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"American Swan", Audubon Hand-colored First Octavo Edition Lithograph
By John James Audubon
Located in Alamo, CA
This is an original rare and extremely collectible 1st royal octavo edition John James Audubon hand-colored royal octavo lithograph entitled "American Swan", No. 77, Plate 384, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts an adult white American Swan swimming in a body of water. Plants with yellow flowers are in the foreground and hills are in the background.
This original rare first edition hand-colored Audubon bird lithograph has a mildly wavy lower edge of the paper where it was previously bound. It is otherwise in excellent condition. The sheet measures 6.63" x 10.13". The original text pages 226-234 are included.
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable.
With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment.
Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor.
Audubon prints continue to be popular and a wise investment. The double elephant folio set...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
"Mocking Bird", An Original Audubon Hand-colored Octavo Edition Lithograph
By John James Audubon
Located in Alamo, CA
An original collectible hand-colored octavo edition John James Audubon lithograph entitled "Common Mocking Bird", No. 28, Plate 138, from...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
"Bald Eagle", an Original Audubon Hand-colored First Edition Lithograph
By After John James Audubon
Located in Alamo, CA
An original rare and extremely collectible first octavo edition John James Audubon hand-colored royal octavo lithograph entitled "White-headed Sea Eagle or Bald Eagle", No. 3, Plate ...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
California: 18th Century Hand-colored Map by de Vaugondy
By Didier Robert de Vaugondy
Located in Alamo, CA
This is an 18th century hand-colored map of the western portions of North America entitled "Carte de la Californie et des Pays Nord-Ouest separés de l'Asie par le détroit d'Anian, ex...
Category
1770s Landscape Prints
Materials
Engraving
"Pinnated Grouse", an Original Audubon Hand-colored First Edition Lithograph
By After John James Audubon
Located in Alamo, CA
An original extremely collectible first octavo edition John James Audubon hand-colored royal octavo lithograph entitled "Pinnated Grouse", No. 60, Pl. 296, from Audubon's "Birds of A...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
"Skating on Ladies' Pond Central Park": Winslow Homer 19th C. Woodcut Engraving
By Winslow Homer
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "Skating on the Ladies' Skating-Pond in Central Park, New York", was published in Harper's Weekly in the January 28, 1860 edition. It depicts a large number of men, women and children skating on a recently opened pond in Central Park. At the time of publication of this engraving, Central Park was in the early stages of construction. This engraving documents the very early appearance of Frederick Law Olmstead and Calvert Vaux's masterpiece of landscape design. According to Olmsted, the park was "of great importance as the first real Park made in this century – a democratic development of the highest significance". The people of New York were very proud of the plans for their park. It was stated at the time: "Our Park, which is progressing very satisfactorily under the management of the Commissioners, will undoubtedly be, one of these days, one of the finest place of the kind in the world...Those who saw the Park before the engineers went to work on it are amazed at the beautiful sites which have been contrived with such unpromising materials; all fair persons believe that the enterprise is managed with honesty and good taste."
Skating was rapidly rising in national popularity in part due to the opening of Central Park’s lake to skaters on a Sunday in December 1858 with 300 participants. The following Sunday it attracted ten thousand skaters. By Christmas Day, a reported 50,000 people came to the park, most of them to skate. There were rules governing who could use the skating pond. “The Ladies’ Pond...
Category
1870s American Impressionist Landscape Prints
Materials
Woodcut, Engraving
White Eye-browed Partridges: Hand-colored Folio-sized Bird Lithograph by Gould
By John Gould
Located in Alamo, CA
This is a 19th century hand-colored folio-sized lithograph entitled "Dendrortyx Leucophrys" (White Eye-browed Partridges) by John Gould, published in his monograph 'A Monograph of the Odontophorinae, or Partridges of America' in London between 1844-1850. Reportedly only 250 copies were printed. The print depicts two partridges, one standing and the other lying apparently on sand, surrounded by high grass. A landscape of plants and possibly water is seen in the background.
This beautiful hand-colored lithograph is presented in a double cream-colored mat. There is one tiny spot in the left lower corner, faint spots in the right upper print and mild toning about the periphery which is covered by the mat. It is otherwise in excellent condition. It is accompanied by the original text page.
