Japanese Planters, Cachepots and Jardinières

An enchanting late 19th Century Japanese Imari porcelain charger, depicting Geisha girls being carried along by exotic mythical dragons and birds among reeds and flowers. Batch 76 N/H

Large Bottle form Vase with arcing striations. Retains OMC label. A couple small chips to bottom foot/rim.

The mark on the underneath (see image) indicates that this spittoon is of Japanese Imari porcelain, manufactured circa 1880, and made specifically for the American market for the preponderance of bars and saloons at that time. These were popular from 1865 to the turn of the century; this is a particularly fancy and elaborate example. Note the copious and highly detailed and beautiful floral decoration to the inside of the upper portion of the spittoon; pretty fancy for something meant for spit and saliva! Fantastic and all original condition with no cracks, no chips and very bright paint in sharp colors of blue rust and pink, and meticulously painted in a floral pattern. Several of these would have been “stationed” in strategic places within a saloon. This is a wonderful piece of porcelain, and quality item of saloon and Western United States history...

JAPANESE BRONZE BOWL - Meiji Period Low Oval Bowl with two full-body writing dragon handles and reticulated wave form foot, maker's mark on underside. 3 3/4" deep, 12" wide at handle...

A large Japanese Blue and White porcelain jardiniere, having wonderful traditional motif decoration to the top and bottom. With hand painted exotic flowers and foliage around. Raised...

A Japanese Meiji censer rising on three stylized Foo Dogs feet with Frog form handles. Censer having exceptional patination. Acquired from Michael Goedh...

A Japanese Taisho period handmade pumpkin-shaped planter from the early 20th century, with distressed marks. Crafted in Japan during the Taisho period ...

Small stoneware planter. Two glaze chips or loss, one on each rectangular foot, quite small, pictured. Retains partial label.

Very rare mid century Japanese ikebana cast iron planter dish in style of Isamu Noguchi produced in Japan, 1950s. In good original conditi...

An antique Japanese mustard glaze ceramic planter with incised décoration depicting butterflies and foliage. Crafted with an exquisite attention to detail, this antique Japanese ceramic planter...

Antique Oriental Japanese Bronze Jardinière Planter Bowl Censor - Exquisite Meiji Period Piece! This exceptional bronze jardinière planter bowl, hailing from the 19th Century Meiji ...

This early 20th-century Japanese Imari porcelain planter is a masterpiece of hand-painted artistry, alive with vibrant green, red, and blue tones that captivate and enchant. It featu...

Immerse your home in the rich tapestry of Japanese art with this early 20th-century hand-painted Imari porcelain planter. A masterpiece of traditional craftsmanship, it boasts a dyna...

A good quality late 19th Century Japanese Imari porcelain charger, having inset hand painted fan shaped panels depicting exotic birds, flowers and foliage. Batch 76 G9332/21 UTKN

Beautiful white matte color glaze, design, and shape on this ceramic, shape Ikebana bowl or planter. stamped on the bottom small fleabite on the corner as shown and some irregulariti...

A beautiful and rare pair of late 19th century Japanese Kutani chargers, each with this bold orange and gilded ground, scrolling foliate and motif decor...

A large late 19th Century Japanese Imari porcelain circular charger, having wonderful bold orange colouring to the ground, with scrolling foliate decoration, inset hand painted panel...

Atique Rootwood & Bamboo Ikebana Vase Japan, XIX Century DIMENSIONS Height: 19.25vinches Width: 10.13 inches Depth: 9.5 inches ABOUT This absolutely unique ikebana vase consists of...

A good quality late 19th Century Japanese porcelain Imari circular wall charger. Having wonderful hand painted scenes of fan shaped panels depicting a boy carrying logs for his maste...

An antique Japanese Meiji Era cylindrical shaped enamel over brass brush pot. Circa: 19th century. The cylindrical form pot is enameled with polychrome medallions with butterflies in...

