Adaa Art Dealers Association Of America
Art Dealers Association of America (ADAA)
Founded in 1962, the Art Dealers Association of America is a vetted community of more than 180 top-tier galleries across the United States. Working with these member galleries, ADAA appraisers offer assessment services for artworks spanning from the Renaissance to the present day. The ADAA also arranges public forums on important art-related topics and hosts The Art Show, presented each year at New York’s Park Avenue Armory, which stands out among art fairs for its acclaimed selection of curated booths — many of which are one-artist exhibitions.to
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San Pedro Harbor
By Paul Sample
Located in New York, NY
It is infrequent, to say the least, that a diagnosis of tuberculosis proves fortuitous, but that was the event, in 1921, that set Paul Starrett Sample on the road to becoming a professional artist. (The best source for an overview of Sample’s life and oeuvre remains Paul Sample: Painter of the American Scene, exhib. cat., [Hanover, New Hampshire: Hood Museum of Art, 1988] with a detailed and definitive chronology by Sample scholar, Paula F. Glick, and an essay by Robert L. McGrath. It is the source for this essay unless otherwise indicated.) Sample, born in Louisville, Kentucky, in 1896 to a construction engineer and his wife, spent his childhood moving with his family to the various locations that his father’s work took them. By 1911, the family had landed in Glencoe, Illinois, settling long enough for Paul to graduate from New Trier High School in 1916. Sample enrolled at Dartmouth College, in Hanover, New Hampshire, where his interests were anything but academic. His enthusiasms included the football and basketball teams, boxing, pledging at a fraternity, and learning to play the saxophone. After the United States entered World War I, Sample, to his family’s dismay, signed on for the Naval Reserve, leading directly to a hiatus from Dartmouth. In 1918 and 1919, Sample served in the U.S. Merchant Marine where he earned a third mate’s license and seriously contemplated life as a sailor. Acceding to parental pressure, he returned to Dartmouth, graduating in 1921. Sample’s undergraduate life revolved around sports and a jazz band he formed with his brother, Donald, two years younger and also a Dartmouth student. In November 1933, Sample summarized his life in a letter he wrote introducing himself to Frederick Newlin Price, founder of Ferargil Galleries, who would become his New York art dealer. The artist characterized his undergraduate years as spent “wasting my time intensively.” He told Price that that “I took an art appreciation course and slept thru it every day” (Ferargil Galleries Records, circa 1900–63, Archives of American Art, Smithsonian Institution, available on line).
In 1920, Donald Sample contracted tuberculosis. He went for treatment to the world-famous Trudeau Sanitorium at Saranac Lake, in New York State’s Adirondack Mountains for the prescribed regimen of rest, healthful food, and fresh air. Visiting his brother in 1921, Paul also contracted the disease. Tuberculosis is highly contagious, and had no certain cure before the development of streptomycin in 1946. Even for patients who appeared to have recovered, there was a significant rate of recurrence. Thus, in his letter to Price, Sample avoided the stigma conjured by naming the disease, but wrote “I had a relapse with a bad lung and spent the next four years hospitalized in Saranac Lake.” The stringent physical restrictions imposed by adherence to “the cure” required Sample to cultivate an alternate set of interests. He read voraciously and, at the suggestion of his physician, contacted the husband of a fellow patient for instruction in art. That artist, then living in Saranac, was Jonas Lie (1880–1940), a prominent Norwegian-American painter and an associate academician at the National Academy of Design. Lie had gained renown for his dramatic 1913 series of paintings documenting the construction of the Panama Canal (The Metropolitan Museum of Art, New York; United States Military Academy, West Point, New York). Primarily a landscape artist, Lie had a particular affinity for scenes with water. His paintings, impressionistic, atmospheric, and brushy, never strayed from a realistic rendering of his subject. Sample regarded Lie as a mentor and retained a lifelong reverence for his teacher. Sample’s early paintings very much reflect Lie’s influence.
