Reeves Art + Design Prints and Multiples

Modern colorful abstract lithograph by famous Surrealist artist Joan Miro. The work was created in conjunction with an exhibition that he had at the Grand Palais in Paris, France in ...

Modern colorful geometric abstract lithograph by early female artist Sonia Delaunay. Sonia, along with her husband Robert Delaunay, helped to form the artistic movement called Orphis...

Houston Artist Margarita Urquiza’s Greek-themed etching done on arches paper. Printed by Hare and Hound Press in a unique impression. The work is signed, numbered and dated in pencil...

Bold and colorful portrait by renowned artist T.C. Cannon of a Native American woman in a red dress with a gold cross around her neck titled "Woman at the Window." Signed along botto...

Colorful abstract landscape woodcut print by modern artist Carol Summers. The work features a color blocked depiction of a volcano with a rainbow. Signed, titled, and editioned withi...

Modern art deco promotional poster by artist and illustrator Leonetto Cappiello. The work features a man using Nitrolian paint to paint a set of stairs as a woman walks down. The pa...

Blue-toned silkscreen portrait print of actress Marilyn Monroe by legendary photographer Bert Stern. The piece features a blue headshot portrait of Marilyn in blue on a metallic silv...

Modern pop art 3 dimensional silkscreen serigraph by contemporary artist Charles Fazzino. The work features a variety of vignettes that have been combined to create a larger hospital...

Colorful woodblock print by Japanese artist Toyohara Kunichika. The work features elaborately dressed kabuki actors in the middle of a dynamic scene. Currently hung in a black frame ...

Modern colorful nature lithograph by Texas-based artist Billy Hassell. The work features various examples native wildlife including a bird, fish, and grasshopper set against a bright...

Offset lithograph of the design for the "And then all that divided them merged” banner that was used to promote Judy Chicago's iconic work "The Dinner Party" which featured 39 intric...

Monochromatic abstract figurative lithography by Fermin Coronado. The piece depicts a figure of a lady surrounded by botanical elements. The piece is signed at the bottom. Framed in a simple gold frame...

Monochromatic abstract figurative lithograph of the Seven Archangels. Framed and matted in a beautiful ornate gold frame. Unsigned. Dimensions With Frame: H 6.13 in. x W 8 in.

Blue, orange, and yellow abstract impressionist landscape by Houston, TX artist Henri Gadbois. The painting depicts a sunset with blue and orange skies in a mountainous landscape. Si...

Colorful abstract contemporary painting by artist T. Moore. The painting depicts a grid of 9 squares with colorful biomorphic shapes, patterns, and figures. The blocks are painted ag...

Yellow, green, and blue geometric abstract lithograph by Israeli artist Ilan Hasson. The piece depicts the tower of babel made with various building shapes with metallic details. The...

Neutral-toned abstract contemporary collage print on paper by Conrad Marca-Relli. The piece depicts two abstract shapes--the one on the left with a newspaper print. Edition 12 out of...

Colorful abstract contemporary painting by Houston, TX artist Saralene Tapley. This painting features a portrait of a pair of female models set against a red floral background. Unfra...

Gray-toned minimalist abstract textured print with purple, blue, and yellow tones. Unsigned. Framed and matted in a modern black frame. Dimensions Without Frame: H 28.63 in. x W 20....

Blue, red, brown, and green abstract figurative print by artist Jacob Lawrence. This piece depicts a central woman figure wearing a red dress and holding a golden sword while on a white horse. She is in the company of other figures by some tall, green, bushes. Signed and editioned by the artist at the bottom. Framed and matted in a thin gold frame. Dimensions Without Frame: H 30 in. x W 20 in. Artist Biography: Jacob Lawrence was born September 7, 1917, in Atlantic City, New Jersey, where his parents had migrated from the rural south. They divorced in 1924. His mother put him and his two younger siblings into foster care in Philadelphia. When he was 13, he and his siblings moved to New York City, where he reconnected with his mother in Harlem. Lawrence was introduced to art shortly after that when their mother enrolled him in after-school classes at an arts and crafts settlement house in Harlem, called Utopia Children's Center, in an effort to keep him busy. The young Lawrence often drew patterns with crayons. In the beginning, he copied the patterns of his mother's carpets. After dropping out of school at 16, Lawrence worked in a laundromat and a printing plant. He continued with art, attending classes at the Harlem Art...

