Pottery Antiquities

ITEM: Statuette of a horse MATERIAL: Pottery CULTURE: Chinese, Northern Wei Dynasty PERIOD: 386 – 535 A.D DIMENSIONS: 404 mm x 350 mm x 230 mm CONDITION: Good condition. Includes Th...

ITEM: Statuette of a horse MATERIAL: Pottery CULTURE: Chinese, Tang Dynasty PERIOD: 618 – 907 A.D DIMENSIONS: 560 mm x 530 mm x 200 mm CONDITION: Good condition. Includes Thermolumin...

ITEM: Statuette of a Sogdian rider MATERIAL: Pottery CULTURE: Chinese, Tang Dynasty PERIOD: 618 – 907 A.D DIMENSIONS: 560 mm x 510 mm x 175 mm CONDITION: Good condition. Includes The...

ITEM: Statuette of a horse with musician MATERIAL: Pottery CULTURE: Chinese, Tang Dynasty PERIOD: 618 – 907 A.D DIMENSIONS: 420 mm x 365 mm x 145 mm CONDITION: Good condition. Includ...

ITEM: Statuette of a horse with rider MATERIAL: Pottery CULTURE: Chinese, Tang Dynasty PERIOD: 618 – 907 A.D DIMENSIONS: 520 mm x 420 mm x 180 mm CONDITION: Good condition. Includes ...

ITEM: Kylix MATERIAL: Pottery CULTURE: Greek, Apulian PERIOD: 4th Century B.C DIMENSIONS: 56 mm x 165 mm x 115 mm CONDITION: Good condition PROVENANCE: Ex Belgian private collection,...

ITEM: Aryballos depicting a horse head MATERIAL: Pottery CULTURE: Greek, Corinthian PERIOD: 7th Century B.C DIMENSIONS: 62 mm x 55 mm diameter CONDITION: Good condition PROVENANCE: E...

ITEM: Statuette of a Fat Lady MATERIAL: Pottery CULTURE: Chinese, Tang Dynasty PERIOD: 618 – 907 A.D DIMENSIONS: 655 mm x 265 mm x 210 mm CONDITION: Good condition. Includes Thermoluminescence test by Laboratory Kotalla (Reference 05B101123). Includes Certificate of Authenticity from Dutch gallery PROVENANCE: Ex Belgian private collection, acquired from Dutch art gallery Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks. Due to the fragility and size of this piece, it can only be shipped within the European Union, United Kingdom and neighbouring countries that can be transported by road by private courier (door to door). This beautifully-finished ceramic attendant was made during what many consider to be China’s Golden Age, the Tang Dynasty. It was at this point that China’s outstanding technological and aesthetic achievements opened to external influences, resulting in the introduction of numerous new forms of self-expression, coupled with internal innovation and considerable social freedom. The Tang dynasty also saw the birth of the printed novel, significant musical and theatrical heritage and many of China’s best- known painters and artists. The Tang Dynasty was created on the 18th of June, 618 AD, when the Li family seized power from the last crumbling remnants of the preceding Sui Dynasty. This political and regal regime was long-lived, and lasted for almost 300 years. The imperial aspirations of the preceding periods and early Tang leaders led to unprecedented wealth, resulting in considerable socioeconomic stability, the development of trade networks and vast urbanisation for China’s exploding population (estimated at around 50 million people in the 8th century AD). The Tang rulers took cues from earlier periods, maintaining many of their administrative structures and systems intact. Even when dynastic and governmental institutions withdrew from management of the empire towards the end of the period – their authority undermined by localised rebellions and regional governors known as jiedushi –the systems were so well- established that they continued to operate regardless. The artworks created during this era are among China’s greatest cultural achievements. It was the greatest age for Chinese poetry and painting, and sculpture also developed (although there was a notable decline in Buddhist sculptures following repression of the faith by pro-Taoism administrations later in the regime). It is disarming to note that the eventual decline of imperial power, followed by the official end of the dynasty on the 4th of June 907, hardly affected the great artistic turnover. During the Tang Dynasty, restrictions were placed on the number of objects that could be included in tombs, an amount determined by an individual’s social rank. In spite of the limitations, a striking variety of tomb furnishings – known as mingqi – have been excavated. Entire retinues of ceramic figures – representing warriors, animals, entertainers, musicians, guardians and every other necessary category of assistant – were buried with the dead in order to provide for the afterlife. Warriors (lokapala) were put in place to defend the dead, while horses/ camels were provided for transport, and officials to run his estate in the hereafter. Of all the various types of mingqi, however, there are none more elegant or charming than the sculptures of sophisticated female courtiers, known – rather unfairly – as “fat ladies...