John Gould (1841-1881) was an English contemporary of the American John James Audubon. Gould published his first illustrated book on birds in 1831 entitled "A Century of Birds from the Himalaya Mountains", followed by "Ramphastidae" and "Birds of Europe". He then extended the scope of his travels and research to include Australia, New Zealand and New Guinea, drawing birds in their natural habitat. Artists, such as his wife Elizabeth Gould, Henry Richter and Edward Lear, transferred his drawings to hand printed and hand colored stone lithographs, which are known for their beauty, detail and accuracy.
As well as an exceptional and prolific artist, Gould was an outstanding scientific naturalist. In approximately 50 years he created approximately 3,000 lithographs of birds...
Category
1840s Naturalistic Animal Prints
Materials
Lithograph
"Lilium Persicum" Ehret 18th Century Hand Colored Botanical Engraving
By Georg Dionysius Ehret
Located in Alamo, CA
A beautiful and important 18th century hand colored copperplate engraving of lillies which was most likely designed by Georg Dionysius Ehret (1708-1770) and engraved by Johann Michae...
Category
Late 18th Century Naturalistic Still-life Prints
Materials
Engraving
Spider Lily: An Original 18th C. Hand-colored Botanical Engraving by J. Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This colored botanical mezzotint and line engraving finished with hand coloring by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Ephemerum Virginianu flore Purpureo, B. Ephemer...
Category
Mid-18th Century Naturalistic Still-life Prints
Materials
Mezzotint, Engraving
A Hand Colored 18th Century Framed Map of South America by Thomas Jefferys
Located in Alamo, CA
This detailed hand colored map of South America by Thomas Jefferys was published in London in 1750. The map shows countries, early colonial possessions, towns, rivers, mountains, and...
Category
Mid-18th Century Other Art Style Landscape Prints
Materials
Engraving
St. Peter's Square in Basel: 17th Century Engraving by Matthäus Merian
By Matthäus Merian the Elder
Located in Alamo, CA
"Campus Divi Petri qui est Basileae" (St. Peter's Platz in Basel) is a 17th century engraving by the old master engraver Matthäus Merian the Elder...
Category
1650s Old Masters Landscape Prints
Materials
Engraving
A Pair of Hand Colored Engravings of an African Lioness and her Cubs and a Rhino
By Johann Elias Ridinger
Located in Alamo, CA
A pair of 18th century hand colored copperplate engravings entitled "Felis Leo Linn Femina" and "Rhinoceros Unicornis Linn" from Dr. Johann Schreber's Die Saugthiere in Abbildungen n...
Category
1770s Naturalistic Animal Prints
Materials
Engraving
18th C. Architectural Engraving from "Vitruvius Britannicus" by Colen Campbell
By Colen Campbell
Located in Alamo, CA
"The Elevation of a New Design of my Own Invention in the Style of Inigo Jones, Is most humbly Inscribed to his Grace the Duke of Argyle & Knight of the most Noble Order of the Garter", plate 20 from Colen Campbell's first edition of "Vitruvius Britannicus...
Category
1710s Other Art Style Landscape Prints
Materials
Engraving
18th C. Italian Architectural Engraving of a Borromini Designed Church in Rome
Located in Alamo, CA
"Pianta del Finestrone, Prospetto del finestrone con suoi ornamenti nel mezzo della naue maggiore per fianco nella Basilica di S. Gio. in Laterano" is an architectural engraving of an elevation of monumental windows with their associated columns and ornaments above an entrance to the Basilica of S. Gio. In Laterano in Rome, the Cathedral of the Most Holy Savior and of Saints John the Baptist and the Evangelist in the Lateran, also known as the Papal Archbasilica of Saint John in Lateran. It is the church of the Diocese of Rome which serves as the seat of the Roman Pontiff. The print was engraved by Alessandro Specchi (1668-1729), an engraver and architect, after a design by the Italian architect Francesco...
Category
Early 1700s Realist Figurative Prints
Materials
Engraving
Architectural Engraving of the House of Conseequa, Canton, China by Thomas Allom
By Thomas Allom
Located in Alamo, CA
"House of Conseequa, A Chinese Merchant in the Suburbs of Canton, From a Drawing in the possession of Sir Geo. Staunton, Bart." a hand colored engraving by Samuel Bradshaw (1810-1888...
