Darren Ransdell Design Buffets

This fine quality French Provincial sideboard buffet, crafted circa 1920, exemplifies the timeless charm and craftsmanship of early 20th-century provincial furniture. Constructed fro...

Chic pair of streamline Art Moderne dressers designed by Gilbert Rohde, for Herman Miller c 1936. The dressers feature opposing right and left c...

18th century French walnut buffet. The buffet has two paneled doors with original brass hardware. The body of the piece stands on four cabriole legs. The designs on both the bottom a...

French Art Deco sideboard in style of Jules Leleu. The sideboard features stunning Lemon tree wood grain with a thin decorative mother of pearl inlay design with butterflies and bird...

Clean Lined Art Deco Cabinet, designed by Gilbert Rohde for Herman Miller, American, circa 1930s. This piece is currently being refinished and will look wonderful when completed. Thi...

With its commanding geometry and unvarnished solemnity, this Spanish elm buffet offers a sculptural presence anchored in tradition. Each façade—composed of raised square panels—reads...

Sophisticated artistic metal craft sideboard credenza by Bernard Rohne for Mastercraft circa 1974 with a most beautiful patina reminiscent of the work of Philip & Kelvin Laverne. Pat...

A walnut and marble buffet from circa 1930s, beautifully carved in relief with a colonial African scene. A Dominique design.

We are delighted to offer this very nice antique, made in France, hand painted duck egg blue, antiqued sideboard or buffet cupboard in pine ...

Gilbert Rohde designed this chest for Herman Miller as part of his 1941 Paldao Line of streamline modernist and modular furniture in exotic veneer. This is model no. 4103, two-door cabinet with distinctively incised large round pulls, interior fitted with two adjustable shelves behind the left door and five pull-out drawers behind the right door, fronts finished in black enamel. The case top and sides are Paldao wood; the doors are in highly figured burl Acacia. The finish is called "Beaver" which is natural color, no stain, satin varnish. The back is numbered "4130." All of Rohde's designs for Herman Miller are marked with a 4-digit number; the first two numbers indicate the year, and the second two numbers indicate the individual piece. Newly refinished and ready to place in your home. The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until Pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. Work by the pioneering American industrial and furniture designer, Gilbert Rohde, is notable for its thoroughly modern, informal, and multifunctional qualities. Rohde’s ability to create appealing modernist furnishings for middle-class homes, while also devising merchandising strategies to sell these goods, places him within a unique framework in American design history. Born and raised in New York, Rohde was the son of a cabinetmaker. He attended New York City public schools and his post-high school education included courses at the Art Students League and the Grand Central School of Art. Rohde’s visit to Europe in the spring and summer of 1927 (with later trips in 1931 and 1937) to see the Bauhaus in Dessau and the French modernist design that debuted in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, profoundly inspired his concept of design and the role it should play in daily life. The French Art Deco and German rationalist styles he saw in Europe influenced the furniture he designed from the late 1920s into the 1940s, pieces he created to suit a rapidly changing American lifestyle. In addition to his work for Herman Miller Inc., Rohde also designed for several other furniture firms, including Thonet, Troy Sunshade, and Heywood-Wakefield. What set Rohde apart from his contemporaries was his all-encompassing understanding of the furniture industry, from design and production to marketing and showroom display.[1] During his time with Herman Miller Inc. (1932-1944), Rohde set the standard for collaborative efforts between designers and furniture firms, with George Nelson and Charles and Ray Eames later...

Beautifully refinished mahogany vanity/coiffeuse by Gilbert Rohde for Herman Miller with original off-white "leather cloth" (Fabrikoid) top and padded drawers. Kneehole: 26" high x 22" wide x 17.5" deep See our separate listings for other pieces from this same collection. See pages from original 1941 Herman Miller catalog.

Very elegant Art Deco rosewood buffet with brass details by great outstanding French designer Maxime old (1910-1991), carefully restored.