This is an antique planter. A Japanese, bronze decorative jardiniere in Tokugawa or Edo taste, dating to the mid Victorian period, circa 1860. Fascinatingly decorative planter with ...

An antique Japanese Meiji Era cylindrical shaped enamel brush pot. Circa: 19th century. The cylindrical form pot is enameled with polychrome medallions with cranes in blossoming flow...

A fine quality late 19th Century Meiji period (1868-1912) Japanese Satsuma vase, with wonderful gilded decoration, depicting various scholars, tradesman and courtiers. Ring-drop hand...

A Japanese antique Tamba Tachikui Ware salt pot from the early 20th century with dripping design. This early 20th-century Japanese Tamba Tachikui Ware salt pot is a splendid example ...

A pair of antique Japanese copper brush pots with cloisonne enamel design. Late Meiji era, before 1912. Cylinder shape. The items are decorated with cherry blossoms and abstract orna...

An attractive pair of Mid 20th Century Japanese large bronze urns. Bird head handles and decorative panels on both sides of raised birds, trees, and flowers makes this a beautiful pa...

Art Deco Ikebana Basket Chromed Metal Japan, ca. 1930s ABOUT Ikebana is the Japanese art of of beautifully arranging cut stems, leaves, and flowers in vases and other containers t...

An antique Japanese Meiji Era enamel over copper brush pot. Circa: late 19th century to early 20th century. The cylindrical form pot is enameled with polychrome images of butterflies...

A hand-painted Japanese Imari porcelain planter from the early 20th century, with green, red and blue tones. This early 20th-century Japanese Imari porcelain planter is a celebration...

A Japanese Meiji period bronze “animal” jardiniere by the Seiya Company, circa late 19th century. Depicted in deep relief are a lion, tiger, elephant, b...

This is the "#2 Vase" by Shiro Kuramata, featuring the classic beautiful submersion of pink. This sculptural vase is 4.5" x 4.5" x 7.5, a wonderful size for a desk accessory or a wel...

A pair of antique Japanese Meiji period cloisonne enamel cash pots manufactured in the Totai technique. Each is crafted with a combination of enamel and wirew...

Kenji Fujita design salt and pepper shakers. Pepper in matte black, salt in gloss white glaze. Student of Lagardo Tackett of Architectural Pottery . This set designed for Freeman Le...

A fine quality Late 19th Century Meiji period Japanese Fukagawa stick stand. Having classical motif and gilded decoration, with hand painted Reeds around. Batch 74 G9992/23. YNKZ

A good quality late 19th Century Japanese Imari jardiniere, having wonderful bold classical blue and orange Imari colours depicting motif and floral board...

A very impressive and decorative Japanese Meiji period (1868-1912) bronze Censor, having wonderful stylised tree like handles either side, inset panels depicting two Geisha girls on ...

A superb antique Japanese Chinese solid brass footed planter / jardiniere / cachepot, circa 1880. This fine planter is solid and heavy, weighing...

A Monumental Meiji Period Japanese Cloisonne Enamel Jardiniere. This monumental Meiji Period Japanese cloisonne enamel jardiniere is...

An antique Japanese Meiji Era enamel over brass brush pot. The cylindrical form pot is enameled with polychrome images of blossoming flowers and birds, and a geometrical ornament mad...

Very nice lacquered wood flowerpot Circa 1890-1900 Japan

A lovely pair of Japanese chakinseki, tea dust, cloisonne jardinieres, Meiji Period, circa 1900, Japan. The jardinieres each with a squat globular body, short neck, and wide, everted mouth. The bodies decorated wide lappets of mottled puce featuring alternating dragons and phoenixes...

An antique Japanese, late Meiji era, covered enamel over brass pot or box. The body of the ware is enameled with polychrome images of cranes, medallions with blossoming flowers and b...

Pair of black ceramic ikebana planters, in a black mate, finish great design an look.

