PrimoPiano Modern Tables

Extendable Chelsea dining table with a square tabletop and a pyramidal base entirely made in walnut wood and metal details. It was designed by Vittorio Introini and produced by S...

Sunny round-shaped table with a structure in wood, tabletop in smoked glass, and metal details. Designed by Giovanni Offredi and produced by Saporiti in the 1970s. The manufacturer's label is present on the table base. The Sunny table can accommodate from 2 up to 4 seats. It's easily adaptable to different ambiance and spaces. Giovanni Offredi was a prominent Italian furniture and product designer of the second half of the 20th century. As opposed to most of the other Italian furniture designers of his time, Giovanni Offredi was not an architect, nor did he start designing early in his professional career. Instead, Offredi partially fits the career path of some of the talented contemporary designers who pursue product design outside of formal education in architecture. The earliest furniture design work known by Giovanni Offredi consists of exemplary furnishings made specifically for some of wealthy families in Milan. Such is the case of the works done by Offredi for Casa C., in 1960, in Gorgonzola, a small town 14 miles from Milan. These works were designed with a surprisingly minimal simplicity and elegance, and they also clearly display a hallmark of his design work with the use of angular lines and exposed metal or wood frames—not unlike some of the modern Scandinavian designs of the time. In the late 1960s, Giovanni Offredi met Sergio Saporiti, the owner of an Italian design shop and furniture maker Saporiti, and in 1970, Offredi formalized a partnership with the furniture maker. This partnership would be long and successful and resulted in many furniture designs of distinct precision that were clearly modern and innovative and that went on to enjoy considerable commercial success. The most prominent furniture designs that Offredi made for Saporiti include the Paracarro table...

Console table with a base in black lacquered metal and an ovoidal table top in granite, originally designed by Aimaro Oreglia d'Isola and Roberto Gabetti f...

A Mid-Century Modern console table with a structure in black lacquered wood and a tabletop in Zebrino marble, Italian manufacture from the 1950s. The console table presents a single...

Torbecchia dining room set is composed of four chairs, one table, and one bench. The table and the bench were made in walnut wood, the chairs have a structure in walnut wood and wove...

A living room set composed of an oval-shaped oak gateleg table with metal details, designed by Borge Mogensen and produced by Karl Andersson & Soner, as well as a set of eight wishbo...

Low rectangular shaped table with a frontal drawer realized in wood with a glass on top, originally designed for the offices of the Banca Nazionale del Lavoro (BNL) Italian manufactu...

Square Brugiana table with a base in white Carrara marble and geometric elements in arabescato, green Alpi, sandstone, and red Levanto marble, glass on top with a white Carrara marbl...

A round coffee table in walnut wood, colored ground crystal on top, and brass legs. Designed by Osvaldo Borsani and produced by Atelier Borsani, Varedo, in the 1960s. This mid-centur...

Cubic-shaped cart with wheels with frame realized in metal which present a circular void on each side, the top and the bottom of the cart has realized in glass. The cart was design...

A set of two Montecarlo (T12) side tables with a simple and elegant brass structure and tabletops in crystal, they are the perfect companion for any seats, beds, or desks. The brass structure present a pleasant patina due to the age of the tables. Designed by Corrado Corradi dell'Acqua and manufactured by Azucena during the 1950s. Corrado Corradi Dell’Acqua (Milan 1905 – Varese 1982) was a law expert, an amateur writer, and silently became a designer. His dachshund’s name was Azucena, as the gipsy of a Giuseppe Verdi’s opera. After all Maria Callas was hosted after the dress rehearsal of the legendary 1955’s Traviata, at La Scala, that Luchino Visconti built around her Violetta. Azucena was also the name of the company Corradi had started in 1947 with two other young Milanese intellectuals, Luigi Caccia Dominioni and Ignazio Gardella – the last one had already been his schoolmate at the Liceo Berchet, and would have later joined him in many other projects. The premises of his adventure had materialized in two different editions of the Milan Triennial Exhibition. In 1933, Corradi had presented his black nickel and copper bookends, and in 1939 he had exhibited a silver and golden copper tea service wrapped in the coils of a snake. In those objects, the simplicity and the elegance of his future works could be foreseen but not fully recognized. Some years later he would have designed objects such as his lamps made with glass from Milan tramcars, his two-seat sofa for an intimate talk, his saddle-shaped armchairs that forced the body in a perfect posture, his little-tree-shaped photo frame that could be wore as a cameo collier, or his marble ashtray with pestle...

