1830s Paintings

Painting in Oil on Canvas, depicting a young fisher boy in swimming trunks, shouldering his fishing rod and holding a basket in his other hand. This wonderful small painting can be c...

Early 19th Century Portrait of Naval Captain William Compton Bolton (Anglo-American: 1799 - 1849), circa 1830s, an oil on canvas half-length portrait of a sea captain holding a spygl...

The cascade among large river rock outcroppings on a tree lined bank with a cliff in the near ground and mountain in the background, in a period carved and gilt wood and gesso frame

Antique 19th-century mahogany wood-framed hand-painted watercolour miniature portrait of Napoleon I. The miniature depicts a Napoleon I portrait turning his face to the right. The b...

A well painted oil on bard, England. early to mid 19th century, 1830's in a beautiful original giltwood frame. The painting titled "A Haywain Crossing a River" A haywain is a hay wa...

In a dark Brown Frame, an original Wash of Sepia. Representing a Harbor Boat Scene. It has been made in France circa 1830.

Step back in time with our Late 19th Century painting, a treasure in good condition and a testament to the artistry of the past. Signed in the bottom corner, this piece carries the a...

Italian School early 19th Century, View of Rome, with Bridge and the Castle St. Angelo and St Peter's Cathedral in the distance. Oil on board. In carved giltwood frame. Circa 1830 H...

Shipping off the coast by English artist Thomas Luny. Oil on canvas signed and dated 35' in the lower left. Nice period and possibly original frame. Thomas Luny (1759–1837), born in Cornwall, probably at St Ewe, was an English artist and painter, mostly of seascapes and other marine-based works. At the age of eleven, Luny left Cornwall to live in London. There he became the apprentice of Francis Holman, a marine painter who would have a great and long lasting artistic influence on Luny: Luny remained until 1780 in Holman's London studio, which, was first situated in Broad Street, St. George's, and later relocated to Old Gravel Lane. Examples of his work are exhibited at the National Maritime Museum at Greenwich, in the Royal Albert Memorial Museum in Exeter, and at The Mariners' Museum in Newport...

19th century reverse painted on glass portrait of George and Martha Washington by William Matthew Prior (1806 - 1873), one of New England'...

Oil painting (framed) Artist: Unknown (style of Eugene Delacroix (1798-1863). Date: 19th century Title: French lieutenant on horseback leading a Bedouin cavalry. Medium: Oil on...

Possibly late 18th century but most likely 19th century painted arched painted panel. Either a panel intended for a trumeau or to be inset into wall boiserie as a trumeau. The upper ...

Birds and flowers of the four seasons Early to mid-19th century Ink, pigment and gofun on silk Unidentified artist Signature: S...

A handsome Regency or early Victorian blue-eyed gentleman from the school of Sir Thomas Lawrence (1769-1830). The fashionably dressed young man sports a frock coat with a high collar...

Shipping policy No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). French school, 19th century Landsca...

beautifully painted with a young girl standing near a stream and holding a rope attached to a cow, a tree in the background under a partly clouded sky, clearly a case of bovine affec...

a painting is worth a thousand words, but this finely painted work depicts a village with steepled buildings with a fast moving cloudy sky at dusk with a solitary figure at the foreg...

An early 19th century maple framed reverse glass silhouette painting of Nelson's flagship Victory. Silhouette reverse glass paintings were popular...

Architectural view of the Uffizi Gallery in Florence, Watercolour on Paper, not signed. The fine watercolor work in delicate shades of brown, blue and g...