This is a stunning Negoro Lacquer Chrysanthemum-form hibachi that dates to the Late Meiji Period, early 20th century. The hibachi is in remarkable condition, retaining its original liner and side hardware. The lacquer is in very good condition with a couple of minor blemishes that add to the beauty of this utilitarian object. This would make a super orchid display...

Antique Meiji Japanese Cloisonne Enamel Millefiori Brush Pot Goto School An antique Japanese Meiji Era enamel brush pot. The cylindrical form pot is enameled with polychrome images ...

Toyo Modernist Ceramic Ikebana Planter, Japan, 20th Century. Very good original condition. This planter retains its original labels.

Japanese cloisonné jardinière Measures: Length 26cm, width 5cm, height 9cm A beautiful cloisonné jardinière of a rich blue with stu...

Pair of magnificent hibachi (fire bowls) shaped like chrysanthemum flowers (kiku) and finished with high quality ‘bordeaux red’ lacquer. Each is carved from a solid piece of wood with fine elegant lobes representing the petals. The interior fitted with a copper lining, for the coals, with a nice patina. A pair of hibachi in this colour and with this kind of quality of Material is rare to find! In Japan chrysanthemums are believed to represent happiness, longevity, rejuvenation and nobility. Including original wooden tomobako (storage box). In Western culture these bowls are often used as decorative flower pots...

Japanese Meiji Period Bronze Incense Holder / Jardiniere. A substantial incense holder in the Chinese Ming style. Sides and bottom covered in a r...

This is a very decorative jardiniere, made in Japan in the 1920s. We would recommend this is used for indoor plants and not placed outside - a great u...

1900s brass (possibly bronze) jardineres with finely detailed dragon motif and pierced rim detail.

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All ...

Antique fine quality large Oriental Japanese bronze Jardinière planter bowl censor Meiji Period, 19th Century. Would look amazing in the right location and make a fabulous centre ...

19th century Japanese Satsuma Vase ~ Jardiniere with Bronze Mounts is an amazing work of art with scenes hand-painted around the en...

For your consideration is this lovely white elephant ceramic planter most likely produced in Japan during the 1950s up to the 1970s. His features are outlined in gold.

