Japanese Meiji Period Satsuma Large Square Bowl Centerpiece

Meiji period large Japanese Imari bowl centerpiece This large, distinctive, octagonal porcelain Imari bowl is painted in rich, inky blue, co...

Meiji Period Diminutive Satsuma Baluster Vase. This Japanese Satsuma vase from the late Meiji period is hand painted and gilt decorated with a Japanese landscape in exquisite detail...

Large Important Japanese Meiji Satsuma Covered Urn with Foo Dog. Large impressive Japanese Meiji period (1868-1912) Satsuma porcelain covered urn...

This Japanese porcelain vase is barrel shaped with a yolk handle. It is both finely and intricately hand painted. It pictures groups of scholars with scrolls dressed in elaborate brocade kimonos...

This large, beautiful and bold blue and white platter is Japanese Imari from the Edo period (18th century). This impressive early porcelain Imari ware is saturated in rich cobalt blue underglaze hand painted in an unusual cross pattern. It features four round medallions of lotus flowers and landscape vinettes and finishes in blue rimmed scalloped edges. A hand painted leaf design is repeated on the underside. Condition: Very good condition especially for it's age. One tiny chip is touched up. Nice wear and firing stilt marks on back. Measurements: 16" diameter x 2" depth Weight: 6 lbs. Experience and expertise - Clune Art And Antiques Studio.

Large pair Antique Chinese Famille Rose Porcelain Baluster vases. Early 20th century pair of large Chinese Famille Rose porce...

A beautiful ceramic vessel in the form of Bo, the so-called monk's alms bowl from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Of a relatively large size, this piece was made as a decorative center piece for display. It was brilliantly decorated with underglaze paint of a green-on-green bamboo motif, using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. To create design that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...

A pair of Meiji period Satsuma earthenware vases, each with applied elephant-mask handles, painted in overglaze pastel enamels and gilt with a continuous central frieze of sages and ...

Japanese Meiji satsuma covered scenic jar. Very detailed hand gilding and hand decoration. Maker's mark present on the bottom .

Antique Japanese Lobed Satsuma Bowl Meiji Period C.1900 A Kobe Japan Satsuma bowl, of lobed pedestal form hand painted inside and out. A hand-painted natu...

This is a good quality, hand decorated Japanese porcelain charger, large plate or bowl with an Imari pattern, dating to the late 19th centur...

A small Satsuma earthenware bowl, painted in overglaze enamels and gilt with three fans. Japanese, circa 1900. Measures: Height 2 inches Diamete...