Furniture

Low table in mahogany by designer and cabinetmaker Frits Henningsen. Made in Denmark, 1940s. Great original condition.

Kaare Klint for Rud Rasmussen. Safari chair new upholstered with Vintage aniline leather. Straps maintained in the original patinated lea...

Kaare Klint 'Red Chair' in Cuban mahogany, Niger leather and brass nails. Executed by Rud. Rasmussen 1936-1940. Underside with manufacturer's paper label RUD. RASMUSSENS/SNEDKERIER/...

Elegant low table in mahogany by designer and cabinetmaker Frits Henningsen. Made in Denmark, circa 1945. Great original condition.

Writing desk designed by Arne Jacobsen in 1971. Part of the 'DJOB' system for Denmark's National Bank. The desk has stacking drawers on both sides and is made of beech wood with an a...

Modernist Desk George Nelson by Hermann Miller 1950 Laminated wood, aluminum base Rare model.

Armchair model 3758 A in original red indian leather and mahogany base. Model designed in 1927 for the Danish Museum of Decorative Art, produced by Rud Rasmussen in the 1940’s. Signed with manufacturer’s label to underside: (Rud. Rasmussens Snedkerier). Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Kaare Klint, Harkær, pg. 28-30. Dansk Møbelkunst Gennem 40 Aar: 1927-1936, Jalk, pg. 169. Danish Chairs, Oda, pg. 22-23. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale...

Beautiful Finn Juhl easy chair with frame of original patinated oak, arms of teak, back and seat upholstered with woven cane. Designed by Finn Juhl 1954, manufactured by Søren Wil...

Kaare Klint pair of red chairs in mahogany, black horsehair and brass nails. Version of the chair with upholstered arms. Executed by Rud. Rasmussen,...

Kaare Klint & Rud Rasmussen Snedkerier - Scandinavian Modern Design. An extraordinary set of twelve Kaare Klint red chairs, executed by cabinetmaker Rud. Rasmussen, Denmark. Profil...

Classic and rare easy chair in oak and teak for Soren Willladsen from the 1950's. Curved armrests in teak sweeping around the sides and back of the chair. Legs and frame made from so...

Copenhagen. She left in 1946, and the same year she founded her own design studio with her husband Jorgen Ditzel. The particular and ergonomic shape of this rattan chair ensures inc...