WICK ANTIQUES LTD Wall Decorations

A Team-Signed Gelatin Print Photograph of the R.M.S. Otranto Carrying the Visiting M.C.C Cricket Team to Australia in 1928, This fine gelatin print is both a record of the luxury li...

Framed Salvatore Ferragamo Leopard Silk Scarf This wonderful square silk scarf by Salvatore Ferragamo features 5 leopards in various poses. This mot...

Montague Dawson: ‘Six Metre Class boat by the Lymington Spit’, a watercolour showing a white hulled Six Metre yacht sailing away from a racing buoy, running downwind with reduced goo...

Tea clipper ‘Taeping’ closing on ‘Ariel’ by Henry Scott FRSA, oil on canvas showing the two clippers racing home with their cargoes in the Great Tea Race of 1866, Ariel in the lead s...

A large portrait of Provost Samuel Leckie as he was presented to Queen Victoria in 1897, William A. Donnelly, 1901, gouache and watercolour showing a large bearded man in court dress...

‘Spoons’ by Martin Scorey, a collection of eight spoons of various sorts mounted on a white painted board with a metal plaque ‘Spoons by Martin Scorey’. English, circa 2010.

‘Food Glorious Food’ by Martin Scorey, a framed collage comprising three knives and eight forks mounted on a black painted board, with an applied plaque stating ‘Food Glorious Food b...

One of a pair of red and orange pictures on WWII vehicle canvas by Martin Scorey, each of rectangular form within a deep black frame, the reverse stating ‘Martin Scorey 2019 The jour...

A Luca Papaluca gouache painting of Royal Yacht Squadron yacht ‘MY Fantôme II, RYS’, the three masted steam sailing barque. Italian, circa in 1920. Provenance: Sir Arthur Guinness...

A late Victorian mahogany wall bracket for a clock, by Edwards and Roberts, the rectangular shelf set upon three arms which converge at a central boss flanked by a Greek key panel, f...

A black and white photograph of the Niger Company Ltd.’s ship ‘Walter Watts’, showing a shallow-bottomed ship , probably a paddle-steamer, in dry dock, with the name ‘Walter Watts’, ...

A very good sand picture of sheep by Benjamin Zobel, showing two sheep on a bed of straw in a rustic barn, the reverse handwritten in ink ‘Sand Picture Mid-17th [sic] century Benjami...

Two gouache paintings by de Simone of ‘Latona’ , one showing the gaffe rigged yawl, in clam seas flying the Royal Thames Yacht Club burgee, the other showing her with reduced canvas ...

An oil on canvas of William Paget, Marquess of Anglesey’s yacht Pearl by Nicolas Condy, the reverse with a paper trade label for ‘Akermann & Co, prepared millboards, pastels, canvass...

An oil painting of circus performers by Emilio Grau Sala, featuring circus performers, including a dancer in a white tutu on a painted blue stage, ...

Thomas Willis: Shamrock III and Reliance Crossing the Line, America’s Cup, 1903. This mixed media picture is oil on canvas with silk and velvet fabric embroidered with silk thread. I...

Montague Dawson: Taking in the Jib. This charming watercolour and gouache on paper shows a gaff-rigged dayboat with a royal blue hull surfing over a wave as the foredeck hand gathers...

Montague Dawson: A Moonlight Scrap. This dramatic watercolour on paper shows a WWI R-class destroyer escorting a battleship through a night-time encounter in choppy seas. The moon ha...

This dramatic watercolour shows only the bow and the stern of Amelia as she is perilously close to being dashed against the sea wall with a wave completely swamping her amidships. Some of her crew have been washed out of the boat and would-be rescuers are wading along the promenade towards her bow. To her right, the schooner Coupland is rolling dangerously in huge waves. Scarborough Spa and crowds of onlookers are clearly visible through the storm. Signed J.N.Carter, 1865, Torquay. English, painted in 1865. The attempted rescue of the schooner Coupland by the lifeboat Amelia on November 2nd 1861 is one of the most memorable and tragic in Scarborough lifeboat history. The 32 ft. long, ten-oared, self-righting Amelia, on her maiden voyage, went to the rescue of the Coupland crew, with disastrous results. She was dashed to pieces against the harbour wall and two of the crew were lost, while others had to swim or be pulled ashore by rescuers wielding ropes. Three of the shore based rescuers, Lord Charles Beauclerk, William Tindall and John Hiles, also lost their lives. Eight Board of Trade Medals for Gallantry in Saving Life at Sea were awarded along with six RNLI medals and monetary grants. Joseph Newington Carter (1835-1871) was influenced by W. M. Turner and is known predominantly for his dramatic and compelling seascapes in oil and watercolour. His father, Henry Barlow Carter...