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In 1925, “cured,” Sample left Saranac Lake for what proved to be a brief stay in New York City, where his veteran’s benefits financed a commercial art course. The family, however, had moved to California, in the futile hope that the climate would benefit Donald. Sample joined them and after Donald’s death, remained in California, taking classes at the Otis Art Institute in Los Angeles. In Sample’s account to Price, “I couldn’t stomach the practice of painting a lot of High Sierras and desert flowers which seemed to be the only kind of pictures that were sold here so I got a job teaching drawing and painting at the art school of the University of Southern California.” Initially hired as a part-time instructor, Sample progressed to full-time status and ultimately, by the mid-1930s, to the post of Chairman of the Fine Art Department. Sample, however, did not want to wind up as a professor. “Teaching is all right in small doses,” he wrote, “but I have a horror of drifting into being a college professor and nothing more.” At the same time as he taught, Sample began to exhibit his work in a variety of venues at first locally, then nationally. Though he confessed himself “a terrible salesman,” and though occupied with continued learning and teaching, Sample was nonetheless, ambitious. In 1927, he wrote in his diary, “I am eventually going to be a painter and a damned good one. And what is more, I am going to make money at it” (as quoted by Glick, p. 15). In 1928, Sample felt sufficiently solvent to marry his long-time love, Sylvia Howland, who had also been a patient at Saranac Lake. The Howland family were rooted New Englanders and in summertime the Samples regularly traveled East for family reunion vacations.
While the 1930s brought serious hardship to many artists, for Paul Sample it was a decade of success. Buttressed by the financial safety net of his teacher’s salary, he painted realist depictions of the American scene. While his work addressed depression-era conditions with a sympathetic eye, Sample avoided the anger and tinge of bitterness that characterized much contemporary realist art. Beginning in 1930, Sample began to exhibit regularly in juried exhibitions at important national venues, garnering prizes along the way. In 1930, Inner Harbor won an honorable mention in the Annual Exhibition of the Art Institute of Chicago. That same year Sample was also represented in a show at the Albright-Knox Gallery in Buffalo and at the Biennial Exhibition of the Corcoran Gallery of Art, Washington, D.C. In 1931, Dairy Ranch won the second Hallgarten Prize at the Annual Exhibition of the National Academy of Design, in New York. Sample also made his first appearances at the Carnegie Institute, Pittsburgh, and The Pennsylvania Academy of the Fine Arts, Philadelphia. In 1936, Miner’s Resting won the Temple Gold Medal at the Pennsylvania Academy’s Annual Exhibition. Always interested in watercolor, in 1936, Sample began to send works on paper to exhibitions at the Whitney Museum, New York.
While participating in juried exhibitions, Sample also cultivated commercial possibilities. His first New York art dealer was the prestigious Macbeth Gallery in New York, which included his work in a November 1931 exhibition. In 1934, Sample joined the Ferargil Galleries in New York, after Fred Price arranged the sale of Sample’s Church Supper to the Michele and Donald D’Amour Museum of Fine Arts in Springfield, Massachusetts. In 1937, The Metropolitan Museum of Art purchased Sample’s Janitor’s Holiday from the annual exhibition of the National Academy of Design, a notable honor.
As prestigious as this exhibition schedule may have been, by far Sample’s most visible presence in the 1930s and 1940s was the result of his relationship with Henry Luce’s burgeoning publishing empire, Time, Inc. Sample’s first contribution to a Luce publication appears to have been another San Pedro...
Category
20th Century American Modern Adaa Art Dealers Association Of America
Materials
Canvas, Oil
LIPPENSPIEL...
By Jiri Kolar
Located in New York, NY
JIRI KOLAR
LIPPENSPIEL..., 1990
10¼ in. diam. 26 cm.
Category
1990s Contemporary Adaa Art Dealers Association Of America
Materials
Porcelain
Melting World 02
By Ori Gersht
Located in New York, NY
From the series Floating World
Category
2010s Adaa Art Dealers Association Of America
Materials
Archival Pigment
Untitled (Boat Repair)
By Francis Chapin
Located in Dallas, TX
Francis Chapin was one of the most celebrated painters in Chicago during his lifetime. When he was a young art student, Valley House founder, Donald Vogel, painted with "Chape" on th...
Category
1940s American Modern Adaa Art Dealers Association Of America
Materials
Paper, Watercolor
985, 355 DAYS OF QUARANTINE
By Lara Alcantara
Located in New York, NY
from the exhibition: SURVIVING THE PANDEMIC, Nohra Haime Gallery 2020
satirical self-portrait
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Digital
FINDING A PLACE TO HIDE
By Lara Alcantara
Located in New York, NY
from the exhibition: SURVIVING THE PANDEMIC, Nohra Haime Gallery 2020
satirical self-portrait
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Digital
Pair of English Queen Anne Brass Candlesticks
Located in West Chester, PA
Pair of English Queen Anne brass candlesticks with octagonal base.