Traccia side table with structure in polished cast bronze, elliptical top in plywood finished with fine yellow gold leaf. Traccia table was origi...

Arcadia 100 low coffee table with a rectangular shape (the squareshaped model 80 also exists) designed in 1969 by the famous Italian designer Vico Magistretti and produced by Artemide starting from 1970. The coffee table is made of reinforced resin. More exactly the material used is called GRP (Glass fibre Reinforced Plastic), a very resistant thermosetting plastic material consisting of a thick meshwork of glass fibres impregnated with polyester resin. The item is characterized by its S-shaped legs typical of the Magistretti's design poetics (shapes used in many other furnishings from the Selene chair to the Chimera lamp...

Cicognino coffee table entirely made in teak wood designed by Franco Albini in 1952 and firstly produced by the Italian company, Poggi Pavia from the 1950s. The Cicognino coffee t...

Extendable dining table in wood designed by Ilmari Tapiovaara in the 1970s. This rare table presents a rectangular top with elegant rounded edges. The table top fits to the base wi...

Very rare set of four low tables round-shaped, model 780/783 with a black lacquered wooden frame with a reversible top in black and white plastic laminate, designed by Gianfranco Frattini and manufactured by Cassina in 1960s. The tables present different heights so it can be possible to be stackable to form one cylindrical block. Frattini was born in Padova in 1926, he graduated in Architecture at the Politecnico di Milano in 1953, where he opened his first professional studio after working in Gio Ponti’s studio, his master and mentor. He worked in the field of architecture and design, with a particular interest in interior design, and attended many exhibitions and events. In 1956 he was between the founders of ADI (Association for Industrial Design) for which he created several pieces. His creations range from furnishing to lamps, marked by an essential and rigorous style. Wood was undoubtedly his preferred material, he knew its features and crafted it passionately. Among his best sellers, the 780/783 set of stacking tables for Cassina, the Sesann armchair for Tacchini, the Albero bookcase...

Torcello table in walnut wood designed in 1964 by Tobia and Afra Scarpa, produced by Stildomus in 1970s Literature: G. Gramigna, Repertorio del design ...

Round table model T72 in wood, black lacquered metal and brass details, designed by Ettore Sottsass and produced by Poltronova in the late 1950s. The T72 table has a strong base mad...

High work table in oak wood designed by Giuseppe Rivadossi and produced by Officine Rivadossi in 1973. Originally realized for a fabrics Atelier in Brescia (Italy), this table presen...

Valmarana table in ash wood designed by Carlo Scarpa and produced by Simon Gavina in the 1970s. Carlo Scarpa is a renowned architect with deep ties to Venice, where he was born and...

Round table model La Rosa dei Venti, part of the Mobili nella Valle series, it's entirely realized in pinewood, with inlays on table-top, it was designed by Mario Ceroli and produced by Poltronova in the 1970s. The beautiful inlays on the table top represent a compass rose, it's a figure that can be found on a compass, map, nautical chart, or also a monument used to display the orientation of the cardinal directions (north, east, south, and west) and their intermediate points. Rosa dei Venti is a masterpiece of Ceroli and it's very precious to the artist to its intrinsic meaning, directly connected with the cardinal points and our planet. Behind the homage to this element lurks the desire of Ceroli to reconcile the majesty of the wood with the limitless of the sea. Manufacturer's brand marked with fire on the table structure. Literature: Giuliana Gramigna, "Repertorio del Design Italiano 1950-2000", Allemandi, 2011, p. 214.   Mario Ceroli (1938) is one of the most influential artists of the Italian post-war period. Ceroli graduated from 'Accademia delle Belle Arti' in Rome, where he studied with Leoncillo, Fazzini and Colla. In the early stages of Ceroli's career he concentrated on ceramics and in 1958, he exhibited these works at the Premium Spoleto. In the same year Ceroli held his first solo exhibition at Galeria San Sebastinello of Rome. During 1959 he began to experiment with new materials, particularly with raw wood, such as Russian pinewood. He used these materials to create silhouetted shapes in his furniture and objects that related simplistically to the surrounding space. Ceroli relates back to the traditional medieval craftsmen, focusing on an overall and overwhelming attraction that holds a dialogue with the spectator. Between 1967-1968, Ceroli took part in exhibitions related to the "Arte de Povera" group. He had also been involved as screenplay director collaborating with "II Teatro Stabile" in Turin and with "La Scala" In Milan. Characteristically Ceroli's designs are dramatic and sculptural, with exaggerated forms and bold lines and often paying tribute to historical artworks. One of Ceroli's major works was his 'Mobili nella Valle' series, inspired directly by De Chirico's 1927 painting...