Category
1840s Realist Landscape Prints
Materials
Engraving
"Marine Chantier de Construction": 18th C. Engraving of Shipbuilding by Diderot
By Denis Diderot
Located in Alamo, CA
"Marine Chantier de Construction", plate VIII from the 18th century "Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers" (Encyclopedia, or a Systematic Dict...
Category
1750s Realist Landscape Prints
Materials
Etching, Engraving
Pair of 19th C. Hand-colored Lithographs of Ducks by John Gould
By John Gould
Located in Alamo, CA
A pair of hand-colored lithographs of ducks entitled "Tadorna Vulpanser" (Sheldrake Ducks) and "Mergus Umbellus' (Smew or Nun Ducks) from John Gould's publication "Birds of Great Br...
Category
1860s Naturalistic Animal Prints
Materials
Lithograph
Daumier Colored Lithographic Satire of a Man Concerned for His Vineyard and Wine
By Honoré Daumier
Located in Alamo, CA
A hand-colored lithograph by the father of French satire and caricature, Honore Daumier (1808-1879) entitled "Faut espérer que grâce à ces précautions ce diable d'Oïdum ne pénétrera ...
Category
1840s Other Art Style Landscape Prints
Materials
Lithograph
Colored Vanity Fair Caricature of the "Gaekwar of Baroda" (Prince of India)
Located in Alamo, CA
A hand-colored caricature entitled the "Gaekwar of Baroda" (Prince of India), from Vanity Fair, Plate 23 , published July 3, 1901. Sayajirao Gaekwad III (1863-1939) was the Maharaja ...
Category
Early 1900s Other Art Style Portrait Prints
Materials
Lithograph
Three 19th C. Hand Colored Engravings of London Architecture by T. Shepherd
By Thomas Hosmer Shepherd
Located in Alamo, CA
A set of three hand-colored engravings from "Metropolitan Improvements; or London in the Nineteenth Century", published in London, England in 1828. The scenes were drawn by Thomas Ho...
Category
1820s Realist Landscape Prints
Materials
Engraving
A Pair of 19th C. Engravings Depicting the Costumes and Weapons of Afghani Men
Located in Alamo, CA
These hand-colored lithographs are from "Character and Costumes of Afghanistan", written by Lockyer Willis Hart (of the 22nd Bombay Native Infantry). The lithographs were created by ...
Category
1840s Realist Portrait Prints
Materials
Lithograph
View of Venice, including Gondolas, 18th Century Hand Colored Engraving
By Pieter Van Der Aa
Located in Alamo, CA
An early 18th century hand colored engraving of a scene of the city of Venice, Italy entitled "Palazzo Lin, a. S. Samuele sopra il Canal Grande". It depicts Venetian architecture, wa...
Category
1720s Old Masters Landscape Prints
Materials
Engraving
David Roberts' 19th Century Duo-tone Lithograph: Colossus of the Temple of Wady
By David Roberts
Located in Alamo, CA
"Colossus in Front of the Temple of Wady Saboua, Nubia" is a 19th century half-folio sized duo-tone lithograph from the "The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia" volume of David Roberts’ large folio edition, published in London by F. G. Moon in 1843. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered by many to be the most beautiful lithographically illustrated works issued in the 19th century.
This half page lithograph depicts two colossal statues that stood in front of Temple of Wady in Nubia, each measuring 14 feet high and 5 feet across at the shoulders. Both figures hold a long staff with a symbolic rams head and disc on top. The second colossus lies on the ground. Three guards are in conversation with two other individuals at the base of the upright statue. Nubia is the area between Aswan in southern Egypt and Khartoum in central Sudan. It was the site of one of the earliest civilizations of ancient Africa...
Category
1840s Realist Landscape Prints
Materials
Lithograph
Weinmann 18th Century Hand Colored Botanical Engraving "Horminum Peregrinum"
By Johann Wilhelm Weinmann
Located in Alamo, CA
An 18th century hand colored botanical engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering sage plants: a. Horminum Peregrinum Foliis Salvice, b. Hormi...