This oil on canvas half portrait shows a bearded Capt. G.T. Scobell looking to his left and wearing a black frock coat with a high collar, a white shirt and wide cravat. His right ha...

This three-quarter length oil on canvas portrait shows Major Sloane-Stanley in a landscape by the sea. He is smoking a cigar  and wearing a Royal Yacht Squadron cap. Signed lower left ‘G Hillyard Swinstead 1916’ the reverse inscribed in pencil ‘Major R Sloane-Stanley, Hants Yeomanry 1916’ . English. Capt. thence Lt Col Ronald F A Sloane-Stanley of the Hampshire Regiment (1867 – 1948) served as Deputy Lord Lieutenant of Hampshire. As a close friend of Edward VII, he reputedly procured two billiard tables from Osborne House (East Cowes, Isle of Wight) for Lee- on-the-Solent Yacht Club, of which he was the founding Commodore in 1907. He was also a member of the Royal Yacht Squadron from 1907 until his death, owning seven yachts during that period. He served on the Yachting Committee between 1935 and 1946. Despite Sloane-Stanley's long history of involvement with yachting, there is one yacht with which his family is associated that overshadows all of his other great achievements in the sport. The Formosa, built for his father Francis Sloane-Stanley in 1877, was acclaimed as a masterpiece of maritime design before she was even launched. In a rhapsodic article published on the 22nd of February 1879, The Field newspaper describes her as “the most beautiful cutter yacht ever built”. In addition to her fine attributes as a racing vessel, the article also mentions the luxurious way that she was decorated inside, personally supervised and designed by Mrs Sloane-Stanley-our sitter's mother. The Formosa, pictured above, became so famous that shortly after this article was written Francis Sloane-Stanley sold her to his friend the Prince of Wales (later Edward VII). There are several images of the Formosa in the Royal Collection, all dating from 1880. The Prince raced her on multiple occasions and her victories included the Queen's Cup on the 3rd of August 1880. By 1881, however, the Prince had sold her to a “Mr Bischoffsheim” as reported in the as reported in the Portsmouth Evening News on the 23rd of July of that year. Although Ronald Sloane-Stanley would have been 12 at the time the Formosa was raced by his father it is highly likely that seeing this beautiful cutter, and the success that it brought to his family, would have inspired Ronald's own yachting career. Additionally, as the same article in The Field makes clear, the Sloane-Stanley family were related in some way to Thomas Assheton-Smith, a founder member of the Yacht Club (later the Royal Yacht Squadron). The family is therefore a highly renowned one in yachting circles and we were lucky enough to be able to offer a silver gilt trophy won by Assheton Smith at the Regatta in 1828 in one of our previous catalogues. This portrait is a very exciting piece of yachting memorabilia as well as a superb work of art in its own right. The Artist George Hillyard Swinstead...

An attractive watercolour painting of Brighton’s RNLI life boat house by its architect, C.H. Cooke, the sturdy rectangular building sited below the promenade with the bows of a life ...

A large silver gelatin photographic print of H.M.Y. Britannia by Beken, on an easterly course on starboard taking, passing Cowes., Inscribed in white ‘H. M. Y. Britannia, No. 10785, ...

A fine genre oil painting by William Arthur Breakspeare depicting the fictional meeting of Nelson and Lady Emma Hamilton in the Studio of the Painte...

Clarkson Stanfield: The Gulf of Salerno This oil painting on canvas shows commercial shipping and fishermen in the Gulf of Salerno. The tower at Vietri is visible in the background...

This watercolour on paper is framed under glass and signed in the left corner. It shows the East Indiaman sailing downwind under full canvas. The rever...

