McNaught Fine Art

Signed lower right, 'Georges Lambert' (French, 1919-1998), inscribed, lower center, 'Village du Var' and, lower left, with number and limitation, '52/120'. Georges Lambert first stu...

Signed verso 'Di Gesu' for Victor Di Gesu (American, 1914-1988) and painted circa 1965. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and...

Signed lower right, 'Zarou' for Victor Zarou (French, b. 1930), titled 'Au Loin un Campanile' lower center and inscribed 'Epreuve d'Artiste' with number and limitation '1/25', lower left. Born in 1930 near Saint-Tropez, Victor Zarou first studied with his father, Tony Cardella, the Impressionist artist. Zarou painted avidly from a young age, first exhibiting and selling his work at the age of twelve. After two years of military service, spent as a paratrooper, Zarou moved to Paris in 1955 to study at the Academie Julian...

Signed lower right, 'Georges Lambert' (French, 1919-1998), titled lower center 'Landscape' and inscribed lower left, number and limitation, 'XV/LX' (15/60). Georges Lambert first st...

Stamped verso with Certification of Authenticity for Yves Ganne (French, b. 1931), inscribed lower left, 'Epreuve d' Artiste' (Artist's Proof), titled 'Tulipes' and created circa 197...

Signed lower right, 'Garcia Fons' for Pierre Garcia-Fons (French, 1928-2016), and inscribed lower left, 'Epr. d' Artist' (Epreuve d'Artist / Artist's Proof); also indistinctly inscri...

Signed lower right, 'Mund' for Marvin Mund (American, 20th century) and painted circa 1975. Accompanied by an old exhibition label bearing title, 'Seated Nude with Hat', and by the artist's business card. A lyrical and painterly watercolor study of a woman viewed from behind and shown seated, wearing a green hat. Marvin Mund exhibited widely and with success including at The San Francisco Museum of Art; the Palace of the Legion of Honor; the Quay Gallery, San Francisco and the Ankrum Gallery, Los Angeles among others. Mund taught at the Fort Mason...

Signed lower right, 'Zarou' for Victor Zarou (French, b. 1930) with The Collector's Guild, Limited blind stamp and number and limitation '312/375', lower left. Born in 1930 near Saint-Tropez, Victor Zarou first studied with his father, Tony Cardella, the Impressionist artist. Zarou painted avidly from a young age, first exhibiting and selling his work at the age of twelve. After two years of military service, spent as a paratrooper, Zarou moved to Paris in 1955 to study at the Academie Julian...

Signed lower right, 'Garcia Fons' for Pierre Garcia-Fons (French, 1928-2016), and inscribed lower left, 'Epr. d' Artist' (Epreuve d'Artist / Artist's Proof); also indistinctly inscri...

Signed lower right, "Ryonosuke Fukui" (Japanese, 1923-1986), a listed artist, and created circa 1965. An artist's proof, hand-colored etching compris...

A substantial figurative oil painting showing two figures, a Royal Canadian Mounted Police man and a Native American warrior. Signed upper left, "J.F. Scott" (20th century) and dat...

Signed lower right, 'Monica Dengo' (Italian, born 1966) and dated 1995; additionally signed verso and titled, 'No.3: The Caliph Harum al Rashid'. An educator and calligrapher, Monica Dengo has taught, exhibited and studied around the world. Dengo began the study of graphic design in Venice and London. In London she studied calligraphy and bookbinding at the Roehampton Institute (1991-1992) with Gaynor Goffe and Ewan Clayton. In 1993 she moved to San Francisco, California and spent three years studying independently full time manuscript production techniques, illumination, design and history of lettering with Thomas Ingmire. In addition to her studies with Ingmire, Dengo studied figure drawing with Eleanor...

Signed lower right, 'Monica Dengo' and dated 1995. An elegant and substantial work by this contemporary Italian artist and calligrapher. An educator and calligrapher, Monica Dengo has taught, exhibited and studied around the world. Dengo began the study of graphic design in Venice and London. In London she studied calligraphy and bookbinding at the Roehampton Institute (1991-1992) with Gaynor Goffe and Ewan Clayton. In 1993 she moved to San Francisco, California and spent three years studying independently full time manuscript production techniques, illumination, design and history of lettering with Thomas Ingmire. In addition to her studies with Ingmire, Dengo studied figure drawing with Eleanor...