Category
Mid-18th Century Naturalistic Still-life Prints
Materials
Mezzotint, Engraving
A Hand Colored 17th Century Janssonius Map of Prussia: Poland, N. Germany, etc.
By Johannes Janssonius
Located in Alamo, CA
An attractive hand-colored copperplate engraved 17th century map of Prussia entitled "Prussia Accurate Descripta a Gasparo Henneberg Erlichensi", published in Amsterdam by Joannes Janssonius in 1664. This very detailed map from the golden age of Dutch cartography includes present-day Poland, Latvia, Lithuania, Estonia and portions of Germany. This highly detailed map is embellished by three ornate pink, red, mint green and gold...
Category
Mid-17th Century Old Masters Landscape Prints
Materials
Engraving
David Roberts' 19th Century Hand Colored Lithograph, "Fortress of Ibrim, Nubia"
By David Roberts
Located in Alamo, CA
"Approach to the Fortress of Ibrim, Nubia" is a 19th century folio sized hand-colored lithograph from the Egypt and Nubia volume of David Roberts’ large folio edition, published in London by F. G. Moon in 1847. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century.
The print is presented in a gold-colored wood frame with a decorative inner trim, with a cream-colored double mat. It is in excellent condition.
The lithograph depicts the Fortress of Ibrim in Nubia in the background, which had been a Roman and an Egyptian fortification for centuries due to its strategic elevation, allowing a view of large portions of the surrounding desert. Men are securing the boat in the foreground for the night, taking down its sails. A herd of cattle drinks and cools themselves in the water on the left.
There are four additional listings of David Roberts engravings of Egypt...
Category
1840s Realist Landscape Prints
Materials
Lithograph
David Roberts' 19th Century Duo-tone Lithograph, "Suez, General View"
By David Roberts
Located in Alamo, CA
"Suez, General View" is a 19th century folio sized tinted duo-tone lithograph, plate 124 from the "The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia" volume of David Roberts’ large folio edition, published in London by F. G. Moon in 1843. The lithographs were prepared by Louis Haghe (1806-1885) from paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. The lithograph depicts the Suez city skyline on a peninsula with boats moored in the bay. Men, dressed in traditional Arab costumes, rest on a hillside In the foreground with their camels, weapons and presumably goods for sale and trade.
This tinted lithograph, which is professionally framed in a decorative gold-colored wood frame with cream-colored double mats. The print is in excellent condition.
There are four additional listings of David Roberts hand colored engravings of Egypt...
Category
1840s Realist Landscape Prints
Materials
Lithograph
David Roberts' 19th Century Hand Colored Lithograph, St. Jean D'Acre
By David Roberts
Located in Alamo, CA
"St. Jean D'Acre" is a 19th century folio sized hand-colored lithograph from the "The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia" volume of David Roberts’ large folio edition,...
Category
1840s Realist Landscape Prints
Materials
Lithograph
Giovanni Piranesi Etching of Ancient Roman Architecture, 18th Century
By Giovanni Battista Piranesi
Located in Alamo, CA
"Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...
Category
Early 18th Century Old Masters Figurative Prints
Materials
Drypoint, Engraving, Etching
Eyvind Earle Contemporary Serigraph "Eucalyptus Forest"
By Eyvind Earle
Located in Alamo, CA
This striking contemporary abstract serigraph by Eyvind Earle (1916-2000) is entitled "Eucalyptus Forest". It depicts a stylized scene of cloud like trees with a radiating pattern in the foreground, possibly tilled fields. It is signed in pencil in the lower right and numbered in pencil 119/267 in the lower left.
This colorful print is presented in a glossy black wood frame with a French mat...
Category
Late 20th Century Contemporary Landscape Prints
Materials
Screen
"View Towards the Pyramids": David Roberts' 19th Century Hand Colored Lithograph
By David Roberts
Located in Alamo, CA
"View Towards the Pyramids" is a 19th century full folio sized hand-colored lithograph by David Roberts from his monumental publication "The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia", published in London in 1846. It depicts a scene of a boat on the Nile, along with several smaller boats. Saccara (Saqqara), near Memphis, the original capital of Egypt, can be seen in the background with its ancient Step Pyramid of Pharoah Djoser. This was the first Egyptian pyramid, designed by the physician and architect Imhotep. Pharoah Snofru’s (Sneferu) failed design Bent Pyramid and the subsequent replacement Red Pyramid can be seen in Dashour (Dashur). These structures preceded the more famous pyramids in Giza.
