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Jorge MATEUS French master glassmaker Flacon Perce Neige, 2021 Art Glassware - Unique piece Size : 18 x 12 x 12 cm Signed on the base. In perfect condition. Sold with invoice and ...

ABOUT THE ARTWORK Cut-outs on black paper/ Collage work for Blossom Moon Jars Series. About Moon Jars The characteristic of the method of making moon jars is the technique of making...

Wheelthrown, 1100°C.

Material: Earthenware Technique: Ceramic Wheelthrown Firing Temperature: 1100°

Stoneware, hand building, 1240°C.

Royalty , 2020

Since the 1990s, Heinsohn’s work has addressed climate change, impending cataclysm and cultural dysfunction in numerous bodies of work including his mixed media wall reliefs, his "Time Frames" series of photo-based abstractions and his turbulent, thickly painted, cratered abstractions. However, as mentioned in his recent statement: “Given the current dysfunctional mayhem of our planet, I believe we need visual art that provides a place for the mind to transcend our calamity, to thoughtfully explore the multitude of unknowns connected to our daily lives and to thereby refresh our optimism and our sense of urgency in the reimagining of our existence.” These new works channel the meditative properties of abstraction pursued by Kandinsky and Malevich, combined with intuitive approaches of accessing higher consciousness which guided Hilma af Klint as well as, much later, artists of Abstract Surrealism such as Gordon Onslow Ford, Roberto Matta, Wolfgang Paalen...

Portrait of the younger brother of Napoleon, Lucien Bonaparte, done with the Scagliola technique. Scagliola (from the Italian scaglia, meaning "chips") is a type of fine plaster came into fashion in 17th-century Tuscany as an effective substitute for costly marble inlays, the pietra dura works created for the Medici family...

SF64-045, Sam Francis, Acrylic, American Abstraction, Postwar, Work on paper 1964 Acrylic on paper 73 x 56.5 cm 94 x 75 cm / 37 x 29.5 in. (w...

With Lou Reed Written on box in Andy Warhol’s hand: Louis – 2 copies Written on box: Tri-X Rev. 2 copies. 1+ Written on back in Andy Warhol’s...

Digital print mounted on Diasec with lead

Mary Jo designs all the neon as a unique piece of artwork. Each piece is hand blown glass and assembled to create a one-of-a-kind piece, which comes completely ready to install. Whit...

