Helicline Fine Art
to
77
311
232
124
54
54
33
27
24
20
18
17
8
6
5
3
1
1
47
4
4
4
4
Cadets Football New Yorker Mag Cover Proposal American Scene Modern Illustration
By Antonio Petruccelli
Located in New York, NY
Cadets Football New Yorker Mag Cover Proposal American Scene Modern Illustration
Antonio Petruccelli (1907 – 1994)
Cadets Football Game
New Yorker cover proposal, c. 1939
14 1/4 X 1...
Category
1930s American Modern Figurative Paintings
Materials
Gouache, Board
Original Painting Published Fortune Mag Cover 1935 Jewels Jewelry Illustration
By Antonio Petruccelli
Located in New York, NY
Original Painting Published Fortune Mag Cover 1935 Jewels Jewelry Illustration
Antonio Petruccelli (1907 – 1994)
Fortune cover published, Decembe...
Category
1930s American Modern Still-life Paintings
Materials
Gouache, Board
Original Painting Cathedral Interior New Yorker Cover Proposal 1939 Jesus Church
By Antonio Petruccelli
Located in New York, NY
Original Painting Cathedral Interior New Yorker Cover Proposal 1939 Jesus Church
Antonio Petruccelli (1907 – 1994)
Cathedral
New Yorker cover proposa...
Category
1930s American Realist Interior Paintings
Materials
Gouache, Board
Original Painting Life Mag Published 1955 Birds Animals Illustration Mid Century
By Antonio Petruccelli
Located in New York, NY
Original Painting Life Mag Published 1953 Birds Animals Illustration Mid Century
Antonio Petruccelli (1907 - 1994)
The World We Live In
Birds of Paradise
Life Magazine Illustration ...
Category
1950s American Realist Animal Paintings
Materials
Gouache, Board
Coral Reef Painting Life Mag Published 1953. Mid Century Modern American Scene
By Antonio Petruccelli
Located in New York, NY
Coral Reef Painting Life Mag Published 1953. Mid Century Modern American Scene
Antonio Petruccelli (1907 – 1994)
The World We Live In
Coral Reef
...
Category
1950s American Realist Landscape Paintings
Materials
Gouache, Board
Original Painting New Yorker Mag Cover proposal. Army Wedding American Scene WPA
By Antonio Petruccelli
Located in New York, NY
Original Painting New Yorker Mag Cover proposal. Army Wedding American Scene WPA
Antonio Petruccelli (1907 – 1994)
Army Wedding
New Yorker cover proposal, c. 1939
11 1/2 X 8 inches ...
Category
1930s American Realist Landscape Paintings
Materials
Gouache, Board
Original Painting. New Yorker Mag Cover Proposal WPA Mid Century American Scene
By Antonio Petruccelli
Located in New York, NY
Original Painting. New Yorker Mag Cover Proposal WPA Mid Century American Scene
Antonio Petruccelli (1907 – 1994)
Perplexed Gentleman
New Yorker cover proposal, c. 1939
13 1/4 X 8 ...
Category
1930s American Modern Figurative Paintings
Materials
Gouache, Board
Original Painting. Fortune Mag Cover Published 1938. American Scene Modern WPA
By Antonio Petruccelli
Located in New York, NY
Original Painting. Fortune Mag Cover Published 1938. American Scene Modern WPA
Antonio Petruccelli (1907 - 1994)
Fortune cover published, January ...
Category
1930s American Modern Landscape Paintings
Materials
Gouache, Board
House Beautiful Cover Proposal. American Scene Social Realism Industrial WPA
By Antonio Petruccelli
Located in New York, NY
House Beautiful Cover Proposal. American Scene Social Realism Industrial WPA
Antonio Petruccelli (1907 – 1994)
Mixing Mortar
12 1/2 X 14 3/4 inche...
Category
1930s American Modern Figurative Paintings
Materials
Gouache, Board
Original Painting. Colliers Magazine Cover Published 1933 Wedding Illustration
By Antonio Petruccelli
Located in New York, NY
Original Painting. Colliers Magazine Cover Published 1933 Wedding Illustration
Antonio Petruccelli (1907 - 1994)
The Wedding
Colliers published, June 17, 1933
17 1/4 X 11 1/2 inches (sight)
Framed 23 1/4 X 17 1/2 inches
Gouache on board
Signed lower right
BIOGRAPHY:
Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests.
In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s.
‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune.
Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...
Category
1930s American Realist Figurative Paintings
Materials
Gouache, Board
Japan Issue Fortune Magazine Cover Proposal Japanese Mid-Century Illustration
By Antonio Petruccelli
Located in New York, NY
Japan Issue Fortune Magazine Cover Proposal Japanese Mid-Century Illustration
Antonio Petruccelli (1907 - 1994)
JAPAN ISSUE
Fortune cover proposal, c. 1936
14 1/4 x 12 inches (sight)
Framed 19 3/4 X 17 3/4 Inches
Gouache on board
Signed lower left
BIOGRAPHY:
Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests.
In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s.
‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune.
Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...