A pair of ormolu equine portraits of famous war horses ‘Copenhagen’ and ‘Marengo’, each with a beautifully detailed horse, the slightly stockier horse, with an elaborate deep saddle with a triangular cloth and padded roll, is probably Marengo while Copenhagen has a simpler harness and rangier body, on the original velvet ground and within rosewood a frame. English, circa 1860. Marengo (c. 1793–1831) was Emperor Napoleon’s grey Arab war horse named after the Battle of Marengo in Italy. Although technically a pony at 14.1 hands, he was indomitable. Wounded eight times in his career, he carried the increasingly overweight Emperor at the battles of Austerlitz...

An exceptional straw work diorama of an owl and kingfisher, almost certainly by “Miss Gregg(e)” and part of the collection in the Leverian Museum, set in an oval glazed gilt case, s...

An original portrait drawing by Sir Stanley Spencer of Daphne Spencer, his niece (and reputedly his lover), finely drawn with the sitter looking slightly to the right, pencil on car...

‘The Forest Road, Boldrewood, Hampshire’ by Montague Dawson, oil on canvas, showing a road winding past a stand of tall conifers. Signed, framed and glazed, a paper label on the rev...

‘The Ark and the Dove off the Scillies with Lord Baltimore aboard’ by Montague Dawson, reputedly a commission for the White House, oil on board, showing the two ships of Cecilius Ca...

A framed plaster portrait plaque of the Glasgow Reformist MP James Oswald, signed and dated Carlo Marochetti, 1842, of circular form, shown facing to the right within a black border and the original glazed giltwood frame. Another version of this plaque is in the collection of Glasgow Museums and can be seen on the Art UK website James Oswald (1779-1853) was a successful Glasgow merchant who later inherited various landed estates due to the early death of his cousin. Oswald was one of the first members of the Glasgow Bank when it was established in 1809. He traded largely in cotton and other raw textiles and in his spare time he commanded the Glasgow branch of the volunteer mounted Yeomanry. It was his political career however that captured the hearts of many of his countrymen and led to his eventually being immortalised in sculptural form. The Liberal Party MP for Glasgow from 1832-1837, Oswald was a staunch opponent of Sir Robert Peel...

Montague Dawson: Gliding Along, The Deb, circa 1949 This is a framed oil painting on canvas and shows the first 5.5 metre day boat built by George Nicholson sailing past Newtown Cre...

A Pair of Sand Pictures by Benjamin Zobel, framed by Benjamin Taylor, each showing a farming scene, one with four sheep under a large oak tree by a field gate...

Charles Edward Dixon ‘Coaling, Portsmouth Harbour’, watercolour and gouache showing a two masted ship steamship enveloped in black smoke while being loaded and re-victualled, with a ...

A rediscovered small oil painting of a fishing boat leaving Calais Harbour by E W Cooke, depicting a fishing boat from Trouville battling stormy seas as it a...

‘A Windy Day’ by Montague Dawson,watercolour heightened with white on artist board showing a gaff rigged yacht in the foreground with two astern in the distance, the water realistically painted with an approaching line squall to weather, signed ‘MONTAGUE DAWSON’. In the original gilt frame with a label stating ‘Windy Day Montague Dawson’ and a trade label from the Old Customs House on the back.. English circa …. Provenance: Sold by The Old Customs House Gallery, Lymington. Private collection, USA. Footnote: Montague Dawson RMSA, FRSA (1890–1973) was born in West London, in Chiswick in 1895, Montague Dawson was the grandson of Victorian landscape painter Henry Dawson. He studied under the seascape artist Charles Napier Hemy at the Royal Academy. He also worked in an art school in Bedford Row...

George Edward Horton: The Launch of H.M.S. ‘Victoria’ from the Elswick shipyard of Sir W. G. Armstrong Whitworth and Co. Ltd, Newcastle-upon-Tyne in 1887, watercolour and pencil heig...

Duke of Edinburgh’s World tour 1959 on HM Yacht Britannia, a fascinating photographic record of the Duke’s visit to numerous destinations between Rango...

A Continental brass marble-topped coffee table, of rectangular form with a pinkish marble top raised upon four waisted and sharply tapering square section legs, decorated with stippl...

