Japanese Arita Blue and White Ceramic Map Plate

A near pair Hizen pottery jars from Artia Japan, circa mid-19th century of the Meiji Era. Heavy stoneware construction with overglaze enamels that was inspired by Chinese WuCai from ...

On offer is a rare ceramic bowl with overglazed design by the famed Japanese ceramic artist Makuzu Kozan (1842-1916), circa 1906-1916. The bowl is rather unusual from the potter's repertoire with its unique glaze colors and decoration, and it likely belonged to a small series that Kozan made in and after 1906. A bowl of similar glaze and nearly identical dragon motif was recorded as a diplomatic present to the British royalty Arthur Connaught (1883-1932) when he represented King Gorge V in Japan in 1906. Other pieces, such as this bowl, were likely made with similar materials and designs afterwards. Essentially round in form, the bowl has a generous volume with six harmonious lobes. The bottom of the interior showcases a coiled dragon in red, green and gold slithering on a cobalt blue background. The roundel shares an echoing lobed perimeter, which is further outlined by red and turquois bands and rising sun design. The exterior of the bowl features six stylized Japanese camellias...

A milky white dish with slight scalloped rim and decorated with cobalt blue iron red and green enamel over glaze, this delicate piece in Kakiemon Style was dated at least to the earl...

This massive Japanese Arita plate was made in Hizen, circa 1890-1910s, at the end of Meiji period by a potter named Takeshige Yoshisuke who was active in A...

On offer is a truly impressive blue and white porcelain plate of Hizen ware, from Arita in Japan, circa mid to late-19th century. The plate was made by Kajiwara Kikujiro (菊次郎, the second Kiku son) and/or Kajiwara Kikusaburo (菊三郎, the third Kiku son who died in 1883) of the Kajiware Family Kiln of in Arita. It was decorated in a superb design with blue under-glaze, clearly out of a hand of a master. In a Classic Japanese composition that was popular in the Meiji Period, the plate displays a riot of auspicious elements, arranged still in a surprisingly harmonious manner. Anchoring the center of the design is an eagle perched on the branch of a blooming cherry tree, its talons clenching the bark and its wings about to open. The motion of the its immediate taking off is palpable. The trunk and the branches of the old cherry tree provide a spacial frame for the arrangement of large peonies with foliage, bundles of chrysanthemums, Chinese bell...

A pair of Japanese decorative ceramic plates, made in Arita for export market circa 17-18th century. The cabinet-display dishes feature lotus-petal gilt rim and a lavish tricolor ene...

19th century large Japanese Arita charger, the wide scalped-edge with key fret band framing the under glaze blue painted landscape with a lakeside viewin...

Very fine pair of "Arita" Japanese Chargers of the late 17th century based on the Chinese "Kraak" porcelain design. They are in beautiful condition with no restorations and no repair...

2 drawers. Drop down top. A Japanese black lacquer box Together with a blue and white Arita plate, 20th century Lacquer box of rectangular form with b...

A Magnificent Satsuma Plate. Late Meiji period, early 20th C. Signed. Very elegant Japanese satsuma plate hand painted with a magnificent floral decorations. The painting is a t...

This is a beautiful Arita charger that has the most appealing color palette in salmon, blue and white. It is 13 inches wide and deep. It has a fluted rather...

Seal on bottom reads: Koun.