This magnificent grand-scale work, offered by Titan Fine Art, formed part of a collection of family pictures and heirlooms of the Rivers Baronets and their descendants for over 325 years, before it was dispersed by the last in the line in 1988. The work was painted by the most technically proficient painter in England after the death of Van Dyck, and the dominant court painter to Charles II and James, Duke of York, Sir Peter Lely. It is no surprise that for years Lely had no serious rivals, was enormously influential and successful, and one of the country’s most important painters – and his work influenced countless artists over generations. The exquisite carved and gilded auricular frame is an astounding work of art in itself. The sitters in this exquisite double portrait are Sir John Rivers, who succeeded as the 3rd Baronet Chafford in 1657 (c.1638 - c. 1679), and his wife, Lady Anne Hewitt (c.1640-c.1689). They are seated in an outdoor setting beside a fountain modelled as a female figure with water issuing into a scallop-shell. The water, the elaborate sculpted fountain with its scallop-edged bowl, and the open shell in her hand are symbols of fertility - as such they make an appropriate allusion to Lady Anne’s potential as wife and mother, recalling Proverbs, chapter 5, verse 18: “Let thye fountain be blessed, and rejoice in the wife of thye youth”. This reference was realised, as Sir John and Lady Anne produced at least six children; their son George (1665-1734) became 4th Baronet of Chafford. The composition, thus, represents a celebration of marriage and was likely commissioned around the time of the betrothal (the marriage took place 26th Feb 1662 or 1663). The statues in the left margin are 'Youth and 'Old Age' and are a typical form of Memento Mori reminding virile young man that even they will lose their youth and grow old. The Rivers family, originally of Kent, traces its history to Sir Bartholomew Rivers, in the reign of Edward IV. The family included several prominent members including several knights, a Commander in the King's Army, a steward of a ducal estate, a Lord-Mayor of London, and an M.P. John Rivers (c.1659-c.1651) was made 1st Baronet of Chafford in 1622 by King James I. The Chafford estate was the family seat and it remained so until the early 1700s with the death of Sir George Rivers, 4th Baronet (1665–1734), whose sons had all died. The Chafford estate was left to his daughters while the baronetcy passed to nephew John Rivers, 5th Baronet (c. 1718–1743), and then Sir John’s brother, Sir Peter Rivers-Gay, 6th Baronet (c. 1721–1790). Upon Sir Peter Rivers Gay's death the estate passed to his eldest son, Sir Thomas Rivers Gay, 7th Baronet (c. 1770–1805). Sir Thomas, dying in 1805 with no children, bequeathed the estate to his mother Dame Martha Rivers Gay, who managed the estate until 1834 when she settled it on the then Sir Henry Rivers, 9th Baronet (c. 1779–1851) her younger son, before dying shortly thereafter in 1835. Sir Henry had married in 1812 to Charlotte Eales, with whom he had 6 sons and 8 daughters. Upon his death in 1851 the estate passed to his eldest surviving son Sir James Francis Rivers, 10th Baronet (1822–1869). Sir James married Catherine Eastcott in 1867 but died childless in 1869, and the estate passed to his only surviving brother Sir Henry Chandos Rivers, 11th Baronet (1834–1870) but he died a year later in 1870 also childless; with no male heir the Baronetcy was therefore extinguished. The estate was bequeathed, in trust, by Sir Henry Chandos Rivers to Thomas Frederick Inman, a solicitor of Bath, who then managed the estate as a trustee on behalf of Sir Henry Chandos Rivers' sister Katherine Rivers (c.1826-1895). It then passed to Katherine River’s daughter, Katherine Wall (born c.1855), who had also inherited Worthy Park House from her father, George Alfred Ellis Wall (1825-1875). Until 1958 our portrait is known to have hung at Worthy Park House. Upon Katherine Wall’s death, the Rivers estate passed to her daughter, Katherine Eleonora Rivers Fryer (1889-1963), who married Colonel James Alexander Butchart 1877-1853. In 1958 the family sold Worthy Park House but our portrait was loaned to Southampton Museum and Art Gallery. After the death of Katherine and Colonel James, the estate was left to their only son, Charles Bruce Rivers Butchart (1917-2005) and upon Charles’ retirement to a nursing home in 1988, and without heirs, our portrait, along with the residual assets of the Rivers estate were sold, thus ending over 325 years of continual family ownership. Lady Anne Rivers is thought to have been born circa 1640. She was the fourth child of the second marriage of Sir Thomas Hewitt (or Hewett) (1606-1662), 1st Baronet of Pishobury, Herts, and his wife Margaret Lytton (died 1689). Sir Thomas was an English landowner and M.P. for Windsor and upon the English Restoration...

Synthesis BM is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, acrylic, steel, LED, dimensions are 70 × 8 × 10.5 cm (27.6 × 3.1 × 4.1 in). This a...

This small, expressive abstract painting invites the viewer to interpret an untold message. Part of an ongoing series. To view more of my artwork, scroll down and click into the bo...

This Green neon Buddha statue, is 2 layers of laser cut Plexiglas joined together by brass industrial elements. A unique Buddha sculpture, de...

Brilliant color and twisted flames made of layers of precious metals and black acrylic. Burning House is a powerful image, equally impressive as a wearable or a framed art piece. ...

Daniel Tavares considers his oil paintings part drawing and part painting. His artwork is a visual synthesis of his life experiences reflecting the influence of comic books - which ...

Daniel Tavares considers his oil paintings part drawing and part painting. His artwork is a visual synthesis of his life experiences reflecting the influence of comic books - which ...

Daniel Tavares considers his oil paintings part drawing and part painting. His artwork is a visual synthesis of his life experiences reflecting the influence of comic books - which ...

Daniel Tavares considers his oil paintings part drawing and part painting. His artwork is a visual synthesis of his life experiences reflecting the influence of comic books - which ...