Estate stamp, verso, for Victor Di Gesu (American, 1914-1988) and painted circa 1955. An elegant figural interior showing a young woman seated on a bed beside a table bearing a vase...

Bearing Victor Di Gesu estate stamp verso and painted circa 1955. Watercolor figurative showing an abstracted view of a woman standing in an interior holding a pitcher, with a table...

A semi-abstracted study of a Tuscan townscape with warm terra-cotta roofs and stucco hues of saffron and crimson. Signed lower right, 'D. Masters' for Dora Masters (American, 1916-...

Oil still-life of a bouquet of ocher, rose, cobalt, lavender, and ivory wildflowers, informally arranged in a goblet against a background of rust and periwinkle. Signed lower right...

Signed lower right, 'Lars Swane', dated 1986, and inscribed verso 'Tilhører Palle Nielsen'. A substantial, oil still-life showing variegated, red and yellow tulips informally arranged in a cobalt blue patterned vase, resting inside a cobalt and ivory bowl on a wooden table beside various books, with a view beyond through a window to a winter landscape. Son of the artists Sigurd Swane...

Signed lower right 'Jane Taylor' (British, 1925-2013) and painted circa 1965. Titled, verso, on Royal Society of Painters in Watercolors exhibition label: "Pottery Mug With Carnati...

Di Gesu estate stamp verso and painted circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and the Chouinard Art School before movi...

Stamped, verso, on canvas with certification of authenticity for Dora Masters (American, 1916-2003), bearing stamped wax seal and painted circa 1955. Provenance: Acquired from the a...

Signed lower right, "Hal Stuart" (American, 1892-1982) and inscribed "Tahiti". Color woodblock print showing a Tahitian dancer in traditional dress accompanied by two musicians playing a to'ere and a drum, with lush banana leaves in the background. Hal Steward (Stuart) Wilcox was born in California on March 14, 1892. Wilcox used several aliases for his art works: Piko Siska, Hal Stuart, Michelle Stuart, and Harold Stuart Wilcox. He lived in Laurel Canyon (Los Angeles) in 1931-32 and then made a trip to Tahiti and the Cook Islands. Later in his life he owned a fabric company in Honolulu where he designed native patterned fabric, and was enlisted in the WWI army working on camouflage alongside the "Camofleurs". He went on to do paintings of Mexico...

Painted by Frealon Bibbins (American, 1926-2013) circa 1976. Certification of authenticity, verso, with stamped wax seal. A substantial 1970's abstract evoking graceful, oceanic forms and comprising fluidly superimposed and adjacent, diaphanous layers of scarlet, rose, lilac, and grass-green against a variegated sunshine-yellow field. This listed California artist, author and musician lived and painted in Alameda and also had a distinguished career with the San Francisco Symphony...

Signed lower right, "Edinah L. Jewett", inscribed lower left, "1/2" and titled "Ballerina and Friend". Substantial sugar-lift aquatint and etching showing a young woman in coral se...

A late twentieth-century American school portrait of a girl posed against a light slate background and gazing back at the viewer. Displayed in a cream mat. Matted dimensions: 14.5...

Signed lower right, 'Charlotte A. Morton' (American, 1885-1974) and painted circa 1955. A sensitive study of various blossoms including geraniums, lupin and catmint. A landscape painter and teacher, Charlotte Augusta Morton graduated from Kansas State College before continuing her education at the Art Institute of Chicago, the Art Students League of New York and the Pratt Institute. After moving to California and attending Stanford University where she received her Masters in Education, Morton taught at San Jose State College before moving to Monterey and joining the Carmel Art...

Signed lower right, "Dignimont" for André Dignimont (French, 1891-1965) and painted circa 1950. A substantial, mid-century interior showing a man and ...

A charming and fresh portrait of the musician and composer standing in front of Mendips, the house where he was mostly raised by his mother's sister Mimi, with his aunt standing behind him holding her large ginger and white cat, Timmy, that he grew up with. Signed lower left, 'S. Bower'; additionally inscribed with dedication verso 'To Mrs. Smith - Best Wishes, S. Bower', titled 'John Lennon with his Aunt Mimi and Tim at Mendips' and dated October 1982. This listed English plein-air painter, attended Manchester College of Art from 1970 to 1974 and currently lives in Totnes, Devon. He describes himself as "a colorist who is inspired by flower gardens, especially English cottage gardens in early summer. I have spent successive summers painting in Monet’s garden at Giverny, Northern France." Exhibitions: Nothern Young Contemporaries, Liverpool – 1974 Marlborough Gallery, London (Buddy Holly...

