Khmer Elephant Form Lime Pot, 12th century.

Khmer Pedestal Jar, 12th century. A sturdily potted earthenware globular form on a raised and waisted pedestal base decorated with bands at the shoulder and tightly packed applied pe...

Khmer Ceramic Lime Pot. A globular stoneware jarlet in the form of a bird covered in a caramel color glaze stopping short of the elevated and slightly convex string cut foot display...

Korean Celadon  Jar with Four Handles. Goryeo dynasty, 12th century. A stoneware body of baluster form with bulbous high shoulder, four small strap ...

Antique Thai Architectural Ornament, Sukhothai kilns, 15th century. A glazed hollow ceramic roof tile finial of the Naga/Makara Dragon torso design supported by front talons and his ...

Antique Thai Architectural Ornament, Sukhothai kilns, 15th century. A glazed hollow ceramic roof tile finial of the Naga/Makara Dragon design having a robust chest supported by front talons and his upright bearded head with open mouth bearing his pointed teeth, further decorated in iron brown under glaze painted highlights, covered in a cream white transparent glaze. From North-Central Thailand, Sukhothai Kingdom, a 15th century sculptural architectural ornament, high-fired glazed stoneware roof tile for decorating and elaborately embellishing the roof of a Thai temple, which was generally constructed of wood and therefore long perished, leaving the remains of the roof tiles, such as this finial. Later custom fitted teak rectangular base included. Measuring: 17-3/8 in. high x 6-1/4 in. wide x 8 in. deep. (44 x 16 x 20.5cm) Weight: 10 lb. 2 oz. (4600g.) 15th Century. $4500. Provenance: with Peng Seng Antique Ltd., Bangkok 1993 (original receipt and certificate of antiquity). William R. Appleby, New York Doyle New York, Asian Works of Art September 21, 2020 lot #338. For similar examples in Museum Collections see: Asian Civilisations Museum, Singapore, accession no. C-1453. Boston Museum of Fine Arts, accession no. 2001.2 Brooklyn Museum, accession no. 84.133.5 Metropolitan Museum of Art, accession number 2019.570.0 National Gallery of Victoria. Melbourne accession no. AS86-1984. The Museum of East Asian Art, Bath, accession no. BATEA 1138. Yousef Jameel Centre for Islamic and Asian Art, Ashmolean Museum, Oxford University, accession no. EA1969.75 Asian Art Museum, San Francisco, 1990.184 For similar examples in publications see: Siamese Pottery in Indonesia, Charles Nelson Spinks, The Siam Society, Bangkok, 1959, Fig. 1. Ceramic Art of Southeast Asia, William Willets, The Southeast Asian...

Pair of Vintage Thai Bencharong Lidded Jars, 20th century. Bencharong enamel decoration with Buddhist imagery on a black background. This porcelain jar and lid form having a raised foot rim and lotus bud on a disk lid finial are richly decorated in bright polychrome enamels in the style of the royal household ceramics favored by the nobility in eighteenth century Siam. This colorful style became known as “bencharong”, a term that derives from two Sanskrit words – panch (‘five’) and rong (‘colour’) and which relates to the number of colors used to decorate such porcelain. These jars and covers are decorated with typical Thai motifs. The sides are decorated with four Thepanom (Buddhist celestial beings) each wearing a broad necklace of petals and seated on a lotus within triangular cartouches that have a coral-red ground. Four Norasingh (mythical forest-dwelling semi-deity with a human head, torso, and arms but with the hind-quarters of a lion and the tail and hoofs of a deer) against black back grounds filled with flaming purple kranok motifs. This design is framed by two floral bands top and bottom. The interior is a covered in a transparent glaze with unglazed lid edge and the gallery interior edge of the lid unglazed. Condition: Excellent Each measuring: 5 in. in diameter x 6 in. high (12.7 x 15.2cm) Each weighing: 1 lb. 5.5 oz. (610g.) 20th century. Provenance: Dr. Philip Gould, New York, NY. Millea Brothers, New Jersey For similar examples see: William Warren & Luca Invernizzi Tettoni, Arts and Crafts of Thailand, Chronicle Books, San Francisco 1994, p.33. Bonhams New York, Indian, Himalayan & Southeast Asian Art, 17 Sep. 2014, lot 180 With the following notes: Bencharong porcelains...

A 12th to 13th century mocha brownglazed stoneware jar in a apple-form body, concave neck and flared and lipped rim. Geometric motifs on leg shoulder and neck aswell as the unglazed ...

An attractive small Khmer brown glazed stoneware honey or oil pot, 12th to 14th century, Cambodia. The small pot of compressed globular form and glazed in a deep brown glaze with ...

12th century terracotta head of a woman, Song Dynasty (from 960 to 1279). This small, delicately molded head of a woman wearing an elaborate headdress is mounted on a cube-shaped...

Song jarlet with deep brown glaze, 12th century. This small piece is all about purity of form, enhanced by the rich color of its glaze, which has a subtle crackle. The glaze, which covers almost the entire piece except for the very edge of its foot, looks like melted chocolate poured over...

Chinese Jin Dynasty 12th Century Cizhou Ware Crouching Tiger Pottery Pillow .Tiger pillow, Jin dynasty, 12th century (circa 1150) The pillow is assembled ...

A "Johin" is a vase used to hold pure and clean water. According to the ancient Buddhist scripture "Lotus Sutra," it was originally one of the 18 tools that Buddhist monks were required to possess, but later came to be used as a vessel for offering clean water to the Buddha. During Korea's Goryeo period, it was also commonly used as a water storage container. The vase is adorned with delicate floral patterns engraved with fine lines on its front and back. Among other Goryeo celadon...