Aria d'Italia Sideboards

Modular bookcase model LB7 designed by Franco Albini for Poggi. Marked Poggi Pavia. An extremely flexible bookcase, with different modular options, suited to being against a wall or...

Vintage Italian sideboard. Great design. Two sliding doors with four drawers (the first one is not origin).

Osvaldo Borsani for Tecno, wall-mounted wall unit, metal, white laminated wood, Italy, 1950s  This wall mounted shelving system was designed by Osvaldo Borsani. Its purpose was a co...

Mid-Century Modern Italian mahogany sideboard with onyx top and mirror by Osvaldo Borsani for "Mobilificio Fratelli Turri", 1950s The mirro...

Wooden sideboard with black metal base and two sliding doors containing 10 drawers and a shelf. Wear due to time and age. For shipping, request us for receive the best price.

Important and elegantly shaped Italian Art Deco Mid-Century Modern sideboard or credenza. With its greatly designed edges, frames and detai...

Rare and gorgeous Danish design credenza Model: 20 by Niels Otto Moller for J.L. Mollers in rosewood 1950. Stunning clean modern design with 2 sliding doors. The interior is also fu...

Italian Art Deco sideboard in lacquered wood parchment Osvaldo Borsani's style, Italy 1940. Beautiful movement of the lines on the front, precious inlays on the doors, base in marbl...

LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...

Modular bookshelf designed by Franco Albini in 1956 for Poggi Pavia. An exceptionally flexible bookshelf with various modular options, suitable to be placed against a wall or used as...

Sideboard with bar mobile Osvaldo Borsani for Furniture Varedo Borsani. The locker in the center has a limelight and four drawers, in the upper part 3 folding doors and inside the co...

Franco Albini for Poggi, sideboard, model 'MB15', teak, Italy, 1957 This well-designed, sizable sideboard by Franco Albini for Poggi, created in 1950s Italy, epitomizes mid-century ...