Signed lower left, 'Pras Lewchalermwong A.P.' and dated, lower right, November 1976.

An exuberant Post-Impressionist still life of spring flowers shown informally arranged in a creamware vase against a variegated ivory background. Signed Lower Right 'H. Frank' and painted circa 1975. After initially studying in Paris, Harold Frank attended the New York Art Students League, the National Academy of Design, Pratt Institute, Chouinard Art Institute and UCLA where he was a colleague of Richard Diebenkorn, who had a lasting influence on his work. Other artists who deeply affected his creative philosophy included Matisse, Rouault, Picasso and De Kooning. His one-man and group exhibition record is extensive and he was shown internationally in London, Paris, Amsterdam and Aubonne, Switzerland, as well as throughout the United States from the 1960's through the 80's. Though he did not seek recognition as his reason to create, major awards also came his way (among them the Adolph and Clara Obrig Award and the Sudam Silver Medal from the National Academy of Design; the National Watercolor Society's Grumbacher Award; the John Marin Memorial Award in the Watercolor U.S.A. Show and a First Prize from the Laguna Beach Museum of Art. His subject matter included pure abstracts, landscapes, still lifes and the male and female head and figure. As many artists have done before and after him, he explored variations of each subject, experimenting with changes in medium, technique, light and color. His remarkable paintings of the female head and form quickly developed into a vehicle for his abstract interpretations. Though his brushwork is quick and sure, he often labored over several pieces at the same time. This piece is accompanied with a first edition copy of 'Harold Frank: Abstract Expressionist 1921-1995' by Sandie Stern and published by Millenium Twelve Two (2001). Education: National Academy of Design, New York, 1936; Art Students League, New York, 1937; Pratt Institute, Brooklyn, New York; Chouinard Art Institute, Los Angeles; University of California, Los Angeles. Selected One-Man Exhibitions: Savage Gallery, London, England, 1960; Galerij Werking, Amsterdam, Netherlands, 1960; Ardail-Castro Gallery, Paris, France, 1960; Pasadena Art Musuem, Pasadena, California, 1962; Ryder Gallery, Los Angeles, California, 1964; Ankrum Gallery, Los Angeles, California, 1964; Gallerie Chantepierre, Aubonne, Switzerland, 1966; Haggenmmaker Gallery, Beverly Hills, California, 1966; Irene Neuman Galleries (with Ernest Halpern), Los Angeles, California, 1968; Emerson Gallery, Encino, California, 1973; Otis Art Institute, Los Angeles, California, 1977; Chester House Gallery, Chester, Vermont, 1977; L'Atelier Gallerie, Carmel, California, 1978; Upstairs Downstairs...

Initialed lower left, 'H.S.' for Henrik Schouboe (Danish, 1876-1949) and painted circa 1915. Henrik Schouboe first studied at the Copenhagen's Royal Academy of Fine Arts from 1894-1901 and, from 1903-1910, in Italy and Paris. He was awarded numerous stipends and scholarships including the Larssen (1902-3) and the Akademie Scholarship in 1908. In 1906, he had exhibited for the first time at the Charlottenborg where his submitted entry was purchased by the leading Danish painter of the time, Kristian Zahrtmann, for his personal collection. Schouboe continued to exhibit both domestically and internationally for over thirty years and was the recipient of a variety of prizes, medals and juried awards including the purchase of his 1908 Charlottenborg entry, 'Young Couple in a Landscape', by the State Museum of Art for inclusion in the Danish national collection. Schouboe's work is held in the permanent collections of numerous museums including Copenhagen, Aabenraa, Maribo and the Aalborg Art Museums. We are pleased to offer a delicate and psychologically penetrating portrait of this beautiful and determined girl on the cusp of womanhood. Reference: Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. 30, p. 269; E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 12, p. 520; Weilbach, Dansk Kunstnerleksikon, the Castle and Cultural Agency, Copenhagen; Dansk Kunst (Charlottenborg), 1927: Taf. 27, 1928: Taf. 38, 1929: Taf. 46; S. Michaëlis i: Art VII, 1905-06; Vilh. Wanscher i: Kunstbl. 1909-10, 71f; Harald Giersing...