Luar (TLR.2) low table with frame in steel and table top in thick glass designed by Ross Littell in 1965 and produced by ICF in the 1970s. The Luar collection designed by Littell, i...

Oval-shape table from Artona series in wood with brass details, designed by Tobia and Afra Scarpa produced by Maxalto, 1970s. Tobia Scarpa and his wife Afra Bianchin began their lon...

Set of two luminous side table/cabinet bar in black lacquered wood, these piece presents two openable opposite doors and inner shelves. Designed by Massimo and Lella Vignelli and p...

Saratoga luminous side table/cabinet bar in black lacquered wood, this piece presents two openable opposite doors and inner shelves. Designed by Massimo and Lella Vignelli and prod...

Tobio low square shaped table with a leather lined wooden top cylindrical base in black plastic. Designed by Tobia and Afra Scarpa in the 1970s and produced by B&B Italia. Tobia S...

La Rotonda round-shaped table in walnut wood, designed by Mario Bellini in 1976 and produced by Cassina. La Rotonda table is an exquisite fusion of ...

Console table with shelves and lateral decorative inlays entirely made in wood, designed by the French designer and craftsman Pierre Chapo, French Manufacture from 1960s Pierre Chapo was first interested in painting, his encounter with a shipbuilding carpenter in 1947, introduced him to wood and woodworking; and led him to architectural studies at the École Nationale Supérieure des Beaux-Arts in Paris. After traveling through Scandinavia, and Central America and working for a year in the United States, he returned to Paris and pursued his interest in wood, crafting furniture mainly out of solid oak, elm, ash or teak with a double concern for contemporary design and traditional know-how. He opened a gallery on boulevard de l'Hôpital in the 13th arrondissement of Paris, where along with his own creations, he displayed the work of other craftsmen or artists such as Isamu Noguchi with whom he shared a sculptural and organic approach to design. Special custom orders started coming in, Samuel Beckett...

Low table with a round-shaped table top in white marble and four metal legs from the Parallel Bar series, designed by Florence Knoll and manufactured by Knoll International during the 1950s. Born to a baker, and orphaned at age twelve, Florence Schust grew up in Saginaw, Michigan. Schust demonstrated an early interest in architecture and was enrolled at the Kingswood School for Girls, adjacent to the Cranbrook Academy of Art. While at Kingswood, Florence befriended Eilel Saarinen, whom she would later study under at Cranbrook. Warmly embraced by the Saarinen family, Florence vacationed with them in Finland, enjoyed the company of their accomplished friends, and formed a very close relationship with Eliel’s son, Eero. The connections she made and the skills she developed while at Cranbrook were the foundations of Florence Schust’s incredible design education and pioneering career. With recommendations from Eliel Saarinen and Alvar Aalto, Florence went on to study under some of the greatest 20th century architects, including Walter Gropius and Marcel Breuer in Cambridge, Massachusetts and Ludwig Mies van der Rohe at the Illinois Institute of Technology. In 1941 Florence moved to New York where she met Hans Knoll who was establishing his furniture company. With Florence’s design skills and Hans’ business acumen and salesmanship, the pair, who married in 1946, grew the nascent company into an international arbiter of style and design. Florence also seeded contributions with her friends Eero Saarinen, Harry Bertoia, and Mies van der Rohe. In creating the revolutionary Knoll Planning Unit, Florence Knoll defined the standard for the modern corporate interiors of post-war America. Drawing on her background in architecture, she introduced modern notions of efficiency, space planning, and comprehensive design to office planning. Florence ardently maintained that she did not merely decorate space. She created it. The Planning Unit rigorously researched and surveyed each client — assessing their needs, defining patterns of use and understanding company hierarchies — before presenting a comprehensive design, informed by the principles of modernism and beautifully executed in signature Knoll style. Florence and the Planning Unit were responsible for the interiors of some of America’s largest corporations, including IBM, GM and CBS. As part of her work with the Planning Unit, Florence frequently contributed furniture designs to the Knoll catalog...

Locus Solus set is composed of four chairs with a structure in tubular steel a seat in padded leather and a table with a frame in tubular steel and a glass table top. The Locus Sol...

Dining table with a beautiful base in steel and top in thick glass, designed by Vittorio Introini and manufactured by Saporiti in the 1970s. The table present an elegant and beautif...