Japanese Satsuma Koro Tohakuen Workshop Att. Naruse Seishi

Bulbous Form From our Japanese collection, we are delighted to offer this Japanese Meiji Period Satsuma Koro. The Japanese Satsuma Koro of rounded form neatly potted with a small to...

Meiji Period (1868-1912) From our Japanese collection, we are pleased to offer this Antique Japanese Meiji Period Satsuma Koro by Kizan. The Koro of squat bombe form raised upon an...

Cobalt Blue Natsume From our Japanese collection, we are delighted to offer this Japanese Satsuma Natsume by Kinkozan. The Natsume of elongated rectangular form with four recessed panels each bordered by a gilt foliage decoration. The Natsume raised upon a square base with a scalloped centre. The top of the Satsuma finished with the original lid with matching gilt foliage decoration. The panels of the Satsuma decorated with multiple figures in various pursuits framed within a shaped recesses. The base of the Satsuma is signed with the Kinkozan mark. The Natsume dates to the Meiji Period (1868-1912) circa 1890. Natsume is a Chaki 茶器 (tea implement) used in a Japanese Tea Ceremony and is a term for a Japanese Tea Caddy...

From our Japanese collection, we are delighted to offer this Japanese Meiji period Satsuma Bowl by Kinkozan. The earthenware bowl with pinched rim extensively decorated on both the exterior and interior. The bowl with a cobalt blue base glaze decorated to the borders with gilt shippo-tsunagi (linked-cash) with scattered medallion roundells. Around the exterior two elongated scenes are featured, one with boys playing games in a courtyard with the other featuring seated scholars in full dress both with raised enamel decoration. The interior features a central scene with Samurai warriors in training fully armoured with swords in a courtyard with landscapes scenes to the background. The central scene bordered by further stylised shippo-tsunagi type decoration with a greek key rim border. The bowl signed to the base Kinkozan dating to the Meiji Period (1868-1912) circa 1900. Shippo-Tsunagi (linked-cash) or seven treasures, is a traditional Japanese geometric pattern that combines four ellipses in a circle. These ellipses repeat outward to then create more circles, symbolising eternal peace and happiness. Kinkozan the Kinkozan family have been associated with pottery dating back to 1645. They went on to become the largest producer of Satsuma ware by one individual company, from the end of the 19th century until 1927 after which the factory closed. By the 1850s Kobayashi Sobei (1824-84), Kinkozan Sobei...

Squat Bulbous Form From our Japanese collection, we are delighted to offer this Japanese Meiji Period Satsuma Vase. The Satsuma vase of squat bulbous form with a tightly pinched nec...

Painted with Two Snipe Amongst Iris From our Japanese collection, we are delighted to offer this Japanese Meiji Period Satsuma Plate by Kinkozan. The Satsuma Plate is extensively de...

Koro Satsuma Japanese ceramic Japanese glazed ceramic in various colors Meiji Style Circa 1940 Origin Japan It has traditional images painted on its front and back. The purpose of th...

A fine antique Japanese Satsuma pottery incense burner. With a cream ground and an extensively gilt exterior. There are numerous cartouches around the censer with each having a un...

Description: Fabulous Japanese Satsuma koros. Small red marks on both lid and koro, 19th century. Condition: Overall condition perfect. Size: 85 x 80mm H x D Period: Meiji P...

Description A Japanese Satsuma koro and cover, Meiji period Of globular form and raised on three short feet, the domed pierced cover surmounted by a seated shishi, the body decorated with the seven lucky gods...

A small and finely decorated Japanese Satsuma tripod incense burner (koro), signed Kyozan, Meiji period, circa 1900, Japan. The censer, koro, with a compressed body supported by t...

A fine and elegant Japanese Satsuma tripod incense burner, koro, with pierced metal lid, signed Eizan (?) Meiji Period, late 19th century, Japan. The koro, or censer, features a stoneware body of slightly compressed globular form, supported on three short and squat legs. The wide mouth with a recessed metal rim, and topped by an openwork metal lid topped with overlapping chrysanthemum blossoms of silver repousse. The body of the koro finely painted with fan shaped cartouches. The fans in the foreground with sprays of blossoming chrysanthemum. The fans in the background with intricate geometric brocade designs. The shoulder of the incense burner decorated with cartouches formed as stylized chrysanthemum petals, and intricately decorated with geometric and floral brocade designs. The painting finely done in raised gilt and polychrome enamels, including the highly desirable gosu blue...