Signed lower right, 'Douglas McClellan', dated 1988 and titled lower left, 'Cretan View'; additionally signed, titled, dated and media noted as 'monotype with collage' on verso. A ...

Signed lower right 'Engel' for Irma Engel Grabhorn (American, 1908-2003) and painted circa 1955. Born in Badenweiler, Irma Leisinger first studied in Paris with Andre Lhote from 192...

Signed lower right, "Amy Burnett" and dated 1992. A substantial watercolor and gouache study of a bearded and weathered cowboy wearing a dun-colored, broad-brimmed hat, and showing ...

Initialed lower right 'K.I.' for Kraesten Iversen (Danish, 1886 - 1955) and painted circa 1915. Born in Copenhagen in 1886, Kraesten Iversen first studied with Hendrik Gronvold at ...

Signed lower right: 'V. Qvistorff' for Victor Qvistorff (Danish, 1883-1953) and painted circa 1915. Born in Bredegaarde, Denmark, Victor Qvistorff first studied with Hans Andersen Brendekilde. Qvistorff then became a successful business-man and painted only part-time until 1931 when he dedicated himself full-time to his art. Although the author of a notable series of nude studies of his long-time model, Sally Philipsen, Qvistorff is known primarily for his marine scenes- particularly the jewel-like views of Copenhagen harbor...

Initialed lower left 'C.O.M.' for Carl Otto Müller i(German, 1901-1970), and dated '69'. Additionally dated, verso, '1969' and titled, 'Myriam, Das Rote Handtusch'. Displayed in a pe...

Certification of Authenticity stamped verso; additionally accompanied by old exhibition label. Provenance: 28th Annual Exhibition of Art, San Francisco Women Artists, San Francisco...

A sensitively drawn pastel study of a young woman with red hair shown wearing a blue dress and gazing to the viewers right. Signed lower left, 'Sarah H. Hobson' and painted circa 19...

Signed lower right, 'Andre Regagnon' (French, 1902-1976) and painted circa 1935; additionally signed on label verso. A substantial and lyrical 'Intimiste' work showing an interior s...

Signed lower right, 'M. Watorski' for Mieczyslaw Watorski (Polish, 1903 - 1979) and painted circa 1950. This Polish history and landscape painter is particularly revered for his doc...

Signed lower right "Michael McNaught" and dated 2014. Inscribed with edition and limitation lower left, 4/11, and titled, lower center, "La Sorcière". A colorful, modernist portr...

Signed lower right, 'C.A. Bartels' for Cornelius Anton Bartels (Dutch, born 1890) and painted circa 1945. A still-life with a sculpture of the Daoist immortal, Liu Haichan...

A substantial and psychologically penetrating study of the American musician. Signed lower right with monogram; titled and dated, verso, 1977. Born in England, Pearl Took first studied at the Skipton Art School (1943-7) and, subsequently, at Sir John Cass College (1947-9). After immigrating to California in 1957, Took commenced her active career as a fine artist, also becoming an art teacher at Pasadena City College and a freelance illustrator with the Pasadena City News. As her painting style matured and evolved, she continued to further her studies, including at such prestigious institutions as the California State College, the Art Center of Design, the Otis Art Institute and the Parsons School...

Initialed lower right 'A.H.'; signed verso, "Alfred Helberger", inscribed "Gertrúd" and dated 1914. Bearing the original 1962 exhibition label from the Senator fur Folksbildung, Ber...

A lyrical watercolor of flowers informally arranged in two vases and contrasted against a lilac and purple background. Signed lower left and lower right, 'Ament' for Janet Ament De ...

Signed lower right 'K. Buzzell Benepe' and dated 1936. A psychologically penetrating character study by this early California woman artist. Benepe captures the essential sensitivity of her subject as she gently cradles her doll while gazing at the viewer with both candor and charm. Katherine Buzzell Benepe first studied at the University of California in Los Angeles and, later, with Nicolai Fechin...

Signed lower right, 'Marian Stahl' (American, 20th century) and painted circa 1960. Inscribed verso, 'Meyer St, Tucson AZ' with artist address. A finely drawn, mid-century view of ...

Signed lower left 'Creech PSWC' and created circa 1975 A compelling pastel study showing the subject dressed in brightly-colored ceremonial robes and gazing past the viewer. An eleg...

Signed lower right 'F.H. Cutting' and dated '1932-1948'. Born in Iowa in 1872, Francis Harvey Cutting moved to San Jose, California in 1893 where he st...

