Early 1900s Ceramics

This Pickling Jar was once used to pickle eggs and features a wonderful array of hand-painted motifs which include birds, foliage and other subtle symbols and patterning. The hand-pa...

Large Important Japanese Meiji Satsuma Covered Urn with Foo Dog. Large impressive Japanese Meiji period (1868-1912) Satsuma porcelain covered urn...

Sold as a Pair. Antique emperor and empress figure figurine statue hand \painted 12.5" Qing Dynasty. This is an old pair of Asian Figurines. They are heavy, so believe they must be s...

An antique Chinese Foo Dog with silver inlaid wood stand. Circa 1900 very fine detail.

A small Satsuma earthenware bowl, painted in overglaze enamels and gilt with three fans. Japanese, circa 1900. Measures: Height 2 inches Diamete...

Japanese porcelain vase delicately hand painted on an craquelure oatmeal colored ground. The brightly colored design is of prunus blossoms, chrysanthemums and several roosters all ou...

A delightful Swatow ware Chinese export shipwreck porcelain kendi featuring a writing dragon and an apocryphal Tongzhi mark, late 19th or early 20th centur...

A rare ceramic bowl with over glaze painted decoration by Japanese imperial potter Makuzu Kozan ((1842–1916). Unlike the better known works Kozan made for the expositions in the west and export to the foreign market, this piece exemplifies his work for the domestic market and the tea ceremony. The bowl was made in the so called "Utusushi" Ogata Kenzan (1663-1743), an celebrated Edo painter and ceramicist. Utusushi is loosely translated as "in the spirit of". It is not at all a simple imitation of a master, but a Japanese concept of embracing the spiritual essence of a master while the creator is free to mix in his or her own unique artistic interpretation and flavor. The bowl was made to hold fruits during the tea ceremony. It has a very distinguished form with a circular lower body morphing into a square upper portion that further opening with flared rim. The surface has a grey glaze onto which Asagao flowers (Japanese morning glory) on the vines were painted in a free and poetic style. White was used for the petals, green for the leaves with touches of gold highlight. Asagao, the symbol of the summer was rendered in the spirit of Ogata Kenzan, and interestingly the shape of the blossom echoes the unique form the bowl. It was likely reserved for the tea ceremony during the summer months. Under the base, Kozan was signed in black on an white porcelain plaque inlay. For two similar examples of Kozan's work Utusushi Kenzan, see Page 168-169 of the book: Sekai ni Aisa Reta ya Kimono Miyagawa Kozan Makuzu...

A Satsuma Earthenware covered box, by Kinkozan, Japanese, Meiji period (1868-1912) decorated in polychrome enamels and gilt over a clear, crackled glaze, delicately painted with s...

Large and very detailed piece. Condition Overall condition perfect in wooden box. Size: 315 mm Period Meji Period: circa 1900

Japanese Meiji period Satsuma vase in lacquered porcelain with decorative gold fish and red coral motif. The piece was made in circa 1900 and has marks on the bottom. In great vintag...