Teal, brown and blue tone abstract figurative original print by Amado Maurilio Pena. The piece depicts five women figures that either appear back-to-back or fa...

Modern abstract figurative lithograph by renowned artist John Biggers. The work features a trio of women carrying a house on their backs set against a rural landscape. Signed, titled...

Monochromatic abstract figurative etching by Spanish painter Jorge Castillo. The piece depicts an abstract landscape overlooking an empty view from what appears to be a cave. Figures...

Monochromatic abstract figurative etching by Italian artist Giacomo Manzú. The piece depicts an image of Jesus Christ with a distinct facial expression on wove paper. Signed and editioned 98/200 by the artist at the bottom. Glass framed in a natural wooden frame. This particular work is included in the 1975 Portfolio "Omaggio a Michelangelo" (Homage to Michelangelo) which comprises 13 prints (8 partly colored etchings and 5 color lithographs). The portfolio includes other original signed and editioned prints by artists Horst Antes, Jorge Castillo, Emilio Greco, Renato Guttuso, David Hockney, Jean Ipoustéguy, Fiacomo Manzù, Marino Marini, André Masson, Henry Moore, Eduardo Paolzzi, Fritz Wotruba, and Paul Wunderlich. Dimensions Without Frame: H 31 in. x W 23.5 in. Artist Biography: Giacomo Manzù, original name Giacomo Manzoni, (born December 22, 1908, Bergamo, Italy—died January 17, 1991, Ardea), Italian sculptor who, in the mid-20th century, revived the ancient tradition of creating sculptural bronze doors for ecclesiastical buildings. His sober realism and extremely delicate modeling alternately achieved austere severity and sensuousness of form and surface, lending a new spirit of vitality to figurative bronze sculpture. Manzù had to leave school at an early age to learn a trade, and he was apprenticed to local craftsmen who taught him to carve wood and to work in metal and stone. After service in the Italian army from 1927 to 1928, Manzù went to Paris to try his luck as a sculptor, but after three weeks he collapsed from hunger and was deported back to Italy. He settled in Milan, and, after receiving a commission in 1929 to decorate a chapel at the Catholic University, he devoted himself to sculpting full-time. Manzù’s early works were nudes, portraits, and biblical subjects, executed in a style that at first was influenced by Etruscan, Egyptian, and medieval art. However, he soon adopted the Impressionist techniques of the Italian sculptor Medardo Rosso...

Teal and brown abstract figurative original print by Chicano artist Amado Maurilio Peña Jr. This piece depicts a native elderly woman with long, white hair in ...

Blue and red abstract contemporary print by Houston, TX artist John Ross Palmer. This print features two rectangular shapes and a quarter of another faded teal square at the bottom on archival paper. Signed, dated, and titled by the artist at the front bottom. Framed in a simple wooden frame. Dimensions Without Frame: H 24 in x W 16.75 in Artist Biography: John Ross Palmer is an American artist based in Houston, Texas. He is the author of numerous books and the founder of the Escapism art...

Blue and red abstract contemporary print by Houston, TX artist John Ross Palmer. This print features two rectangular shapes and a quarter of another square's edge at the top on archival paper. Signed, dated, and titled by the artist at the front bottom. Framed in a simple wooden frame. Dimensions Without Frame: H 24 in x W 16.75 in Artist Biography: John Ross Palmer is an American artist based in Houston, Texas. He is the author of numerous books and the founder of the Escapism art...