Category
1930s American Modern Still-life Paintings
Materials
Gouache, Board
American Scene Industrial Modern Lamp Magazine Illustration Mid-Century c. 1930s
By Antonio Petruccelli
Located in New York, NY
American Scene Industrial Modern Lamp Magazine Illustration Mid-Century
Antonio Petruccelli (1907 - 1994)
Oil Terminal
Lamp Magazine, published, c. 1930s.
15 3/4 X 12 inches (image)
18 X 14 inches board
Gouache on board
Signed lower right
unframed
BIOGRAPHY:
Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests.
In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s.
‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune.
Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...
Category
1930s American Modern Landscape Paintings
Materials
Gouache, Board
Original Painting New Yorker Cover Proposal American Scene Modern Santa's Feet
By Antonio Petruccelli
Located in New York, NY
Original Painting New Yorker Cover Proposal American Scene Modern Santa's Feet
Antonio Petruccelli (1907 - 1994)
Santas Feet At Midnight
New Yorker c...
Category
1930s American Modern Figurative Paintings
Materials
Gouache, Board
Original Painting Fortune Cover Published 1937 American Modern - Met Museum
By Antonio Petruccelli
Located in New York, NY
Original Painting Fortune Cover Published 1937 American Modern - Met Museum
NEWS: A printed copy of this magazine is included in The Metropolitan Museum of Art’s recent exhibition, “Art for the Millions: American Culture and Politics in the 1930s”
Antonio Petruccelli...
Category
1930s American Modern Landscape Paintings
Materials
Gouache, Board
Original Painting Steel Workers Fabric Design Industrial Deco American Modernism
By Antonio Petruccelli
Located in New York, NY
Original Painting Steel Workers Fabric Design Industrial Deco American Modernism
Antonio Petruccelli (1907 - 1994)
Steel Workers
Textile design
19 1/4 X ...
Category
1930s American Modern Figurative Paintings
Materials
Gouache, Board
Original Painting. New Yorker Cover Proposal Baseball c. 1939 Modern Cubist Deco
By Antonio Petruccelli
Located in New York, NY
Original Painting. New Yorker Cover Proposal Baseball c. 1939 Modern Cubist Deco
Antonio Petruccelli (1907 - 1994)
Play Ball
New Yorker cover proposal, c. 1939
12 x 8 inches (sight)
Framed 18 1/2 X 14 3/4 inches
Gouache on board
Estate sticker verso
BIOGRAPHY:
Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests.
In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s.
‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune.
Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...
Category
1930s American Modern Figurative Paintings
Materials
Gouache, Board
Original Painting. Vanity Fair Illustration Proposal. Art Deco Modern 1930s
By Antonio Petruccelli
Located in New York, NY
Original Painting. Vanity Fair Illustration Proposal. Art Deco Modern 1930s
Antonio Petruccelli (1907 - 1994)
Vanity Fair
Illustration proposal, c 1930’s
18 X 13 3/4 inches (sight)
...
Category
1930s American Modern Figurative Paintings
Materials
Gouache, Board
Fortune Magazine Cover Published 1941 Illustration Precisionist American Scene
By Antonio Petruccelli
Located in New York, NY
Fortune Magazine Cover Published 1941 Illustration Precisionist American Scene
Antonio Petruccelli (1907 - 1994)
Military Tent City
Fortune Cover published, May 1941
17 1/2 X 15 in...
Category
1940s American Modern Landscape Paintings
Materials
Gouache, Board
Art Week Poster Design American Scene Modern c. 1930s WPA Era Illustration
By Antonio Petruccelli
Located in New York, NY
Art Week Poster Design American Scene Modern c. 1930s WPA Era Illustration
Antonio Petruccelli (1907 - 1994)
Art Week
22 X 17 inches
Gouache on board, c. 19...
Category
1930s American Modern Landscape Paintings
Materials
Gouache, Board
Fireman Textile Fabric Design 1920s American Scene Modern Working Men Art Deco
By Antonio Petruccelli
Located in New York, NY
Fireman Textile Fabric Design 1920s American Scene Modern Working Men Art Deco
Antonio Petruccelli (1907 - 1994)
Firemen
Textile design, c. 1929
19 1/4 ...
Category
1920s American Modern Figurative Paintings
Materials
Gouache, Board
Bricklayers House Beautiful Cover Proposal American Scene Modern 1930s Workers
By Antonio Petruccelli
Located in New York, NY
Bricklayers House Beautiful Cover Proposal American Scene Modern WPA 1930s Industrial Workers
Antonio Petruccelli (1907 - 1994)
Brick Layers
House Beautiful cover proposal, c. 1939
...
Category
1930s American Modern Figurative Paintings
Materials
Gouache, Board
Original Painting. Fortune Cover. Sept 1933 Illustration American Modern WPA Era
By Antonio Petruccelli
Located in New York, NY
Original Painting. Fortune Cover. Sept 1933 Illustration American Modern WPA Era
Antonio Petruccelli (1907 - 1994)
Wild Horses & Dynamo
Fortune cover published, September 1933
13 X ...
Category
1930s American Modern Animal Paintings
Materials
Gouache, Board
Circus Elephants American Modernism WPA Regionalism Mid-Century Modern Oil
Located in New York, NY
Circus Elephants American Modernism WPA Regionalism Mid-Century Modern Oil. Signed lower left.
