TISHU More Furniture and Collectibles

A sculptured bronze brooch with a clip that be used on lapel or as a scarf tie by French Parisian art jewelry designer Line Vautrin (1913-1997) In a rare Inca motif, with triangular ...

A Mid-Century Modern sterling silver brooch with three amethyst gem stones by Mexican Taxco silversmith Antonio Pineda (1919-2009). The lovely piece was created in the form of a peapod with amethyst as the peas. It is marked verso model number #PR571 Antonio Pineda stamp and .970 silver...

Two Oceanic ceremonial weapons from PNG highlands circa 20th century. It consists of two pieces. The first is an ax with a wood shaft and a flat elongated he...

A gilt bronze brooch in sculptural form called Le Char de la lune (The Chariot of the Moon) circa 1945-1955 by French Art Jeweler Line Vautrin (1913-1997). A long pin on the back and...

A cast bronze two-piece bronze buckle with hook and loop verso by French art jeweler Line Vautrin (1913-1997). The sculptural pieces are In a rare Inca motif, with triangular indenta...

A stunning choker style necklace in sterling silver by Graziella Laffi (1926-2009) Lima, Peru, circa 1960s. The bold necklace showcases an oversized plate...

A bespoken sterling silver necklace with five roundel bell shape of gradual sizes linked by joint chains, designed and made by Graziella Laffi, Lima, Peru, circa 1965. The subtly hammered roundels evoke a sense of history with the form found in pre-Columbian culture, yet the necklace appears beyond ethnic, it exuberates a confident and bold modernism. The necklace with Peruvian Cultural Ministry label to verso. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

A bespoken jewelry set including a necklace and a pair of clip-on earrings crafted by Graziella Laffi, Lima, Peru, circa 1970. The suite features linked square of green hardstone (appears to be a jade color granite or marble) set in the sterling frames with hanging long tubes of tassels. The design of the work was bold and confidently modern while also clearly inspired by Peruvian indigenous culture which imprinted famously in the artist's work. Marks to each: G. Laffi, PERU, 925. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

A wide leather belt with sterling silver buckle and matching ornaments crafted by Graziella Laffi, Lima, Peru, circa 1965. The prominent silver articles feature the shape and motif rooted in pre-Columbian culture that inspired the artist's work. Mark on verso: PERU 950, extended size is 47 x 3 inches (119.4 x 7.6 cm) and weight is about 428 grams. Belt length adjustable between 27 to 38 inches. This lot with partially effaced Peruvian Cultural Ministry label to verso. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

A lovely brooch in gilt cast bronze made by French Parisian art jeweler Line Vautrin (1913-1997) circa 1940s. The brooch belongs to a collection called "The moon and the starts in th...

A pair of bespoken earrings by French Art Jeweler Line Vautrin (1913-1997). The cast bronze earring features a sculptural design that evokes an archaic form with shell like scroll an...

A Mexican modern brooch by Antonio Pineda circa 1950-60s. The minimalistic piece features a silver shaft with a curved end and a set-in drop of am...

A pair of Mexican modern earrings in sterling silver with teardrop amethyst circa 1950-60s. The earrings are screwed on as shown and marked with his ...

A modernistic sterling silver brooch by William Spratling from the first period 1940-1944. Made in his studio in Taxco, Mexico. The brooch features an abstract woven motif within a b...

A pair of modernistic sterling silver earring by William Spratling from the third period 1964-1967. Made in his studio in Taxco, Mexico. The earring features an abstract woven motif ...

A vintage crossbody type Goyard bag with its iconic chevron printed canvas, leather trims and brass hardware circa post 1965 when the flexible canvas was introduced, likely from 1970-80s. The bag has a streamer rectangular shape, but it is completely foldable into a smaller purse...

A rare bronze brooch St Eloi by Parisian art jeweler Line Vautrin ((French, 1913–1997) circa 1946. Brilliantly designed in the shape of horseshoe with the saint spreading his arms ho...

A nicely framed fragment of antique Pre-Columbian textile that depicts a stylized figure in a geometrical background. Linen backing. The original is l...

A fragment of antique Peruvian textile from Pre-Columbia era, nicely displayed in a matted metal frame. Likely from Chancay culture in Centra...

Two small fragments of pre-Columbian textiles in shadow box frames. Both have strong geometrical patterns in the style of Nazca culture, located in the southern coast of nowadays Per...

This Chinese opera hand puppet is dress in an elegant, embroidered silk dragon robe. The puppet head is of painted wood. The white face usually represents a villain. Puppetry is a major entertainment performance art in Chinese traditional theatre. This traditional performance art was widely used in religious and rural events to exorcise evil spirits. Puppets are also used in festivals such as the Chinese Ghost Festival to scare away ghosts, as well as significant events including births or marriage or to entertain audiences. The puppet theatre has developed into several different genres amongst different areas in China including rod puppets, glove puppets, shadow puppets and string puppets...

This elegantly carved temple drum wase use in Buddhist Temples. It’s carved from teak and lacquered black with red and green stripped details. The top and straps are made of leather. These gigantic goblet...

A pair of twin-size bed headboards by Paul Mccobb designed for Calvin, circa 1950s. This pair can also be placed together and used as a king size headboard. Constructed with heavy br...

A three-part articulated gilt bronze brooch named "Le Travail Dominant le Mond" by French Parisian art jewelry and sculpture Line Vautrin (1913-1997...

A small gilt bronze brooch named "Chateau en Espagne" by French Parisian art jewelry and sculpture Line Vautrin (1913-1997) circa 1950s. It depicts ...

A highly sculptural sterling silver necklace by Peruvian silversmith and designer Grazielle Laffi (1923-2009), Lima, circa 1970. Marks to ne...

A wide leather belt with large sterling silver buckle crafted by Graziella Laffi, Lima, Peru, circa 1960-70s. The bespoken sculptural silver buckle features a biomorphic motif rooted in pre-Columbian culture. Marked: PERU, 950. The buck measures 5.75 x 5 x 2 inches and weighs about 126 grams (4.0511 troy ounces). The detachable belt consists of two parts is adjustable from approximately 33 inches to 36 inches. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

A bespoken sterling silver chocker necklace very bold design by Graziella Laffi, Lima, Peru, circa 1970s. The chocker features six subtly hammered roundels radiating into a trio of Axe-shaped fixed pendants, with two smaller ones flanking a large central one. The shape of the axe was often found in the Pre-Columbian art. As a bronze age tool, it symbolizes power. The necklace is not chain link but cast and joined as a solid chocker with box clasp mechanism. The design radiates a sense of history with the primitive tribal geometry in form, yet the necklace appears beyond ethnic, it exuberates a confident and bold modernistic aesthetic. The drop of the necklace on the mannequin (not included) is 11". It has an approximate 16" circumference and weighs 320 grams (10.3 troy ounces). It was tested as 900 purity with XRF analyzer. There is a Peruvian Cultural Ministry label applied and a catalog sticker on verso as shown. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

A small gilt bronze pill box by French Parisian art jeweler Line Vautrin (1913-1997) circa 1940-50s. The rather rare round box features a relief-cast spider on the lid. The interior ...

A large garment robe display rack from Northern China, circa late 19th century toward the end of Qing Dynasty Made of elm wood and finished in a deep...