An antique Japanese Meiji period brass brush pot of rectangular form decorated with a cloisonne enamel figure of a man holding a bowl with bats, and images of birds and flowers to the body. Stands on four feet. Circa the early 20th century. Antique Japanese Pots...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Why are there so many antiques in Argentina? In the 1880 – 1940 there was a grate wave of immigration encouraged by the periods of war that were taking place. 1st World War took place between 1914 and 1918 2nd World War took place between 1939 and 1945 The immigrants options were New York or Buenos Aires. Tickets were cheap and in Buenos Aires they were welcomed with open arms, as it was a country where everything was still to be done. Argentina was the country of new opportunities, labour was needed and religious freedom was assured, in many cases the of the family travel first until they were settled and then the rest of the family members join them. In the immigrant museum “Ellis Island Immigrant Building” in New York you can se the promotional posters of the boats that would take them to a new life. Between the years 1895 and 1896, Argentina had the highest DGP (gross domestic product) per capita in the world according to the Maddison Historical Statistics index, this situation arose due to the large amount of food being exported to European countries, which were at war. The Argentinean ships left the port of Buenos Aires with food, but they returned with furniture, clothes and construction elements, (it´s common to see this the old buildings of the historic neighbourhood of San Telmo, the beams with the inscription “Made in England)”, as well as many markets that were built in Buenos Aires, such us the San Telmo Market, whose structure was brought by ship and afterwards assembled in 900 Defensa Street. With the great influence of European immigrants living in the country, the children of the upper classes travelled to study in France, resulting in the inauguration of “La Maison Argentinienne”, on 27th of June 1928, in the international city of Paris, which hosted many Argentinians that were studying in Frace. It´s the fourth house to be built after France, Canada and Belgium, being the first Spanish-speaking one. Still in place today (17 Bd Jourdan, 75014, Paris, France). Many of the children of these wealthy families who attended international art exhibitions, museums and art courses abroad, took a keen interest in the European style. This is why Buenos Aires was at the time referred as “The Paris of South America”. Between the years 1890 and 1920 more than a hundred Palaces were built on Alvear Avenue the most exclusive avenue in Buenos Aires. Today some of these palaces have been transformed into museums, hotels and embassies. In the year 1936, the Kavanagh building was inaugurated, it was the tallest reinforced concrete building in South America. During 1994 the American Society of Civil Engineers distinguished it as an “international engineering milestone”, and it´s now considered a World Heritage of Modern Architecture. At the time was common to hire foreign architects such as Le Corbusier, who visited Buenos Aires/Argentina in 1929 and in 1948 he drew up the blueprints for a house built in La Plata City (which was declared a World Heritage Site). In 1947, the Hungarian architect Marcelo Breuer designed “Parador Ariston” in the seaside city of Mar del Plata. After an Argentinean student at Harvard University convinced him to come to Argentina. He worked on an urban development project in the Casa Amarilla, area of La Boca. The Ukrainian architect, Vladimiro Acosta, arrives in Argentina in 1928 and worked as an architect until que moved to Brazil. Antonio Bonet, a Spanish architect who worked with Le Corbusier in Paris, arrives in Argentina in 1937, where he carried out several architectural works and in 1938 designs the well-known BFK chair. Andres Kálnay, of Hungarian origin, made around 120 architectural masterpieces, among which the former Munich brewery stands out, he even made the furniture’s design. The German architect, Walter Gropius, director of the Bauhaus, lived in Argentina, where he wrote articles for “Sur” magazine and founded in Buenos Aires, an architectural firm with Franz Möller, who was also an architect, where he built two houses. At the same time several famous designers decided to immigrate to Argentina, among them we can find the well-known French designer, Jean-Michel Frank, who arrived in the country in 1940 and also worked for the Rockefeller family. Special pieces were made, which were sold exclusively in the country, such as the well-known German company “WMF”, who sold their products by catalogue, which were chosen by the ladies of High Society in the list of wedding gifts, as well as the pieces designed by Christofle. The Swiss sculptor Alberto Giacometti, made special pieces for Argentinean mansions. In 1904 the first Jansen branch outside Paris was established in Buenos Aires, as the Argentinean clientele demanded a large amount of furniture, from the end of the 19th Century to the mid-20th Century. In 1970, the brand Rigolleau Argentina made pieces authorised by Lalique. The brands Maple and Thompson also set up shop in the country. The French plastic artist, Marcel Duchamp moved to Argentina in 1918-1919. Glass signed Gallé, Charder, Leverre, Schneider, Muller and other French firms. They were bought in flower shops and were given to ladies with beautiful floral arrangements. Some furniture manufacturers travelled to international fairs and bough the patterns to produce the furniture in Argentina, such as the furniture firm Englander and Bonta, who bought the patterns ins Italy. It is worth mentioning that in Argentina we have the largest Community of Italians outside...