Not much is known about Marco de Marco, but just look at...
Category
1930s American Modern Animal Paintings
Materials
Canvas, Oil
"Winch" British Linocut Grosvenor School Machine Age 1930 Woman Artist Print
By Sybil Andrews
Located in New York, NY
"Winch" British Linocut Grosvenor School Machine Age 1930 Woman Artist Print
"The Winch" 1930. 7 3/4 x 11 (sight) inches. Linocut in colors on tissue...
Category
1930s Modern Figurative Prints
Materials
Linocut
Bathers 1940s Mid 20th Century American Scene Social Realism WPA Modern Ashcan
Located in New York, NY
Bathers 1940s Mid 20th Century American Scene Social Realism WPA Modern Ashcan
Marion Gilmore (1909-1984)
Bathers
15 1/2 x 19 1/2 inches
oil on canvas boar...
Category
1940s American Realist Figurative Paintings
Materials
Oil, Board
NYC Subway Mid 20th Century American Scene Social Realism WPA Modern 1930s
By Daniel Ralph Celentano
Located in New York, NY
NYC Subway Riders Mid 20th Century American Scene Social Realism WPA Modern 1930s
Daniel Celentano (1902 - 1980)
Subway Scene, 1930s
8 x 9 inches
Ink and wash on paper
Singed lower ...
Category
1930s American Realist Figurative Drawings and Watercolors
Materials
Paper, Ink, Gouache
Industrial Mid-20th Century WPA Modern Men Working American Scene Social Realism
Located in New York, NY
Industrial Mid-20th Century WPA Modern Men Working American Scene Social Realism
George Pearse Ennis (American, 1884-1936)
"Forging a Gun Tube #1...
Category
1910s American Modern Interior Paintings
Materials
Canvas, Oil
Abstract Non Objective Mid 20th Century American Modern Color Field 1950s
Located in New York, NY
Abstract Non Objective Mid 20th Century American Modern Color Field 1950s
James Daugherty (1887 – 1974)
Abstraction
84-1/2 x 42-1/2 inches
Signed and ...
Category
1950s Abstract Abstract Paintings
Materials
Canvas, Oil
1961 Coty Award Plaque Kenneth Hairdresser Jacqueline Onassis Bronze Fashion
Located in New York, NY
1961 Coty Award Plaque Kenneth Hairdresser Jacqueline Onassis Bronze Fashion
Bronze on wood. The wood plaque measures 12 3/4" by 20 3/4 inches. The bronze plaque itself is 13 3/4 x 8 3/4 inches and the the bronze inscription, which reads "COTY, American Fashion Critics Special Award 1961 to KENNETH of LILY DACHE...
Category
1960s American Modern Figurative Sculptures
Materials
Bronze
George Grosz NYC City Scene Modernism Watercolor German Expressionism Weimar
By George Grosz
Located in New York, NY
George Grosz NYC City Scene Modernism Watercolor German Expressionism Weimar
George Grosz (Germany, 1893-1959) "City Scene," 17 x 12 inches, signed and dated “33” lower left, watercolor on paper. This drawing, created while Grosz was living in NYC. Period frame, It has been authenticated by Ralph Jentsch, the globally recognized Grosz expert.
Provenance: Hirschl & Adler and 511 Gallery...
Category
1930s Expressionist Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Guy Pene du Bois WPA American Modernism Realism NYC Scene Oil Lawyers in Court
By Guy Pène Du Bois
Located in New York, NY
Guy Pene du Bois' "Two Figures in Courtroom" is a WPA era American scene oil painting created in a realistic style. Modernism at its best The work is framed by Heydenryk.
Pène du Bois descended from French immigrants who settled in Louisiana in 1738 and was raised in a Creole household. He was born in 1884 in Brooklyn, NY and first studied with William Merritt Chase at the New York School of Art and later continued his training with Robert Henri. Pène du Bois was greatly impressed with Henri's credo that "real life" was subject matter for art and throughout his life a realist philosophy informed his art as well as his parallel career, art criticism. In 1905, Pène du Bois made his first visit to Paris where he painted scenes of fashionable people in cafes rendered in the dark tonalities and impasto associated with the Ashcan School. By 1920, he had achieved his mature style, which was characterized by stylized, rounded, almost sculptural figures painted with invisible brushstrokes. The subjects of his paintings were often members of society whom he gently satirized.
In 1924, Pène du Bois and his wife, Floy, left for France where they would remain until 1930. Returning to America showcases pictures the artist produced after this very productive period abroad. After five years of living in France, Pène du Bois was able to observe American life with fresh eyes. His work becomes more psychologically intense and less satirical. In Girl at Table a slender, blond is shown gazing at a small statue that she holds at arm's distance. The meaning is elusive, but a powerful sense of longing is evoked. Similarly, paintings such as Dramatic Moment and Jane are taut with unresolved dialogue. Both pictures depict mysterious interiors in which a lone woman anxiously awaits the denouement of a suspenseful scene. Other pictures, for example, Chess Tables, Washington Square and Bar, New Orleans, recall Pene du Bois's Ashcan origins in their depiction of urban entertainment.
During this period, landscape becomes an important subject for Pène du Bois. Girl Sketching...
