Late 20th Century Sofas

Incredible Anfibio sofa bed by Alessandro Becchi for Giovanetti Collezione Italy 1971. This stunning cognac leather upholstery fits perfectly with the white teddy fabric on the mattr...

Three-Seater Sesann Sofa by Gianfranco Frattini for Cassina, Italy, 1970s

Blob Modular Sofa by Carlo Bartoli, italy, 1970s - New Upholstery dimensions : - 68 W x 72,5 D x 68H cm -With armrests : 73,5 W Seat height : 33

Black leather sofa by Anna Gili for Mastrangelo Milan Furniture 1996 Wooden frame with H.R. expanded polyurethane. Turned feet in lackered beechwood

1990s Italian brown and white cow fur leather sofa and pillows by Baxter. The sofa comes with a set of pillows squared and tubular shaped. They all are upholstered with cow fur leath...

Sandra sofa designed by Annie Hiéronimus for Cinna after she joined the Roset Bureau d’Etudes in 1976. The inside of the sofa consists entirely of poly...

De Sede, modular sofa, model ‘DS-76’, leather, Switzerland, 1970s This high-quality sectional sofa designed by De Sede in the 1970s contains one corner element, one regular element ...

An exceptional three seater sofa, executed in thick and very heavy buffalo hide; the aged leather shows a wonderful deep dark-brown patina, it remains in excellent condition, with so...

Mid-Century Modern Italian seating set "Zingaro" - original upholstery. Sofa : 160 x 90 x 63 cm Amrchair : 93 x 90 x 63 cm.

This unique midcentury design sofa/daybed / Lounge chairs with a table in between is incredibly versatile and minimal! A beautiful functional design because this piece of very cool...

This sleek, playful, and beautifully proportioned Mid-Century Modernist Channel Form Cloud Sofa in Holly Hunt Fabric is by the esteemed furniture company A. Rudin and originates from...

Mario Bellini "Camaleonda" modular sofa for B&B Italia, Italy, 1970, four elements. "Camaleonda" is an icon, rediscovered. A special project made possible this limited edition of "...

A beautiful three-part Mid-Century-Modern modular Italian seating set in ruched cognac leather, consisting of two armchairs and one three-seater sofa. Overall in very good vintage c...

A beautiful Danish dark brown leather large 2 seater sofa, this would make a stylish addition to any living or work area. The sofa has wide seats and padded armrests for enhanced co...

Great 5 piece Post Modern modular sectional sofa. Comprised of 5 identical chair pieces that can be used individually or together. The arrangements are truly endless. Willing to...

Beautiful vintage chocolate brown leather Kubus sofa 8020 and matching armchair designed by Josef Hoffman and made by Alivar. This set is was lovingly cared for and is in wonderful a...

Wonderful Milo Baughman for Thayer Coggin semi-circular sofa. This piece will certainly need to be reupholstered but Oh the possibilities! This is a one piece sofa so it is a whopp...

A stunning dark grey velvet four section custom made bourne. The base is hexagonal in shape with a luxurious inverted pleated flat valance. Four shaped and curved back supports creat...

Sofa, corduroy velvet, wood, Italy, 1970s This delicate sofa has a cozy and bulky appeal. An dark orange to peach velvet has been used to cover the seating. The textured surface of ...

A pine and brown leather sofa designed and produced by Hämeen Kalustaja, Finland, 1970s. Seat height 14”.

Bright Yellow Nicoletti Salotti Post Modern Italian 3 seat Leather Sofa. Very fun Beautiful pop art bright yellow long leather sofa. Very good vintage condition will transform any sp...

Amazing vintage sofa designed by Ralph Lauren for Henredon Furniture Ind., Inc. it has the labels on it. It is made of brown leather. Original from the late 20th Century. It is in vi...

Upgrade your living space with the stunning Maison Regain sofa set. This large set surely is an eye-catcher and will beautifully merge comfort and style. Whether you're entertaining ...

Louis XVI Styly Green Silk Velver Canapé Sofa Settee W Clarence House Tiger Pillow

Modern Cache Antiques Carlyle Sofa Settee

De Sede 600 non stop chocolate brown 18 element sofa, 1970s Beautiful distressed chocolate brown sofa by De Sede. This item needs to be reuphols...

1970s, Norwegian design by Ivar Opsvik for Bruksbo Norway. 2 seater sofa, model "Safari". Original very good condition: no smells and no stains. Brown leather, canvas, beech wood. Ma...

A 4-piece ‘Pianura’ sofa designed by iconic Italian designer Mario Bellini for Cassina. This sofa features a solid walnut wooden frame which has been refinished. It retains it’s orig...

The iconic Togo sofa, originally designed by Michel Ducaroy for Ligne Roset in 1973 has become a design Classic. This five-piece modular set is incredibly versatile and can be confi...

An iconic mid century design, the De Sede DS-61 is no longer in production making it a collectible piece from the furniture manufacturer. Fully upholstered in soft cedar coloured leather, this three seat sofa features a slimline frame with curved edges to create a soft silhouette. Six back and seat cushions and two additional side cushions are upholstered in matching leather and mirror the shape of the armrests. Simple yet incredibly chic, this DS-61 sofa...

Elegant tight back loose down seat sofa - 24 D seat depth. - 21 seat high. - 25.5 arm high.

We were very fortunate to acquire a full collection of pieces from a beautiful country house on the south coast. The full collection was purchased approximately 50 years ago and con...

