La Galerie Cotignac

Mid-Century cubist oil and acrylic futuristic cityscape on canvas. Signed bottom right, artist unknown. Highly colourful and well-composed interpretation of a cityscape of the futur...

Mid 20th Century Italian Futurist, Novecento Italiano, work on paper, signed bottom right and with dedication top right (see photos). The subject is bathers enjoying the delights of a spa and sauna with colourful tiling to the background. The classical figures languorously positioned in repose but the central 'white' figure in stark contrast. The play on colours gives the work a vibrancy. The drawing is possibly a preparatory sketch for a larger work or mural. A vibrant, exciting and colourful work incorporating the styles of Futurism and the Novecento Italiano movement and with the influences or artists such as Anselmo Bucci, Adami, Jean Helion, Maryan, Achille Funi and Ugo Guidi. Anselmo Bucci was born in 1887 in Fossombrone in the district of Pesaro. Even though he studied Classics, right from a tender age he showed a talent for drawing and, when his parents moved near to Florence, he was taught by the artist Francesco Salvini. In 1904 the family settled in Monza and so the boy was able to study for a year at the Accademia di Belle Arti di Brera, but he did not follow up this educational experience and in 1906 he left Italy for Paris where he came into contact with the Parisian avant-garde, met fellow Italian artists such as Severini and Modigliani, and made friends with Picasso, Utrillo and Apollinaire. In 1907 he showed a painting at the Salon, but these Parisian years were most important for his love of engraving techniques – etching and dry point that enabled him to fully develop his themes characterised by movement. On the outbreak of war in 1915 he returned to Italy and he enlisted in the same battalion as several Futurist artists such as Martinetti, Boccioni, Sant’Elia and Carlo Erba. In 1914 he won the silver medal at the Mostra dell’Incisione (Exhibition of Engravings) at Florence. In 1917 in Paris he published pictures of war scenes entitled “Croquis du Front Italien”. In 1919 he printed twelve lithographs entitled “Finis Austriae” again showing events from the war. At the end of the war he lived between Milan and Paris and he dedicated his time completely to his art with personal exhibitions, exhibiting at all the most important Italian and French shows, in Belgium, Holland and England. In 1922, he established the group “Movimento del Novecento”, (Novecento Italiano), (20th century Movement) a joint venture with the artists Sironi, Funi, Oppi, Malerba, Dudreville and Marussig. Their aim was to return to figurative art in contrast with the growing extremism of the Avant-gardists. In 1925 he worked on the illustration of the first edition of Kipling’s The Jungle Book producing eight dry point plates. In the early 30’s he lived in Bucci, Trieste, where he worked on the furnishing of the steamships for the Trieste Navigazione Libera, at the same time he continued to work on many book illustrations. During the second European war he adapted to being a war artist recording the events of the war as he had done previously. Indeed the engravings depicting battles of the Marines and the Air Force belong to this period. In 1945, following the bombing of his house in Milan, he returned to Monza to his father’s home where he remained until his death. Futurism was an Italian art movement of the early twentieth century that aimed to capture in art the dynamism and energy of the modern world. Futurism was launched by the Italian poet Filippo Tommaso Marinetti in 1909. On 20 February he published his Manifesto of Futurism on the front page of the Paris newspaper Le Figaro. Among modernist movements futurism was exceptionally vehement in its denunciation of the past. This was because in Italy the weight of past culture was felt as particularly oppressive. In the Manifesto, Marinetti asserted that ‘we will free Italy from her innumerable museums which cover her like countless cemeteries’. What the futurists proposed instead was an art that celebrated the modern world of industry and technology: We declare…a new beauty, the beauty of speed. A racing motor car…is more beautiful than the Victory of Samothrace. (A celebrated ancient Greek sculpture in the Louvre museum in Paris.) Futurist painting used elements of neo-impressionism and cubism to create compositions that expressed the idea of the dynamism, the energy and movement, of modern life. Chief artists associated with futurism were Giacomo Balla, Umberto Boccioni, Gino Severini. After the brutality of the first world war, many artists rejected the avant-garde notions of futurism and other pre-war movements, by using more traditional and reassuring approaches, a phenomenon described as the ‘return to order’. Novecento Italiano was founded by Anselmo Bucci (1887–1955), Leonardo Dudreville (1885–1975), Achille Funi, Gian Emilio Malerba (1880–1926), Pietro Marussig, Ubaldo Oppi, and Mario Sironi. Motivated by a post-war "call to order", they were brought together by Lino Pesaro, a gallery owner interested in modern art, and Margherita Sarfatti, a writer and art critic who worked on Italian dictator Benito Mussolini's newspaper, The People of Italy (Il Popolo d'Italia). Sarfatti was also Mussolini's mistress. The movement was officially launched in 1923 at an exhibition in Milan, with Mussolini as one of the speakers. The group was represented at the Venice Biennale of 1924 in a gallery of its own, with the exception of Oppi, who exhibited in a separate gallery. Oppi's defection caused him to be ejected from the group, which subsequently split and was reformed. The new Novecento Italiano staged its first group exhibition in Milan in 1926. Several of the artists were war veterans; Sarfatti had lost a son in the war. The group wished to take on the Italian establishment and create an art associated with the rhetoric of fascism. The artists supported the fascist regime and their work became associated with the state propaganda department, although Mussolini reprimanded Sarfatti for using his name and the name of fascism to promote Novecento. The name of the movement (which means 1900s) was a deliberate reference to great periods of Italian art in the past, the Quattrocento and Cinquecento (1400s and 1500s). The group rejected European avant garde art and wished to revive the tradition of large format history painting in the classical manner. It lacked a precise artistic programme and included artists of different styles and temperament, for example, Carrà and Marini. It aimed to promote a renewed yet traditional Italian art. Sironi said, “if we look at the painters of the second half of the 19th century, we find that only the revolutionary were great and that the greatest were the most revolutionary”; the artists of Novecento Italiano “would not imitate the world created by God but would be inspired by it”. Despite official patronage, Novecento art did not always have an easy ride in Fascist Italy. Mussolini was personally uninterested in art and divided official support among various groups so as to keep artists on the side of the regime. Opening the exhibition of Novecento art in 1923 he declared that “it is far from my idea to encourage anything like a state art. Art belongs to the domain of the individual. The state has only one duty: not to undermine art, to provide humane conditions for artists, to encourage them from the artistic and national point of view." The movement was in competition with other pro-Fascist movements, especially Futurism and the regionalist Strapaese movement. Novecento Italiano also met outright opposition. Achille Starace, the General Secretary of the Fascist Party, attacked it in the Fascist daily press and there was virulent criticism of its “un-Italian" qualities by artists and critics. In the 1930s, a group of professors and students at the Accademia di Brera established an opposition group to Novecento Italiano. Among them was the director of the academy Aldo Carpi, and students Afro, Aldo Badoli, Aldo Bergolli, Renato Birolli, Bruno Cassinari, Cherchi, Alfredo Chighine, Grosso, Renato Guttuso, Dino Lanaro, Giuseppe Migneco, Mantica, Ennio Morlotti, Aligi Sassu, Ernesto Treccani, Italo Valenti, and Emilio Vedova (and later Giuseppe Ajmone...

