Japanese screen with a painting of an large elephant & monkey by Mori Kanson 森間村

Beautiful, large two-panel byôbu (room divider) with a serene painting of red-leaved bamboo and rocks on an oxidized silver leaf background. Silver leaf continuously undergoes the process of oxidation, which creates a beautiful aged patina. On the left an inscription from a ‘Zekku’ poem by the Chinese poet Yang Zai (1271?1323), titled: Shan shang zhu (bamboo (painted) on a fan). Translated as : Why would people plant a lot of bamboos? The shade of a single culm is also beautiful. In the autumn night it rocks on the wind, And the fresh sound echoes in my dream. Dated: Shôwa, the year kôshin (1938). Signature unknown...

A striking low and wide two-panel furosaki’byôbu (tea-ceremony room divider) painted with two bright white dragons (ryû) flying amidst swirling black clouds. The left dragon holds a ...

A charming medium-size six-panel byôbu (folding screen) with a vibrant polychrome painting of a rooster with its family amidst a luscious flower garden. The garden is filled with al...

Amazing 260 year old Japanese kakejiku (hanging scroll) with a refined painting of the nine headed dragon deity, with a Buddhist flame as a crown, an...

Fascinating large six-panel byôbu (folding screen) with a detailed genre painting on goldish silver leaf with different scenes of people at work in a rural mountain village during th...

A very colourful and captivating large six-panel byôbu (folding screen) with a refined continuous painting of a luscious flower garden filled with many different types of chrysanthemums (kiku), next to a winding river. This multi-coloured painting is set on a shiny gold-leaf background, and the chrysanthemum flowers are painted by using shell paste (gofun) in low relief. Several clutches with a great variety of chrysanthemum flowers are in full bloom and they each show their unique form and colour. Varying from white, red, yellow and pink. The flowers bloom all around and on different kinds of bamboo fences and trellises. In Japan chrysanthemums are believed to represent happiness, love, longevity and joy. The panels are surrounded by two silk borders, a thin black one, and a wide brown one. The screen is protected by a black and red negoro’nuri...

Mori Tetsuzan (1775-1841) Pheasants and Cherry Blossoms Two-fold Japanese screen. Ink, color, gofun, gold and silver on paper. A two-fold Japanese bir...

A Japanese mounted vertical hanging scroll painting by Mori Tetsuzan (Japanese, 1775-1841) circa 19th century Edo period. The watercolor and ink on silk ...

A six-fold Japanese screen by Tosa Mitsusuke (1675-1710), Japan 17th-18th century, Edo period. The signature reads Shoroku-i ge Tosa sa Konoe Shogen Mit...

Japanese Two Panel Screen: Pheasants in an Abstract Landscape. Taisho period (1912-1926) bold, almost graphic painting of pheasants and other bir...

Horses Kano Tanshin Morimasa (1653-1718) Two-panel tea-ceremony Japanese screen or furosaki Ink on gold leaf, late 17th-early 18th century Measures: H 55 cm x W 182 cm The Kano school was closely aligned with the warrior class in Japan. The samurai, who lived in a closed and rigid hierarchical society established by the Shogunate, were drawn to the energy and freedom horses symbolize; Kano school artists commonly depicted the equine creatures as they are here, in unfettered and carefree family groups. China originally introduced horse paintings to Japan; the works typically focused on capturing the essence of horses in their various environments and often involved integrating human figures into the images. Kano Tanshin Morimasa (1653-1718) was the son of Kano Tanyu...

with thought to be Izumo no Okuni (1578-1613). Mineral pigments and gold dust on mulberry paper with silk brocade border.