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Mid-Century Modern Mathieu Matégot Metal Plant Stand, circa 1950

Name: Mid-Century Modern Mathieu Matégot Metal Plant Stand, circa 1950
Brand: Mathieu Matégot
Availability: InStock

About the Item

Plant stands designed by Mathieu Matégot, circa 1950. Manufactured in France. Perforated and lacquered metal. In original condition, with minor wear consistent with age and use, preserving a beautiful patina. Mathieu Matégot (1910-2001) was a Hungarian and French designer and material artist. He was one of the most renowned French designers of the 1950s. Born and educated in Budapest, he moved to France in the early 1930s, where he worked as a window dresser and women’s clothing designer. He learned metalworking techniques as a prisoner of war in the 1940s and upon his release began designing furniture, pioneering many of what we now identify as Midcentury design tropes, like metal-mounted rattan, steel tubing and perforated sheet metal. By the 1970s, Matégot returned to producing tapestries.

Creator:

Mathieu Matégot (Designer)

Dimensions:

Height: 24.02 in (61 cm)Width: 11.42 in (29 cm)Depth: 12.6 in (32 cm)

Style:

Mid-Century Modern (Of the Period)

Materials and Techniques:

Metal

Place of Origin:

France

Period:

1950-1959

Date of Manufacture:

circa 1950

Condition:

Wear consistent with age and use.

Seller Location:

Barcelona, ES

Reference Number:

Seller: MM.MATHEGOTPLANTSTAND.XX.SL.0005181stDibs: LU1427227190902

Shop All Mathieu Matégot

Mathieu Matégot

With their curvaceous metal surfaces and shapes often resembling sheets of folded paper, Mathieu Matégot's inspiring furniture and lighting designs are easily recognizable and highly sought after by collectors. By working with perforated sheet metal and metal tubing, the Hungarian-born French architect, artist and designer — who is known by aficionados for his “rigitulle” technique — created tables, chairs and decorative objects that are celebrated works of French modernism and make a statement in any interior.

Matégot attended the Budapest School of Fine Arts and Architecture. He graduated in 1929 and traveled before settling in Paris in 1931, where he worked as a window dresser for department stores and as a set designer for cabaret halls.

In 1939, Matégot joined the French army in resistance to invading Nazi forces. He was soon captured and sent to work in a German factory. It was at this factory where Matégot became familiar with the materials and techniques that would inform and inspire his trademark rigitulle method.

After the war ended, Matégot opened a workshop in Paris and began to create handcrafted furniture that didn't conform to established styles of the time. Matégot explored merging traditional and non-traditional materials — he worked with formica, glass and natural materials such as rattan — and engaged in other forward-looking experiments. Matégot soon patented his career-defining rigitulle technique and material, which saw the designer working with metal tubing and perforated metal sheets and producing thin, airy folds into the metal as if he were manipulating fabric or paper.

Many of Matégot’s designs for table lamps, pendants, tables and more are reflective of the rigitulle technique, but the best-known work that exemplifies this process is his elegant three-legged Nagasaki chair, which he exhibited in 1954 at the Salon des Artistes Décorateurs. The original Nagasaki chair gave way to a collection that included a stool and an armchair. Matégot’s Nagasaki dining chair has been reissued by Gubi and is part of the permanent collection at the Vitra Design Museum, which is home to one of the world’s most important furniture collections.

Matégot created a range of smaller items for the home — serveware, side tables and magazine racks, each distinctive in their fluid and organic forms — but halted his career in design and moved to Angers in the early 1960s in order to turn to creating art. Today he is known for his abstract tapestries as well as his furnishings.

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