Kenneth A. Friedman & Co. Landscape Prints

AURORA'S GARLAND is an imaginary architectural landscape that combines the real and the surreal. Created in 1995 by the Iowa born artist Jim Buckels (b.1948) known for his dream-like images, rendered in a meticulous, modern airbrush technique. This limited edition screenprint was printed using hand silk screen printing techniques on heavyweight archival printmaking paper, very fine details superb quality craftsmanship. AURORA'S GARLAND presents the viewer with a dreamlike metaphysical landscape luxuriant with shades of cool blues, dark greens, grays, beige, pink lavender, magenta pink, yellow, off white and black. A peaceful moonlit garden scene accented by two winged cherub statues in the foreground holding onto a glowing lamp post. An elegant and fanciful, rose tinted French maison rendered in a Chiâteauesque architectural style, sets the scene as it stands glowing with light beside a mirror-still pool of water, surrounded by a textural stone wall, precisely trimmed hedges, lush leafy trees, and flowering shrubbery. AURORA'S GARLAND creates a fairytale ambience reminiscent of the magical works of the renowned 1920's illustrator Maxfield Parrish. 11 " x 11.5" print size, unframed, excellent condition, signed in gold ink pen...

CALVILLE BLANC is an imaginary architectural landscape that combines the real and the surreal. Created in 1995 by the Iowa born artist Jim Buckels (b.1948) known for his dream-like images, rendered in a meticulous, modern airbrush technique. This limited edition screenprint was printed using hand silk screen printing techniques on heavyweight archival printmaking paper, very fine details superb quality craftsmanship. CALVILLE BLANC presents the viewer with a dreamlike metaphysical landscape luxuriant with shades of cool blues, dark greens, grays, beige, magenta pink, yellow, off white and black. A peaceful moonlit garden scene accented by two winged cherub statues in the foreground holding onto each other atop a stone wall. An elegant and fanciful, French maison rendered in a Châteauesque architectural style, sets the scene as it stands glowing with light beside a mirror-still pool of water, a double arched bridge...

Artist: Thomas McKnight (American, 1941-) Title: "Maidstone" Portfolio: The Hamptons *Signed by McKnight in pencil lower right Year: 1987 Medium: Original Screenprint on soft-white Somerset paper Limited edition: 143/175, (there were also 40 artist's proofs) Printer: Willco Fine Art, New York, NY Publisher: Chalk & Vermilion, New York, NY Sheet size: 21" x 23" Image size: 16.13" x 18.13" Condition: Never framed, has been professionally stored away in its original green silk boxed portfolio for decades. In mint condition Notes: Numbered by McKnight in pencil lower left. Comes from McKnight's 1987 "The Hamptons" portfolio of twelve screenprints. Artist's copyright stamp lower right on verso. Biography: Thomas McKnight (born 1941) is a U.S. artist. He was born in 1941 in Lawrence, Kansas. He attended Wesleyan University, a small liberal arts college in Middletown, Connecticut, where he was one of only five art majors. He spent his junior year in Paris. After a year of graduate work in art history at Columbia University, in 1964 McKnight found a job at Time Magazine where he would work for eight years, interrupted by a two-year stint in the U. S. Army in South Korea. In 1972 McKnight left Time, summered on the Greek island of Mykonos, and commenced painting in earnest. In 1979 in Mykonos, McKnight met Renate, a vacationing Austrian student, and married the following year. Throughout the 1980s McKnight’s art, mainly limited edition serigraph prints, became increasingly popular. In 1994 he was commissioned by the White House to paint the first of three images for President Clinton...

London Bestiary by Mychael Barratt Limited Edition Etching: Edition of 100 Image Size: H 66m x W 99.7cm Complete size of Sheet: H 76.9cm x W 112.1cm x D 0.1cm Signed and titled Sold ...

Donald Baechler, Creamsicle, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching and aq...

The Forest is an artwork realized by Bohdan Hostinak in the 1980s. Screen print on paper. Hand-signed and numbered, edition 22/50 prints. Good conditions.

This screen print, printed on Arches Cover White paper, is hand signed and numbered in graphite. The edition size is 108 plus 18 Artist Proofs. This print comes directly from the publisher, Lincoln Center Editions...

PRINCES KEPT THE VIEW is an original limited edition lithograph printed using hand drawn lithography techniques on archival Arches printmaking paper, 100% acid free, by the Iowa born artist Jim Buckels. PRINCES KEPT THE VIEW presents a finely detailed fantasy landscape scene depicting a Mediterranean cliff-side villa beside a moonlit lake featuring classic architectural details including terracotta roof tiles, off-white stucco walls, stone balustrade balconies and stone walled terraces. The highly sought-after, limited edition lithograph - PRINCES KEPT THE VIEW was printed in shades of aqua, light blue, green, terracotta, beige, taupe gray, black and white creating a calm, yet mysterious ambience. PRINCES KEPT THE VIEW is a beautifully detailed, picturesque Mediterranean landscape any fantasy traveler would love to explore. Print size - 26.75." x 31.5" Large off square size, impressive handcrafted limited edition lithograph, unframed, excellent condition, pencil signed by Jim Buckels Edition size - 350, plus proofs Year published - 1990 Printer - J K Fine Art Editions Co. NY JIM BUCKELS Artist statement- "On one level, I think of myself as a decorative artisan, or at best a scene painter. I don't mind this distinction, because many of my heroes never achieved much more. It's a modest but honorable aspiration. The artists who have influenced me are quite dissimilar and usually less prominent in the pantheon of art history: Canaletto, the Flemish scene painters, the Hudson River artists...

Frank Romero created this serigraph after learning that the original mural, completed on the 101 freeway in Los Angeles, 1984, had been painted over. The mural, which was done for the 1984 Los Angeles Olympics, has since been restored. Signed and numbered by the artist in black marker, in lower left corner of print on black background - hard to see except at an angle. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four...

Serigraph printed in colors on paper. Hand signed, dated and numbered by Melanie Taylor Kent. Remarqued lower margin. Printer's Proof edition. ...

Medium: linocut Image size: 12 x 12 inches Edition size: 11 Year: 2022 In Aztec mythology, Xolotl is the god of lightning, death, and fire. He is also considered to be the god of tw...

This silkscreen print of a single palm was done in an edition of 60, with some hand-touched on each onel Throughout his 40 year career as an artist, Frank Romero has been a dedicate...