Category
1930s American Modern Figurative Paintings
Materials
Paper, Oil, Board
Trucks in the City African American Self-Taught Florida Outsider Folk Art Urban
By Purvis Young
Located in New York, NY
Trucks in the City by African American, Folk, Self-Taught, Florida, Outsider Art Purvis Young Urban
Young was an American artist from Miami....
Category
Late 20th Century Outsider Art Figurative Paintings
Materials
Oil, Board
Six Vintage Stainless Steel Sculptural Dining Chairs Sculpture Mid-Century Set 6
Located in New York, NY
Six Vintage Stainless Steel Sculptural Dining Chairs Sculpture Mid-Century Set
Kings and Queens could feats on these sculptures, this stunning set of six dining chairs. They are art...
Category
1950s Modern Still-life Sculptures
Materials
Stainless Steel
"King & I" Orig 1951 Broadway Drawing Published NYT Tony Awards Mid 20th Century
By Albert Al Hirschfeld
Located in New York, NY
"King & I" Orig 1951 Broadway Drawing Published NYT Tony Awards Mid 20th Century
Al Hirschfeld (1903 – 2003) "The King and I," 14 3/4 x 30 inches. Ink on board. Signed lower right. ...
Category
1950s Performance Figurative Drawings and Watercolors
Materials
Ink, Board
Till the Clouds Roll By 1945 Frank Sinatra Mid Century Modern Hollywood Film WPA
By Richard Whorf
Located in New York, NY
Till the Clouds Roll By 1945 Frank Sinatra Mid Century Modern Hollywood Film WPA
TILL THE COULDS ROLL BY (Film Set), oil on canvas, 20 x 24 inches signed “Richard Whorf” lower right and signed and dated on the verso “R. Whorf/ Dec. 21, 1945. Frame by Hendenryk.
ABOUT THE PAINTING
This painting is from the collection of Barbara and Frank Sinatra, dated December 21, 1945 (just nine days after Frank Sinatra’s 30th birthday), and depicts the Metro-Goldwyn-Mayer Culver City backlot during the filming of Till the Clouds Roll By, the direction of the film having been taking over by Richard Whorf in December 1945. It is not presently clear if Whorf gave the Sinatras this painting as a gift, as the presence of the Dalzell Hatfield Galleries label on the verso indicates the painting may have been sourced there. Frank and Nancy Sinatra acquired a number of works from Dalzell Hatfield Galleries during the 1940’s, or perhaps they framed it for the couple.
Sinatra performed “Old Man River’ in the film. Sinatra and June Allyson are depicted in the center of the painting.
PROVENANCE From the Estate of Mrs. Nancy Sinatra; Dalzell Hatfield Galleries, Ambassador Hotel, Los Angeles.
An image of the Dalzell Hatfield label and the back of the original frame (which we replaced with a stunning Heydenrk frame) are attached.
Nancy Sinatra was Fran's first wife. Nancy Rose Barbato was 17 years old when she met Frank Sinatra, an 18-year-old singer from Hoboken, on the Jersey Shore in the summer of 1934. They married in 1939 at Our Lady of Sorrows Church in Jersey City where Frank gave Nancy a recording of a song dedicated to her titled "Our Love" as a wedding present. The young newlyweds lived and worked in New Jersey, where Frank worked as an unknown singing waiter and master of ceremonies at the Rustic Cabin while Nancy worked as a secretary at the American Type Founders.
His musical career took off after singing with big band leaders Harry James and Tommy Dorsey...
Category
1940s American Modern Landscape Paintings
Materials
Canvas, Oil
"Construction 1982" Abstract Wall Sculpture Contemporary Mid 20th Century Modern
By Seymour Fogel
Located in New York, NY
"Construction 1982" Abstract Wall Sculpture Contemporary Mid 20th Century Modern
Painted wood assemblage, 36 x 45 x 4 inches overall. Note the label states 3 foot diameter referring to circular portion. Exhibited, Seymour Fogel Constructions Paintings and Drawing, 1984, typed on Graham Modern label verso
Seymour Fogel was born in New York City on August 24, 1911. He studied at the Art Students League and at the National Academy of Design under George Bridgeman and Leon Kroll. When his formal studies were concluded in the early 1930s he served as an assistant to Diego Rivera who was then at work on his controversial Rockefeller Center mural. It was from Rivera that he learned the art of mural painting.
Fogel was awarded several mural commissions during the 1930s by both the Works Progress Administration (WPA) and the Treasury Section of Fine Arts, among them his earliest murals at the Abraham Lincoln High School in Brooklyn, New York in 1936, a mural in the WPA Building at the 1939-1940 New York World's Fair, a highly controversial mural at the U.S. Post Office in Safford, Arizona (due to his focus on Apache culture) in 1941 and two murals in what was then the Social Security Building in Washington, D.C., also in 1941. Fogel's artistic circle at this time included Phillip Guston, Ben Shahn, Franz Kline, Rockwell Kent and Willem de Kooning.
