Massimo Caiafa Art

Khoury's art is characterized by her masterful use of vivid fluorescent colors, dark tones, and high-contrast compositions that are both striking and visually compelling. She employs a variety of techniques, including thick and thin brushstrokes, to create a sense of depth and texture in her work. To balance the roughness of the canvas, which is treated with sand prior to starting each piece, Sally incorporates pastels, which add a softness to the overall texture of the painting. The sand is evenly sprinkled across the surface, giving each piece a unique and distinct texture. This large, fluorescent, colorful 59-inch high by 108-inch wide triptych painting is an acrylic paint composition on canvas with pastels, spray paint, and sand. Each segment measures 59 inches high by 36 inches wide. This abstract artwork is signed by the artist on the front of the artwork. The sides are a continuation of the painting and it does not require framing. Free local Los Angeles area delivery. Convenient U.S. and global shipping are available. A certificate of authenticity issued by the art gallery is included. Khoury's series of abstract paintings is a celebration of her connection to her parent's native language and the Arab world she grew up in. Through the incorporation of elements of Arabic writing, Khoury infuses her work with a unique charm and energy that captivates the viewer. The curves and lines that make up the language are emphasized and transformed into vibrant, colorful patterns that represent a mix of emotions and memories. Each painting is a visual representation of the sense of belonging that Khoury feels through the language and culture of her upbringing. Khoury begins her creative process by using pastels, spray paint, and acrylics to create scratches and marks on the canvas. As she works, she draws inspiration from Arabic words and phrases, using them to guide the direction of her strokes. Before the paint dries, Khoury scrapes it off, pulling it downwards towards the end of the canvas. To complete the composition, Khoury adds solid colors and meticulously placed drips of paint, which give the painting a sense of movement and depth. The result is a series of captivating abstract paintings that showcase Khoury's talent as an artist and her unique artistic vision. Khoury was born in Ohio following her family’s emigration from Lebanon. Shortly after her birth, her family moved to Saudi Arabia, where she stayed until she was 14. Sally then attended high school and college in Beirut, where she graduated with a BA in Fine Arts with distinction from the Lebanese American University of Beirut. In 2013, she moved back to the United States and settled in California. She recently relocated to Qatar. Her paintings have been featured in group and solo shows in Beirut, Dubai, Italy, and the USA. REPRESENTATION Artspace Warehouse, Los Angeles, USA EXHIBITIONS 2022 Artspace Warehouse, Los Angeles, CA Artspace Warehouse, Los Angeles, CA 2021 Affordable Art Fair New York, NY Artspace Warehouse, Los Angeles, CA 2020 LA Art Show, CA 2020 Art Palm Springs, CA 2019 Affordable Art Fair Hong Kong 2019 Affordable Art Fair New York 2019 Artspace Warehouse, Los Angeles, CA 2018 "Colored Whipped Cream," Artspace Warehouse, Los Angeles, CA 2018 Threshold Art Gallery, Los Angeles, CA 2018 484 North Gallery, Laguna Beach 2013 Beirut Art...

Antique American modernist abstract painting. Oil on canvas, circa 1940. Housed in a vintage frame. Image size, 18L x 24H.

Artist/ School: French expressionist/ abstract contemporary artist, 21st century Title: Abstract composition Medium: oil/mixed media painting on canvas, unframed. canvas: 25.75...

Amit Kalla - Untitled - 60 x 36 inches (unframed size) Acrylic on canvas ** Free Shipment ...... will be delivered in rolled form. Style : Kalla’s work can be represented by his com...

Francesco is the painter of music. Deep in the night where the painter is not sleeping, being a musician, instead of writing songs, he starts to capture the musical rhythm dancing i...

Amit Kalla - Untitled - 60 x 36 inches (unframed size) Acrylic on canvas ** Free Shipment ...... will be delivered in rolled form. Style : Kalla’s work can be represented by his com...

"Abstract Calligraphy" Abstract Painting 55" x 55" inch by Ibrahim Khatab Ibrahim Khatab was born in Cairo 1984, works as a co-teacher in Cairo University, he mixes between painting...

Mark Acetelli's "Achilles" is a captivating original abstract figurative painting that beckons viewers into a realm of emotion and form. With a masterful command of abstract expressi...

Mark Acetelli's "The Muse" beckons viewers into a world of artistic contemplation through this mesmerizing original abstract figurative painting. Executed with a masterful command of...

Kristy Chettle's "Rising" is a 72" x48" oil on canvas that embodies the raw, emotive power of abstract expressionism infused with figurative elements. Swirls of dark and moody blues ...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

" Arroyo 14" is 72” x 60”. A rich sienna and ochre figure centered on a textured field of light yellows and beige. Frank Arnold’s paintings exhibit the highest quality materials for ...