Mid-20th Century Ceramics

Very unique tall Japanese vase with abstract pattern in a variety of brown tones. The deepest brown glaze is raised, giving the vase a wonderful tac...

Rufinelli Assisi ceramics are a type of Italian pottery that comes from the town of Assisi in central Italy. The Rufinelli family has been producing ceramics in Assisi since the 1950...

Beautiful stoneware pitcher vase by Gunnar Nylund, model No. 250 for Rörstrand in Sweden, 1950s. Hand-thrown stoneware with a beautiful eggshell mimosa glaze. Signed underneath wi...

Beautifully framed art piece that evokes style and elegance. This beautiful antique chinoiserie tile is delightfully framed in rich gold velvet and gi...

A large Japanese ceramic vase by the celebrated Meiji imperial potter Makuzu Kozan (1842-1916) circa 1880-1890s. Dated to his underglaze phase post 1887 after he successfully mastered the new colors available from the west and used them to the best advantage in his work deeply rooted in Japanese aesthetics. The vase has an impressive size and was potted in the classic baluster form with an elegant proportion. The surface is decorated using a combination of techniques of low relief sculpturing...

Gunnar Nylund, produced by Rörstrand. Stamped. Very good condition.

This is a very old interesting Chinese stoneware Longquan Celadon bowl or plate with incised decoration, which we date to the Yuan Dynasty, circa 1300. The bowl is well potted on a low foot.  The bowl is an olive green colour having a celadon glaze with incised decoration to its centre of what looks like a flower stem and additionally three incised string lines to the outer wall. Unglazed parts fire to a terracotta brown colour as with the base section The piece is unmarked but for similar pieces see the superb book: Chinese Ceramics by He Li published by Thames & Hudson, 1996; pages 164 to 184. NOTES Longquan is a city in South west China. These wares were produced over a long time period from 959 to 1550; which covers the Northern Song, Southern Song...

This is an antique plate which was made around 1960s in Showa era. This plate is hand painted. It is made in Japan. There is two cranes on this plate. Two cranes walking or flying...

REDUCED FROM $350...Exquisite creation by Gunnar Nylund (1914–1997) during his tenure as artistic director of Rörstrand from 1932 through the 1950s. The vase has a glossy spicy mustard yellow glaze over a rough rustic body creating a smooth touch but a brutal look to the piece. The Chamotte line was first introduced in the late 1930s. Stamped on bottom with RÖRSTRAND, 3 crowns logo, SVERIGE, CHAMOTTE and NYLUND. Measurements: 4 inches diameter x 8 1/2 inches high. We have also listed a larger example of the same design in white. The last image is of the stamp on bottom of white vase for clear bottom...

A ceramic chawan (tea bowl) circa 17-18th century fired in the Busan kiln in Korean specifically for the Japanese market. The kilns were run by the So c...

3-674 Japanese artist made glazed ceramic vase.

Large vase in green ceramic designed by the Italian designer Gio Ponti and manufactured by Richard Ginori between the 1930s and the 1940s. In this piece, the ceramic was modeled with an elegant and raffinate, flared shape that makes it a perfect decorative vase. The manufacturer's brand is stamped under the base. The history of the Ginori Manufactory began in Doccia, just a stone's throw away from Florence, when in 1735 Marquis Carlo Andrea Ginori started a porcelain factory which was destined to become a worldwide icon of style. The eighteenth-century is a key century for the development of porcelain in Europe, in this period the first manufactures are born, fed by new styles and international trends. In stately homes, palaces and courtyards, the precious porcelain of the Doccia Manufactory is synonymous with elegance and refinement. The passage from the nineteenth, the century of reason to that of feeling marks a new chapter in the development of artistic taste and the manufacture of porcelain. Florence becomes the scene of a controversy between the academic supporters of the Beautiful ideal and the naturalists promulgators of the beautiful natural Since 1806 the direction of the Manifattura passed to Leopoldo Carlo Ginori Lisci who initiates a process of profound renewal. In 1986 The Manifattura expanded and the Richard Ginori Ceramic Company is born. The tradition of master craftsmen meets new technologies and the creations are perfected thanks to the use of new patents From 1923 to 1933 the artistic direction of the Manifattura was entrusted to Gio Ponti. The master is responsible for introducing highly innovative elements with sensitivity and respect for the taste for the ancient, and for the oriental culture. In 1925 at the Universal Exposition in Paris, the Manifattura and its artistic director were awarded the assignment to both of a Grand Prix. The Manufactory was renewed by relying on the experience of the greatest Italian designers of the time: Franco Albini, Franca Helg, Antonio Piva, Sergio Asti, Achille Castiglioni, Gabriele Devecchi, Candido Fior...