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Antique Sawakhalok Celadon Bowl, Thailand

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Antique Sawakhalok Celadon Bowl, Thailand
Located in Point Richmond, CA
Antique Sawakhalok Celadon Bowl, Thailand 14th/15th century. A sturdily potted wheel thrown stoneware bowl with everted rim and flattened lip. The deep cavetto has an upper decorativ...
Category

Antique 15th Century and Earlier Thai Other Ceramics

Materials

Ceramic, Celadon

Antique Sawakhalok Celadon Bowl, Thailand, 14th/15th century.
Located in Point Richmond, CA
Antique Sawakhalok Celadon Bowl, Thailand, 14th/15th century. A sturdily potted wheel thrown stoneware bowl with everted rim and chamfered lip. The cavetto has vertical combed lines...
Category

Antique 15th Century and Earlier Thai Tribal Ceramics

Materials

Ceramic

Antique “Waster” Celadon Bowl, Sawankhalok kilns, Thailand, 14th/15th century.
Located in Point Richmond, CA
Antique “Waster” Celadon Bowl, Sawankhalok kilns, Thailand, 14th/15th century. A thickly potted wheel thrown stoneware bowl with everted rim having an upturned lip. The cavetto with ...
Category

Antique 15th Century and Earlier Thai Tribal Ceramics

Materials

Ceramic

Antique Thai Fish Bowl, Sukhothai Kilns
Located in Point Richmond, CA
Antique Thai Fish Bowl, Sukhothai Kilns. A deep stoneware bowl with black slip painting of a fish with his tail extending beyond the concentric band on center, further band decoratio...
Category

Antique 15th Century and Earlier Thai Folk Art Ceramics

Materials

Ceramic

Antique Thai Ceramic White War Elephant
Located in Point Richmond, CA
Antique Thai Ceramic White War Elephant. A hand sculpted stoneware figure of elephant and rider. The solid elephant stands firmly four square on a rec...
Category

Antique 19th Century Thai Other Ceramics

Materials

Ceramic

Antique Chinese Porcelain Bencharong Bowl for the Thai Market, 18th century.
Located in Point Richmond, CA
Antique Chinese Porcelain Bowl for the Thai Market, 18th century. Bencharong enamel decoration with Buddhist imagery on a black background. This classic porcelain bowl form having a raised narrow foot rim and slightly everted mouth rim is richly decorated in bright polychrome enamels much favored by the nobility in eighteenth century Siam. This colorful style became known as “bencharong”, a term that derives from two Sanskrit words – panch (‘five’) and rong (‘colour’) and which relates to the number of colours used to decorate such porcelain. This bowl is decorated with typically Thai motifs. The sides are decorated with four Thepanom (Buddhist celestial beings) each wearing a broad necklace of petals and seated on a lotus within triangular cartouches that have a coral-red ground. Four Norasingh (mythical forest-dwelling semi-deity with a human head, torso, and arms but with the hind-quarters of a lion and the tail and hoofs of a deer) against black back grounds filled with flaming pink kranok motifs. This design is framed by two floral bands top and bottom and another double band on the interior mouth rim. The interior glazed in a soft turquoise green and remnants of a floral pattern roundel on center. Sets of porcelain such as this example were commissioned from the Jingdezhen kilns in China and exported to Thailand. 6-7/8 in. in diameter x 3-5/8 high (17.5 x 9cm) 16.7 oz. (475g.) Ayutthaya Period, 18th century. Provenance: German Private Collection. For similar examples see: William Warren & Luca Invernizzi Tettoni, Arts and Crafts of Thailand, Chronicle Books, San Francisco 1994, p.33. Bonhams New York, Indian, Himalayan & Southeast Asian Art, 17 Sep. 2014, lot 180 With the following notes: Bencharong porcelains...
Category

Antique 18th Century Chinese Qing Ceramics

Materials

Porcelain

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A celadon stemmed dish with underglaze deep blue decoration from Sukhothai (a former Kingdom in nowadays central Thailand) circa 14th-16th century. The pedestal dish was a typical ceramic output from Sawankhalok region, likely one of the kilns in Sri Sachanalai that thrived during 14th-15th century. Sukhothai ceramics made a large portion of export from Asia during that period due to the political policy in Ming Dynasty that banned the ocean faring (the so called Ming Gap). This stemmed dish, likely an export item, was modeled in a Classic Chinese form. The under-glaze deep blue decorations depicting the scrolling vines and flowers, as well as the archaic band around the base, are also reminiscent to the designs found in blue and white porcelain in Ming dynasty. The piece shows a fine crackles and age wear on the dish surface, an indication of appropriate patina. Under the reddish slip paint of the base, the gray paste can be discerned in small area, which is also a characteristic of the Thai celadon...
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