of painted wood segments, cut at angl...

Large vertical abstract three-dimensional wood wall sculpture with colorful pops of acrylic paint in blue, red, yellow, and red "Ultramarine Oval" by Hudson Valley artist, Peter Hoff...

Kabuki Series, Distraction Came as Dawn by Joseph Wheaton 2021 53" x 34" x 8" Oxidized Steel, wax (Lightweight contemporary three-dimensional wall sculpture) Dimensions are variable...

Kabuki Series, Distracting Fate by Joseph Wheaton 2021 44" x 43" x 9" Oxidized Steel, wax (Lightweight contemporary three-dimensional wall sculpture) This piece can be installed two...

"Shore of the Huan He" hand-carved wooden wall sculpture by Hudson Valley artist, Stephen Walling, made in 2014 24 x 36 x 2 inches Carved wood and acrylic paint on panel Signed, ver...

"Sargasso" hand-carved wooden New Brutalism wall sculpture by Hudson Valley artist, Stephen Walling, made in 2013 36 x 40 x 2.5 inches Carved wood and ac...

"Hip, Hip, Hooray!", hand-carved wooden wall sculpture by Hudson Valley artist, Stephen Walling, made in 2019 24 x 24 x 2.5 inches Carved wood and acrylic paint on panel Signed, ver...

Minimalist Abstract Geometric standing sculpture in bright red orange with a black steel base "The Gate or Trying to Catch the Rain" by Japanese born arti...

Nature-Inspired Minimalist Abstract Color Field painting on two wood panels in shades of light, icy blue, white and grey Acrylic on two wood panel, Each panel is 18 x 24 x 1.5 inche...

Figurative anthropomorphic animal sculpture of an owl with human figure made with saw blade, metal wire body, and wood mallet legs "Saw Blade with Owl" by Lee Musselman...

Abstract, three-dimensional standing sculpture in colorful shades of sky blue, blood orange, green, yellow, and pink "Play Tower #9", made by Hudson Valley artist, Donise English, in...

Abstract, three-dimensional standing sculpture in colorful shades of aqua blue, blood orange, green, blue, yellow, and pink "Play Tower #6", made by Hudson Valley artist, Donise Engl...

Abstract, three-dimensional standing sculpture in colorful shades of aqua blue, blood orange, green, black, gray, and beige "Play Tower #3", made by Hudson Valley artist, Donise Engl...

Abstract geometric three-dimensional wood wall sculpture in shades of blue, green, teal, with contrasts of white "Peekin", made by Hudson Valley artist, Stephen Walling, in 2020 35 x...

Abstract, folk art style, three dimensional wall sculpture in striped patterns of sky blue, black, white and grey "Bumble", made by Susan Stover in 2020 Cardboard, latex, acrylic, v...

Abstract, folk art style, three dimensional wall sculpture in striped patterns of robin's egg blue, sky blue, beige, orange, and black "Why so Blue?", made by Susan Stover in 2020 C...

Abstract geometric three-dimensional wood wall sculpture in bright yellow, blue, red, and green on black Bloomin', made by Hudson Valley artist, Stephen Walling, in 2020 18 x 37 inch...

Abstract, minimalist three dimensional wall sculpture in dark metal (oxidized steel) "The Dignity of Hope" by Joe Wheaton, made in 2019 37 x 13 x 2.5 inches, oxidized steel Lightweig...

Abstract minimalist three-dimensional dark metal sculpture is oxidized brass My Shadow Always Watched, created by Joe Wheaton in 2019 24 inches high x 64 inches wide x 22 inches deep...

Abstract geometric minimalist metal sculpture with painted red detail "Virtue Was Never on Time", made by Joe Wheaton in 2019 27 x 16 x 4.5...