Category
18th Century English Queen Anne Antique Adaa Art Dealers Association Of America
We're All Here
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category
1970s Surrealist Adaa Art Dealers Association Of America
Materials
Rag Paper, Etching
Seated "Cat with a Bow" Still Bank, American, circa 1922
By Grey Iron Casting Company
Located in Incline Village, NV
"Cat with a Bow Seated" cast iron still bank is a difficult bank to acquire and is listed in Andy Moore's "The Penny Bank Book" as #364 and rated a "D" (A to F rarity scale--A most c...
Category
1920s American Folk Art Vintage Adaa Art Dealers Association Of America
Materials
Iron
Blow Up, Untitled 19
By Ori Gersht
Located in New York, NY
From the series Blow Up
Category
2010s Adaa Art Dealers Association Of America
Materials
Archival Pigment
Lean To
By Martin Puryear
Located in San Francisco, CA
Edition of 50
Category
21st Century and Contemporary Adaa Art Dealers Association Of America
Materials
Etching
Tonle Sap Lake, Cambodia
By Luca Campigotto
Located in New York, NY
c. 44 x 55 inch archival pigment print.
Edition of 15 (includes several different sizes - please inquire).
Signed, titled, dated and editioned on frame label provided.
Shipping cost...
Category
Early 2000s Contemporary Adaa Art Dealers Association Of America
Materials
Archival Pigment
"Chrome and Paint"
By Francis Livingston
Located in Scottsdale, AZ
With a love for nostalgia, Francis Livingston paints places which may no longer exist or that have lost their luster. His bold and impressionistic paintings take the viewer back in t...
Category
21st Century and Contemporary Contemporary Adaa Art Dealers Association Of America
Materials
Oil, Panel
John Lennon, The Dakota, NYC
By Brian Hamill
Located in Santa Monica, CA
Signed by artist
Category
20th Century Adaa Art Dealers Association Of America
Materials
Silver Gelatin
Figural Studies
By Thomas Sully
Located in New York, NY
Pen and ink on tan laid paper
Category
19th Century American Realist Adaa Art Dealers Association Of America
Materials
Ink, Laid Paper
Carolina Parakeet
By Elizabeth Turk
Located in New York, NY
Anodized aluminum (black)
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Metal
"Sapphire"
By John Schieffer
Located in Scottsdale, AZ
John Schieffer graduated in 1995 from Paier College of Art in Hamden, Connecticut with a Bachelor of Fine Arts degree. The salutatorian entered the world of illustration at Mercer Mayer Productions as a children’s book illustrator. It was a job where he used his artistic abilities although it was not an outlet for a serious painting career. (He has a written and illustrated a book of his own that is awaiting a publisher). John then worked in the field of graphics at Leslie Roy...
Category
2010s Photorealist Adaa Art Dealers Association Of America
Materials
Oil
DEAR DIARY
By Lara Alcantara
Located in New York, NY
from the exhibition: SURVIVING THE PANDEMIC, Nohra Haime Gallery 2020
satirical self-portrait
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Digital
18th Century American Queen Anne Candle Stand, circa 1775
Located in Incline Village, NV
This American Queen Anne maple candle stand has a nicely patinated original amber finish, which is particularly pleasing in color, and is in unaltered condition. It is from new Engla...
Category
1770s American Queen Anne Antique Adaa Art Dealers Association Of America
Materials
Maple
Old Country Bazaar
By William S. Schwartz
Located in New York, NY
Oil on canvas, 36 x 42 in.
Signed, dated, and inscribed (at lower right): WILLIAM S. SCHWARTZ 1926; (on the back): “OLD COUNTRY BAZAAR” / BY / WILLIAM S. SCHWARTZ / 1926
RECORDED: C. H. Bonte, “122nd Annual opens at Pennsylvania Academy,” in The Philadelphia Inquirer, Jan. 30, 1927
EXHIBITED: The Art Institute of Chicago, 1926, The Thirty-Ninth Annual Exhibition of American Paintings and Sculpture, no. 174 // The Pennsylvania Academy of the Fine Arts, Philadelphia, 1927, The One-Hundred-and-Twenty Second Annual Exhibition, p. 37 no. 181 // The Chicago Culture Club...
Category
20th Century American Modern Adaa Art Dealers Association Of America
Materials
Canvas, Oil
Magician's Trick Double Wood Boxes with Ties, circa 1890
Located in Incline Village, NV
This item is from a collection of "magic" props from a California estate, and was accumulated in New York City; home too many famous conjurors; Houdini, Hermann the Great, and Copper...
