Satsuma porcelain covered perfume burner

Small porcelain vase in Satsuma earthenware. The 4-sided body is decorated in polychrome and gold enamels with geishas in a garden, a mountain landscape, a bird on a flowering branch...

A two-tone spherical incense burner. The 9-hole lid in grey-white glazed stoneware with gilded handle. The main body in glazed, veined earthenware. Made by master Katsuyoshi Kotoge (...

Ormolu perfume burner or potpourri holder that serves as a striking table centerpiece. The openwork lid is adorned with palmettes, foliage, small flower...

A beautiful Bizen pottery vase by artist Shibuta Toshiaki, in the shape of a flattened sphere with a triangular opening at the top, sliced cleanly with a confident gesture. A beautif...

This work of art by master potter Mori Taïga demonstrates his mastery of the material and the art of fire. One can imagine a libatory cup to celebrate a divinity, or more prosaically...

This very large dish was created by the talented young master potter from Bizen: Baba Takashi. One is quickly attracted by the undulating effect of part of the dish, a perfect contra...

A rare Meissen Marcolini Porcelain Chinoiserie incense burner vase and cover, made for the Chinese market, circa 1800, blue cross swords and star mark, Pressnummer 58 A Museum Quality Piece. Painted in the sought after famille rose palette with sprigs of indianische Blumen and enriched in gilding, the simulated pierced body supported by four feet painted with stylized dragons, the pierced cover with a Buddhist lion finial. 10" high x 6" wide x 6" deep The shape of this piece, which appears to be unrecorded in the literature, is inspired by similar Chinese porcelain censers from the Qing Dynasty, Kangxi Period (1654-1722). An example in the Palace Museum, Beijing, is illustrated by Li Yi-hua in Qing Porcelain of Kangxi, Yongzheng and Qianlong Periods from the Palace Museum Collection, Hong Kong, 1989, pl. 65. Another in the British Museum, London (museum no. PDF, A.812) is catalogued as a perfume-holder. These porcelain examples are in turn inspired by ancient Chinese bronzes from both the Shang (1600-1046 BC) and the Zhou (1046-246 BCE) dynasties, an example of which was sold anonymously by Christie's New York, 22 March 2019, lot 1601. This chain of inspiration tracking backwards from the 19th century to antiquity provides a clear example of how ceramics, and indeed other mediums, are able to influence and motivate the works of later generations. For a Meissen porcelain snuff...

Japanese Meiji satsuma covered scenic jar. Very detailed hand gilding and hand decoration. Maker's mark present on the bottom .

Exceptional and large Satsuma vase with cover with foo dog finial, finely enameled and gilt. Drilled apparently for use previously as table lamp. Firing crack to the lid, otherwise...

A Satsuma Earthenware covered box, by Kinkozan, Japanese, Meiji period (1868-1912) decorated in polychrome enamels and gilt over a clear, crackled glaze, delicately painted with s...

Description: Fabulous Japanese Satsuma koros. Small red marks on both lid and koro, 19th century. Condition: Overall condition perfect. Size: 85 x 80mm H x D Period: Meiji P...

Fabulous Japanese Satsuma ware tripod lidded box. Marked ??Nippon ??Yokohama ???Yasui-zo(made) which means that it is so called Yokohama-Satsuma Condition: Overall condition 1...