19th C. Chinese, BOTTLE VASE, Turquoise Polychrome, porcelain, Qianlong Mark

This is a very beautiful, highly decorative Tall Chinese bottle vase with a monochrome or single glaze colour of a fine sapphire-blue, which we date to the late 19th century, Qing period . This Chinese Export vase is well potted on a fairly tall foot, having a globular body, with a long cylindrical stick neck. On close inspection the glaze has a beautiful finely speckled texture, the depth of colour draining from the top rim where it is slightly lighter to a darker shade at the foot where the glaze thickens. The foot rim is well hand cut with an orange coloured iron oxide ring just above the foot rim and below the glaze, where the air hit the porcelain in the kiln. This is a heavy vase weighing about 2.75 Kg unpacked. The blue is a superb shade of dark sapphire / steel /dark sky blue colour. The inner neck area and centre of the base are also glazed. The base carries a hand painted six figure apocryphal Qing Kangxi ( 1662 to 1722) mark but this piece dates to the late 19th Century, in the later part of the Qing Dynasty. These single colour monochrome vases are often small with heights of about 7 or 8 inches but this is a much larger piece measuring well over 14 inches in height. Its elegant form, reminiscent of the traditional Guanyin vases...

This is a good quality Chinese snuff bottle, made from porcelain, circa 1950. The cylindrical bottle has a tall narrow neck. The main decoration depicts two painted cockerels (or r...

Antique Qing peach-bloom glazed ceramic bottle neck vase - featuring an elegant form with a single string to the elongated neck - mottled glaze with red splashed over a pinkish beige...

A lovely Chinese Export Rose Medallion large porcelain bottle vase and cover, mid to late 19th century, China. The porcelain vase of typical bottle form, with a rounded globular body and tall, narrow neck, and surmounted by a squat lid. The vase wonderfully decorated in the traditional rose medallion color palette of mainly pink, green and orange, with additional yellow, blue, black, and gilt accents. The design follows the typical rose medallion pattern of alternating reserves of brightly colored birds among peony sprays, and court scenes of figures in traditional . Between the reserves is a dense floral and foliate design with scattered butterflies against a gilt painted ground. The oversized cover of flattened dome design decorated with a dense floral and foliate pattern, and topped with a gilt lotus bud shaped knob. The raised enamels for the floral and bird scenes still quite bright and bold, while the more flat painted...