Category
Late 19th Century American Victorian Antique Adaa Art Dealers Association Of America
Materials
Wood
Interior with Daffodils and Blue Chair
By Bruce Cohen
Located in San Francisco, CA
Bruce Cohen is known for engaging his viewers with intriguing interiors in his distinctive, crisp, realist style. Influenced by Dutch still-life painting and Surrealism he orchestrat...
Category
2010s Adaa Art Dealers Association Of America
Materials
Pastel
Full Moon over Jack's Pasture
By Randall Exon
Located in New York, NY
Randall Exon (b. 1956) was born in Vermillion, South Dakota. Exon earned his B.F.A. in painting from Washburn University in Topeka, Kansas, and an M.F.A. at the University of Iowa. I...
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Oil, Linen
Still Life with Peaches
By Lilly Martin Spencer
Located in New York, NY
Lilly Martin Spencer was a professional artist for over sixty years, painting portraits, still lifes, miniatures, and genre scenes. In the 1850s to mid-1860s her genre scenes depicti...
Category
19th Century American Realist Adaa Art Dealers Association Of America
Materials
Canvas, Oil
"Desert Retreat"
By Claudia Hartley
Located in Scottsdale, AZ
"The comment I hear most often about my paintings is 'happy'". I've loved art all of my life and it warms my heart to know that I'm able to pass that love and joy on to others. I use...
Category
2010s Impressionist Adaa Art Dealers Association Of America
Materials
Acrylic
Untitled (Fire Study)
By Louisa Chase
Located in New York, NY
Signed and dated (at lower right): L.C. 83; (on verso): Louisa Chase 1983
Category
Late 20th Century American Modern Adaa Art Dealers Association Of America
Materials
Canvas, Wax, Oil
Forests
By Anastasia Samoylova
Located in New York, NY
Samoylova's "Landscape Sublime" series explores how landscape imagery in contemporary culture is used to create constructed realities, wholly apart from our lived experiences. Samoyl...
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Archival Pigment
Still Life
By Alex Katz
Located in New York, NY
Still life woodcut and lithograph on Rives Creme paper.
Category
21st Century and Contemporary Contemporary Adaa Art Dealers Association Of America
Materials
Lithograph, Woodcut
Head of a Naked Girl
By Lucian Freud
Located in New York, NY
Lucian Freud
Head of a Naked Girl
2000
Etching on Somerset Textured White paper
23 1/2 x 22 1/2 inches; 60 x 57 cm
Edition of 46
Initialed and numbered in g...
Category
Early 2000s Contemporary Adaa Art Dealers Association Of America
Materials
Etching
Cherry Bonnet Top Highboy
Located in West Chester, PA
Great proportions! Fan carved drawer above and in base. Three urn and corkscrew finials. Two drop finials on a blocked apron. Cabriole legs terminating in p...
Category
18th Century American Queen Anne Antique Adaa Art Dealers Association Of America
Materials
Cherry
Tribute to Morandi #29
By Bob Stuth-Wade
Located in Dallas, TX
Bob Stuth-Wade: Tribute to Morandi, 2018
"Life is what happens while I'm thinking of something else."
"Driving. Listening to the radio. Talking on the phone. Thinking of where I'm ...
Category
2010s American Modern Adaa Art Dealers Association Of America
Materials
Paper, Ink, Watercolor
Down River from Buck Point
By Bob Stuth-Wade
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to life through landscape, still life, portraiture, and abstraction. Restlessly creative, he has explored these varied genres with equal concentration…..”
Bob Stuth-Wade’s method of painting is uniquely his own, having taught himself technique; his only formal training was as a teenager with Dallas artist Perry Nichols...
