Very Large, 16th Century Allegorical Oil Painting

Hand painted, oil paint on canvas of an Italian family tree featuring a male figure, crests and names, all in the design of a tree. Framed in an antique, hand-carved gilt-wood fram...

Hand painted architectural painting from an 18th century boiserie room.

Fine, hand-carved, Carrara marble, robed figure from central Italy modeled in the Classical, contrapposto pose. The inscription fragment on the base reads "..under the auspices of...".

A striking, richly hand carved, gessoed, and gold gilded Italian roundel frame. The whole, intricately carved with a relief of a braided, floral and fr...

Chinoiserie gouache painting on silk of a village and figures. Silver gilt frame.

Grand, family crest, hand painted on linen and laid down on wood, commemorating the marriage of two families from Northern Italy.

Architectural oil painting on canvas of Heydon Hall executed in a rustic naive style with contrived aging and presented in a maple frame. Signed Dan Dunton.

Giovanni Crivelli known as Crivellino (Milan,? - Parma, 1760) Fight between dogs and bison Oil on canvas, 84 x 111 cm With frame 112 x 139 cm Thanks to the comparison with h...

Old master painting, unsigned, 16th century.

Venetian school, early 16th century Oil on panel, 49 x 56 cm. Framed (restorations) These two panel paintings, portraying John the Baptist a...

Over the centuries, in period known as Renaissance, more than several painters all over Europe were fascinated by the theme based upon similar subject with Mother and the Child as main figures. This stunning Madonna with Child oil on canvas painting is approximately from 16th century and could belong to a follower or a circle of Giovanni Bellini...

Attr. to Girolamo Siciolante known as da Sermoneta (Sermoneta, 1521 - Rome, 1575) Adoration of the Shepherds Oil on copper, 39 x 29.5 cm Frame 47 x 39 cm The refined taste, the refined poses, the definition of the anatomies, the vibrant light, allow us to identify for this painting the hand of a Mannerist painter active during the sixteenth century. In particular, the composition and stylistic research allow us to attribute the panel to Girolamo Siciolante, known as da Sermoneta (1521 - 1575). His first training took place under the guidance of Leonardo Grazia known as da Pistoia (1502 - 1548). Later he settled in Rome where he was able to see the painting of Raphael and Michelangelo from life and where he was first a pupil and then a collaborator of Perin del Vaga...