Medieval Shipwreck Hoi An Hoard Blue / White Puffer Fish Water Dropper, 1450 AD

A large section of a petrified conifer tree trunk, (Araucarioxylon arizonicum) from Northern Arizona, dating to the Triassic period, circa 225 million years ago. Over hundreds of m...

This spectacular cross section of petrified cedar wood comes from Saddle Mountain, Washington. It is remarkably large with a wonderful and highly aesthetic shape, exhibiting vibrant ...

Turquoise glass cup Roman Empire, circa 3rd-4th century A.D. With old label reading ‘’965’’. “Pliny relates that the art of glass-making [.] was actua...

MARTIAN STONE - NWA 14713 Lherzolitic shergottite 127 g “This 127-gram fragment of the NWA 14713 meteorite displays a green-black mottled exterior. The rock is a martian shergottite (a basalt) composed mainly of coarse grains of pyroxene as well as calcium-plagioclase glass. This glass, called maskelynite, formed from crystalline plagioclase when the specimen was blasted off the surface of Mars by an energetic collision. There are currently less than 350 known martian meteorites...

At the center of the vase, a bird is depicted with clean yet detailed lines, capturing the moment mid-flight with a sense of dynamic energy. The artist skillfully conveys the bird’s vitality with minimal strokes, creating the impression that it could soar into the sky at any moment. Though there are no explicit branches or leaves, the flowing curves of the background subtly connect the bird with the natural world. The simplicity of the lines creates a harmonious relationship between the bird and its environment, reflecting the artist’s ability to evoke nature without relying on intricate details. The neck of the vase is adorned with elegant plant motifs, where stems and leaves stretch upward, complementing the overall shape of the vase. These motifs, while simple, add sophistication and enhance the vase’s graceful form. At the base, repeating geometric patterns contribute to the sense of balance and stability. These patterns not only ground the piece but also serve as decorative elements, completing the vase’s aesthetic unity. Dates : 15th century Le Dynasty Region : North Annam, Vietnam Type : Yuhuchun Vase Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : 1) Seattle Art Museum - Gift of Mary and Cheney Cowles, 2000.125. 2) Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 3) Asian art museum, San Francisco * Vietnamese trade ceramic...

At the center, within a shield-shaped frame, a delicate plant motif with slender stems and leaves is depicted, symbolizing the vitality of nature through simple lines. The shield-shaped frame harmonizes with the vase's curves, emphasizing the plant design. The neck features elongated leaf patterns, while soft cloud motifs are gracefully arranged along the body, following the vase’s natural flow. At the base, repetitive geometric patterns provide a sense of stability. This vase beautifully captures classical and serene beauty through the balance of natural harmony and meticulous craftsmanship. Dates : 15th century Le Dynasty Region : North Annam, Vietnam Type : Yuhuchun Vase Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : 1) Art Gallery of Greater Victoria - A vase from the wreck of the Hoi An 2) Butterfield Treasures Hoi An Hoard...

At the center of the vase, within a rounded frame, a bird is depicted perched on a small branch. The bird’s feathers and body are finely detailed, while the beak and eyes are rendere...

These ceramics feature finely detailed depictions of birds and cloud motifs using underglaze blue, showcasing an elegant and refined design. The vase portrays a bird in mid-flight, w...