Chestnut Hill Gueridon

Very tall candle / plant stand made of solid quarter sawn oak with spade shaped design on the apron of the top.

An Early 20th Century Louis XVI Style Walnut and Marble Top Galleried Bouillotte Low Gueridon Table brass cup feet. Measures 24.5" in width, 24.5" in depth, 19.5" in height.  

Liberty and Co (attributed). An Arts and Crafts Walnut plant stand.

Liberty and Co, attributed. An Arts and Crafts oak plant stand with three tiers and Moorish aprons below each shelf.

Elegantly proportioned octagonal gueridon in solid oak with leather top and accents with nailhead details.

Jules Leleu Gueridon, Made with mahogany and plated brass, circa 1930, France. Classic Art Deco design Sunburst table top 4 Art Deco designed Legs positioned on a pedestal base with bronze details Signed Good vintage condition. Jules Leleu (June 17, 1883–1961) was a French furniture designer. Born in Boulogne-sur-Mer, France, Leleu studied decorative painting and at the age of 26 succeeded his father in the family painting business. With his brother he began work in the Decorating field. After World War I, Leleu specialized in furniture making. He opened a Paris gallery, Maison Leleu, in 1924 and exhibited at the 1925 Exposition Industrielle et Arts Decoratifs, winning a grand prize at the exposition. Leleu designed the Grand Salon of the Ambassadors at the Society of Nations in Geneva and the French Embassies of several nations as well as the ocean liners SS Ile de France...

We are delighted to offer for sale this lovely vintage English Oak Arts & Crafts side table A good looking and well made piece, the timber patina is natural and unpolished, it has...

Stunning and rare Arts & Crafts Art Nouveau pedestal. Striking Dutch design from the 1900s. Solid oak base with original solid oak top with hand-carved elements. Measurements top: 30...

Josef Hoffmann Gueridon. Made with bentwood. Vienna Secession Circa 1910, Austria. Vintage condition. The Austrian architect Josef Hoffmann was a central figure in the evolution of modern design, and a leader in an aesthetic movement born in Europe in the late 19th century that rejected florid, extravagant ornamentation in favor of a new emphasis on simplicity of line. As a founder of the turn-of-the-century Wiener Werkstätte (in English: the Viennese Workshops), a design cooperative that produced superbly crafted furniture and housewares, Hoffmann was a pioneering practitioner of what would become a fundamental principle of modernism: that good design is a way of life. Hoffmann came of age amidst a shift in the culture of the applied arts, as a conservative order that looked only to the past for inspiration was pushed aside. But what, exactly, would replace that order was in question, and Hoffmann’s career embodies the developing patterns of design’s new spirit. His architectural work reflects his time as a student of the Vienna architect Otto Wagner, who disdained excessive decoration and employed new materials such as steel girders and reinforced concrete to create buildings with airy, open interiors full of light. As a designer of furniture and interiors, Hoffmann was consistently open-minded about the aesthetics he explored. He was an early adherent of the flowing, organic forms of the Art Nouveau design movement that began to flourish in the late 1880s, but by the opening of the Wiener Werkstätte in 1903, Hoffmann’s designs embraced the beauty of geometry in pieces that feature grids and angular forms. Hoffmann’s greatest works reflect his ability to combine seemingly conflicting design visions into coherent wholes. His architectural masterpiece, the Stoclet Palace in Brussels, has an exterior that groups together simple geometric forms and spacious interiors marked by subtly naturalistic design details that lend rooms an air of charm and geniality. Hoffmann’s signature furniture design is an adjustable lounge chair, the Sitzmaschine (1905), that marries a curving frame with square and rectangular back- and side rests. This piece, like so many others by Hoffmann, reflects a groundbreaking, forward-thinking appreciation for the union of different looks and sources that marks the best of interior design in our own day. Moreover, items offered on these pages, which range from enameled silver jewelry, to a silver flower vase basket, to lighting pendants and sconces...

We present this splendid gueridon table, made in Italy at the beginning of the 20th century. Made of solid walnut wood, it features a design inspired by the sumptuous Louis XV style....

20th century, Italian bronze planter or Gueridon Measures: cm W 56 x maximum diameter 51 x H 90. H on the floor of the wide 81 cm This refined planter was made in Italy, in Naples, towards the Early 20th Century in the style of «Retour d'Egypte». It consists of a tripod structure in finely chiselled gilded bronze and lacquered in tones. Each leg originates with scroll decorations and phytomorphic elements with golden details, supported by a sphinx with hairstyle, tail and golden wings. This sits on a curvilinear and wavy element decorated with golden ramage and a man’s head with a long beard of classic taste. The legs end with an injured foot and rest on a tripartite base that connects them. In the middle of each leg there is a bronze junction with curls and volutes that converges towards the others in the center, where a vertical element contributes to the momentum and gracefulness of the whole. The basin of the planter is in lacquered tin, with gold edges and reserves. The rising part of the tub has some holes that allow the breathability of the space. This tripod is inspired, with variations, to a famous model of the brothers Luigi and Antonio Manfredini, active in Milan at the beginning of the nineteenth century, financed by the viceroy of Italy Eugenio de Beauharnais, adopted son of Napoleon Bonaparte, for the opening of the real manufacture of Eugenia. The Retour d'Egypte style was widely echoed in France and Europe and originated from General Bonaparte’s military campaign in Egypt in 1799. The fashion of the Egyptians had already in Italy found a previous interpreter in the engraver Giovan Battista Piranesi, but the vast diffusion that also had in the furniture the Egyptian ornament...

Art Nouveau Guéridon, in oak and brass, circa 1900. art and craft.