Fashion serigraph featuring the work of Patrick Nagel that was produced as a part of a commemoration series from 1984-1988 after the artist's untimely death in 1984. This image was number 8 out of 15. Currently hung in a navy frame with multiple light blue mattings. Signed within the print. Dimensions Without Frame: H 35.5 in. x W 23.5 in. From the Catalogue: Rendered with an economy of line and flat, cool planes of color, Patrick Nagel’s Kristen presents a piercing portrait that distills the artist’s iconic aesthetic with which he garnered widespread popularity in the 1980s. Nagel, who studied art at Chouinard Art Institute in the 1960s, emerged in the Pop era alongside contemporaries such as Tom Wesselmann and Andy Warhol. While similarly working with a Pop aesthetic, Nagel infused elements from Deco and Japanese Woodblock prints into his graphic works – echoing such artistic forebears as Henri de Toulouse-Lautrec. A skilled illustrator, Nagel first photographed models before using ink and acrylic to boldly emphasize features. In the present work, ghostly pale skin is set against jet black hair – her features evocative of Nagel’s portrait that featured on Duran Duran’s Rio album in 1982 and catapulted him to widespread acclaim. Kristen presents us with the “Nagel Women” par excellence, perfectly encapsulating his reductive aesthetic. As actress Joan Collins recalled, "I remember when he (Patrick Nagel) first photographed me he remarked that my lips were my most outstanding facial feature. He said they seemed to have an anatomy of their own. Never have lips felt so naked. He had a way of seeing every detail and revealing them all on canvas" (Joan Collins, quoted in Elena G. Millie, Nagel: The Art of Patrick Nagel, New York, 1985, p. 16). Though Nagel passed away prematurely in 1984, his works continue to resonate – with important examples held in the permanent collections of the Library of Congress, The Smithsonian Institution and the Musée des Arts Décoratifs in Paris. —Courtesy of Phillips Artist Biography: The Pop Art of Patrick Nagel needs little introduction. His minimalist style defined an era with cool, seductive women that became the most iconic of any single generation. His elegant graphic work and his portrayal of the contemporary woman made figurative design before him look instantly old. Today his unique sensibility and style continue to resonate with generations of young designers, illustrators and artists who have found inspiration from his trend-setting style. Nagel was in the forefront of a new wave of illustration in Los Angeles in the late 1970’s and early 80’s, re-imagining the graphic arts and in the process defining Los Angeles as the epicenter of award-winning visual arts. It was a reciprocal relationship; Los Angeles influenced his evolving style and in return he left his indelible mark on the city and far beyond. Through cultural cross-pollination, his work absorbed the moment – from the fashion photography of Guy Bourdin and Helmut Newton to influencing the look of music videos by David Bowie, Robert Palmer and George Michael, to creating the album cover art of Duran Duran. Patrick Nagel was born in Dayton, Ohio in 1945 and was raised in Orange County, California. After returning from his tour in Viet Nam, he studied fine art at Chouinard Art Institute and California State University, Fullerton where he received his BA in 1969 in painting and graphic design. He then taught at Art Center College of Design while simultaneously establishing himself as a free-lance designer and illustrator with memorable ads for Ballantine Scotch, IBM and covers for Harper’s magazine. In the mid-70’s he began illustrating stories for Playboy magazine, bringing instant exposure and a large appreciative audience to his work. His years working with Playboy established him as the heir apparent to 50’s pin-up artist Alberto Vargas and gave Nagel the subject matter that he would continue to use to illustrate the newly liberated woman. Over the last one hundred years, poster art has been one of the most humble, influential and pervasive of all the arts. But in the U.S in the 70’s, where poster art had not been used to its best effect, an opportunity arose to change the status quo. Nagel, in partnership with Mirage Editions and fine art printer Jeff Wasserman, sought to recapture the beauty and power that posters once held in popular culture by returning to a model created at the turn of the century with artists such as Toulouse Lautrec and A. M. Cassandre. They sought to produce the highest quality hand screened art prints that would also serve as collectible advertising...