An Elegant Musical Party in an Interior’ attributed to Gillis van Tilborgh, oil on canvas depicting a Dutch genre scene with figures dressed in rich silk clothing, fine lace ruffs and fichu collars grouped round musicians playing a clavichord, a fiddle and a flute, some couples holding hands or sitting close together and a baby playing on the floor, with a plaque reading ‘Gerard Terburg 1608-1681’, the reverse with a chalk notation ‘Ld Hesketh’. Dutch, circa 1870. Provenance: George, 3rd Earl of Pomfret (1768-1830), or his brother The Hon. Thomas Fermor, later 4th Earl of Pomfret (1770-1833), Easton Neston. Thence by descent, Lord Hesketh, Easton Neston. His Sale, Sotheby’s London, 17-19 May 2005, lot 82. Private Collection. Literature: George Baker...

Two landscape oil paintings on canvas by J R Wallace Orr, 1938, both showing Scottish coastal scenes with labels on the reverse from ‘Pearson and Westergaard Ltd, Fine Art Dealers, 28 West Nile Street, Glasgow, CI’ one titled ‘Ocharton Bay’ and the other’ Auchencairn Bay’, both signed ‘J R Wallace Orr 1938’. Scottish. Can be purchased individually or as a pair. James Robert Wallace Orr (1907 – 1992) attended the Glasgow School of Art and gained a diploma from the Royal College of Art in 1933. He became a well-known painter, printmaker and teacher at the Glasgow Academy until his retirement in 1967. During the war he served in the London Fire Brigade...

Two charming views of the Bay of Naples and Vesuvius by Maria Gianni, goache on paper, one showing fishing boats sailing into harbour and the other with a woman in a white smock carrying a basket in the crook of her arm and another on her head. Italian, early 20th century. Maria Ada Gianni...

An Art Deco marquetry panel of a jaguar, of rectangular form depicting a snarling jaguar emerging from a wood, worked in exotic woods including waln...

These two wood panels are of rectangular form, one with rounded corners. Each is painted with a large Royal coat of arms flanked by a lion and a unicorn surmounted by a queen’s crown and red velvet mantling trimmed...

These charming English School portraits show the subjects half-length by a desk, the surgeon with a skull at his elbow and his wife with an open writing box. Oil on canvas within a gilded frame and accompanied by five related letters. English, circa 1810. Footnote: Robert Prideaux died aged 36 in 1818 but in his short life he managed to rise rapidly through the ranks as a naval surgeon. The Naval Chronicle Vol. 19 (1808) records his appointment as a surgeon, aged only 26, on the cutter Sprightly and that he moved to the Lily by the end of the same year. In 1809, a member of the crew of the vessel Polyphemus was involved in a drunken incident that culminated in him being sick on the quarter-deck of the Lily whilst both vessels were docked at Port Royal in Jamaica. This led to a Court Martial appearance for one Joseph Fountain, the Master at Arms...

This fine impression of the celebrated print engraved by mezzotint engraver John Raphael Smith after a painting by Henry Danloux shows the subject on the deck of a ship in the heat of the Battle Camperdown. It is framed in an ornate giltwood frame with a paper label on the reverse showing a coat of arms flanked by the inscription ‘Admiral Lord Viscount Duncan when Victorious off Camperdown, is by permission most humbly dedicated to the Hon. Miss Jane Duncan by her most obedient Servant H.P.Danloux London. Published by H. P. Danloux No 11 Charles Street, Middlesex Hospital...

Montague J Dawson (1895-1973), ‘Valetta Harbour’, oil on board, painted in a grisaille palette with a British Hunt Class Type II destroyer in Valetta Harbour, Malta, signed ‘Montague Dawson’, English, 1940. Footnote: Montague Dawson RMSA, FRSA (1890–1973) was born in West London, in Chiswick in 1895, Montague Dawson was the grandson of Victorian landscape painter Henry Dawson. He studied under the seascape artist Charles Napier Hemy...

These extraordinary ‘paintings’ were created using coloured grains of sand rather than paints. Each is after an original painting by Philip James de Loutherbourg. The first scene shows the Battle of Hastings with a central mounted figure, presumably William the Conqueror, with a red plume in his helmet, raising his sword against a fighter on foot. A printed version of this image, shown above, was made by William Bromley. (See the British Museum registration number 1858,1009.115 for a fine impression.) The second scene, composed with a similar central mounted knight with a raised axe (sword in the original) represents Richard the Lionheart in combat against Saladin at the Battle of Acre. In this case the print was made by Anker Smith...