Unique Mid-century original mixed-media newsprint and crayon collage/drawing by French artist Max Papart, signed with dedication and dated 1967 to the bottom right. The work is on th...

Large surrealist contemporary oil on canvas by Scottish artist Frank McLean Docherty R.S.W, signed and dated bottom left and signed and titled 'She brought Colour into his Life' to the reverse. This piece whilst wonderfully colourful, playful and erotic is typical of the witty sense of humour this artist displays in all his work. Docherty likes to tease us visually and asks questions and presents conundrums to the viewer. Frank McLean Docherty was born in Glasgow , Scotland in 1942. He became a student at Glasgow School of Art in 1960 and graduated from the Department of Printed Textiles in 1964. He taught in a secondary school in the East End of Glasgow for two years, thereafter departing to work in Dublin in the Republic of Ireland as a textile designer (Marks & Spencer, Heals and Liberty of London). He was also an illustrator for a range of newspapers and an Art Director of magazines. In 1973, he was appointed Principal Teacher of Art in a Scottish High School and in 1978 was honoured by the Queen when he was appointed Member of the Royal Society of Painters in Watercolours (R.S.W.) He left education in 1994. Since that time he has developed a vision which is quite unique in Scottish Art. Bank Managers, toucans, lighthouses, penguins, bowler hats, Frank Docherty...

