Kundika Bottle Celadon with Incised Flower / 12th Century / Korean Antique

This product is a white porcelain bottle from the Joseon Dynasty. People in those days used bottles like this to make soap from waste oil. With use, the porcelain frayed and curle...

It's a wonderful moon jar. It is a rare size that is suitable for the alcove of a Japanese tea room. It is shaped at once without connecting the uppe...

This is a Celadon three-legged incense burner with peony arabesque design. Since the 14th century, Dwarf sedge was planted in this pot to decorate the tea room, so in Japan it is ...

This is a white porcelain jar from the mid-Joseon period, also known as a "Talhunari" or "moon jar". During the Joseon Dynasty, which was strongly influenced by Confucianism, the purity of white porcelain was particularly prized in its artistic expression due to its Confucian sensitivity. The defining characteristic of white porcelain during this period was its pure white color, but there were many subtle variations in the white hues, with some being classified as milky white, snowy white, ashen white, and bluish white. The term "Talhunari" means "moon jar" in Korean, and it refers to the large, round shape of the jar, resembling a full moon. It was named by Kim Whanki, a representative abstract painter of Korea. The soft, curving lines and sturdy body that seems to embrace the full moon give the jar both power and tranquility. This type of jar was produced in large quantities during the 17th century. The white of the moon jar is not the pure white of early Joseon porcelain...

This is a white porcelain jar from the mid-Joseon period, also known as a "Talhunari" or "moon jar". During the Joseon Dynasty, which was strongly influenced by Confucianism, the purity of white porcelain was particularly prized in its artistic expression due to its Confucian sensitivity. The defining characteristic of white porcelain during this period was its pure white color, but there were many subtle variations in the white hues, with some being classified as milky white, snowy white, ashen white, and bluish white. The term "Talhunari" means "moon jar" in Korean, and it refers to the large, round shape of the jar, resembling a full moon. It was named by Kim Whanki, a representative abstract painter of Korea. The soft, curving lines and sturdy body that seems to embrace the full moon give the jar both power and tranquility. This type of jar was produced in large quantities during the 17th century. The white of the moon jar is not the pure white of early Joseon porcelain...

The Longquan kiln, situated in Longquan City of China's Zhejiang Province, thrived in the Song and Yuan eras. It is characterized by its beautiful green celadon ware, created by appl...

A sublime Korean celadon glazed cup mouth bottle vase, Goryeo Dynasty, 12th century, Korea. The elegant bottle vase, originally used to serve wine, features a gorgeous Goryeo celadon...

A delightful small Korean Goryeo ware celadon glazed stoneware bottle vase with sangam slip inlay, Goryeo Dynasty, 12th - 13th century, Korea. The sma...

Korean Celadon  Jar with Four Handles. Goryeo dynasty, 12th century. A stoneware body of baluster form with bulbous high shoulder, four small strap ...

A charming Korean celadon glazed stoneware bowl with white and black sangam inlay, Goryeo Dynasty, 12th - 13th century, Korea. The celadon glazed stoneware bowl of generous propor...

An understated and very heavily potted celadon glazed Korean ritual ewer or water sprinkler, kundinka, Goryeo Dynasty, 13th-14th century. The unusu...

A Korean Buncheong stoneware vase circa 15th century of Joseon Dynasty. The robust vase with thick walls was made in a bottle form with rounded square contour and flattened surfaces....