Mid-Century Modern abstract sculpture of a white painted abstract geometric wooden object "Motherlode" by Leon Smith, c. 2007 Acrylic painted wood with wood base 10 x 9 x 2 inches This small, mid-century modern style abstract sculpture made of white painted wood is perfectly suited for a tabletop, pedestal, or mantle piece and recalls designs associated with the Post Modern movement. Curved pieces of white painted wood pair elegantly with a natural wood base. The geometric shape is able to rotate around the base, inviting interesting shadows at every angle. Artist Statement: Why I construct sculptures is somewhat of a mystery to me. I suspect, in some ways, it is a continuation of childhood play, where invention, improvisation and often a sense of mischief, are a key. The simple abstract shapes that I choose to work with give me the greatest freedom to manipulate and discover new forms without being bound by specific representational imagery. The opposing qualities of form are what engage me most. Balance vs. precariousness, stability vs. movement, and the organic vs. the inorganic. I play with these elements until another dimension appears and until the form is pleasing to me. I'm partial to the double take, the paradox, but only if the work's formal qualities con sustain interest and delight over a long period of time. About the artist: Born in Australia, it was Smith's first career as a dentist that taught him to make carvings and moldings. His sense of humor and that of his wife, Elaine, are at the epicenter of Smith's playful designs and titles. Riffing on simple, abstract shapes gives him the freedom to discover new forms and ideas. "The opposing qualities of form are what engage me most. Balance versus precariousness, stability versus movement, and the organic versus the inorganic. I'm partial to the double take, the paradox, but only if the work's formal qualities can sustain interest and delight over a long period of time. Smith's childlike energy knows no bounds, producing work that is at once amusing and sophisticated. Sure, he's 83 years old, but hold on tight when he drives you around in his golf cart...