This lithograph is professionally framed in a gold-colored wood frame, double cream-colored mats and it is glazed with museum quality archival material. The print is in excellent condition.
There are four additional listings of David Roberts engravings of Egypt...
Category
1840s Realist Landscape Prints
Materials
Lithograph
Thebes, Egypt: A Framed 19th Century Hand-colored Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
"Medinet Abou, Thebes" is a 19th century folio sized hand-colored lithograph from the Egypt and Nubia volume of David Roberts’ large folio edition, published in London by F. G. Moon ...
Category
1840s Realist Landscape Prints
Materials
Lithograph
A Group of Four 18th Century Engravings from Captain Cook's 3rd Voyage Journal
By John Webber
Located in Alamo, CA
A grouping of four framed engravings from the atlas of the official British Admirality sanctioned journal of Captain Cook's 3rd Voyage entitled "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", published upon completion of the voyage in London in 1784 by Strahan & Cadell. These engravings were made from drawings by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. The set of engravings includes: "A Canoe of the Sandwich Islands, the Rowers Masked", Plate 65 in the atlas; "A Dance in Otaheite" (Tahiti), Plate 28; "King of the Friendly Islands" (Tonga), plate 20; "Inside of a House in Nootka Sound" (Canada), plate 42.
These engravings are professionally framed in Koa wood, the same wood as was used to make the canoes of the ancient Hawaiians. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa.
These four engravings would make a wonderful grouping for a display of 2, 3 or 4 prints. They may be purchased separately or in groups on 1stDibs. Their listing Reference #'s are: LU117324682432, LU117324682022, LU117324684052 and LU117324684062. A discount is available for a grouping depending on the number of items included.
Hawaii was discovered by Captain Cook (1728-1779) during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...
Category
1780s Other Art Style Landscape Prints
Materials
Engraving
Her Majesty's Stag Hounds on Ascot, A Colored 19th Century British Hunting Scene
Located in Alamo, CA
"The Meeting of Her Majesty's Stag Hounds on Ascot Heath" is a large colorful mezzotint engraving of an extensive British hunting scene. It was created by Sir Francis Grant...
Category
1830s Landscape Prints
Materials
Mezzotint, Engraving
Engraving of a British Fox Hunting Scene "The Pink Of Condition"
By George Wright
Located in Alamo, CA
The engraving "The Pink Of Condition" by George Wright was published in London in 1909. It depicts the beginning of a British fox hunting scene. The ...
Category
Early 1900s Naturalistic Landscape Prints
Materials
Engraving
"Canoe of the Sandwich Islands" (Hawaii), Engraving of Captain Cook's 3rd Voyage
By John Webber
Located in Alamo, CA
"A Canoe of the Sandwich Islands, the Rowers Masked" is an engraving created by Charles Grignion, from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It is Plate 65 in the atlas of "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admirality sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell.
This famous image of ten Hawaiian rowers transporting a priest who is carrying a feather-covered image of Kukailimoku, the Hawaiian god of war. The priests and paddlers are all wearing gourd masks in their double-hulled canoe with an upright lateen woven sail. Each hull was shaped from a single large Koa log harvested from island rainforests, where they were carved before being transported to the coast.
This engraving is presented in a Koa wood frame and a white mat. There are occasional faint spots, but the print is otherwise in very good condition. Koa is the same wood as was used to make the canoe. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa. The frame measures 20.75" high, 26.75" wide and 0.88" deep.
There are three other engravings listed from the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and mat (LU117324682022, LU117324684052, LU117324684062). They would make a wonderful grouping for a display of 2, 3 or 4 prints. A discount is available for a grouping depending on the number of items included.
Hawaii was discovered by Captain Cook (1728-1779) during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...