In 1946 Fogel accepted a teaching position at the University of Texas at Austin and became one of the founding artists of the Texas Modernist Movement. At this time he began to devote himself solely to abstract, non-representational art and executed what many consider to be the very first abstract mural in the State of Texas at the American National Bank in Austin in 1953. He pioneered the use of Ethyl Silicate as a mural medium. Other murals and public works of art done during this time (the late 1940s and 1950s) include the Baptist Student Center at the University of Texas (1949), the Petroleum Club in Houston (1951) and the First Christian Church, also in Houston (1956), whose innovative use of stained glass panels incorporated into the mural won Fogel a Silver Medal from the Architectural League of New York in 1958.
Fogel relocated to the Connecticut-New York area in 1959. He continued the Abstract Expressionism he had begun exploring in Texas, and began experimenting with various texturing media for his paintings, the most enduring of which was sand. In 1966 he was awarded a mural at the U.S. Federal Building in Fort Worth, Texas. The work, entitled "The Challenge of Space", was a milestone in his artistic career and ushered in what has been termed the Transcendental/Atavistic period of his art, a style he pursued up to his death in 1984. Painted and raw wood sculpture...
Category
1980s Assemblage Abstract Sculptures
Materials
Wood
Bette Midler Film Set Backstage Baby Daughter Vintage b&w Print Contemporary
By Roddy McDowall 1
Located in New York, NY
Bette Midler Film Set Backstage Baby Daughter Vintage b&w Print Contemporary
Roddy McDowall (British-American, 1928-1998)m "Bette Midler & Daughter Sop...
Category
1980s Photorealist Portrait Photography
Materials
Silver Gelatin
"Time Remembered" Mid 20th Century NYC Modern American Scene WPA El Railway 1940
Located in New York, NY
"Time Remembered" Mid 20th Century NYC Modern American Scene WPA El Railway 1940
A view of the Third Avenue El (elevated railway) at 28th Street, New York. Signed lower left. Titled verso. c. 1940. oil on board c. 1940, 27.875 h × 21.75 w inches.
BIO
Staats Cotsworth...
Category
1940s American Realist Landscape Paintings
Materials
Oil, Board
Abstract Cityscape Mid 20th Century Modern Cubist Work on Paper Drawing Ariel
By Clarence Holbrook Carter
Located in New York, NY
Abstract Cityscape Mid 20th Century Modern Cubist Work on Paper Drawing Ariel
11 x 4 1/2 inches. Framed by Heydenryk.
Provenance: Gary Snyder Fine Art
B...
Category
1950s Abstract Abstract Drawings and Watercolors
Materials
Paper, Gouache
Radiant Reflections Abstract 1950s Oil Mid 20th Century American Woman Artist
By Irene Rice Pereira
Located in New York, NY
Radiant Relections. Abstract Non-Objective 1950s Oil Mid 20th Century American Woman Female Artist. Signed lower right.
Provenance:
Estate of Foy C. Casper, Norfolk, Virginia (a close personal friend of the artist and a former director of the Irene Rice-Pereira Foundation).
Sothebys American art sale October 10, 2008.
The canvas measures 50 x 40. The work has been restored, relined and is housed in its original frame, made by the artist's second husband, George Wellington Brown, a marine engineer from Boston.
BIO
Periera was an American abstract artist, poet, and philosopher who played a significant role in the development of modernism in America. She is known for her work in the Geometric abstraction, Abstract expressionist, and lyrical abstraction genres and her use of the principles of the Bauhaus school. She helped found the Federal Art Project...
Category
1950s Abstract Abstract Paintings
Materials
Canvas, Oil
"Cars, Buildings People" Contemporary Outsider Folk Art African American Urban
By Purvis Young
Located in New York, NY
"Cars, Buildings People" Contemporary Outsider Folk Art African American Urban
The painting measures 65 x 48 inches. We love that in the middle of ...
Category
1990s Outsider Art Landscape Paintings
Materials
Masonite, Oil
"Times Square" Mid 20th Century 1937 Modernism Broadway Drawing NYC Cityscape
Located in New York, NY
"Times Square" Mid 20th Century 1937 Modernism Broadway Drawing NYC Cityscape
Philip Goodwin (20th Century) "Times Square," 23 ½ x 17 ¼ inches. Gouache...
Category
1930s American Modern Landscape Drawings and Watercolors
Materials
Paper, Gouache
"Phantom of the Opera, Journey" Broadway Musica lAndrew Lloyd Webber Tony Awards
By Albert Al Hirschfeld
Located in New York, NY
"Phantom of the Opera, Journey" Broadway Musica lAndrew Lloyd Webber Tony Awards
Al Hirschfeld (American, 1903-2003). A signed and numbered limited edition lithograph on rag paper. "The Journey" a caricature depiction from "The Phantom of the Opera...
Category
1980s Performance Figurative Prints
Materials
Lithograph
"Audience" Mid 20th Century American Figurative Theatre Performance Contemporary
By Leon Bibel
Located in New York, NY
"Audience" Mid 20th Century American Figurative Theatre Performance Contemporary
Leon Bibel (1912 - 1995) "The Audience," 52 ½ x 41 ¼ inches. Oil on canvas, c. 1963. Signed lower right. Framed.
BIO
Painter, printmaker and sculptor, Leon Bibel was born in San Francisco in 1913. He trained at the California School of Fine Arts and received a scholarship to study under the German Impressionist Maria Riedelstein. He worked in collaboration with Bernard Zackheim, a student of Diego Rivera, to create frescoes for the San Francisco Jewish Community Center and the University of California Medical School.