Signed verso lower left, 'Isaac Mizrahi'. A fashion designer and creator of costume, Isaac Mizrahi attended the Parsons School of Design before becomin...

Signed lower right, 'Beth Ames Swartz' (American, born 1936) and dated 1967. Primarily working in the idioms of abstraction and semi-abstraction, Beth's paintings and mixed-media works are commonly informed by philosophical and spiritual concepts shared by people of different cultural worldviews, and incorporate both symbols and words in the vocabulary of their visual language. Her art practice has been guided by aesthetic philosophies including Wassily Kandinsky’s Concerning the Spiritual in Art and Robert Smithson’s Spiral Jetty, and inspired by various religious and philosophical systems including Native American Healing practices, Buddhism, Jewish Mysticism, and Christianity in order to facilitate communication with viewers on both the conscious and unconscious level. Swartz synthesizes these spiritual traditions in her work with the purpose of revealing the commonality between them. Beth was born in New York City and grew up in Manhattan, and by her mid-teens was studying at the Art Students League in New York in the late 1940s. Her education continued at The High School of Music & Art in New York City, and Cornell University in Ithaca, New York, where she graduated in 1957 with a Bachelor of Science degree, followed by a Master of Arts degree in 1959 from New York University. Beth Ames Swartz exhibited nationwide including at over seventy solo exhibitions including a solo show at The Jewish Museum in New York. In addition, she participated in three major traveling museum exhibitions and her work is held in the permanent collections of numerous major museums including the National Museum of American Art at the Smithsonian. She received the Governor's Individual Artist Award in 2001 in Arizona, and a retrospective of her work was mounted in 2002 at The Phoenix Art Museum, with a monograph about her work co-published by The Phoenix Art Museum and Hudson Hills Press. Swartz explores systems of knowledge by translating philosophical concepts into aesthetic visual experiences. Fellowships, Awards, Grants and Honors: New York, NY - 2003 Veteran Feminists of America, Medal of Honor Phoenix, AZ - 2001 Recipient, Governor's Arts Award, the highest honor in Arizona for one individual who may be a visual or performing artist or a writer. Snowmass Village, CO - 2000 Anderson Ranch, Artist in Residence Phoenix, AZ - 1994 Founder, Culture Care , an international, non-profit organization sponsoring The Sacred Souls Project, to identify, support and honor individuals who demonstrate positive human societal values New York, NY - 1994 Awarded Flow Fund grant for discretionary philanthropic use for non-personal benefit New York, NY - 1994 Panelist, College Art Association, Art, Earth and Medicine: A Healing Approach New York, NY - 1993 Panelist, The Sacred in the Arts Conference New York, NY - 1992 Speaker, MedArts Conference, Research Study on A Moving Point of Balance Stinson Beach, CA - 1991 Speaker, Symposium, Art as a Healing Force New Harmony, IN - 1990 Keynote Speaker, Art and Healing Conference Phoenix, AZ - 1988 Co-Founder, International Friends of Transformative Art (IFTA), an international, non-profit organization for positive global change Payson, AZ - 1988, '87 Project Coordinator, Rim Institute, Transformative Artist's Conference and Workshop Phoenix, AZ - 1985 Governor's Award, Outstanding Women of Arizona - Women Who Create Sun Valley, ID - 1980 Sun Valley Center for the Arts & Humanities, Artist in Residence, The Awesome Space: The Inner and Outer Landscape Hawaii National Park, HI - 1979 Volcano Art Center, Artist in Residence Phoenix, AZ - 1978, '77 Named Master Teacher by State Department of Public Instruction Phoenix, AZ - 1978, '77 Educational Grant for Inquiry Into Fire, Arizona Commission on Arts and Humanities Selected Bibliography and Reference: Davenport’s Art Reference Guide, 2007/8 Edition, p.2468; Arizona/Women '75 (exhibition catalogue). Tucson, AZ: Tucson Art Museum, 1975; Baigell, Matthew. "Art and Spirit: Kabbalah and Jewish-American Artists." Tikkun vol. 14, no.4, (July-August 1999): 59-61 (illus. in b&w of Shen Qi Series: the Cabalistic Scheme of the Four Worlds #5); Beth Ames Swartz, Inquiry Into Fire (exhibition catalog). Scottsdale, AZ: Scottsdale Center for the Arts, 1978. Introduction by Melinda Wortz; Beth Ames Swartz, 1982-1988: A Moving Point of Balance (exhibition catalog). Scottsdale, AZ: A Moving Point of Balance, Inc., 1988. Introduction by John Perreault; Biennial 1979 (exhibition catalog). Phoenix: Phoenix Art Museum, March 9-April 8, 1979, 35-37, 64 (illus. in color Sedona, #23; illus. in b&w, Torah Scroll, #5); Body and Soul: Contemporary Art and Healing (exhibition catalog). Lincoln, MA: DeCordova Museum and Sculpture Park, 1994. Introduction by Rachel Rosenfeld Lafo, Nicholas Capasso, and Sara Rehm Roberts; Cembalest, Robin. "The Ecological Art Explosion." ARTnews vol. 90, no. 6 (summer 1991): 96-105; The First Western States Biennial Exhibition (exhibition catalog). Denver: Western States Art Foundation, 1979. Introduction by Joshua C. Taylor (with illus. in color of Torah Scroll #4); Gablik, Suzi. The Reenchantment of Art. Thames and Hudson: New York, 1991, 155-57; Gadon, Elinor W. The Once and Future Goddess: A Symbol for Our Time. New York: Harper and Row, 1989, 245-46; 248; Henderson, Barbara. "Beth Ames Swartz," A Magazine of Fine Arts vol. 2, no. 15 (April 1976): 34-41; Israel Revisited: Beth Ames Swartz (exhibition catalog). Scottsdale, AZ: Beth Ames Swartz, 1981: 40 pp. Introduction by Harry Rand...