Artifort, sofa, leather, metal, The Netherlands, 1970s This cubic sofa features clear lines that result in a bold look. The backrest and armrests are on the same height. The patinat...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

The iconic Togo sofa, originally designed by Michel Ducaroy for Ligne Roset in 1973 has become a design Classic. This two-piece set can be configured into one large sofa or used a...

This wide three-seater sofa was made in Denmark in the 1970s. The modernist frame with six pillows is upholstered in chestnut colored natural leather. The sofa has subtly rounded edg...

Hans J. Wegner for Getama, sofa 'Century 2000', metal, fabric, Denmark 1990s. Modern three-seather sofa in beige fabric. Nicely designed round brushed steel legs which are delicate ...

Antonio Citterio for Moroso, sofas model 'Cricket', leather, Italy, 1988 Interestingly shaped blue leather settee by Italian designer Anto...

Designed by Bruce Hannah and Andrew Ivar Morrison for Knoll, this Sling sofa is a fantastic example of 1970s design. Inspired by sail boats, the Sling sofa features an industrial ...

Discover the timeless Organic Modern elegance of the original 1970s Le Bambole Italian sofa set with beige woven wool upholstery in superb condition. A Mid-Century Modern Italian masterpiece by the renowned Italian designer Mario Bellini and manufactured by B&B Italia. It was an instant success on launch in 1971. Today, it commands an extreme desirability as it's timeless playful aesthetic fits so well with both period and contemporary interiors. This vintage collection combines luxurious comfort, captivating aesthetics, and a rich history. Crafted with utmost precision, the set consists of three armchairs, one corner armchair, and one ottoman...

The iconic Togo sofa, originally designed by Michel Ducaroy for Ligne Roset in 1973 has become a design Classic. This four-piece modular set is incredibly versatile and can be con...

Originally designed by Hans Hopfer for Roche Bobois in 1971, the Mah Jong sofa has become a design classic. Comprising twelve pieces, all of the pieces will be covered in custom uph...

Very beautiful original 1980s DeSede Designer original by Rito Frigg in beautiful black leather-- with a Chrome frame. This sofa is extremely versatile and it converts into various configurations, to your desires! This piece also features the removable headrest. Shown here with and without the use of the headrest. Stock image showing the measurements with the headrest here in image #6. From the De Sede Website: "Market launch of DS-140 by Reto Frigg: thanks to its new rotating seat system, the sofa can be converted into an elegant double lounge chair...

Mario Bellini "Camaleonda" modular sofa for B&B Italia, brown mohair, Italy, 1970, five elements. "Camaleonda" is an icon, rediscovered. First designed in 1970 by Mario Bellini, it ...

A pair “spirit” sofas by John Hutton for Dohghia. Covered in a deep rust colored velvet with decorative velvet rosettes across the back. Retains Donghia label. Condition: Very goo...

A very comfortable design with eye-catching colors, these 1970s Italian armchairs have been recently upholstered in vibrant yellow corduroy. Their generous shape invites you to sit a...

The beautiful rare sofa is statement piece which is also extremely comfortable and packed with personality! Just look at the gorgeous lines and curves on this beauty! Bright and vibr...

Mario Bellini “Le Bambole” two-seater sofa for B&B Italia, Mongolian faux-fur, Italy, 1971, set of two. This is a timeless Postmodern design icon. The starting point was a shopping ...

Introducing the sophisticated and handsome Model DS-84 two-seat sofa in luxurious brown leather by De Sede, a true masterpiece from the 1970's. This iconic piece is a harmonious blen...

Rare ‘Corbi’ modular sectional sofa by Klaus Uredat for COR, Germany – circa 1972. The Corbi sofa consists of sections with roll cushions. It can be used a...

The iconic Togo sofa, originally designed by Michel Ducaroy for Ligne Roset in 1973 has become a design Classic. This three-piece modular set is incredibly versatile and can be conf...

Discover the timeless elegance of the Cornelius sofa, an authentic piece of design from the 80s. Manufactured by the renowned Belgian brand Durlet, this sofa is known for its high-qu...

A fabulous vintage Coastal sofa. A chic bent rattan inn Gondola shape. An incredible fluid design to the frame. Acquired from a Palm Beach estate.

LC3 two-seat sofa for Cassina. An iconic piece of modernist design, designed in 1928 by Le Corbusier, his cousin and colleague Pierre Jeanneret, and Charlotte Perriand. The sofa is a symbol of timeless elegance and exceptional comfort, with a unique combination of high-quality materials and craftsmanship. Made of high-quality materials by Italian manufacturer Cassina in the 1990s, this LC3 sofa...

3 seater sofa, day bed Anfibio designed by Alessandro Becchi and produced by Giovannnetti in 1970s. Designed in 1970, the Anfibio sofa bed has been described by critics around the wo...

Anfibio sofa-bed by Alessandro Becchi for Giovannetti, 1972. Fully restored and upholstered with high-quality black Italian natural leather. Mattress upholstered with soft sheepski...

Vintage Togo sofa set, designed by Michel Ducaroy in the 1970s and manufactured by Ligne Roset in France. This iconic corner armchair with ottoman features original cognac brown velv...

On offer on this occasion is one of the most stunning and rare, floral linen sofa you could hope to find. Outstanding design is exhibited throughout. The beautiful sofa is statement ...