Category
1780s Landscape Prints
Materials
Engraving
Three Gould Hand-colored Lithographs from Birds of Australia and New Zealand
By John Gould
Located in Alamo, CA
Three hand-colored lithographs from John Gould's seven volume book "The Birds of Australia", which included New Zealand, depicting: pairs of "Eudyptes Chrysocome" (New Zealand Rock-hopper Crested Penguins), "Diomedea O Thalassarche Cauta" (Australian Shy Albatross) and "Sula Fusca" (Brown Gannets).
These beautiful sea bird prints are presented in identical very attractive brown wood frames, embellished with gold highlights in the corners and gold inner trim, along with light cream-colored French mats, each with a medium cream-colored band and a gold highlight line. There is scattered spotting. There is a small tear in the lower right corner of the penguin lithograph...
Category
1840s Academic Animal Prints
Materials
Lithograph
Three Engravings Depicting Sailing Yachts Competing in 1885 America's Cup Trials
Located in Alamo, CA
Three woodcut engravings produced in 1885 to commemorate the sailing yacht trials competition to determine the team to represent the United States in the America's Cup races off the New Jersey coast in that same year.
These three beautiful woodcut engravings are part of a group of six equally attractive prints, all framed identically in gold scrolled wood frames with pleasing light grey French mats, each with a medium grey band. Each frame measures 16.13" x 17.25" x 0.5". See Item Reference #LU117325094852 to view the other three prints in this series. These prints may be purchased individually for $1,075/each, as a set of three for $2,875/3 or as a set of six for $5,575/6.
Three American racing yachts, the Puritan, the Priscilla and the Bedouin, participating in the 1885 America’s Cup trials off the coast of New Jersey are shown in their qualifying races. The Puritan, owned by several members of the Eastern Yacht Club...
Category
1880s Other Art Style Landscape Prints
Materials
Engraving
1885 America's Cup Sailing Yachts: Set of 3 Original 19th C. Engravings
Located in Alamo, CA
This is a set of three woodcut engravings produced in 1885 to commemorate the sailing yacht trials competition to determine the team to represent the United States in the America's Cup races off the New Jersey coast in that same year.
These three beautiful woodcut engravings are part of a group of six equally attractive prints, all framed identically in gold scrolled frames with pleasing light grey French mats each with a medium grey band. Each frame measures 16.13" x 17.25" x 0.5". See Item Reference #LU117325094852 to view the other three images. These may be purchased individually for $1,075/each, as a set of three for $2,875/3 or as a set of six for $5,575/6. Any number of these engravings would make for a striking display grouping.
Three American racing yachts, the Puritan, the Priscilla and the Bedouin, participating in the 1885 America’s Cup trials off the coast of New Jersey are shown in their qualifying races. The Puritan, owned by several members of the Eastern Yacht Club...
Category
1880s Landscape Prints
Materials
Engraving
"A Dance in Otaheite" (Tahiti), Engraving from Captain Cook's 3rd Voyage
By John Webber
Located in Alamo, CA
"A Dance in Otaheite" (Tahiti) is an engraving created by William Sharp (1749-1824), from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It is a plate in the atlas of "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admirality sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell.
Two women and two men wearing ceremonial costumes, performing a dance outdoors standing on a mat. Three men are playing the drums in the background, in front of a thatched roof building. An audience of men are sitting on both sides of the stage. By the time Webber arrived in Tahiti, 'south sea' imagery had become familiar. Webber gave concentrated attention to dance. He had the opportunity to distinguish the Tahitian dance from the more formalized dancing of Tonga. Whereas they seem to have called to mind the more formal dances of antiquity, the Tahitian dancing aroused memories of peasant and folk dancing.
This engraving is professionally framed in Koa wood. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa.
There are three other engravings listed from the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and double mats (LU117324682432, LU117324684052, LU117324684062). They would make a wonderful grouping for a display of 2, 3 or 4 prints. A discount is available for a grouping depending on the number of items included.
Hawaii was discovered by Captain Cook during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...