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Oil, Panel
Torse Rose
By Carlo Sergio Signori
Located in Dallas, TX
signed "Signori" on base
rose marble from Paonazzo
weighs 160 pounds
Category
Mid-20th Century Modern Adaa Art Dealers Association Of America
Materials
Marble
THE LAST SUPPER
By Lara Alcantara
Located in New York, NY
from the exhibition: SURVIVING THE PANDEMIC, Nohra Haime Gallery 2020
satirical self-portrait
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Digital
Six Piece "Mason's Ironstone" Toiletry Set, English, circa 1835
By Mason's Ironstone
Located in Incline Village, NV
Outstanding and rare early 19th century Mason's Ironstone (6) piece set consisting of toilet necessities as follows:
Large oversized highly decorated pitcher and bowl for storing water and wash basin
Pair of chamber pots for evening needs
Similarly decorated toothbrush holder, large enough for multiple users
Soap dish with removable strainer dish
The fact that this rare ensemble has survived intact with no damage for nearly two hundred years is remarkable. It would have been an item owned and cherished by the aristocracy. and enjoyed as an art form because of it's high quality manufacture, in addition to the elaborate and detailed decoration. Also of note is the 8 sided octagonal form of each of the six items (see images). Please observe the elaborate serpent or snake formed handles to the large pitcher and both of the chamber pots (see images). Also worth mentioning is the attention the interior of the bowl receives, with as much decoration applied as the exterior (see image). The interior upper perimeters of all of the items receive the same amount of attention. The pitcher and bowl combination is larger than most that were manufactured during that period, (16" diameter) made possible by the strength of the ironstone.
The Mason's mark underneath the items indicates a 1830s manufacture, with the "Mason's Patent Ironstone China" above and beneath the crown in blue.
The ironstone process was patented by Charles Mason...
Category
1830s English Early Victorian Antique Adaa Art Dealers Association Of America
Materials
Ironstone
Nothin
By Joseph Havel
Located in Houston, TX
Joseph Havel
Nothin, 2008
Double woven silk taffeta labels, acrylic construction, plywood
24 1/2 x 24 1/2 inches
Category
21st Century and Contemporary Contemporary Adaa Art Dealers Association Of America
Materials
Fabric, Plexiglass, Plywood
Tribute to Morandi #31
By Bob Stuth-Wade
Located in Dallas, TX
Bob Stuth-Wade: Tribute to Morandi, 2018
"Life is what happens while I'm thinking of something else."
"Driving. Listening to the radio. Talking on the phone. Thinking of where I'm ...
Category
2010s American Realist Adaa Art Dealers Association Of America
Materials
Paper, Ink, Watercolor
Flox de Pascua-Magnolia (Tropical Trees & Plants)
By Charles De Wolf Brownell
Located in New York, NY
Watercolor on paper
Category
Mid-19th Century American Realist Adaa Art Dealers Association Of America
Materials
Watercolor
A late frost drifted back
By Angela Fraleigh
Located in New York, NY
Signed on back
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Linen, Oil
Untitled
By Louisa Chase
Located in New York, NY
Untitled, about 2000
Oil on board, 24 x 24 in.
Category
21st Century and Contemporary American Modern Adaa Art Dealers Association Of America
Materials
Oil
Studio Still Life
By Donald S. Vogel
Located in Dallas, TX
Donald S. Vogel's work has entered the collections of the following institutions:
Art Institute of Chicago, Chicago, Illinois
Beaumont Museum of Fine Art, Beaumont, Texas
Charle...
Category
1980s American Impressionist Adaa Art Dealers Association Of America
Materials
Oil, Panel
The Air We Breathe 1, Suite of 3
By Elizabeth Turk
Located in New York, NY
Suite of 3 drawings
Charcoal and Getty Fire Ash on paper, 24 x 18 in (each)
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Charcoal
Figure in Garden
By Donald S. Vogel
Located in Dallas, TX
Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...
Category
1980s American Impressionist Adaa Art Dealers Association Of America
Materials
Oil, Panel
Fall, Johnson County
By Jack Barnett
Located in Dallas, TX
The overall dimensions, including the artist-made frame, are 25 x 37 inches.
Category
2010s Realist Adaa Art Dealers Association Of America
Materials
Canvas, Oil
Back Room at the Harmony Club, Selma, AL
By Andrew Moore
Located in New York, NY
The result of twelve trips over three years, Moore’s work in the American South uses historic homes, both grand and modest, the preserved backroom of a Jewish social club, the curta...
Category
2010s Adaa Art Dealers Association Of America
Materials
Archival Pigment
No. 12-1957
By Stanley Twardowicz
Located in New York, NY
Stanley Twardowicz (1917–2008), a one-time orphan, Golden Gloves boxer, professional baseball player and auto worker, emerged from a hardscrabble upbringing in Detroit to become a po...
Category
Mid-20th Century Abstract Adaa Art Dealers Association Of America
Materials
Enamel
3800 Barham Boulevard
By Marc Trujillo
Located in New York, NY
Painting from what he calls “the middle ground of common experience,” Trujillo uses his environments as the foundation for a personal vision. He depicts places common to North Americ...