In 1936 Bibel moved from California to join the Federal Art Project at Harlem Art...
Category
1960s American Modern Figurative Paintings
Materials
Canvas, Oil
"Going to the Festival" WPA Ashcan 20th Century American Scene Modern Realism
By Daniel Ralph Celentano
Located in New York, NY
"Going to the Festival" WPA Ashcan 20th Century American Scene Modern Realism
Daniel Celentano (1902 - 1980) "Going to the Festival," 14 1/2 x 10 1/2. Watercolor on paper, c. 1930s....
Category
1930s American Realist Figurative Drawings and Watercolors
Materials
Paper, Watercolor
Outsider Folk Art American Mid-Century Naive WW2 Self Taught WPA Depression Era
By Ralph Fasanella
Located in New York, NY
Outsider Folk Art American Mid-Century Naive WW2 Self Taught WPA Depression Era "Victory for Now"
Ralph Fasanella (1914-_1997) "Victory and After,” gouache on paper. Signed, titled...
Category
1940s Outsider Art Landscape Paintings
Materials
Paper, Gouache
TOBACCO ROAD Mid 20th Century Realism 1940 Drawing from the Novel WPA Literary 3
By David Fredenthal
Located in New York, NY
TOBACCO ROAD Mid 20th Century Realism 1940 Drawing from the Novel WPA Literary 3
10 1/2 x 6 (sight), Signed David Fredenthal lower right. Framed by Lowy.
Offered here is one of several original drawings by WPA artist David Fredenthal that were first published in the 1940 illustrated edition of the novel TOBACCO ROAD by Erskine Caldwell.
Background on the Drawing
Erskine Caldwell remarked, on seeing the work of David Fredenthal, 26-year-old painter: "That boy could draw my Tobacco Road people." A casual comment, it was enormously productive.
The young painter was just finishing a two-year Guggenhcim Fellowship, preceded by a year's study in Paris, two one-man shows at New York's Downtown Gallery, and a fellowship at the Cranbrook Academy near Detroit. He was out in Colorado Springs when he heard what Caldwell had said about him.
Fredenthal hadn't read Tobacco Road. He had not even seen the play - now breaking all records in its seventh year on Broadway. But he swapped a portrait for a second-hand Ford and headed East.
In New York he learned that Dnell, Sloan & Pearce were bringing out a deluxe edition of Tobacco Road. But he had no entrée to the publishers, and Caldwell, to his disappointment, was out of town. So he drove on to Georgia to have a look at the Tobacco Road people.
He found Dr. I. C. Caldwell, the author's father, in Wrens, Ga., going on his ministerial rounds among people like the Lesters. Fredenthal got a room from a couple who ran a 1-pump filling station...
Category
1930s American Realist Figurative Drawings and Watercolors
Materials
Paper, Ink, Watercolor
Abstract Work on Paper Mid-Century Modernism Greek American Gouache Drawing
By Jean Xceron
Located in New York, NY
Abstract Work on Paper Mid-Century Modernism Greek American Gouache Drawing.
A modernist artist who emigrated to America from Greece in 1904, when he was fourteen years old, Jean Xceron is described as having a reputation as an artist that has mysteriously fallen into obscurity---especially since he was reportedly quite prominent during his lifetime. However, a partial explanation of that omission is the fact that many of his papers and early records have been lost. He was a painter of biomorphic abstractions and did collages, which were influenced by Dadaism.
Xceron was active in New York City when modernism was gaining influence. Of him during this period, it was written that his artistic role was "a vital link between what is commonly termed as the first-generation (the Stieglitz group, the Synchromists, etc.) and second-generation, the American Abstract Artists, the Transcendental Painting...
Category
1940s American Modern Abstract Drawings and Watercolors
Materials
Paper, Gouache
Abstract Mid-20th Century Oil Non Objective NYC Radio City Music Hall
By Donald Deskey
Located in New York, NY
Abstract Mid-20th Century Oil Non Objective NYC Radio City Music Hall. Oil on board, 23 x 20 inches. Signed lower right. Provenance: Michael Desk...
Category
1970s Abstract Abstract Paintings
Materials
Oil, Board
Red to Black, 1954 Abstract Oil Mid-20th Century Modern Non-Objective. Published
By O. Louis Guglielmi
Located in New York, NY
Red to Black, 1954 Abstract Oil Mid-20th Century Modern Non-Objective. Published. Signed and dated upper left. 40 1/4 x 18 1/2 inches oil on canvas.
Provenance: Estate of O. Louis Guglielmi. Robert Schoelopf Gallery. Andrew Crispo Gallery. Published in the artist's monograph as seen in the attached photos.
BIO
Painter O. Louis Guglielmi moved stylistically from a symbolic Social Realism, Precisionism, and Surrealism, ultimately to abstraction, but his subject matter, when it existed, dealt with society's underdogs. He had experienced slum living as a youth, moving from place to place because of his violinist father's need to find employment. Though Guglielmi was born in 1906 in Cairo, Egypt, his Italian parents moved the family to Italy. In 1914, they were living in New York City in Harlem's Italian slum.