Category
1780s Realist Landscape Prints
Materials
Engraving
18th Century Etching of "Chiesa di S. Lucia" in Rome by Giuseppe Vasi
By Giuseppe Vasi
Located in Alamo, CA
This 18th century etching is entitled "Chiesa di S. Lucia alle Botteghe Oscure" by Giuseppe Vasi was published in Rome in 1747 in Vasi's 'Magnificenze di Roma Antica e Moderna', whic...
Category
Mid-18th Century Old Masters Landscape Prints
Materials
Etching
Long-billed Curlew Bird: Original 1st Edition Audubon Hand Colored Lithograph
By John James Audubon
Located in Alamo, CA
An original rare and extremely collectible first edition John James Audubon hand colored lithograph entitled "Long-billed Curlew", No. 71, Plate 355, from Audubon's "Birds of America...
Category
Mid-18th Century Naturalistic Animal Prints
Materials
Lithograph
Hand Colored 18th Century Homann Map of Austria Including Vienna & the Danube
By Johann Baptist Homann
Located in Alamo, CA
"Archiducatus Austriae inferioris" is a hand colored map of Austria created by Johann Baptist Homann (1663-1724) and published in Nuremberg, Germany in 1728 shortly after his death. ...
Category
Early 18th Century Old Masters Landscape Prints
Materials
Engraving
Original Audubon Hand Colored Lithograph of "The Sewellel"
By John James Audubon
Located in Alamo, CA
An original John James Audubon hand colored lithograph entitled "The Sewellel", No. 25, Plate CXXIII, from John James Audubon's Quadrupeds of Nort...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Trumpeter Swan: an Original 1st Edition Hand Colored Audubon Bird Lithograph
By John James Audubon
Located in Alamo, CA
An original rare and extremely collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Trumpeter Swan, Young", No. 7...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Black-throated Diver: Original 1st Edition Hand Colored Audubon Bird Lithograph
By John James Audubon
Located in Alamo, CA
An original rare and extremely collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Black-throated Diver", No. 96, Plate 477, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts three Black-throated Divers; an adult male (1), an adult female (2) and a young Diver (3). The male sits on the bank, while the young Diver floats in the water and the female watches...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Edinburgh, Scotland: An Original 17th C. Hand-Colored Engraved Sea Chart
By Captain Greenvile Collins
Located in Alamo, CA
This hand-colored sea chart is entitled "Edinburgh Firth" from "Great Britain's Coasting Pilot. Being a New and Exact Survey of the Sea-Coast of England" by Captain Greenville Collin...
Category
Late 17th Century Landscape Prints
Materials
Engraving
Winslow Homer Framed Original 19th Century Wood Engraving "On the Beach"
By Winslow Homer
Located in Alamo, CA
This Winslow Homer wood engraving entitled "On the Beach at Long Branch, The Children's Hour", was published in Harper's Weekly in the August 15, 1874 ed...
Category
1770s American Impressionist Landscape Prints
Materials
Engraving
Winslow Homer 19th Century Woodcut Engraving "Making Hay"
By Winslow Homer
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "Making Hay", was published in Harper's Weekly in the July 6, 1872 edition. It depicts a two men hand cutting high grass on a hill. The man in the foreground is looking at a young boy and a girl (presumably his children), who are sitting on the ground with a picnic basket.
This beautiful Homer woodcut engraving is presented in a brown wood frame and a light beige fabric mat with a black inner mat. The print is in excellent condition.
There are two other Homer woodcut engravings in identical frames and mats that are listed on 1stdibs. See LU117326148332 and LU117326148272. These would make a wonderful display grouping. A discount is available for the purchase of two or all three of these prints.
This Winslow Homer engraving...
Category
1870s American Impressionist Landscape Prints
Materials
Woodcut, Engraving
Winslow Homer 19th Century Woodcut Engraving "The Morning Walk"
By Winslow Homer
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "The Morning Walk, Young Ladies' School Promenading the Avenue", was published in Harper's Weekly in the...