Daniel Tavares considers his oil paintings part drawing and part painting. His artwork is a visual synthesis of his life experiences reflecting the influence of comic books - which ...

This dynamic work was realized by the esteemed 20th Century modern artist Mon Levinson in 1964. The work was realized in 1964, and printed in 1965 by Chiron Press in New York- the same year that Levinson was included in the seminal Op-Art exhibition "The Responsive Eye", alongside contemporary luminaries such as Bridget Riley. An identical work from this edition resides in the permanent collection of the New York MoMA. This mixed media work consists of an translucent vinyl sheet layered over a print- part etching, part lithograph. The clear vinyl sheet is embossed with a tight pattern of sinuously curved repeating black lines and is subtly raised in places- creating a subtle three dimensionality and dynamic sense of movement. The paper is inscribed with the same recurring pattern of snaking black lines, like a fine filigree, with two weighty black geometric forms that appear to crowd the composition. Smaller geometric forms reside within creating the apparition of negative space in the bone hued paper. The juxtaposition of the delicate texture and colossal feeling forms imbues the piece with a stunning dynamism and tension, helping to explain why Levinson is among the most influential and important artist to come out of the Op Art movement. His work is in the permanent collections of important institutions around the world including the Museum of Modern Art as well as the Whitney Museum of American Art in New York. Signed by the artist and marked 18/200. The work comes presented in a custom walnut and white gilt frame...

Natural tourquise stone silver pandant and necklace brand new never been used in good condition

Daniel Tavares considers his oil paintings part drawing and part painting. His artwork is a visual synthesis of his life experiences reflecting the influence of comic books - which ...

Mary Jo designs all the neon as a unique piece of artwork. Each piece is hand blown glass and assembled to create a one-of-a-kind piece, which comes completely ready to install. Whit...

Gandin's 'sandwriters' demonstrate the physics of the pendulum as they draw their kaleidoscope-like ribbons in the sand. The sculpture is signed and numbered by the artist on the base of the piece. Artist Biography: Andre’ Gandin...

The Black Labrador Retriever, one of the most beloved dogs in the world, was made and hand cast and hand painted from the foundry that cast all of the jockeys for the 21 Club in NYC....

Samuel Latour - Duplicité - Original Ceramic Sculpture 32.5 x 9.5 x 9.5 cm Edition of 8 Signed Samuel LATOUR Formed at Boulle arts and craft school in...

Kate Heiss Snettisham Sweet Chestnut Limited Edition Linocut Print Edition of 30 Image Size: H 30cm x W 30cm Mounted Size: H 40cm x W 40cm x D 0.5cm Made in 2017 Signed and numbered on the front. Edition numbers may vary from the photo. Please note that in situ images are purely an indication of how a piece may look. Snettisham Sweet Chestnut is a limited edition linocut print by Kate Heiss. The work depicts two Silver Washed Fritillary butterflies feeding on the blossom of the sweet chestnut tree. Kate Heiss is a textile designer and print-maker who has worked with a wide range of fashion brands including Fenchurch, Miss Selfridge and the Japanese fashion designer Michiko Koshino...

"The ideal state is not one which everyone has access to the same amount of wealth, but in proportion to their contribution to the general wealth" This piece was handmade in the hea...

A rectangular, steel outdoor sculpture in black is divided in parts, like a puzzle, the edges polished and reflective. This sculpture Water Writing V3, titled in French as Aquagraphie Variation No 2, is an eight foot work by Quebec artist Philippe Pallafray is an eight foot upright is mirrored in three reflective steel puddle shapes installed at its base. Inspired by the graphic design of river maps...

The modern Wall Sculpture " Horizontal Infill ” is a unique metal Mural made from a burnout mold by David Marshall in 2021, sand cast in aluminium and steel in our foundry, handcraf...

