Antique Double Sided Japanese Ranma Transom Panels - a Pair

20th c., Showa period gouache and gold leaf Japanese screen. Depicting plum tree blossoms on a riverbank across 6 panels. Plum blossoms are often mentioned in Japanese poetry as a symbol of spring...

Antique pair of Qing dynasty ancestor portraits depicting a male and a female. Hand painted on silk and framed under glass within a large te...

Vintage Pichhavai painting on fabric of Krishna, Radha and female Gopis. Krishna walking with Radha and the Gopis by moonlight. The colors, details...

Vintage Pichhavai painting on fabric of Krishna playing is flute with Radha and female Gopis gathered by his side. The colors, details and facial ex...

A lovely vintage 20th c., carved and giltwood standing Burmese Mandalay Buddha, with green and clear mirrored inlaid details, on wooden stand. The Buddha is depicted standing with a...

Late 19th/Early 20th c., large Japanese Meiji bronze floor urn. The principal decoration on both sides of the vase is rendered in beautiful and strong relief. One side depicts birds, possibly skylarks, in flight and on flowering cherry blossom branches. The opposite side depicts herons wading and alighting on a flowering tree. the upper and lower portions of urn are decorated with repeating arched lozenges detailed with scrolls and flora. The urn is adorned with foo dog handles, unmarked. This is an impressive and beautiful bronze urn. In bronze-working, Meiji period craftsmen were newly empowered to attempt distinctive, innovative, and complex pieces. Makers were influenced less by the West than by China, which had had a relationship with Japan stretching back thousands of years, far further than Japan’s recent association with Western powers. Artistry in bronze-work reached new heights in the Meiji period, as a number of metalworking schools developed, creating intricate pieces including vases, sculptures...

Japan, a fine hand carved wooden screen "ranma" or transom featuring a spectacular composition of a pair (2) of finely carved flying cranes among matsu trees executed in kuri (chestnut wood), circa 1950s. In Japan, the crane, or tsuru, is a national treasure and is considered the bird of happiness...

Japan, a small and unusual two panel tea screen of four playful rabbits amidst pink and white flowers in, byōbu. It dates to the Taisho period. Dimensions: 41 inches high and 56 i...

Two lucky old friends. A very fine Japanese antique hand-painted paper scroll of Ebisu and Daikoko , two old friends and two of Japan's seven lucky gods signifying prosperity, good ...

Striking and decorative tall wall panels carved and gilt with overall openwork large scrolled acanthus leaves in relief, each leaf with raised ribs edg...

From our recent Japanese Acquisition Travels- a big and lovely big 13 inch diameter hand painted bowl from Japan. Japan hard to find early hand painted ceramic lush "garden scene" serving bowl, circa 1910. Inside painting depicts elite individual with his attendants seated amidst a three some of cranes, plush patterns, foliage and seas. The exterior a dragon style...

From our recent Japanese acquisitions Original Japanese temple "blossoming lotus" flower bud stems form an attractive double bouquet. Made for a shrine altar, these flower blossoms and leaves symbolize the stages of the path toward enlightenment. The individual parts of each lotus is assembled and then joined in an arrangement of two stems and two bouquets and inserted into the vessel. Called "Jyôka" and they are placed on or next to an altar in a Buddhist temple. In Buddhism, the lotus is an important symbol of divine enlightenment because it blooms into beautiful flowers while growing in mud. Tsunehana means "a flower that continues to bloom forever" and "a flower that does not wither." For this reason, the flowers represented are in different stages of their life, unfolded lotus leaves, buds and full flowers, thus symbolizing the journey towards Buddhist enlightenment. This lovely Japanese gilt Lotus...