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Polyester, Oil, Panel
Here and There #4
By Kate Shepherd
Located in Houston, TX
Kate Shepherd
Here and There #4, 2020
Enamel and transfer on paper
12 1/2 x 19 inches
Category
21st Century and Contemporary Abstract Geometric Adaa Art Dealers Association Of America
Materials
Enamel
Deep Field Nancy (Bruise)
By Mark Fox
Located in San Francisco, CA
Mark Fox was born in Cincinnati, Ohio in 1963. He received his Bachelor of Fine Art from Washington University in St. Louis and his Master of Fine Art from Stanford University. Fox has received numerous accolades and residencies, notably from the Versailles Foundation, Munn Artist Fellowship, Giverny, France; Foundation and Center for Contemporary Art, Prague, Czech Republic; Working Space, Awarded by Kultureferat, Munich, Germany; Headlands Center for the Arts, Sausalito; and Detroit Institute of Arts, Detroit. His work is featured in numerous public and private collections, including the Museum of Modern Art, New York; the Whitney Museum of American Art, New York; the Albright-Knox Art Gallery, Buffalo; the Philadelphia Museum of Art, Philadelphia; and the Anderson Collection, Stanford University. Recent solo and two-person exhibitions include Intersections: Giverny: Journal of an Unseen Garden, Norton Museum of Art, West Palm Beach...
Category
2010s Adaa Art Dealers Association Of America
Materials
Glue, Acrylic, Watercolor
Red-browed Parrot
By Elizabeth Turk
Located in New York, NY
Anodized aluminum (green)
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Metal
Painting for Porter
By Will Henry
Located in Houston, TX
Will Henry
"Painting for Porter" 2019
Oil on linen
15 x 13 inches
Category
21st Century and Contemporary Contemporary Adaa Art Dealers Association Of America
Materials
Linen, Oil
Against The Tide, Diptych Monks (Diptych)
By Ori Gersht
Located in New York, NY
From the series Chasing Good Fortune
Category
2010s Adaa Art Dealers Association Of America
Materials
Archival Pigment
"Barn in Summer"
By Romona Youngquist
Located in Scottsdale, AZ
Romona Youngquist was born on January 11, 1960 in Yuba City, California, but grew up in Eastern Oklahoma. Youngquist essentially started out in life as a child of nature, spending he...
Category
2010s Adaa Art Dealers Association Of America
Materials
Oil
"Gentle Embrace"
By Jane Jones
Located in Scottsdale, AZ
In our quick paced culture, we are hyper-stimulated with visual media, which has caused our sense of vision to become blind to many things of incredible loveliness and consequence, s...
Category
2010s Photorealist Adaa Art Dealers Association Of America
Materials
Canvas, Oil
Limestone Quarry, Russelville, AL
By Andrew Moore
Located in New York, NY
The result of twelve trips over three years, Moore’s work in the American South uses historic homes, both grand and modest, the preserved backroom of a Jewish social club,
the curta...
Category
2010s Adaa Art Dealers Association Of America
Materials
Archival Pigment
Pair of Regency Cut-Glass and Gilt-Metal Two Light Candelabras, circa 1815
Located in Incline Village, NV
Of British origin, circa 1815, and of Regency design, the bronze platform support, with foliate and flower head ornamented bracket feet, below a collar of leaves, support a central c...
Category
19th Century English Regency Antique Adaa Art Dealers Association Of America
Materials
Bronze
"Deco Rising"
By Francis Livingston
Located in Scottsdale, AZ
I take a lot of liberties with the buildings, sometimes it’s a specific building in Los Angeles or San Francisco. Most of the time I choose New York because of the great views. I hav...
Category
21st Century and Contemporary Adaa Art Dealers Association Of America
Materials
Oil, Panel
18th Century English Pewter Sadware Dish
Located in Incline Village, NV
All original early 18th century pewter dish, hallmarked on the rear of the gently rounded bouge; three touchmarks are visible albeit not completely discernible. The most visible stat...
Category
Early 18th Century English Georgian Antique Adaa Art Dealers Association Of America
Materials
Pewter
Blow Up, Untitled 17
By Ori Gersht
Located in New York, NY
From the series Blow Up
Category
2010s Adaa Art Dealers Association Of America
Materials
Archival Pigment
Untitled, 417
By William Coupon
Located in Santa Monica, CA
Signed and numbered in pencil on recto.
Category
1980s Adaa Art Dealers Association Of America
Materials
Archival Pigment