ITEM: Statuette of a Fat Lady MATERIAL: Pottery CULTURE: Chinese, Tang Dynasty PERIOD: 618 – 907 A.D DIMENSIONS: 645 mm x 260 mm x 180 mm CONDITION: Good condition. Includes Thermoluminescence test by Laboratory Kotalla (Reference 04B101123). Includes Certificate of Authenticity from Dutch gallery PROVENANCE: Ex Belgian private collection, acquired from Dutch art gallery Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks. Due to the fragility and size of this piece, it can only be shipped within the European Union, United Kingdom and neighbouring countries that can be transported by road by private courier (door to door). This beautifully-finished ceramic attendant was made during what many consider to be China’s Golden Age, the Tang Dynasty. It was at this point that China’s outstanding technological and aesthetic achievements opened to external influences, resulting in the introduction of numerous new forms of self-expression, coupled with internal innovation and considerable social freedom. The Tang dynasty also saw the birth of the printed novel, significant musical and theatrical heritage and many of China’s best- known painters and artists. The Tang Dynasty was created on the 18th of June, 618 AD, when the Li family seized power from the last crumbling remnants of the preceding Sui Dynasty. This political and regal regime was long-lived, and lasted for almost 300 years. The imperial aspirations of the preceding periods and early Tang leaders led to unprecedented wealth, resulting in considerable socioeconomic stability, the development of trade networks and vast urbanisation for China’s exploding population (estimated at around 50 million people in the 8th century AD). The Tang rulers took cues from earlier periods, maintaining many of their administrative structures and systems intact. Even when dynastic and governmental institutions withdrew from management of the empire towards the end of the period – their authority undermined by localised rebellions and regional governors known as jiedushi –the systems were so well- established that they continued to operate regardless. The artworks created during this era are among China’s greatest cultural achievements. It was the greatest age for Chinese poetry and painting, and sculpture also developed (although there was a notable decline in Buddhist sculptures following repression of the faith by pro-Taoism administrations later in the regime). It is disarming to note that the eventual decline of imperial power, followed by the official end of the dynasty on the 4th of June 907, hardly affected the great artistic turnover. During the Tang Dynasty, restrictions were placed on the number of objects that could be included in tombs, an amount determined by an individual’s social rank. In spite of the limitations, a striking variety of tomb furnishings – known as mingqi – have been excavated. Entire retinues of ceramic figures – representing warriors, animals, entertainers, musicians, guardians and every other necessary category of assistant – were buried with the dead in order to provide for the afterlife. Warriors (lokapala) were put in place to defend the dead, while horses/ camels were provided for transport, and officials to run his estate in the hereafter. Of all the various types of mingqi, however, there are none more elegant or charming than the sculptures of sophisticated female courtiers, known – rather unfairly – as “fat ladies...

ITEM: Mastoid bowl MATERIAL: Pottery CULTURE: Greek, Hellenistic Period PERIOD: 3rd – 1st Century B.C DIMENSIONS: 90 mm x 140 mm CONDITION: Good condition PROVENANCE: Ex German priva...