Signed lower right and painted circa 1985. Provenance label verso from Ianetti Lanzone Gallery. Winner of the prestigious Fleishacker Eureka Fellowship, Carrie Lederer received her BFA in sculpture from Michigan State University and has exhibited both nationally and internationally with success including at the San Francisco Museum of Modern Art, the Oakland Museum, the Calvin Morris...

Signed lower right, 'J. Meyer Andersen for Johan Meyer Andersen (Danish, 1919-2005) inscribed "Paris" and painted circa 1960. An intimate, Parisian interior scene showing a beautifu...

Signed lower right, 'Aiwa' and dated 1996. A substantial, pen and ink and watercolor figural study of a scarecrow dressed in cap, ragged jacket and vest with a pair of birds perche...

Signed bottom right 'G. Distefano' and dated 1965. An exploration of tonality using airbrush techniques and negative space, sweeping lines define a figure.

Signed lower right "Moesle" and painted circa 1975. Gouache and watercolor figurative showing numerous figures in dynamic interaction. Born in 1932, Robert Moesle studied painting ...

Signed lower right, 'Wuthrich', and accompanied by the original certificate of authenticity. Oil portrait of a jester dressed in black, white and emerald harlequin with bells on his collar and fool's hat, seated on a stone wall with the full moon hanging low in the coral and wine-red sky behind him. Raised in a family that supported Wuthrich's interest in the arts, Dan Wuthrich has been painting since he was eight and at eleven had artwork featured in a Wisconsin newspaper article. After high school, Wuthrich continued his fine art studies at the Layton School of Art from 1954-1959 and at the University of Wisconsin-Milwaukee in 1961 taking courses in printmaking, English, speech and psychology. While maintaining his painting career, Wuthrich established a professional career as an engineer from 1965 to 1991, working for American Motors...

Signed lower right, 'Jane Chenoweth' for Jane Chenoweth (American, 20th century). Oil botanical showing a field of vermilion poppies with white and gold daisies contrasted against ...

Signed lower right, 'Vanessa Stafford' (American, born 1954) and dated 1991. A dramatic, dreamlike townscape showing a minotaur standing at the head of a flight of stone stairs and silhouetted against a cobalt-blue night sky lit by a crescent moon. In the foreground, a figure flees while a beneficent stone statue overlooks the scene. Using soft washes of color over elegant and precise linear outlines, the artist has created an enigmatic and compelling work This California painter and muralist received an Associate Degree in Studio Art from Cabrillo College in 1985 and subsequently studied graphic design and illustration at San Jose State University. She later continued her studies under Dave McGuire and Alice Carter. Vanessa Stafford has exhibited with success nationwide and is the recipient of numerous prizes, medals and juried awards including 1st places at the Santa Cruz County Fair (1994,1998), 1st place in the Art Ability Exhibition, Maoli, PA (2012) and first place for the United Nations Linus Pauling...