Art

Ksenya Istomina 'Midday Nap' 60 x 80 cm ( Frame is included in price, size framed in a black frame form the pictures is: Oil on linen, framed Painted after life, the artist always ...

Drawing on paper is his basic work tool, some are sketches of his surviving works, and others are sketches of moments he documents. From the Duchándome series 1. Duchándome May 22...

A solitary figure, head bowed, stands in a field in contemplation of what has just taken place or what is about to take place. "A Great Battlefield" channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to contemplate the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options. A Great Battlefield oil on linen 60h x 35w in 152.40h x 88.90w cm WIL029 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines...

Hugh Goffinet stares out from the canvas in the dress of a soldier, without being one. He is a reenactor of an African American volunteer in the Abraham Lincoln Battalion. His inspiration is the Lincolns—the battalion’s volunteers—but they are pictured only symbolically, in his dress. Their inspiration was Lincoln, who many decades earlier helped give meaning to the American Civil War, but who is invisible in the painting except by implication—the pose of Hugh Goffinet—which carefully emulates Lincoln’s pose in the celebrated presidential portrait by George Healy. Entirely hidden, at the deepest layer of history, is the true source of inspiration: the human desire for equality and freedom. To understand, honor, and preserve it requires remembrance, in this case with history animating reenactors who animate art that animates memory. "No Pasaran" - an expression of determination to defend a position against an enemy - channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to reflect upon the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options. William Blake No Pasaran oil on linen 48h x 30w in 121.92h x 76.20w cm WIL047 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines at the Gettysburg National Military Park. A Great Battlefield, takes its title from Lincoln’s Gettysburg Address which poetically looks to the battlefield as a site of rebirth. Following the tradition of nineteenth-century American history painting...

"Aurora" by William Blake is a tribute to the Civil War scenes painted by Winslow Homer depicting women playing croquet. Often thought of as paintings that were lacking in closure during war time, a haunting scene of the marriage between play and sadness. Here Blake takes that subject matter depicting Aurora with a croquet mallet. Her painterly style is beautifully rendered in broad brushstrokes and a deep color palette. Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War...

Melanie Sherman "Poisson En Mission" - Serving Bowl (Hand-Painted, Gold Luster, Fish, Durer, Dürer, Made to Order) Porcelain, Glaze, Overglaze, Vintage Flower Decal, German Platinum and 24k German Gold Luster Year: 2023 Size: Height 4.25in x Diameter 9in (approx.) Signed by hand COA provided Ref.: 924802-1809 *Made to Order Every piece is unique, design might differ slightly Customization possible **Lead time approx. 2 weeks for qty 1-3 495 780 Her work references exclusive and precious porcelain wares from 18th-century Europe. In her work she tries to capture the qualities for which porcelain has been known since its discovery in China: whiteness, translucency, and resonance. She is attracted to the enameled and lustered surfaces of the Baroque, Renaissance and Rococo porcelain designs, as well as to elaborations on structural elements of these time periods. She is investigating surface decorations and embellished shapes in order to gain more knowledge for my own studio practice. Sherman is interested in incorporating and referencing historic drawings, motives, and patterns into her work. Studying the history of ceramics Sherman has been captivated by the relationship between East and West, and how they continue to influence each other, especially through the ceramic arts. Although there might be considerable differences between the two civilizations, the cultural exchange between them is an important connector of history and has produced a long and rich exchange of ideas between artists and makers. Asian craft traditions have been handed down to the West and the handmade aspect, even within the factory setting, is still an important concept that allows for control of design and quality by the artist, which is essential within craft of the West. Tags: 24kgermangoldluster, 70s, 80s, aesthetic feed, all that glitters, Anderson ranch, Anderson ranch arts center, applied arts, arita, arita ware, armour, art, aspen, baby, bara, be my valentine, birth, Blue flowers, bowl, calix, ceramic, ceramics, céramique, chabana, chalice, charm, cherry blossom, china, chinapaint, Chōgenbō, chrysanthemum, cobalt blue, colorado, contemporary ceramics, craftswomen, cup, cups, cute cats, decal, decarts, decorative arts, design and decoration, design dictionary, design history, design museum, designhounds, dishes, dose, drache, dragon, drawing, dresden, duerer, family, feet, fish, floral arrangement, flower, flower arrangement, flower motif, flowers, futility of pleasure, gemstone, Germany, goblet, gold, gold luster, gold powder, hand painted, hand thrown, handmade, harajuku, Harajuku fashion, harajukustyle, heart, Herend, holy grail, horror vaccui, Ikebana, illustration, imari, imari ware, japan, japanese pattern, Japanese textiles, jewelry, jingdezhen, Jiyūka, Jōshō shita, Jú shí, Just A Little Tipsy, Kadō, Kansas City, Kansas City artist, kawaiidesu, kazari christmas, kc artist, kc crossroads, kc made, kck, kcmo, kenzan, Keramik, kiddush cup, kikka, kiku, Kiku no hana, kimono, koi, kuge, lighting design, luster, lustre, made in england, made in kc, mak, mak collection online, makers movement, makvienna, makwien, meissen, midcentury modern, ⁠modern ceramics, modern craft, mom, momento mori, moon, more is more, Moribana, mother, mug shot Monday, nageirebana, necklace, obi, Ōka, ornamentation, owl, pastel, pastel kawaii, pattern, patterns, peacock, personalized, photography, pink glitter, polar ice, polar ice porcelain, porcelain, porcelain jewelry, porcelain painting, porzellan, porzellan malerei, post it for the aesthetic, potters of instagram, pottery, prahran, precious, pretty pastel please, ramen, ranchmade, red gold, red world, retro, rikka, ring, ring dishes, rose, Rōze, Rōzu, Sedensho, seika, Serving, sevre, shiny objects, shoka, snowmass, sogetsu, soup, sparkle, staffordshire, stereo, stoke on trent, stonnington gifts, suiban, suna-no-mono, surface decoration, tatebana, tatehana, tea bowl, tea lovers, thepinkstagram, tree, vintage, vintage dinnerware...

Ksenya Istomina 'Watching her sketchbook'' 75 x 75 cm Oil on linen Painted after life, the artist always works with a real scenery. Her realistic but impressionistic paintings look...

America Martin "Man on the Island with White Linen Towel" Acrylic on Pink Linen 88.5 x 52.5 in. Framed Exploring the identity of both her namesake and cou...

(MADE TO ORDER) (Hand-painted, hand-made, porcelain) *Lead Time may vary between 1-3 weeks Melanie Sherman "Ornament Owl (Large)" Year: 2021 Porcelain, Glaze, ChinaPaint, Gold Lust...

Guardian dogs (Koma-Inu in Japanese) Guardians of temples or shrines placed on each side of entrance, believed to ward off Evil Spirits. They are Protecting you from Bad Spirits! Th...

Caravaggio painted "The Incredulity of St. Thomas" with Christ looking down as he pilots Thomas’ hand to his side. Not looking at Thomas or the others, but to his wound. He seems interested in the proof of his embodiment. He wants to know that this is real. He too, questions his body, his life and death. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This artwork is unframed. Contact the gallery for framing options. Reenactment is a material culture where the feel of authentic wool has transformative power. The closer you can recreate the “kit” of the authentic soldier the closer you are to that past. In the pursuit of touching the past there are questions- Is this real? Did this happen? Is this me? Is this us? The gesture of piloting a finger into the side represents these repetitive questions. - William Blake Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War...

Ksenya Istomina 'Sweet Dreams in the Moonlight' 100 x 80 cm Oil on linen Painted after life, the artist always works with a real scenery. Her realistic but impressionistic paintings...