Mixed media montage titled 'Salut aux Eskimos' ( Hello to the Eskimos ) by French artist Armand Avril, signed, dated 2009 and titled to the reverse. This mixed media montage fully demonstrates Avril's inspiration drawn from Inuit art whilst also expressing the humour and joy that he puts into all his work. A very strong sculptural image and a feast for the eyes in searching for and recognising the techniques and materials used in making this piece come alive. This montage is made from wood pieces, plywood, acrylic paint and nails. The more sculpted areas of the piece stand out to around 1.5cm from the frame. The piece includes the artists favourite motifs of the French flag, fish and skulls. Avril's work will always make you smile as the images he produces are joyous and light and explode with great energy. Armand Avril was born in 1926 in Lyon. His father, Marcel Avril, was a painter and collector of African art. At 16 Armand became an apprentice shepherd in Provence. Avril could always be seen equipped with a sketchbook and a book on the history of art whilst tending his flock. It was not until the age of 30, in 1956, that Armand embarked on painting as an autodidact, influenced by Raoul Dufy, Pierre Bonnard, Henri Matisse and the Lyonnaise School of Painting. He exhibited for the first time in 1957. In 1960, he left for a one-year trip to Africa. There he met the painter Jean Arène who introduced him to the village of Cotignac in the Var and to Louis Pons...

19th Century French Academy drawing of a classical maiden, signed Xavier Rendeley bottom right, numbered and dated 2nd April 1883. Presented in ...

Mid-Century acrylic on board of Venetian gondolas in harbour signed L Mariani, bottom right. This is a jewel of a painting. Its bright, joyful and intense c...

Contemporary Aboriginal inspired abstract by Menno Modderman, a Dutch artist painting in the south of France, signed and dated to the bottom on the pas...

Mid-Century still life of chrysanthemums in copper vase, oil on canvas signed R Colao bottom left. A wonderfully colourful and vibrant still life, beautifully...

Contemporary Aboriginal inspired abstract by Menno Modderman, a Dutch artist painting in the south of France, signed and dated to the bottom on the passepartout. Working for several...

18th Century French Sanguine drawing, possibly a preparatory sketch for the painting by Nattier after the painting by Rubens. Presented in shaped 'marie-louise' mount in plain gold wood frame with collection label. The subject is the Queen Marie de' Medici seated on a grand throne, the baby is in the arms of Health while Justice looks over him. Fecundity brings a cornucopia of fruit with the heads of the other children the Queen will bear. The Sun rides his chariot across the sky to indicate that Louis XIII was born in the morning and the calm figure of France surveys the whole scene. An engraving exists (see the Wellcome Collection) of this same image: 'The birth of King Louis XIII', after the engraving by B. Audran the younger after the painting by Jean-Marc Nattier after the oil painting of Peter Paul Rubens in the Louvre 'La Naissance du Dauphin (future Louis XIII) à Fontainebleau, le 27 septembre 1601'. Jean-Marc Nattier (17 March 1685 – 7 November 1766) was a French painter. He was born in Paris, the second son of Marc Nattier (1642–1705), a portrait painter, and of Marie Courtois (1655–1703), a miniaturist. He is noted for his portraits of the ladies of King Louis XV's court in classical mythological attire. He received his first instruction from his father, and from his uncle, the history painter Jean Jouvenet (1644–1717). He enrolled in the Royal Academy in 1703 and applied himself to copying pictures in the Luxembourg Palace, making a series of drawings of the Marie de Médici painting...

Early 20th century French folk art oil on canvas, advertising M. Joquelet the dentist and Mme Irma the snake charmer. A wonderful piece of social history. At the turn of the century...

Contemporary Aboriginal inspired abstract expressionist painting by Menno Modderman, a Dutch artist painting in the south of France, signed and dated 2020 to the bottom on the passep...

French Art Deco, oil on canvas, society female portrait by Dembinkski (probably Anton J.) Signed, dated and located (Paris) bottom left. In later wood and gilt frame. A charming and...

