Johannes Hendrik Eversen

1961 oil painting by Dutch artist Eversen of still life of salmon, signed

1961

Flemish school, 17th Century Narcissi and other summer blooms in a glass vase on a ledge Oil on canvas 18.7/8 x 14.3/4 in. (48 x 37.3 cm.)

This stunning original Post-Impressionist oil painting features a vibrant vase of mixed summer blooms. Jean Dulac was born on Bourgoin but from the age of 5 became a lifelong resid...

This stunning original Post-Impressionist oil painting portrays a vase of flowers against blue and mauve hues in bold, broad brushstrokes by Lyonnaise artist Jean Dulac. Jean Dulac ...

Valerie Wilson (British, 1950 - 2004) Pomegranates and Sunflowers Signed ‘Valerie Knight’ (on the reverse) Oil on canvas 21 x 45 in. (53.3 x 114.3 cm.) A lovely wide still-life of o...

Henri Clement-Serveau (French, 1892-1972) Nature morte aux fruits Oil on canvas Signed ‘Clement Serveau’ (upper right) 10.1/2 x 16 in. (26.8 x 40.5 cm.)

Circle of Mary Fedden (British, 1915 – 2012) Tea, apples and pears Oil on canvas 14 x 18.1/8 in. (35.7 x 46.3 cm.)

Provenance: Selma Herringman, New York, ca. 1955-2013; thence by descent to: Private Collection, New York, 2013-2020 This seventeenth century Spanish still-life of a laden table, known as a bodegón, stands out for its dramatic lighting and for the detailed description of each object. The artist’s confident use of chiaroscuro enables the sliced-open squash in the left foreground to appear as if emerging out of the darkness and projecting towards the viewer. The light source emanates from the upper left, illuminating the array, and its strength is made apparent by the reflections on the pitcher, pot, and the fruit in the basket. Visible brush strokes accentuate the vegetables’ rough surfaces and delicate interiors. Although the painter of this striking work remains unknown, it is a characteristic example of the pioneering Spanish still-lifes of the baroque period, which brought inanimate objects alive on canvas. In our painting, the knife and the large yellow squash boldly protrude off the table. Balancing objects on the edge of a table was a clever way for still-life painters to emphasize the three-dimensionality of the objects depicted, as well a way to lend a sense of drama to an otherwise static image. The knife here teeters on the edge, appearing as if it might fall off the table and out of the painting at any moment. The shape and consistency of the squash at left is brilliantly conveyed through the light brush strokes that define the vegetable’s fleshy and feathery interior. The smaller gourds—gathered together in a pile—are shrouded partly in darkness and stand out for their rugged, bumpy exterior. The stoneware has a brassy glaze, and the earthy tones of the vessels are carefully modulated by their interaction with the light and shadow that falls across them. The artist has cleverly arranged the still-life in a V-shaped composition, with a triangular slice of cheese standing upright, serving as its pinnacle. Independent still-lifes only became an important pictorial genre in the first years of the seventeenth century. In Italy, and particularly through the revolutionary works of Caravaggio, painted objects became carriers of meaning, and their depiction and arrangement the province of serious artistic scrutiny. Caravaggio famously asserted that it was equally difficult to paint a still-life as it was to paint figures, and the elevation of this new art form would have profound consequences to the present day. In Spain Juan Sanchez Cotan...

Juan Sánchez Cotán (1560 - 1627) was one of the most important still life painters in Spain and beyond. He developed a certain type of still life with a ...

Giovanni Paolo Castelli called Spadino (Rome 1659 - Rome 1730) Still life Oil on canvas, cm. 81x31 - with frame cm. 92x41 Shaped and gilded wo...

Nicolas Van Houbraken (Messina, 1668 - Pisa, 1733) Still life with mushrooms Oil on canvas, cm. 26 x 32 - with frame cm. 38,5 x 33,5 Antique cassetta frame made of carved wood and ...

58 x 136 cm without frame, 71.5 x 150 cm with frame Antique shaped and gilded wooden box frame Publications: unpublished This beautiful painting shows a varied still life with var...

98 x 36 cm each without frame - 112 x 50 cm with frame Antique gilded and shaped wooden box frames Expertise by Prof. Giancarlo Sestieri This marvellous pair of flower vases has b...