Pair Satsuma pottery vases. Samurai on horses. Kinkozan, Meiji Period.

Sumidagawa ‘Monkeys’ vase, Ban-Ni, Japan, c. 1890, Meiji Period. £1,350.00 Sumidagawa pottery vase, signed Ban-Ni, Japan, c. 1890, Meiji Period. The large vase, sculpted with an amu...

Kutani porcelain okimono of a cat, c. 1900. Meiji Period. £490.00 Kutani porcelain okimono, Japan, c. 1900. Meiji Period. Finely modelled as a sleeping cat, its hair delineated in g...

Kutani porcelain okimono of a Japanese Green Pheasant, Japan, Meiji Period. The pheasant modelled, perched upon a large gnarled branch. Decorated in typically vibrant enamels, and he...

A Japanese Imari porcelain ‘Black Ship’ bowl and cover, Meiji Period. The bowl hand painted to one side with a large sailing ship with Dutch flags, whilst t...

Japanese Imari porcelain Carp dish, Arita, c. 1890, Meiji Period. The canted rectangular dish, moulded to the centre with a large carp, in low relief, hand painted in typical Imari c...

A fine pair of Chinese porcelain vases, c. 1700, Kangxi Period, ormolu mounted. The trumpet shaped vases, hand painted in Imari style, with exotic birds amongst flowering plants, abo...

A Satsuma Earthenware Vase, by Kinkozan, Japanese, Meiji period (1868-1912) decorated in polychrome enamels and gilt over a clear, crackled glaze, delicately painted with ladies and men, the reverse with a flowering garden with sprays of flowers, the neck with geometric and floral designs, a band of kifu heads in silver and gilt above the foot, on a midnight-blue ground, signed Kinkozan zo...

the body of this small marvelous vase is painted with a scene of a puppet show vendor with his wood backpack, on top of the backpack there are toys and dolls, he is surrounded with a group of 6 children, and on the background you can see a village. on the other side of the vase there is an amazing painting of flowers and on the sides there are two amazing strong pine trees, the amorphous background is decorated in a "Tortoiseshell" color and design that gives it a real character and which is quite rare to see on satsuma pottery. all the vase is over richly overpainted over the glaze with gold, which gives it its depth and realism. signed Kyoto Kinkozan zo, and sealed Kinkozan zo Kyoto’s Satsuma: The painting technique used in Kyoto’s Satsuma-style ware is said to be the invention of the sixth generation Kinkōzan Sōbei (1824–1884). The Kinkōzan were a famous family of Kyoto Awataguchi potters who made ceramics that were used at Shōren'in, a temple closely tied to the imperial family, and by the shoguns of the Edo government. In fact the shogun is said to have granted them the name Kinkōzan. With the upheavals at the end of the Edo period, however, and the reforms of the subsequent Meiji government, the potters lost their traditional patrons and had to develop new markets. Just at that time, the visit of a certain Westerner is said to have decided them to embark on overseas trade. By 1870, they had perfected Kyō Satsuma...

The vase is potted in globular form with a tightly pinched neck and rolled top rim beautifully decorated with four highly detailed individual panelled scenes. The first a Geisha bari...

Kinkozan, Japanese Satsuma vase, Meiji Period (1868-1912) Of baluster form with an elongated neck decorated in polychrome enamels and gilt on a clear crackle glaze in an Art-Nouvea...

Circa 1900 pair of Satsuma vases. Hand painted coastal landscape, mountains, women and children outside of elaborate homes. Signed on the bottom with the Shimazu Clan crest, wear to...

From our Japanese collection, we are delighted to offer this Japanese Meiji period Satsuma Bowl by Kinkozan. The earthenware bowl with pinched rim extensively decorated on both the exterior and interior. The bowl with a cobalt blue base glaze decorated to the borders with gilt shippo-tsunagi (linked-cash) with scattered medallion roundells. Around the exterior two elongated scenes are featured, one with boys playing games in a courtyard with the other featuring seated scholars in full dress both with raised enamel decoration. The interior features a central scene with Samurai warriors in training fully armoured with swords in a courtyard with landscapes scenes to the background. The central scene bordered by further stylised shippo-tsunagi type decoration with a greek key rim border. The bowl signed to the base Kinkozan dating to the Meiji Period (1868-1912) circa 1900. Shippo-Tsunagi (linked-cash) or seven treasures, is a traditional Japanese geometric pattern that combines four ellipses in a circle. These ellipses repeat outward to then create more circles, symbolising eternal peace and happiness. Kinkozan the Kinkozan family have been associated with pottery dating back to 1645. They went on to become the largest producer of Satsuma ware by one individual company, from the end of the 19th century until 1927 after which the factory closed. By the 1850s Kobayashi Sobei (1824-84), Kinkozan Sobei...