Minimalist, abstract three dimensional wall sculpture in dark oxidized metal “DNA” made by Joe Wheaton in 2019 19 x 12 x 3.5 inches, oxidized steel Hangs of a French cleat, sculpture is lightweight (weighs about 5 lbs.) Signed, verso Joe Wheaton’s unique sculptural designs welded from dark, oxidized brass or brilliant silver steel showcase a contradictory set of relationships; “beautiful yet menacing, “threatening yet delicate” as described by the artist. Wheaton builds his metal compositions using a language of strokes and patterns. Geometric spears, disks and quadrangles alternate with wispy, sharp edged lines that trail off quietly to an undefined point. This visual sweep can be likened to the art of calligraphy, echoing the artist’s interest in early Asian arts and ceramics, as well as printmaking. Artist Statement: Familiar yet strange, beautiful yet menacing, threatening yet delicate. Reaching and solid, my work traverses many contradictions. As in life, beautiful lines have sharp edges, precarious forms balance with great certainty yet are vulnerable to nature's menacing ways. I am interested in using recognizable materials and relationships in configurations that will serve to re-evaluate how one perceives what might at first seem obvious. Dark forms stand in front of their ever-changing shadows. Lines motion and engage, but are like life, elusive and mysterious. Artist CV: Born in the Netherlands in 1959 Education: 1978-1981 Studied fine art at Alfred University Solo Exhibitions 2019 4 For Art, Lenox, MA Lauren Clark Fine Art, Great Barrington, MA 2018 Lauren Clark Fine Art, Great Barrington, MA 2017 Lauren Clark Fine Art, Great Barrington, MA 2016 Carrie Haddad, Hudson, NY Canyon Ranch, Lenox, MA 2015 DMG Gallery Saint Petersburg, FL 2013 Behnke Doherty gallery, Washington Depot, CT 2011 Behnke Doherty gallery, Washington Depot, CT 2010 Berkshire Museum, Pittsfield, MA 2008 Springstep, Medford, MA 2008 The Cherrystone gallery, Wellfleet, MA 2007 Carrie Haddad, Hudson, NY 2006 The Cherrystone gallery, Wellfleet, MA 2006 Carrie Haddad, Hudson NY 2005 The Haddad Lascano Gallery, Great Barrington, MA 2005 The Cherrystone gallery, Wellfleet, MA 2004 The Image Gallery, Stockbridge, MA 2004 The Haddad Lascano Gallery, Great Barrington, MA 2003 The Image Gallery, Stockbridge, MA 2003 Carrie Haddad, Hudson, NY 2002 Segreto Contemporary Art, Santa Fe, NM 2000Segreto Contemporary Art, Santa Fe, NM 1996 Canyon Ranch, Lenox, MA 1994 SPAZI Contemporary Art, Housatonic, MA Visual Projections 2019 Oceanside Museum of Art, Oceanside CA Blue Q Berkshire International Festival, Great Barrington, MA Hancock Shaker village, Hancock, NY CATA, Great Barrington, MA 2018 Oceanside Museum of Art, Oceanside, CA 2017 Jacobs Pillow Norman Rockwell Museum, Stockbridge, MA 2016 Music Video, Heaven in Stereo, Inle Lake, Myanmar Music video for Orange Sessions End Violence against women, Mongolia Music video for Orange Sessions, LGBR rights. Mongolia 2015 Made In The Berkshires intro film, Pittsfield, MA Stoneover Farm, Slideluck, Lenox MA The Norman Rockwell Museum Gala, Stockbridge, MA Music video, Star Booty Salon, St. Petersburg, FLA Building Projection , Rococco, St. Petersburg, FLA 2014 Food/Markets , An installation In collaboration with Barbara K Wheaton July- The Oxford Symposium on Food and Cookery, Oxford, England Made In The Berkshires An installation , Pittsfield, MA 2013 June- Harvard University, Cambridge, MA Material culture Material culture , A sensory rave. In collaboration with Barbara K Wheaton July- The Oxford Symposium on Food and Cookery, Oxford, England 2012 A digital visual mashup, The Colonial theatre, Pittsfield, MA Isis Chernobyl, written and directed by Pooja Roo, Housatonic, MA Rolled and stuffed, A brief food history rave In collaboration with Barbara K Wheaton The Oxford Symposium on Food and Cookery, Oxford, England 2011 In collaboration With Barbara K Wheaton A Brief Food History Rave, The Oxford Symposium on Food and Cookery, Oxford, England A audio visual celebration of 50 year of The Peace Corps, GWU, Washington, DC A brief Berkshire Rave, The Colonial Theater, Pittsfield, MA In collaboration with Anne Fredericks Group Exhibitions 2016 Carrie Haddad, Hudson, NY 2016 Lauren Clark Fine Art Great Barrington, Ma 2016 The Meetinghouse Gallery, New Marlborough, MA 2015 Lauren Clark Fine Art Great Barrington, Ma 2015 Carrie Haddad, Hudson, NY 2015 Stoneover Farm, Lenox, MA 2014 Lauren Clark Fine Art Great Barrington, Ma 2015 Carrie Haddad, Hudson, NY 2014 Portals, The Meetinghouse Gallery, New Marlborough, MA 2014 BAA Redux, Lichtenstein Center, Pittsfield, MA 2013 Lauren Clark Fine Art Great Barrington, Ma 2013 Behnke Doherty gallery, Washington Depot, CT 2012 Behnke Doherty gallery, Washington Depot, CT 2012 Cheryl Hazan Gallery, New York, New York 2012 Soprafina, Boston,MA 2012 The Shade Gallery, The Bookstore Lenox, Ma 2012 The Meetinghouse Gallery, New Marlborough, MA 2011 The Ferrin Gakkery, Pittsfield, MA 2011 Cheryl Hazan Gallery, New York, New York 2011 Soprafina, Boston,MA 2011 The Provincetown Fine Arts Work Center, Provincetown, MA 2011 The Meetinghouse Gallery, New Marlborough, MA 2010 The ferrin Gakkery, Pittsfield, MA 2010 Art in The Park, Key West, FLA 2010 Lichtenstein Center for the arts, Pittsfield, MA 2010 Cheryl Hazan Gallery, New York, New York 2010 Soprafina, Boston,MA 2009 Art in The Park, Key West, FLA 2009 Soprafina, Boston,MA 2009 Cheryl Hazan Gallery, New York, NY 2009 The ferrin Gakkery, Pittsfield, MA 2009 The Millbrook Gallery and Sculpture garden, Concord, NH 2008 The Storefront Artist project, Pittsfield, MA 2008 Art in The Park, Key West, FLA 2008 Cairn Croft Sculpture Garden, Dover, MA curated by Meredyth Moses 2008 The Millbrook Gallery and Sculpture garden, Concord, NH 2008 The Meetinghouse Gallery, New Marlborough, MA 2007 SKH Gallery, Great Barrington, MA 2007 NAGA Gallery...