Gaugin inspired 21st Century montage titled 'Manau Tupapau' (spirit of the dead watching) by French artist, Armand Avril. Mounted and presented in a custom built painted tray frame and signed and dated 2004 both front and back with a later sketch of his favourite dog Dimar in repose to the reverse. This montage fully demonstrates Avril's inspiration drawn from tribal art and Gaugin's famous painting of a Tahitian nude whilst also expressing the humour and joy that he puts into all his work. A very strong sculptural image and a feast for the eyes in searching for and recognising the materials used in making this piece come alive. This montage is made from carved wood pieces, paint, clothespegs and cardboard . Armand Avril was born in 1926 in Lyon. His father, Marcel Avril was a painter and collector of African art. At 16 Armand became an apprentice shepherd in Provence. Avril could always be seen equipped with a sketchbook and a book on the history of art whilst tending his flock. It was not until the age of 30, in 1956, that Armand embarked on painting as an autodidact, influenced by Raoul Dufy, Pierre Bonnard, Henri Matisse and the Lyonnaise School of Painting. He exhibited for the first time in 1957. In 1960, he left for a one-year trip to Africa. There he met the painter Jean Arène who introduced him to the village of Cotignac in the Var and to Louis Pons...

Mid 20th century oil on canvas of a crowded harbour scene, showing the local fisherman or sailors saying farewell to their families before going to sea. The painting is signed bottom right but the artist remains as yet unidentified. A colourful yet slightly brooding and dreamlike painting. The figures are faceless and the shapes loose and undefined reminiscent of the works by Balthus who in turn was influenced by LS Lowry and his scenes of industrial districts. The colours are deep and glowing and the shapes of the figures are rounded giving a sense of warmth and evoking the quality of light seen at either dawn or dusk. Balthasar Klossowski de Rola (February 29, 1908 – February 18, 2001), known as Balthus, was a Polish-French modern artist. He is known for his erotically charged images of pubescent girls, but also for the refined, dreamlike quality of his imagery. Lowry is famous for painting scenes of life in the industrial districts of North West England in the mid-20th century. He developed a distinctive style of painting and is best known for his urban landscapes peopled with human figures often referred to as "matchstick men".

Mid to late 20th century oil on board of a cellist by J. Tempier, signed bottom left and to the reverse with a reference to 78, quite probably the date of the painting and possibly titled 'Allegro' as noted to the reverse. An extremely lively and colourful representation of this cellist at play. The quick and incisive brushstrokes give great energy to the painting. The expression of concentration on the cellist...

Mid 19th Century oil on canvas portrait of an Italian brigand, unsigned, in painted wood and gilt frame. The painting is a fine and fascinating rendition with plenty of wonderful character and detail to the costume, accessories, landscape and seascape. Very atmospheric and imposing much like the character it portrays. There is a trade stamp to the back of the canvas for the Paris firm of Susse Freres. The canvas is on a fine quality stretcher with 'keys'. There is an artist's name or title written on the top of the rear stretcher (see photo). Bands of brigands who populated the hills of southern Italy were steady fodder for the Romantic imagination, and their exploits were reported both factually, fancifully and artistically The painting dates from a period when France, under its then leader Napoleon III, was involved in the conflicts in the Italian states and the unification and eventual creation of the nation of Italy. An earlier and similar portrait exists of the infamous brigand Mazzocchi by Achille-Etna Michallony . Léon Cogniet...

French Mid 20th Century bronze figure of a man presented on an iron 'tige' and marble base. The sculpture is not signed but was purchased from Nice, France, in the 1970s as a work b...

Mid 20th Century gouache on paper of a Provençal village or 'hameau' and a 'bastide' or manor house in the landscape signed or titled 'Bodol' and dated bottom right. The style and c...

Early 20th Century romantic oil on canvas of the banks of the river Seine around Paris presented in a carved period gilt frame. In all likelihood painted 'en plein air' in autumn or winter the painting has the feeling of some of the impressionists of the late 19th century. See Claude Monet and his 'Les Bords de la Seine à Argenteuil', Alfred Sisley's views of the Seine from the 1870's or Gustave...

Mid 20th Century oil on canvas painting of a Paris street scene with the columns of La Madeleine in the distance, signed Deuvray bottom left. The canvas is on its original stretcher ...