Category
1870s American Impressionist Landscape Prints
Materials
Woodcut, Engraving
Great White Egret an Original 1st Edition Hand Colored After Audubon Lithograph
By John James Audubon
Located in Alamo, CA
An original rare and extremely collectible first edition after John James Audubon hand colored royal octavo lithograph entitled "Great American White Egret", No. 74, Plate 370, from ...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
"The Jaguar", an Original 19th C. Audubon Hand Colored Quadruped Lithograph
By John James Audubon
Located in Alamo, CA
This rare original John James Audubon hand-colored royal octavo lithograph is entitled "The Jaguar", No. 21, Plate CI, 101 from Audubon's "Quadrupeds of North America". It was drawn ...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
"The Cougar", an Original 19th C. Audubon Hand Colored Quadruped Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "The Cougar, Male", No. 20, Plate XCVI, 96 from Audubon's "Quadrupeds of North America". It was d...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Lemons "Cedro Ditela Multiforme": An 18th C. Volckamer Hand-colored Engraving
By Johann Christoph Volkhamer
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of lemons by Johann Christoph Volkhamer entitled "Cedro a Ditela o Multiforme" from his publication "Nurmbergische He...
Category
Early 18th Century Naturalistic Still-life Prints
Materials
Engraving
North & South America: A 17th Century Hand-colored Map by Jansson & Goos
By Johannes Jansson
Located in Alamo, CA
A 17th century hand-colored map of North & South America entitled "Americae Descriptio" by the cartographer Johannes Jansson, published in Jansson's Atlas Minor in Amsterdam in 1628....
Category
1620s Landscape Prints
Materials
Engraving
"A Game of Lacrosse": A Hand-colored 19th Century Woodcut Engraving by Hall
Located in Alamo, CA
A colorful and attractive hand-colored 19th century woodcut engraving entitled "A Game of Lacrosse" after a drawing by W. H. Hall. It was published in New York in Harper's Weekly on May 10, 1884. It depicts a scene from an intense lacrosse game.
This hand-colored woodcut engraving is presented in a red mat that measures 16" high x 20.63" wide. The sheet measures 10.63" high x 15.88" wide. There is a central fold, as issued. The print is in excellent condition.
Lacrosse is the oldest sport in North America, possibly originating as far back as the 1400's. The sport was first invented by Native Americans, who originally played it as a means to toughen braves for war or to settle tribal disputes. It was played by between 100 and 1,000 participants at a time. There were no strict boundaries and the game could cover miles and take days to complete. It was very violent with many injuries, which were sometimes fatal. The game was unknown to whites until the 17th century when a Jesuit priest observed Heron Indians playing it. He thought the stick and netting resembled the "crosier" carried by bishops during religious ceremonies, This led to the name "la crosse".
A Canadian dentist standardized the rules of the game in 1867 and the 1st college team was created at New York University in 1877. The game gained national attention and popularity in 1956 when the Hall-of-Fame football player Jim Brown...
Category
1880s Landscape Prints
Materials
Woodcut
Utrecht, Netherlands: A Large 17th Century Hand-colored Map by Sanson & Jaillot
By Nicholas Sanson d'Abbeville
Located in Alamo, CA
This large hand-colored map entitled "La Seigneurie d'Utrecht. Dressé sur les memoires les plus nouveaux par le Sr. Sanson" was originally created by Nicholas Sanson d'Abbeville. Thi...
Category
1690s Landscape Prints
Materials
Engraving
Ancient Roman Temple Architecture: An 18th Century Framed Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This is an 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Tempio detto della Tosse su la Via Tiburtina, un miglio vicino a Tivoli" (View of the so-called Tem...
Category
1760s Old Masters Figurative Prints
Materials
Etching
North Holland, Netherlands: A Large 17th C. Hand-colored Map by Sanson & Jaillot
By Nicholas Sanson d'Abbeville
Located in Alamo, CA
This large hand-colored map entitled "Le Comte De Hollande Dressee sur les Memoires les plus Nouveaux" was originally created by Nicholas Sanson d'Abbeville. This version was publish...
Category
1690s Landscape Prints
Materials
Engraving
Hungary & Eastern Europe: A Large 17th C. Hand-colored Map by Sanson & Jaillot
By Nicholas Sanson d'Abbeville
Located in Alamo, CA
This large hand-colored map entitled "Le Royaume De Hongrie et les Estats qui en ont este sujets et qui font presentement La Partie Septentrionale de la Turquie en Europe" was origin...
Category
1690s Landscape Prints
Materials
Engraving