This beautiful portrait was painted circa 1725 and is a fine example of the English eighteenth century portrait style. The artist has chosen to depict the lady against a plain background wearing a simple red silk dress and transparent headdress hanging down the back. The sitter is not shown with jewellery or any other elements to distract the viewer’s attached, thus highlighting the beauty of the young sitter. This restrained manner achieves a sense of understated elegance. The portrait genre was valued particularly highly in English society. Neither landscapes nor allegorical pictures were ever priced so highly at exhibitions and in the trade as depictions of people, from the highest aristocracy to scholars, writers, poets and statesmen. With the rich colouring and lyrical characterisation, these works are representative of the archetypal English portrait and is are very appealing examples of British portraiture...

Albrecht was half way through his MFA program (ceramics) at the University of Iowa when he was deployed to Iraq (03-04 medic/security work). His work explores the collision of war m...

Albrecht was half way through his MFA program (ceramics) at the University of Iowa when he was deployed to Iraq (03-04 medic/security work). His work explores the collision of war m...

Work is titled “Dark Star”. Provenance: Artist. J.M. Henry has shown his work at numerous galleries in the eastern U.S. since the late 1980s, including Trinity Gallery (Atlanta), The...

Albrecht was half way through his MFA program (ceramics) at the University of Iowa when he was deployed to Iraq (03-04 medic/security work). His work explores the collision of war m...

PORTRAIT HEAD OF A GIRL Rome, circa 2nd/3rd century A.D. Marble height 18.4 cm height 7 1/4 in Provenance: Sotheby's, London, May 23rd, 1988, no. 240,...

Flirting, 160x130cm

Painted en plein air, in Sag Harbor, New York. Situated in the People's United Bank parking lot, Butko looks over to the opposite side of Main Street. Beneath tall, fully bloomed trees, illuminated storefronts glisten after they close up for the day. Victor Butko was born into a long line of artists, and has been mentored in painting since the age of 8. He is currently the youngest artist exhibiting at Thomas Kearns McCarthey Gallery, one of the foremost dealers in the United States for Russian Impressionist art...

Amy Winehouse Turquoise by BATIK Archival pigment pop art print signed & limited edition. paper size 30x30" inches / 76 x 76 cm signed and numbered by the artist on front edition...

My dawn, 120x120cm, Oil, Canvas, Sand

Golden coat and birds, 100x200cm, Oil, Canvas

My forest, 100x100cm, Oil, Canvas, Sand

ITALIAN RENAISSANCE CAPITAL WITH MYTHOLOGICAL FIGURES, 15th Century marble H 18 x Diam 33.5 cm H 7 x Diam 13 1/4 in

Antique oil on canvas painting depicting St. John the Baptist. The painting depicts St. John the Baptist, seated next to a snow-white lamb, his unfailing iconographic attribute, nea...

This is a thin cotton (that is my best estimate. it does not feel like silk) scarf, woven textile, fabric piece. It is signed in the print and hand numbered. Josep Guinovart (1927 –2007) was a Spanish Catalan painter most famous for his informalist or abstract expressionist work. In 1941, he began to work as a decorator. Three years later, he started his studies at the Escuela de Artes y Oficios de la Llotja (Art School of La Llotja) where he stayed until 1946. He first exhibited his work in 1948 in Galerías Syla in Barcelona. In 1951, he produced his first engravings entitled 'Homage to Federico García Lorca'. Two years later, he was awarded a grant from the French Institute to study in Paris for nine months. Here he discovered the cubist works of Henri Matisse and Pablo Picasso and travelled to Belgium, Holland and Germany. On his return to Barcelona and after a period working as an illustrator and set designer, around 1957 he began moving towards abstract art. His work is highly unconventional and usually on a large scale, using a wide range of materials, three-dimensional objects and organic substances such as eggshell, earth and straw. He has done some amazing 3D wool tapestry wall hangings...

Honey Jump, 120x120cm, Oil, Canvas

PIETRA DURA TABLETOP WITH PARROTS AND CHECKERBOARD Rome, 18th Century Polychrome marbles, pietre dure and pietra paesina 117 x 73 x 5 cm 46 1/4 x ...

Spring in the village, 120x120cm, Oil, Canvas, Sand

ITALIAN NEOCLASSICAL MARBLE BAS-RELIEF PLAQUE Italy, 19th Century marble 22 x 29.5 cm 8 3/4 x 11 1/2 in