Warm toned mosaic style figurative abstract by Texas based artist Richard E. Fluhr. The work features a group of abstract figures broken up into a grid of twelve rectangles set against a black and white checkered background. Signed, dated, and editioned by the artist in the front lower left corner. Currently hung in a solid black frame. Dimensions Without Frame: H 41 in. x W 35 in. Artist Biography: Richard E. Fluhr was born in New York City in 1955 and moved to Texas to work as an artist. Beginning with ceramics at age 15 and showing at Ola Podrida Gallery in Dallas, he moved on to the University of Texas at Austin. Fluhr received his BFA from the University of Houston followed by an MFA in printmaking at the prestigious Cranbrook Academy of Art in Bloomfield Hills, Michigan, where he graduated magna cum laude. He traveled extensively, painting life along the way in watercolor, oil or acrylic, usually on recycled materials, such as paper bags, pamphlets, and receipts. Fluhr exhibited in six galleries in the United States and several galleries in Mexico, where he also maintained a studio in the late 1980s. His art has been shown in the U.S., Russia, and Mexico and is represented in over 900 private and public collections, including the Brooklyn Museum of Art, NY; the Cranbrook Academy of Art Museum, Bloomfield Hills, MI; the Detroit Art...

Realistic lithograph by Nicholas Beatrizet depicting the ascension of Christ. Christ is depicted ascending on the 3rd day according to the bible as...

Colorful abstract contemporary painting by Houston, TX artist Saralene Tapley. This painting features a portrait of a pair of male models set against a pink and blue wave background....

Earth-toned pastoral scene lithograph by Paul Narkiewicz. This work features abstract geometrical shapes that form a pastoral landscape scene. This print is an Artist's Proof. Signed and editioned by the artist at the right. Framed and matted in a thin gold frame. Dimensions Without Frame: H 14 in. x W 19 in. Artist Biography: Paul Narkiewicz was born in 1937 in Easton, PA, and studied painting at the Philadelphia College of Art in the early 1960's. After moving to New York City in 1966, in addition to painting and sculpture, he also pursued printmaking and worked with many notable artists including Alex Katz, Red Grooms, Yvonne Jackette, and Romare Bearden. In 1987, along with Vito Acconci...

Modern abstract figurative lithograph by renowned artist John Biggers. The work features a trio of women carrying a house on their backs set against a rural landscape. Signed, titled, dated, and editioned along the front lower margin. Currently hung in a black frame with a white matting. Dimensions Without Frame: H 38.75 in. x W 27 in. Artist Biography: Born in Gastonia, North Carolina in 1924, John Biggers studied at Hampton Institute (now Hampton University) under Viktor Lowenfeld and muralist Charles White. In 1943, Biggers' mural, Dying Soldier, was included in the exhibition curated by Lowenfeld, Young Negro Art, at the Museum of Modern Art in New York. After serving in the United States Navy, Biggers transferred to Pennsylvania State University where he earned his bachelor’s and master’s degrees as well as his doctorate in art education. In 1949, Biggers accepted a faculty position at Texas State University for Negroes (now Texas Southern University) in Houston, where he founded and chaired the art department until his retirement. In the early 50s, he won prizes for his work at annual exhibitions held at the Museum of Fine Arts, Houston and the Dallas Museum of Art. In 1957, he traveled to Africa on a UNESCO fellowship to study Western African cultural traditions, becoming one of the first black artists to study the culture first-hand rather than through library research. His work was profoundly influenced by his experiences in Africa. He was known for his murals, but also for his drawings, paintings, and lithographs, and was honored by a major traveling retrospective exhibition from 1995 to 1997. He created archetypal imagery that spoke positively to the rich and varied ethnic heritage of African Americans, long before the Civil Rights era drew...

Modern abstract red and purple toned offset lithograph of a female figure by Italian artist Bruno Bruni. The work features a loosely rendered nude woman bent over in the process of c...

Colorful modern abstract lithograph by modern Texas artist Allan Otho Smith. The work features a series of geometric shapes in red, pink, and green tones. The use of complementary co...

Colorful abstract contemporary portrait painting by Houston, TX artist Saralene Tapley. The work features a nude figure set against a green and yellow cheetah print background. Unfra...

