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Japan Fine Large Antique Dreamy Blue Glazed Ceramic Vessel Signed

$595List Price

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Japanese Fine Large Rooster And Birds Tea Bowl, Hand-Built and Hand Glazed
Located in South Burlington, VT
Mint Kyo ware bowl From Japan, a beautiful hand-built, painted and glazed, Kyo ware large bowl or large tea bowl with a proud rooster and birds motif created in the 1930s.- over se...
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Vintage 1930s Japanese Showa Ceramics

Materials

Ceramic, Pottery

Japanese Huge Antique Captain Whale Fisherman Satsuma Charger, 18 Inches & Box
Located in South Burlington, VT
Japanese Satsuma, a fine and monumental 18" Meiji period charger Ozara with rare motif: Captain fisherman and his fish. Depicting a tale of Urashima Tarō* (see below), Signed Jyukan pottery by Chinjyu Makoto, in a lovely gold gilt and red detailed hand-painted composition Age: 1880-1900. Dimensions: 18 inches diameter and includes owner's signed wooden presentation box, tomobako. Hand made and hand painted. Finest quality. Provenance: Old Southern Japanese collection. Urashima Tarō (浦島 太郎?) is a Japanese legend about a fisherman who holds a fishing pole and rescues a turtle and is rewarded for this with a visit to Ryūgū-jō, the palace of Ryūjin, the Dragon God, under the sea. He stays there for three days and upon his return to his village, finds himself 300 years in the future. Finest quality. Largest size. Original collector box tomobako included. Lifetime guarantee of authenticity: All of our Asian works of art come with our Lifetime Authenticity Guarantee. We are members of the North American Japanese Garden Association (NAJGA) specializing for ten years now in old and authentic Japanese stone...
Category

Antique 19th Century Japanese Meiji Sculptures and Carvings

Materials

Ceramic

Extraordinary Japanese Hand Thrown Blue And White Wabi-Sabi Vase, Early 19thc.
Located in South Burlington, VT
A recent find: an old Japanese SHOKI-IMARI blue-and-white porcelain ware bottle with unique hand painted designs called Kusabana-Chou-Monyou (Grass, flower, and butterfly patterns)...
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Antique Early 19th Century Japanese Edo Ceramics

Materials

Pottery

Chinese Vintage Pair Richly Hand-Glazed Leaf Garden Stools
Located in South Burlington, VT
An attractive Chinese pair (2) of richly crackle glazed garden stools (garden seats), ornately black hand painted with a handsome leaf design . Beautifully executed and ready for y...
Category

Late 20th Century Chinese Ceramics

Materials

Ceramic

Japanese Antique Pair of Wood Rice Measure Vessels
Located in South Burlington, VT
Special find from our last Japanese Acquisition Here's a beautiful and unique way to accent your indoor or outdoor garden space with these treasures from Japan! This special ...
Category

Early 20th Century Japanese Meiji Sculptures and Carvings

Materials

Metal

Japanese Fine Antique Currency Exchange Shop Sign, Hand Carved
Located in South Burlington, VT
Japan, a beautifully handmade and hand carved black lacquer colored antique shop sign -kanban- for a Japanese currency exchange shop. The kanji translates to "currency exchange". Many antique Japanese shop signs...
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Antique Late 19th Century Japanese Taisho Sculptures and Carvings

Materials

Wood

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A miniature Japanese ceramic vase from the end of Meiji period circa 1880s- 1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time ...
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Large Japanese Satsuma Ceramic Vase Kinkozan
By Kinkozan
Located in Atlanta, GA
A large Japanese ceramic vase from the end of Meiji period circa 1890-1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time based in Kyoto. In the typical style of satsuma made at the turn of 20th century, the vase is elaborately decorated with a rather unusual kinran-de (gold paint) and green enamel highlight on a mottled brown background. The painterly decoration depicts a large seasonal floral arrangement in a circular fashion. Besides the obviously superb craftsmanship, what sets this particular vase apart from many lower quality and mass-produced pieces is its tone-on-tone color pallet that is visually somber and the small and sensitive details that heralds the change of the seasons. When the viewer goes beyond the first casual glimpse of the blossom and foliage, one would notice that on the edges of certain leaves as well as along the stalks, there accumulates a very thin layer of the white dust that represents the frost. The flower in bloom are chrysanthemums. Despite of being splendid, they are the messengers of the autumn. The large lotus leaf was subtly rendered in a bended and slightly withered manner, just past its prime. Although the lotus is still in bloom, the prominent seed pod indicates it may be the last for the season. The sentimental capture of the change of the seasons is not unusual in Japanese art. This vase poetically represents such a subtle transition from summer to fall, perhaps depicting the very first frost. The neck of the vase is also slightly unusual with two rolled rings...
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Fine Japanese Ceramic Vase Makuzu Kozan Meiji Period
By Makuzu Kozan
Located in Atlanta, GA
A Japanese long neck porcelain vase circa 1900-1910s by the studio of Miyagawa Kozan (1842–1916), one of the most established and collected Japanese ceramist from the end of Meiji Period. Commonly known as Makuzu Kozan, which also appears as the signature on his work, his originally birth name was Miyagawa Toranosuke. He was the appointed artist to the Japanese Imperial household and his work was exhibited in many international fairs that the Meiji government participated at the turn of the century. This vase features an elegant Classic form with a slender neck and slightly flared mouth above a baluster body. It was finely painted with two swimming carps in a copper red underglaze among green ribbons like waves. The background display a brilliant verdant green overall, Around the fish a poetic hazy effect was emphasized for a visual complexity by Fuki-e (the blow painting), an invention in Kozan's studio. The new technical development of chemical colors from the west was embraced circa 1900s in Kozan studio. This empowered the more creative experiments with not only colors, but also concept of dimension, which led Makuzu Kozan's work to become a bridge between East and West aesthetics. This is particularly evident in this vase with the Masterly details of the brush strokes, the expertly employment of gradient of color, and a very realistic and detailed rendering of the fish and their vivid motions. For two similar examples of Kozan's work with similar carps decoration, see Page 148-149 of the book: Sekai ni Aisa Reta ya Kimono Miyagawa Kozan Makuzu...
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Japanese Contemporary Blue Pure Gold Porcelain Vessel by Master Artist, 2
Located in Takarazuka, JP
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