Imposing and very large scale mixed media 'assemblage' by French artist Armand Avril. The work includes the French tricolour flag, figures and heads in various poses, his symbolic cat sculptures and large stylised poppies. The work is not signed but comes with a certificate of authenticity from the artist. This montage fully demonstrates Avril's inspiration drawn from tribal art whilst also expressing the humour and joy that he puts into all his work. A very strong sculptural image and a feast for the eyes in searching for and recognising the everyday objects used in making this piece come alive. This montage is made from wood pieces, bottle tops, string, paint, cork, nails buttons, clothes pegs and netting. The more sculpted areas of the piece stand out up to 4cm from the frame. Armand Avril was born in 1926 in Lyon. His father, Marcel Avril was a painter and collector of African art. At 16 Armand became an apprentice shepherd in Provence. Avril could always be seen equipped with a sketchbook and a book on the history of art whilst tending his flock. It was not until the age of 30, in 1956, that Armand embarked on painting as an autodidact, influenced by Raoul Dufy, Pierre Bonnard, Henri Matisse and the Lyonnaise School of Painting. He exhibited for the first time in 1957. In 1960, he left for a one-year trip to Africa. There he met the painter Jean Arène who introduced him to the village of Cotignac in the Var and to Louis Pons...

Late 20th century expressionist oil/acrylic on paper by French artist Armand Avril. Signed and dated bottom right. The painting depicts the view through the metal structure of a bri...

Late 20th century expressionist work on paper by French artist Armand Avril. Signed and dated bottom right. The painting is full of vibrancy and colour with the depictions and appea...

An expressionist portrait of a seated figure, acrylic on paper by French artist Alain Caucat. Signed bottom right. Also signed and dated to the back of the framing board. Presented u...

Unique Silver Gelatin print from circa 1977 by Andy Warhol. Andy Warhol carried a camera with him obsessively. Similarly to his tape recorder, he used this technology not only as an...

Mid Century Expressionist oil on canvas tablescape of flowers and Champagne. This wonderfully energetic painting straddles the line between impressionism and expressionism. The form...

Late 20th century work on paper of a woman seated in a chair with a cat by French artist Armand Avril. Signed and dated bottom left. A vibrant and colourful depiction of a woman sea...

Late 20th century work on paper of a woman seated in a chair with a cat by French artist Armand Avril. Signed and dated bottom left. A vibrant and colourful depiction of a woman sea...

Late 20th century gouache landscape of "Les Baux de Provence" on paper by French artist Désiré Villain, signed bottom left and to the reverse and dated 199...

Contemporary oil on canvas of a landscape titled 'La Routo Bagnado' by French artist Jean Pellegrin,signed bottom right and also titled, dated 2014 and signed to the reverse. Pelleg...

Late 20th century abstract expressionist oil on board representation of a lively jazz night by French artist, Thierry Miramon, signed top left and pres...

A colourful French Tachiste abstract oil on canvas by Antoine Arlandis. Signed bottom right. Arlandis was born in Valence, Spain, in 1946. His family moved to Algeria but eventually settled in Marseille, France. From an early age Arlandis loved to draw and paint. An autodidact his first formal training came when he worked with Roche a former pupil of Matisse...

Late 20th century work on paper of a port of by French artist Armand Avril. Signed and dated bottom left, presented under glass in new custom made frame. With dedication to the back,...

French mid 20th Century watercolour landscape on paper by Roger Tolmer. Signed bottom right. Presented under glass in fine custom giltwood frame with a ha...

Oil on board view of a water well set amidst romantic ruins and foliage with a figure, by L Masson. Signed bottom left presented in wood frame. There is a c...

Mid Century Abstract in polymerised macro-molecular paint on canvas applied to a painted wooden board by Belgian artist Paul H Saffre. Signed and dated {1963) on the board below the ...

A vibrant colourful French portrait of Janine, muse of the artist Armand Avril. Signed and dated mid right. Presented in new contemporary framing under glass. Armand Avril (1926) i...

Large scale French society portrait from the 1920's featuring a lady in a 'flapper' dress before a castle and it's garden by Georges Gaudy. Signed bottom left and dated, 1925. The painting is by repute of La Comtesse de Blacas, in front of her home Château d'Ussé. Ussé was the subject of a French railroad poster issued by the Chemin de Fer de Paris à Orléans in the 1920s which may have been designed by Gaudy and this may be where the commission for this painting came about. Presented in very fine custom carved wood, gilt Florentine frame. The early 1900's were the zenith of 20th century society portraiture by the likes of Philip de László...

Mid-century design for a sculpture, in acrylic, attributed to French artist and sculptor Guy Benoist. The design is not signed but was bought with other si...