Colorful abstract contemporary painting by Houston, TX artist Saralene Tapley. This painting features a portrait of a pair of female models set against...

Contemporary photograph on collotype by Houston, TX artist Delilah Montoya. Photograph shows a young woman with long, dark hair with both arms stretched to the sides while surrounded by lit candles. Her back faces the camera as she faces a wall with graffiti. The scene is reminiscent of Jesus on the cross. Titled, signed, and dated by artist. Framed and matted in a red and gold wooden frame. Dimensions Without Frame: H 17.25 in. x W 16.13 Artist Biography: Although she was born in Texas and lived in Nebraska into her twenties, photographer and printmaker Delilah Montoya has deep roots in northern New Mexico through her mother's family. Raised by her mother, Montoya observes that women have empowered her family for five generations. Montoya studied photography and printmaking at the University of New Mexico, where she received her bachelor's degree, master's degree, and master of fine arts. She works in a variety of two-dimensional photographic and printing processes as well as creating larger installations. The artist describes her approach as postmodernist and uses documentary strategies to interpret her own distinct vision. Politically, Montoya is committed to exploring issues of identity in terms of a Chicano cultural context:"In my own evolving ideology I question my identity as a Chicana in occupied America, and articulate the experience of the minority woman. I work to understand the depth of my spiritual, political, emotional and cultural icons, realizing that in exploring the topography of my conceptual homeland, Aztlan, I am searching for the configuration of my own vision. " (Montoya n.d.) Montoya is committed to the expression of Chicana experience and history, but she does not consider herself as a feminist. Indeed, Montoya rejects identification as a United States-style feminist because she believes that "Feminists don't give us solidarity. As a Chicana my issues are multifaceted, not just gender, but class, race. " The border, for Montoya, is a politically imposed construct, a part of a United States colonialist enterprise that was forced upon the Chicano community. It is the environment in which Chicano life and history unfolds. Montoya's work explores contemporary and historical issues, sometimes win a humorous twist. Her artist's book for the 1992 Chicano Codices exhibition organized by the Mexican Museum in San Francisco, Codex Delilah: a Journey From Mechica to Chicana (including text by poet Cecilio Garcia-Camarillo), traces the imaginary journey of Six Deer, a character who embodies the contact between indigenous and Spanish culture in her trip "pal norte" towards Aztlan, the "spiritual homeland of her ancestors." As she journeys to the north, the character also journeys forward in time, meeting important Chicanas from the past, including La Llorona...

Modern purple and black minimalist woodcut print by Polish artist, Zbigniew Lutomski. This print depicts a black abstracted geometric shape set against a rich purple background. Sign...

Pink-toned abstract contemporary figurative monotype print by Houston, TX artist, Saralene Tapley. This monotype depicts a black female nude in an i...

Modern abstract portrait lithograph by Venezuelan artist Hector Poleo. The work features a figure in profile wearing a yellow hat and matching outfit. Softly rendered in his signatur...

Hand painted print on silk of a mounted samurai warrior armed with a yumi style longbow. The work features a Japanese samurai wearing a kuwagata style helmet riding a black horse wit...

Black and white etching of a young woman named Jessie Magdalene Brewer. This piece features Beth Secor's iconic swirling and knotted brushwork that echo the dense weave of a tapestry...

Figurative French etching from the Larousse dictionary of various gymnastic vaulting events. Each event features multiple stages of the movement, similar to the style of Eadweard Muybridge. Currently hung in a solid black from with a wide white matting. Dimensions Without Frame: H 3.5 in. x W 4.25 in. Artist Biography: Louis Bombled (1862-1927) is a French painter , draftsman and engraver. He was the son of the Dutch painter Karel Frederik Bombled. Living in Chantilly, he became a pupil of Évariste-Vital Luminais. He worked for the newspapers L'Illustration, Le Monde illustré, Le Petit Journal...

In this original poster, visionary artist Peter Max portrays runners in the New York City Marathon in technicolor hues. This piece is signed and...