ITEM: Figurine of a little Eros riding on a dolphin, holding a lyre with remains of polychromy MATERIAL: Pottery CULTURE: Greek PERIOD: 4th – 3rd Century B.C DIMENSIONS: 145 mm x 140...

ITEM: Cylindrical beaker MATERIAL: Pottery CULTURE: Greek, Hellenistic Period PERIOD: 3rd – 1st Century B.C DIMENSIONS: 75 mm x 76 mm CONDITION: Good condition PROVENANCE: Ex German ...

ITEM: Oil lamp, Type ‘Herodian’, Kennedy 3, Hadad 4 MATERIAL: Terracotta CULTURE: Roman, Judaea PERIOD: 1st Century B.C – 2nd Century A.D DIMENSIONS: 25 mm x 62 mm x 82 mm CONDITION: Good condition PROVENANCE: Ex Jerusalem private collection, acquired between 1975 – 1990. Comes with Certificate of Authenticity and Export license (If you live outside the European Union, We will have to apply for an export licence for your country and shipping will take 3 to 5 weeks.) Oil lamps used during the time of Herod, which falls within the period of the Second Temple in ancient Judea...

ITEM: Oil lamp with leaves and fruit, Type Bussiere B III 1 MATERIAL: Terracotta CULTURE: Roman PERIOD: 1st – 2nd Century A.D DIMENSIONS: 20 mm x 65 mm x 90 mm CONDITION: Good condit...

ITEM: Squat lekythos with palmette MATERIAL: Pottery CULTURE: Greek PERIOD: 5th – 4th Century B.C DIMENSIONS: 91 mm x 42 mm CONDITION: Good condition PROVENANCE: Ex French private collection, acquired between 1980s PARALLEL: BRITISH MUSEUM Collection, Accession number 11.46019 Comes with Certificate of Authenticity and Export license (If you live outside the European Union, We will have to apply for an export licence for your country and shipping will take 3 to 5 weeks.) Lekythoi are a specific type of oil flask...

ITEM: Amphoriskos MATERIAL: Pottery CULTURE: Bronze Age PERIOD: 2400 – 2000 B.C DIMENSIONS: 140 mm x 145 mm CONDITION: Good condition PROVENANCE: Ex Emeritus collection (USA), collec...

A large Chinese Tang Dynasty Seated pottery figure  Tang Dynasty circa Circa AD 618 - 906 China, Finely sculpted Black earthenware sculpture of a court lady with remains of pigme...

Sichuan Burnished Black Han Dynasty Pottery Amphora Vase Of pear form with a vertically incised band around the neck beneath a lozenge-shaped open...

Chinese Antique Ming Dynasty glazed pottery figure  Ming Dynasty circa (14-16 century AD) China, The earthenware with green and yellow glaze Meas...

A Chinese Song period celadon glazed bowl. Really nicely thinly potted example with craquelure due to age. Provenance: From a private London coll...

An elegant Chinese Ming dynasty pottery figurine depicting a horse in a standing pose with polychrome finish (aubergine, light brown and g...

ITEM: Piriform aryballos with scale pattern MATERIAL: Pottery CULTURE: Greek, Corinthian PERIOD: 7th Century B.C DIMENSIONS: 116 mm x 57 mm CONDITION: Good condition, handle repaired...

ITEM: Shipwreck amphora, Type Dressel 3 MATERIAL: Pottery CULTURE: Roman PERIOD: 1st – 2nd Century A.D DIMENSIONS: 84 cm x 26 cm diameter (without st...

ITEM: Skyphos MATERIAL: Pottery CULTURE: Greek PERIOD: 4th Century B.C DIMENSIONS: 125 mm x 220 mm CONDITION: Good condition PROVENANCE: Ex Swiss private collection, acquired since a...

ITEM: Shipwreck amphora, Type Dressel 1B MATERIAL: Pottery CULTURE: Roman, Republican period PERIOD: 2nd – 1st Century B.C DIMENSIONS: 110 cm x 29 cm...