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Japanese Folding Screen, circa 1960, Abstract Bamboo,

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circa 1930 Japanese Silver Screens by Isoi Joshin, Flowers of the Four Seasons
Located in Kyoto, JP
Flowers of the four seasons Isoi Joshin (1883-1964) Pair of six-panel Japanese screens Ink, pigment, lacquer and silver leaf on pa...
Category

Mid-20th Century Asian Showa Paintings and Screens

Materials

Silver Leaf

Japanese Screen Painting, circa 1700 'Horses' by Kano Tanshin
Located in Kyoto, JP
Horses Kano Tanshin Morimasa (1653-1718) Two-panel tea-ceremony Japanese screen or furosaki Ink on gold leaf, late 17th-early 18th century Measures: H 55 cm x W 182 cm The Kano school was closely aligned with the warrior class in Japan. The samurai, who lived in a closed and rigid hierarchical society established by the Shogunate, were drawn to the energy and freedom horses symbolize; Kano school artists commonly depicted the equine creatures as they are here, in unfettered and carefree family groups. China originally introduced horse paintings to Japan; the works typically focused on capturing the essence of horses in their various environments and often involved integrating human figures into the images. Kano Tanshin Morimasa (1653-1718) was the son of Kano Tanyu...
Category

Antique 1690s Japanese Edo Paintings and Screens

Materials

Gold Leaf

Early 20th Century Pair of Japanese Folding Screens, Deer Under Maple Trees
Located in Kyoto, JP
Deer under maples Late Taisho period, circa 1925-1930 Pair of two-panel screens. Ink and pigment on silk. Signature: Goho Seal: Goho A pair of two-fold Japanese silk screens...
Category

Vintage 1920s Japanese Taisho Paintings and Screens

Materials

Wood, Paper, Silk

Japanese Screen Pair, circa 1730, Peacocks and Phoenix, Kano School
Located in Kyoto, JP
Phoenix and Peacocks. A pair of six-panel Japanese folding screens by Tsunetake Yotei (n.d.) First half of the 18th century. The signature reads 67 year old Tsunetake. The seals read: -Tsunetake no in, -Yotei, -Seishin Dimensions: Each screen – H. 69” x W. 149” (176 cm x 378 cm) A pair of Kano Grand Picture (Waga) screens depicting phoenix and peacocks rich with symbolic meaning. Dating to the first half of the 18th century, from the Kobikicho Kano school in Edo, this pair of folding...
Category

Antique Early 18th Century Asian Edo Paintings and Screens

Materials

Gold Leaf

Circa 1700 Japanese Screen Pair, Cranes & Pines, Kyoto Kano School
Located in Kyoto, JP
Pines and Cranes Anonymous. Kyoto Kano School. Late 17th/early 18th centuries, circa 1700. Pair of six-panel Japanese folding screens. Ink, gofun, pigment and gold leaf on paper. This bold composition presents two pine trees extending to the left and right across a gold leaf background. One tree is silhouetted against a green ground, golden clouds obscuring its true size, the other stretches across a stylized waterway. The pines are paired with Manchurian cranes with red crests and snow white plumage. Both have been highly auspicious motifs in East Asia since Chinese antiquity. Here the artist utilized fluid and instinctive ink brushstrokes to define the trunk, branches and tail feathers, in strong contrast to the precision and sharp angularity of the crane’s legs and beaks. The adoption of this vast metallic painting support required an unerring sense of design and composition, so that the negative space surrounding motifs could imply context for the otherwise floating pictorial elements. The brushwork detailing the trunks of the pines, the exaggerated dimensions of the pine trees and the strength and dynamism of the composition are all reminiscent of Kano Eitoku...
Category

Antique Late 17th Century Japanese Edo Paintings and Screens

Materials

Gold Leaf

Early 20th Century Japanese Cherry Blossom Screen by Kano Sanrakuki
Located in Kyoto, JP
Cherry Blossoms Kano Sanrakuki (1898-1981) Showa period, circa 1930 2-panel Japanese Screen Color, gofun and gold leaf on paper Against a backdrop of gold-leafed ground, the lichen covered trunk and branches of the life-sized cherry blossom tree reach out and beyond the confines of the pictorial surface. The overall composition has a feeling of flatness which draws emphasis to the surface and the three-dimensionality of the cherry blossoms. Painstakingly built-up layers of thickly applied shell-white gofun detail the voluminous blossoms and cover large areas of this tour-de-force of Japanese Nihonga painting. By simplifying the background, minimizing the number of colors and depicting the blossoms with such heavy relief, the artist has emphasized the stunning presence of the cherry tree. The type of tree depicted is the Yae-Zakura; a double-layered type of cherry blossom famed for its beauty and strength. When we think of Japanese cherry blossoms, the first thing that comes to mind is Somei Yoshino variety, which has a single flower with five almost white petals. This type is fragile and easily blown away by strong wind or rain. Most of the double-flowered cherry blossoms begin to bloom when the Somei-Yoshino falls, and the flowering period lasts longer than that of the Somei-Yoshino. Kano Sanrakuki originally studied painting at the Kyoto City Arts and Crafts School under the tutelage of Yamamoto Shunkyo...
Category

Early 20th Century Japanese Showa Paintings and Screens

Materials

Gold Leaf

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Located in Hudson, NY
Abstracted painting of ships moored in the background. Painted by Nishide Kofuku and exhibited at the 1963 Nitten National Exhibition. Kofuku was born in 1926 in Shiga Prefecture. He...
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Japanese Two Panel Screen Abstract Design
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Lacquer on wood. Signature reads: Toshimasa. Solid black lacquer on reverse. Signed original box.
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Japanese Folding Screen Six Panels Painted on Gold Leaf
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Located in Brescia, IT
Paravento a sei pannelli di scuola giapponese Kano: paesaggio con bellissime ed eleganti gru vicino al fiume, con alberi di pino e sakura. Dipinto a mano con pigmenti minerali ed inc...
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Japanese Six Panel Screen Bamboo Forest in Kyoto
Located in Hudson, NY
Ink painting of bamboo on nicely patinated silver leaf. Dated 1919, Signature reads: Seikoku.
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