MODERNAB Desks and Writing Tables

This striking coffee table is the T02M model, designed by Pierre Chapo in 1963. Made of solid elm wood with a beautiful grain, this iconic piece embodies timeless sophistication. Unt...

Pierre Chapo 'T22 Bow' Handcrafted Modular Low Table in Elm for Chapo Création. Pierre Chapo was one of France’s most celebrated modern woodworkers and furniture designers. His scul...

Desk designed by Pierre Paulin and edited by Thonet in the fifties CM223 model Structure in chromed aluminum and mahogany 5 drawers in front Good vintage condition

Side table designed by Pierre Chapo in 1960s. Manufactured in France by Chapo Creations in 2021. Stamped by the manufacturer. Special black edition. In good original condition, with...

Small writing table/student desk in stained mahogany with attractive mint green laminate surface by Gio Ponti for Schirolli (ca. 1950, Italy). Stylish piece with modernist details in...

This restored Model 2135 extendable dining table with four leaves by Gio Ponti for Singer & Sons features gorgeously veined Italian Walnut with sculpted legs to Gio Ponti's signature...

Desk with shaped top from the "TL 22" series, wooden structure, italian manufacture from the 1950s, crafted by Poggi and designed by Franco Albini. This office desk stands out with ...

LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...

Elegant bar cart Model "Cr20" designed by Franco Albini and Franca Helg for Poggi in Italy, 1958. Published.

A Molteni&C exclusive has given new life to Gio Ponti's table which was originally designed 70 years ago. Thanks to dedicated craftsmanship, this signature piece has been reproduced ...

Immerse yourself in the allure of timeless design with the exclusive Black Edition of Pierre Chapo's T22 Table. Crafted in 2021 by Chapo Creation, this iconic piece pays homage to th...

T21 dining table: A classic early 70s design by Pierre Chapo. The Table is made of elm wood (and available now). It can also be ordered in oak as well as in three different sizes (pl...