Guglielmi was involved in the political and artistic protests of the trial, conviction as anarchist bombers, and execution of Sacco and Vanzetti...
Category
1950s Abstract Abstract Paintings
Materials
Canvas, Oil
3 Carved Wood Plaques Outsider Modern Mid 20th Century Latin Gay LGBT Beefcake
Located in New York, NY
3 Carved Wood Plaques Outsider Modern Mid 20th Century Latin Gay Male LGBT Beefcake
Each plaque is 16 x 10 x 1 1/4 inches. Two are vertical and one is horizo...
Category
20th Century Outsider Art Figurative Sculptures
Materials
Wood
Reginald Marsh "Brooklyn Bridge" NYC Modernism WPA Mid-Century Watercolor Modern
By Reginald Marsh
Located in New York, NY
Reginald Marsh "Brooklyn Bridge" NYC Modernism WPA Mid-Century Watercolor Modern
Reginald Marsh (American, 1898-1954) Brooklyn Bridge, 1940, Signed and dated Reginald Marsh May 1940 (lr), Watercolor over traces of pencil on paper , 15 x 22 inches sight.
Reginald Marsh was born in Paris, France in 1898, the child of artist parents. He was born over a small cafe on Paris' Left Bank. He was brought to the United States in 1900 and was drawing before he was three. He studied art at Yale University and the Art Students League, during which time he worked primarily as an illustrator for New York newspapers and magazines. After studying in Paris in 1925 and 1926, he turned seriously to painting. In 1929 he was introduced to the egg-tempera medium, which he used extensively the rest of his life.
Marsh's gusto for painting the bottom crust of society contrasted curiously with his background. His parents, both well-known artists, were steeped in academic traditions. He attended Lawrenceville Academy and Yale; perhaps this elite background made it possible to paint the earthy people he did with a journalist's objectivity.
An admirer of Rubens and Delacroix, he disliked modernist art; indeed, his lifelong preoccupation was with people - enjoying themselves at beaches, at amusement parks, or on crowded city streets. Marsh was a second-generation Ash Can School painter and printmaker, best known as an urban regionalist. He spent his days sketching in small notebooks...
Category
1940s American Modern Figurative Drawings and Watercolors
Materials
Paper, Watercolor
"Backstage, Ambassador" Broadway Theatre NYC Mid-century Modern Modernist Cubist
By Sam Norkin
Located in New York, NY
"Backstage, Ambassador" Broadway Theatre NYC Mid-century Modern Modernist CubistSigned lower left, titled on the stretcher.
Norkin was a Brooklyn, Ne...
Category
1940s American Modern Interior Paintings
Materials
Canvas, Oil
"Airplanes Dive Over Enemy Skies" Italian Futurism Futurist Transportation Plane
Located in New York, NY
"Airplanes Dive Over Enemy Skies" Italian Futurism Futurist Transportation Plane
Guglielmo “Tato” Sansoni (Italian, 1896 – 1974) "Airplanes Dive Over Enemy Skies (Aerei in Picchiata su Stabilimenti Nemici)," 20 x 28 inches. Oil on canvas. Circa 1930s. Signed lower right. Titled and signed verso.
Guglielmo Sansoni...
Category
1930s Futurist Landscape Paintings
Materials
Canvas, Oil
1, 000 piece Museum Quality Collection of Art & Objects from NYC 1939 Worlds Fair
By Chester Beach
Located in New York, NY
1,000 piece Museum Quality Collection of Art & Objects from NYC 1939 Worlds Fair is available for sale.
This sculpture, "Riders of the Elements," is the original 7' plaster maquette from the NYC 1939 World's Fair by Chester Beach...
Category
1930s Art Deco Figurative Sculptures
Materials
Plaster, Canvas, Oil, Photographic Paper
STRIDENT MAN Carved Wood Sculpture Hollywood WPA Modernist Puppet Mid-Century
Located in New York, NY
This 18 x 9 x 4 inch carved wood sculpture is unsigned and comes directly from the artist's family.
Louis 'Lou' Bunin (28 March 1904 – 17 February 1994) was an American puppeteer, artist, and pioneer of stop-motion animation in the latter half of the twentieth century. While working as a mural artist under Diego Rivera in Mexico City in 1926, Bunin created political puppet shows using marionettes...
Category
1940s American Modern Figurative Sculptures
Materials
Wood
Landscape American Hungarian European Modernism 1938 Realism Long Island WPA era
By Stephen Csoka
Located in New York, NY
Landscape American Hungarian European Modernism 1938 Realism Long Island WPA era. The canvas measures 18” x 20". The artist signed the stretcher as well as the canvas.
The scene depicts a spots in New York where Queens borders with Nassau county, Rosedale, which abuts the Five Towns. The border runs through Hook Creek, another painting we are currently offering.
Stephen (Istvan) Csoka was born in Gárdony, Hungary on January 2, 1897 and died in New York in 1989. He is best remembered as a painter and etcher of portraits, nudes, landscapes, genre, and horses. Csoka studied at the Budapest Royal Academy of Art and his memberships include Associate of the National Academy of Design in New York City; the Society of American Etchers in Brooklyn, NY; the Society of Brooklyn Artists; and the Hungarian Etchers Association.