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Why are there so many antiques in Argentina? In the 1880 – 1940 there was a grate wave of immigration encouraged by the periods of war that were taking place. 1st World War took place between 1914 and 1918 2nd World War took place between 1939 and 1945 The immigrants options were New York or Buenos Aires. Tickets were cheap and in Buenos Aires they were welcomed with open arms, as it was a country where everything was still to be done. Argentina was the country of new opportunities, labour was needed and religious freedom was assured, in many cases the of the family travel first until they were settled and then the rest of the family members join them. In the immigrant museum “Ellis Island Immigrant Building” in New York you can se the promotional posters of the boats that would take them to a new life. Between the years 1895 and 1896, Argentina had the highest DGP (gross domestic product) per capita in the world according to the Maddison Historical Statistics index, this situation arose due to the large amount of food being exported to European countries, which were at war. The Argentinean ships left the port of Buenos Aires with food, but they returned with furniture, clothes and construction elements, (it´s common to see this the old buildings of the historic neighbourhood of San Telmo, the beams with the inscription “Made in England)”, as well as many markets that were built in Buenos Aires, such us the San Telmo Market, whose structure was brought by ship and afterwards assembled in 900 Defensa Street. With the great influence of European immigrants living in the country, the children of the upper classes travelled to study in France, resulting in the inauguration of “La Maison Argentinienne”, on 27th of June 1928, in the international city of Paris, which hosted many Argentinians that were studying in Frace. It´s the fourth house to be built after France, Canada and Belgium, being the first Spanish-speaking one. Still in place today (17 Bd Jourdan, 75014, Paris, France). Many of the children of these wealthy families who attended international art exhibitions, museums and art courses abroad, took a keen interest in the European style. This is why Buenos Aires was at the time referred as “The Paris of South America”. Between the years 1890 and 1920 more than a hundred Palaces were built on Alvear Avenue the most exclusive avenue in Buenos Aires. Today some of these palaces have been transformed into museums, hotels and embassies. In the year 1936, the Kavanagh building was inaugurated, it was the tallest reinforced concrete building in South America. During 1994 the American Society of Civil Engineers distinguished it as an “international engineering milestone”, and it´s now considered a World Heritage of Modern Architecture. At the time was common to hire foreign architects such as Le Corbusier, who visited Buenos Aires/Argentina in 1929 and in 1948 he drew up the blueprints for a house built in La Plata City (which was declared a World Heritage Site). In 1947, the Hungarian architect Marcelo Breuer designed “Parador Ariston” in the seaside city of Mar del Plata. After an Argentinean student at Harvard University convinced him to come to Argentina. He worked on an urban development project in the Casa Amarilla, area of La Boca. The Ukrainian architect, Vladimiro Acosta, arrives in Argentina in 1928 and worked as an architect until que moved to Brazil. Antonio Bonet, a Spanish architect who worked with Le Corbusier in Paris, arrives in Argentina in 1937, where he carried out several architectural works and in 1938 designs the well-known BFK chair. Andres Kálnay, of Hungarian origin, made around 120 architectural masterpieces, among which the former Munich brewery stands out, he even made the furniture’s design. The German architect, Walter Gropius, director of the Bauhaus, lived in Argentina, where he wrote articles for “Sur” magazine and founded in Buenos Aires, an architectural firm with Franz Möller, who was also an architect, where he built two houses. At the same time several famous designers decided to immigrate to Argentina, among them we can find the well-known French designer, Jean-Michel Frank, who arrived in the country in 1940 and also worked for the Rockefeller family. Special pieces were made, which were sold exclusively in the country, such as the well-known German company “WMF”, who sold their products by catalogue, which were chosen by the ladies of High Society in the list of wedding gifts, as well as the pieces designed by Christofle. The Swiss sculptor Alberto Giacometti, made special pieces for Argentinean mansions. In 1904 the first Jansen branch outside Paris was established in Buenos Aires, as the Argentinean clientele demanded a large amount of furniture, from the end of the 19th Century to the mid-20th Century. In 1970, the brand Rigolleau Argentina made pieces authorised by Lalique. The brands Maple and Thompson also set up shop in the country. The French plastic artist, Marcel Duchamp moved to Argentina in 1918-1919. Glass signed Gallé, Charder, Leverre, Schneider, Muller and other French firms. They were bought in flower shops and were given to ladies with beautiful floral arrangements. Some furniture manufacturers travelled to international fairs and bough the patterns to produce the furniture in Argentina, such as the furniture firm Englander and Bonta, who bought the patterns ins Italy. It is worth mentioning that in Argentina we have the largest Community of Italians outside...