American portrait miniature by Thomas Story Officer, Woman in a White Gown, Signed "T.S. Officer, Pinxt", The 1830s The American portrait miniature signed by Thomas Story Officer depicts a beautiful young woman, her red hair “Coeffure a la Chinoise”, sitting in a red chair confidently looking out towards the painter and us, the viewers.  She wears a white dress with a pin in the center of her chest.  Based on her style of dress and her hair, we believe this was painted while Officer was in Philadelphia. It is signed to the lower right "T.S. Officer, Pinxt" along at edge. The reverse has a small oval glass Dimensions: 3 inches high x 2 3/16 inches wide x 1/4 inch deep Reference: Thomas S. Officer: Miniature and Portrait Painter, Gardner Library,  Author: Merri Lou Schaumann. Born in Carlisle in 1810, this gifted artist trained in Philadelphia, traveled extensively and won awards for his paintings. In 1872, James Miller McKim wrote a series of reminiscences for the Carlisle Herald newspaper about the places and people of Carlisle in an earlier day. He wrote that “David Smith, a boot and shoemaker, had two sons… one of whom early developed a taste for art and finally devoted himself to miniature painting as a profession. He was a contemporary, and for a while, a rival of Mr. Thomas Officer, though I believe he never reached the celebrity attained by that gifted young artist. Mr. Officer, by the way, was one of the last miniature painters of any eminence produced by this country, the daguerreotype and photographer having come in to sweep away the entire profession.” Thomas Story Officer was born in Carlisle on August 15, 1810, to cabinetmaker John Officer and his second wife Margaret. He trained in Philadelphia with the well-known portrait painter Thomas Sully and began his career there in the 1830s. Officer left Philadelphia occasionally to paint portraits in Mobile, Alabama in 1837, in Richmond, Virginia in 1845, and in New York City from 1846-1849 where he became a member of the National Academy of Design. In 1842, Officer intended to travel to Mexico and needed a passport. He asked Attorney Charles B. Penrose, formerly of Carlisle, to write a letter of recommendation for him. In his letter to Fletcher Webster, Esq., Penrose wrote, “This will be handed to you by Thomas S. Officer, Esq., a friend of mine, and a native artist of Pennsylvania, who is a gentleman of great talents and respectability. Intending to visit Mexico, he wishes to procure passports at the State Department…”  Officer was issued a passport in July 1842. He was described as 30 years old, 5’ 11” with a “full and round forehead, bluish-gray eyes, an ordinary nose, medium mouth, ordinary chin, sallow complexion with an oval face and brown hair.” Officer went to Mexico and later to Australia. In 1854, he opened a studio in Sandridge, Australia, and while there he “entered several oil portraits in the 1854 Melbourne Exhibition preparatory to sending them to the 1855 Paris Exhibition.” Officer left Australia, and in 1855 he settled in San Francisco where he would spend the last years of his life. He set up a portrait painting department in James Johnson’s photographic gallery in San Francisco. In 1857, Officer received a bronze medal for his oil portraits exhibited at The First Industrial Exhibition of the Mechanics’ Institute of San Francisco, as well as awards at several other exhibits in 1858. A short piece in the San Francisco newspaper, Alta, on October 30, 1859, read, “Mr. Thomas S. Officer, the talented portrait painter, lies near to death’s door and is in pecuniary distress. Out of the many to whose pleasure he has contributed by his gay, social manners, as well as by his pleasing artistic productions, may there not be found someone who will extend a helping hand?”  Officer died on December 8, 1859. Almost an entire column in the January 18, 1860 edition of the Carlisle Herald, was devoted to a very long and informative obituary of Officer taken from the Alta, California newspaper. Officer was buried in the now defunct Lone Mountain Cemetery in San Francisco. In 2014, the Cumberland County Historical Society received a bequest of a portrait painted by Thomas Officer from the estate of historian John J. Snyder, Jr. It joined a miniature portrait already a part of the Society’s museum collection in Carlisle, not far from where Officer was born. Notes: The May 28, 1834 edition of the Carlisle Weekly Herald reported that Thomas S. Officer had "...within the last few weeks, taken the portraits of several gentlemen of this borough...Mr. O. is principally self-taught, and although young, already evinced a degree of taste, judgment, and talent..." A short biography of Officer can also be found in Early American Portrait Painters in Miniature by Theodore Bolton, published by F. F. Sherman (New York, 1921). The entire book is one line  Bio. of Officer on page 117. See Officer’s portrait...

The caption of this charming pen and ink, watercolor and gouache vignette reads "A troupe of Eastern Entertainers taken from diary of G. Copeland 1830." Perhaps a rememberance from...

Oil on canvas, inscribed on the stretcher bar reverse. The painting is presented in a flat black frame that complements it well. Horace Bundy was an it...

Oil on panel. With MacConnal-Mason and Son, Ltd label on reverse. Featuring the 'kill' of an English fox hunt scene. Painting measures 7.25" x 15" an...

A pair of French reverse glass paintings or cartoons, each of oval form, one depicting a man with a mass of hair or full wig using a brush to fence with a woman wielding a broom, the...

Portrait of a girl in oriental-style clothing with a headdress and veil in a scenic setting. In original, gilded wood frame with acanthus leaf and oak leaf garland carving. Manuf...

Oil on canvas, portrait of an aristocratic lady. The woman is sitting in a red armchair with a quiet gaze wearing embroidered trim dress with white lace...

Pair of portraits, husband and wife 19th century oil on canvas inscribed and dated 1838 wax relined in giltwood frames.

Portrait of Lydia Augusta Allen, English, attributed to artist George Clint, Oil, circa 1835, newly reframed.  

19th century oil painting landscape Potsdam, Germany. Gustav Wagener. Beautiful landscape idyll of Potsdam, Germany. Fine, bright...

Pair of American oil on canvas stills in gilt and painted frames. Each painting consist of fruit in wicker baskets. Signed by artist. T. Maria. Early 19th Century.