Csoka's exhibitions and awards include a medal at the Barcelona International Exhibition in 1929; a prize at the City of Budapest Exhibit in 1930; prizes at the Society of American Etchers in 1942 and 1945; prizes at the Library of Congress in 1944 and 1946; a prize at the Society of Brooklyn Artists in 1944; a prize at the Philadelphia Watercolor Club in 1945; the Corcoran Gallery of Art in 1945; the Carnegie Institute in 1943, 1944, and 1945; the Art Institute of Chicago in 1944; the Los Angeles Museum of Art in 1945; the National Academy of Design from 1940 through 1945; one-artist shows at the Contemporary Artists in 1940, 1943, and 1945; and the Minneapolis State Fair in 1943. *Stephen continued to recieve awards and exhibit his work throughout his life. In 1997, Hofstra Museum sponsored a Retrospective/Centennial exhibition in honor of his birth.
Collections representing Csoka's work are the Metropolitan Museum of Art, New York, NY; the Brooklyn Museum, Brooklyn, NY; the Museum of Fine Arts, Boston, MA; the British Museum, London, England; the Bezalel National Museum, Jerusalem, Israel; the Butler Institute of American Art, Youngstown, Ohio; Whistler House Museum of Art, Lowell, MA; the Cleveland Museum of Art, Cleveland, OH; Columbus Museum of Art, Columbus, OH; the Sheldon Swope Art Museum, Terre Haute, IN; the Mobile Museum of Art, Mobile, AL; the Frederick R. Weisman Art Museum, Minneapolis, MN; the Museum of New Mexico, Santa Fe, NM; the Budapest Museum of Fine Arts, Budapest, Hungary; Hungarian National Gallery, Budapest, Hungary, the Museum of the City of Budapest, Budapest, Hungary; the Library of Congress, Washington, DC; Carnegie Museums of Pittsburgh, Pittsburgh, PA; the Chrysler Museum of Art, Norfolk, VA; Georgia Museum of Art, Athens, GA; Hofstra Museum, Hofstra University, Hempstead, NY; Holocaust Museum, Glen Cove, NY; National Academy of Art, New York, NY; New Orleans Museum of Art, New Orleans, LA; New York Historical Society, New York, NY;New York Public Library, New York, NY; National Gallery of Art, Washington, DC; Peabody Museum, Cambridge, MA; Pennsylvania Academy of the Fine Arts, Philadelphia, PA; Reading Public Museum, Reading, PA; Livingston Arts Center, Mount Morris, NY; Ball State Teachers College, Muncie, IN; City College, New York, NY; Fashion Institute of Technology, New York, NY; Hungarian Consulate, New York, NY; Hungarian Heritage, New Brunswick, NJ; Hunter College, New York, NY; IBM Collections; Princeton Print Club...
Category
1930s Realist Landscape Paintings
Materials
Canvas, Oil
WWI American Scene Ashcan Modern 20th Century Historical Realism Industrial WPA
By Gerrit Beneker
Located in New York, NY
WWI American Scene Ashcan Modern 20th Century Historical Realism Industrial WPA
"Constant Driving Will Win the War," 30 x 40 inches. Oil on canvas. Signed and dated 1918 lower right.
In 1905, Gerrit Beneker began his art career as an illustrator. He married Flora Judd, his high school sweetheart from Grand Rapids and they moved to Brooklyn, NY. Gerrit's early passion was to create an art that would inspire and provide honor to the workingman. As such, he had no interest in painting portraits of pretty women, which were so often seen on the magazine covers of the day. Rather he wanted to seek out workingmen on the bridges, tunnels and skyscrapers of NYC, and paint them in their environments. He completed over 150 magazine covers, numerous ads including many for Ivory Soap...
Category
1910s Figurative Paintings
Materials
Canvas, Oil
"The Knockout" Boxing Sports American Watercolor WPA Mid-Century Modern 30s/40s
By Robert Riggs
Located in New York, NY
"The Knockout" Boxing Sports American Watercolor WPA Mid-Century Modern 30s/40s.
Robert Riggs (1896-1970)
The Knockout
22 x 30 inches watercolor on paper
Signed lower right
Framed: ...
Category
1930s American Modern Figurative Drawings and Watercolors
Materials
Paper, Watercolor
"Manhattan Bridge" NYC American Scene Modernism Watercolor WPA Urban Realism
By Reginald Marsh
Located in New York, NY
Reginald Marsh "Manhattan Bridge" NYC American Scene Modernism Watercolor WPA Urban Realism, 20 x 14 inches. Watercolor and pencil on paper, 1938. Signed...
Category
1930s American Modern Landscape Drawings and Watercolors
Materials
Paper, Watercolor, Pencil
Read More
Ludwig Bemelmans Captures the Thrilling Sight of Coney Island at Night
The ‘Madeline’ creator and Carlyle Hotel legend was in a New York state of mind in the 1940s when he produced this exuberant and rare oil painting.
Mid-Century Americans Didn’t Know Antonio Petruccelli’s Name, but They Sure Knew His Art
The New York artist created covers for the nation’s most illustrious magazines. Now, the originals are on display as fine art.