Minimalist, abstract three dimensional wall sculpture in dark oxidized metal Temptation Was an Ally, made by Joe Wheaton in 2019 42 x 16 x 7 inc...

Minimalist, abstract geometric wall sculpture in dark oxidized metal We Were Never Strangers, made by Joe Wheaton in 2019 30 x 19 x 3.5 inches, oxidized stainless steel Hangs on a French cleat Lightweight, weighs about 5 lbs. Signed, verso Joe Wheaton’s unique sculptural designs welded from dark, oxidized brass or brilliant silver steel showcase a contradictory set of relationships; “beautiful yet menacing, “threatening yet delicate” as described by the artist. Wheaton builds his metal compositions using a language of strokes and patterns. Geometric spears, disks and quadrangles alternate with wispy, sharp edged lines that trail off quietly to an undefined point. This visual sweep can be likened to the art of calligraphy, echoing the artist’s interest in early Asian arts and ceramics, as well as printmaking. This exhibit will include several of Wheaton’s large and small wall sculptures...

Joe Wheaton My Shadow Was Always Ahead of Me, 2019 Oxidized Steel 37 x 16.5 x 3.5 inches Joe Wheaton’s unique sculptural designs welded from dark, oxidized brass or brilliant silver...

Joe Wheaton I'll Wait Here...Cool?, 2019 46" X 15" X 5" Oxidized Steel (Lightweight contemporary three-dimensional wall sculpture) Joe Wheaton’s unique sculptural designs welded fr...

Minimalist, abstract geometric standing sculpture in dark brown oxidized steel "Some Guy #2" by Joe Wheaton, made in 2005 oxidized steel, 80 x 17.5 x 15 inches Freestanding sculpture...

Three dimensional abstract sky blue, indigo, mauve, purple, and violet wooden wall sculpture Dyed and painted wood on panel with paper collage detail 36 x 24 x 2 inches Can be orie...

Nature-Inspired Minimalist Abstract Color Field Painting on 2 Panels in light blue and white with details of earthy brown Acrylic on 2 wood panels Each panel is 36 x 24 x 2 inches Su...

Minimalist, New Brutalism abstract three dimensional wall sculpture in white "Closing Gate Faster Than We Wished", by Japanese born artist, Dai Ban, in 2...

Minimalist, abstract three dimensional wall sculpture in gold leaf "Shrine of Dancers", by Japanese born artist, Dai Ban, in 2018 52 x 16 x 6 inches Precision board, acrylic and gol...

Minimalist abstract three dimensional wall sculpture in black "Becoming a Dark Thing Through the Night", by Japanese born artist, Dai Ban, in 2019 38 x 19 x 5 inches Precision board,...

Nature-Inspired Minimalist Abstract Color Field Painting on 3 Panels in Sage Green Acrylic on 3 wood panels Each panel is 20 x 16 x 2 inches Suggested installation is 1-2 inches bet...

Nature-Inspired Minimalist Abstract Color Field Painting on three panels in light brown and beige Acrylic on 3 wood panels Each panel is 24 x 18 x 2 inches Suggested installation is ...

Minimalist abstract three dimensional wall sculpture in a deep burgundy red "Descendant of Cubist," by Japanese born artist, Dai Ban, in 2019 40 x 36 x 5 inches Precision board, lac...

Child's Shirt, 2010 Figurative installation sculpture of wrinkled tee shirt glassine paper and thread 19 x 24 inches (depth dimensions variable) This contemporary installation sculp...

Figurative still life installation sculpture of wrinkled tee shirt Tee-Shirt, 2019 by Kate Hamilton glassine paper and thread 22 x 20 inches (depth dimensions variable) This contemp...

Figurative still life installation sculpture of a wrinkled women's slip 'Stenciled Slip', 2012 glassine paper, thread, bra strap connectors, ribbon wire, spray pain 41 x 21 inches (d...