Triad Art Group, Inc.

CAPPIELLO, LEONETTO (1875 - 1942) "Katabexine" Lithograph in color, linen-backed c. 1903 Sheet size: 54.25” x 39” Cap./GP, 252; Cap/StV, 4.22; DFP-II, 118; Schardt, pp. 174-5; PAI-V...

Degas, Edgar (after) (1834 -1917) "Ludovic Halevy Meeting Madame Cardinal Backstage" Soft-Ground Etching created from a Monotype, 1938-9 First State. # 251 from the edition of 350 o...

STEINLEN, THEOPHILE ALEXANDRE (1859 -1923) "FemmeNue" (A Nude Woman) Original etching, c. 1900 Signed and numbered in Pencil Provenance: From the atelier of the artist Image Size: ...

STEINLEN, THEOPHILE ALEXANDRE (1859 -1923) "Trois Portraits" (Three Portraits) Original ink drawings, c. 1900 Initialed in ink by the artist Bears artist monogram stamp in black in...

TOULOUSE-LAUTREC, HENRI DE (1864-1901) "Yvette Guilbert – A Menilmontant de Bruant" Delteil 255, Adhemar 311 Lithograph printed in black with beige t...

TISSOT, JAMES JACQUES JOSEPH (1836 -1902) L’enfant Prodigue: Frontispice (The Prodigal Son: Frontispiece) Wentworth 57 Etching, c. 1882 Signed and dated in the plate lower rightIma...

Helen Frankenthaler (1928-2011) "Parets" Collagraph drawn with Araldite glue, c. 1988 Printed in light burnt sienna from one steel plate, off white handmade paper Signed in lowe...

STEINLEN, THEOPHILE ALEXANDRE (1859 -1923) "Femme au Boa" Crauzat 61 Etching, Drypoint and Aquatint, c. 1900 Signed in pencil, lower right From the edition of 13 total impressions Image Size: 8 5/8” x 5 ½” The Parisian woman of Paris...

PALEOLOGUE, JEAN DE(PAL) (1860 -1942) "Rudge Cycles" Lithograph in color, linen-backed c. 1898 Sheet size: 56.75” x 41.75” Imprimerie Paul Dupont, ParisStamp: Republique Francais, lower left Colors fresh Jean de Paleologue...

JAMES ROSENQUIST (B. 1933) "Flower Garden" Lithograph in colors on Hodgkin handmade paper, 1972 22” x 28 5/8” (55.9 x 72.7 cm) (image) 30 ½” x 36 ¼” (77.5 x 92.1 cm) (sheet) Edi...

TISSOT, JAMES JACQUES JOSEPH (1836 - 1902) "Le Portique de la Galerie Nationale a Londres" (The Portico of the National Gallery, London) Wentworth 40 Etching and Drypoint on imitation Japanese paper, C. 1878 Only state published, from the edition of 100 Signed 1878 J.J. Tissot on the step, lower right 14 7/8” x 8 1/4” Excellent crisp impression This etching is related to the painting London Visitors exhibited at the Royal Academy in 1874, no. 116. The setting is the portico of the National Gallery, looking toward the Church of St. Martin’s-in-the-Fields. Such works give Tissot a minor but distinguished position as a predecessor of the school of architectural etchers...

CHERET, JULES (1836 - 1932) "Quinquina Dubonnet" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #28, 1898. Plate #109 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the “Maitres de l’Affiche,” usually far exceeds that of their larger counterparts. “The Dubonnet poster...

PENFIELD, FERDINAND (1866 - 1922) Harper’s Magazine - March Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lowe...

JIM DINE (B. 1935) "THE BLUE HEART" Signed and dated in white pencil lower right and numbered 70/200 lower left Published by Marco Fine Arts Contemporary, Hawthorne, CA Printed by ...

J.J. Tissot Le Portique de la Galerie Nationale a Londres (The Portico of the National Gallery, London) Wentworth 40 Etching and Drypoint on imitation Japanese paper, C. 1878 Only st...

RENOIR, PIERRE AUGUSTE (1841 -1919) "Femme au cep de vigne, 4th variante" Woman by the Grape Vine, 4th variant Delteil 48, Stella 48 Original lithograph in black ink, 1904 -1905 On...

HELLEU, PAUL CÉSAR (1859 -1927) "MADAME GEORGES MENIER" Montesquiou XXI Drypoint in colors, c. 1900 Signed in pencil, lower right Printed on wove paper Full...

HENRI JOSEPH HARPIGNIES(1819–1916) Landscape at Twilight Oil painting on canvasImage Size: 24.6”x 20.6”Signed in oil, lower left Verso: Gallery label reading “The Lenz Gallery –Mi...

JAMES ROSENQUIST (B. 1933) "Woman in the Sun" 15 color lithograph from aluminum plate on mould-made paper, white Rives BFK, 1991 Catalog #225 She...

JAMES ROSENQUIST (B. 1933) Sunglass Lens-Landing Net-Triangle Original etching, 1974 Catalog #80 Sheet size: 19 1/2” x 35 1/4” Edition number 11 of 80 Signed, numbered, and date...