A framed Gelatin photograph of the crew of HMS Dido on deck, circa 1880.

Nicholas Pocock: ‘The Glorious First of June’, ink, grey wash and watercolour on paper showing the battle formation of Admiral Lord Howe’s British flee...

A pair of watercolours by (Albert) Gordon Thomas R.S.W ( 1893-1970), one titled ‘Summer Afternoon Weymouth’showing a gentleman’s motor yacht in the foreground and the other ‘Yachts a...

Early silver gelatin photographic print of the sailing yacht Venessa sailing in the Solent, flying the white ensign of the Royal Yacht Squadron, by Kirk ...

Early silver gelatin Photographic print the Steam yacht Cressida at anchor in the Solent, By Kirk and Sons Cowes. Embossed crown stamp by Appointment, to the right hand side. William Umpleby Kirk (Kirk and Sons) A photographer of the late Victorian era. Born in Hull and grew up nearby where, in the early 1870s, he set up his first photographic studio. His early work has survived and are collected. In 1881 Kirk movies to Cowes, Isle of Wight. Cowes at the time was the centre of yachting internationally. A sport of royalty and the rich and privileged. At Cowes boats and yachts were raced, bought, sold and of course shown off. Kirk photographed the boats and their owners. He specialised in Marine photography, in portraiture e.g a copy of Kirk’s photograph of The Marquis of Ormonde is held in the British National Archives at Kew. He also photographed groups at house parties, tutor groups and sports teams of Naval Cadets at Osborne Naval College. His photographs of the sumptuous interiors of large yachts remain to record that era. Kirk’s reputation grew when he photographed Queen Victoria’s yacht, HMY Alberta at a speed of 10 knots entering Cowes Harbour; this is said to be one of the first British photographs of a vessel in motion. (citation needed) and to have earned him the Royal Warrant to Queen Victoria. Photographs by Kirk of the yachts Bona and Ailsa, for example, were sold by auction at Christie’s, New York. Exhibitions: Lapada 2018 A collection of Kirk’s work is held by the Isle of Wight County Council and is reviewed by Ian Dear. An extensive, but as yet uncatalogued collection of Kirk’s original 8' x 10' glass plates is held by the Gallery, Classic Boat...

This ‘en grisaille’ watercolour on paper is Charles Dixon’s preparatory sketch for a proposed but apparently uncompleted painting of the royal racing yacht Britannia...

Thomas Whitcombe: ‘Flora’, this oil on canvas shows the action, within a gilt frame with a panel reading ‘British Frigate “Flora”, 36 guns commanded b...

‘Tea at the Vicarage’ by Margaret Dovaston, dated 1952, an oil painting showing four gentlemen having an earnest conversation over a cup of tea on a terrace outside a cottage garden, Margaret Dovaston, dated 1952. English. Margaret Isabel Dovaston (1884 – 1954) was a British artist who became particularly well known for her historical genre scenes, often depicting groups in Georgian costume. In the course of her education, she was taught by Thomas William Cole at the Ealing School of Art and Arthur Stockdale Cope at the South Kensington School of Art. Her crowning achievement was winning a five-year scholarship the to the Royal Academy Schools (1903-1908) where she won many medals. She exhibited at the Royal Academy (1908 and 1910) and helped set up The Ealing Art...

Depicts a fanciful scene of children returning form the harvest in an idyllic rural landscape. The leaders are playing pipes with a dog frisking at their feet, while the remaining pa...

Montague Dawson: Racing Six-Metre yachts, goache on paper showing a yacht number 6/18, running before the wind with ‘goosewinged’ sails as she leads three other six-meter yachts. Sig...

Thomas Luny (British, 1759-1837) HMS Bellerophon leaving Torbay with the defeated Emperor Napoleon aboard, 26th July 1815, this oil on panel shows the crew manning the yards to bring in the sails, having just dropped anchor in Torbay, with another battleship anchored astern and a further ship under sail in the distance, the foreground with working boats approaching, signed and dated ‘Luny 1827’(lower left). In the original gilt-wood frame. Provenance: Private collection, UK. Footnote: Despite a service career as illustrious as any fighting ship...