Colorful abstract expressionist lithograph celebrating the 1976 Olympics in Montreal Canada by American artist LeRoy Neiman. The work f...

Gray toned abstract landscape of a desert with mother and child walking by coves. Original print is at the Portland Art Museum collections. Signed and titled by the artist. Framed and matted in a black wooden frame. Dimensions Without Frame: H 12 x W 17.38 Artist Biography: William Givler was one of the most influential artists and teachers in Oregon. He devoted forty-two years to the Museum Art School, beginning in 1931 as an instructor, interrupted by service as a forester during World War II, and then as dean from 1944 until his retirement in 1973. He established the four-year degree program and secured accreditation for the school. In 1949 Givler inaugurated the first Print Annual at the Portland Art Museum. In 1953 Givler, Carl Hall, and two Washington artists exhibited in a four-person show at the Seattle Art Museum. He had many one-person shows throughout the United States during his long career: Seattle Art Museum, Portland Art Museum, Santa Barbara Museum of Art, University of Virginia, and others. In 1959 Givler painted an oil, Mt. Hood, for Timberline Lodge...

Red toned interior still life depicting a white pitcher, two beverage bottles, three yellow ripe mangoes and one unripe, and a shape that resembles a sliced cantaloupe--all on top of...

Blue toned abstract figurative enhanced giclée depicting three men wearing funky hats and red striped vests. Signed by artist at the bottom right. Framed in a black and gold thick fr...

Abstract contemporary interior still life depicting Marigolds in a teal glass vase. Signed, titled, and editioned by artist at the bottom. Framed in a...

Small abstract etching depicting village in mountainside by the sea. Signed by artist "GOEBEL" at the bottom right corner. Title is inscribed at the back with information suggesting ...

Small black and white woodblock print depicting boat with houses. Possibly from the Woodstock School of Art. Inscribed and signed by artist. ...

Abstract modern print depicting a city scene with cars. Signed "R MacMillan" in the bottom right. Dimensions Without Frame: H 11 in. x W 8.5 in.

Twentieth century etching by artist Paul Sollmann depicting a hut in a forest (maybe Germany). Signed "Paul Sollmann-Coburg" in the bottom right corner. ...

Red toned abstract woodcut monoprint by Japanese printmaker Joishi Hoshi. This work is a fantastic example of Hoshi's iconic interlocking web of bare trees. Signed and dated by artis...

A 1962 lithograph poster on paper after a work by renowned Russian-French Expressionist Marc Chagall titled "L’Oiseau Vert (The Green Bird)." The piece was printed by France’s Mourlo...

Pink, lavender, yellow, and orange toned serigraph by German-American artist Peter Max. Abstract figurative pop culture serigraph (Edition 204/350) depicting the head of the Statue o...

Two identical abstract prints in blue and black depicting a man-like figure along a fenced pathway. Both prints are artist's proof that are displayed side by side in a natural wooden frame. Titled, signed, and dated by artist. Dimensions Without Frame: H 9 in. x W 12 in. Artist Biography: Arthur Turner was born in Houston, Texas in 1940 where he currently lives and works. He received a Master of Fine Arts degree at Cranbrook Academy of Art, Bloomfield Hills, Michigan in 1966 and a Bachelor of Arts degree from North Texas State University, Denton, Texas in 1962. His work has been exhibited in numerous exhibitions both nationally and internationally. His work is also part of the permanent collections of the Museum of Fine Arts Houston, the Museum of Southeast Texas, Beaumont, the McNay Art Museum, San Antonio, and the Cranbrook Academy of Art, Bloomfield Hills, Michigan. Arthur Turner was a watercolor instructor at the Glassell School of Art, Museum of Fine Arts Houston from 1969 to 2018 and has been represented by Moody Gallery...

Blue and gray toned abstract landscape digital print by Ohio artist Timothy O'Toole. This whimsical print depicts a reflective body of water along a horizon. This piece is edition 37...

Black and white abstract outline drawing depicting nude female. Framed and matted in a carved wooden silver metallic frame. Signed by artist on the bo...