Late 18th Century French pastel portrait on paper of a young lady in period dress in a 'feigned oval'. In gilt wood frame presented under glass. Very much of its period and similar ...

A mid-century design for a sculpture, signed or titled Mermet bottom left corner. Presented in period metal frame. A very strong image which is almost certainly a design for a sculpture due to the three dimensional nature of the piece accentuated by the lines of the image extending beyond the subject itself showing the different planes to be worked. This extremely energetic and forceful application of the crayon and the extension of the lines is highly reminiscent of the work of the expressionist Bernard Buffet who lived and worked in Tourtour in the South of France. The angular features of the figure and the dark intense lines are particularly in line with the style of his work. Expressionism was a form of art less interested in the correct anatomical representation of the subject but more in portraying the feelings and emotions that the subject evoked. The model appears to be for a sculpture quite possibly inspired by African art as the image is reminiscent of African fetish...

French, Mid Century, pastel and crayon portrait of an elegant young lady by Gourdon. Signed and dated bottom left. Trade label to the back board. Presented in period deep 'tray' frame. This seems to be an early work by the artist and hence it carries his name rather than his later more distinctive signature 'Aslan'. Alain Gordon was one of two brothers, his sibling Michel also went on to achieve notable success with his distinctive 'comic' style. Alain Gourdon...

Mid-century Surrealist oil on board depicting War and Peace by Belgian Artist, Willy Smitz. Signed and dated bottom right with his recognisable triangular motif ( initialed WS ), in ...

A late 19th Century French Impressionist landscape by Albert Lebourg. Signed bottom right. In gilt frame. Albert Lebourg (French, 1849–1928) was an Impressionist and landscape paint...

Mid 19th century French oil on canvas of a snow scene in the Jura by Gustave Courbet. Signed bottom right in his characteristic 'ox-blood' red. Our painting is very similar in compo...

Mid 20th Century sketch drawing on paper by the Dutch artist Wim Oepts. A sketch from his Colliioure series from 1937 or his St Tropez series fr...

Mid 20th Century sketch drawing on paper by the Dutch artist Wim Oepts for his painting Jardin du Luxembourg from 1948 (SK115 Monografie en Oeurvr...

Mid 20th Century study drawing on paper by the Dutch artist Wim Oepts. A sketch for the painting 'De Slager' from 1956 (SK167 Monografie en Oeurvrecatalogus)...

Mid 20th Century drawing study on paper of a Provencale landscape by the Dutch artist Wim Oepts. Possibly an atelier sketch for the painting Landschap te St ...

Mid 20th Century study of a park and garden on paper by the Dutch artist Wim Oepts. A similar sketch to TK 048 in the Monografie en Oeuvrecatalogus. Carrying...

Mid 20th Century life drawing study on paper by the Dutch artist Wim Oepts. Possibly an atelier sketch for the painting, 'Liggend Naakt' from 1937 (SK054 Mon...

A mid 19th Century oil on canvas of horses and their drover. The painting is signed MM, dated 1849 and carries a signature to the stretcher Marie Munch. The painting is presented in ...

Contemporary Aboriginal inspired abstract by Menno Modderman, a Dutch artist painting in the south of France, signed and dated to the bottom on the passepartout. Working for several...

Mid-century oil on panel by Robert Perniaux , Belgian artist, signed and dated 1952 bottom right. Robert Perniaux , born in Grez-Doiceau in 1906 and died in 1973, was a Belgian architect, painter, ceramicist and illustrator. He trained from 1923 to 1929 at the Royal Academy of Fine Arts in Brussels. His work as a ceramicist, illustrator, watercolourist and painter had a characteristic style, which according to Paul Piron was "close to popular art " . He illustrated many books with his unique style of art. Robert Perniaux was the husband of the painter Georgette Devroye with whom he came to settle in La Ciotat...

Early 20th century orientalist watercolour on paper by Aiveill, signed bottom right. In art history, Orientalism is the imitation or depiction ...

Early 20th century orientalist watercolour of cattle grazing signed Aiveill bottom right. In art history, Orientalism is the imitation or depiction of aspects in the Eastern world. ...

Early 20th century orientalist watercolour on paper by Aiveill, signed bottom right. In art history, Orientalism is the imitation or depiction ...

Contemporary mixed media and pastel on paper of a golden sun like orb by Belgian artist Francis Besson, signed bottom right. In plain contemporary oak f...