Meiji Period Japanese Screen by Suzuki Shonen, Pine and Rising Sun
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 7
Meiji Period Japanese Screen by Suzuki Shonen, Pine and Rising Sun
About the Item
- Dimensions:Height: 68 in (172.72 cm)Width: 150 in (381 cm)Depth: 0.75 in (1.91 cm)
- Style:Meiji (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1900
- Condition:Wear consistent with age and use.
- Seller Location:Kyoto, JP
- Reference Number:1stDibs: LU2472330695172
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Established in 2001
1stDibs seller since 2016
60 sales on 1stDibs
Typical response time: 6 hours
More From This SellerView All
- Japanese Screen pair. Late 19th Century. Ink Pine Trees on Gold by Suzuki ShonenLocated in Kyoto, JPSuzuki Shonen (1848-1918) Meiji period (1868-1912), late 19th century. Twisted pines Pair of six-fold screens. Ink on a gold leaf ground. Sig...Category
Antique Late 19th Century Japanese Meiji Paintings and Screens
MaterialsGold Leaf
- Meiji Period Japanese Screen Pair, One Hundred Birds by Hasegawa GyokujunLocated in Kyoto, JPOne hundred birds Hasegawa Gyokujun (1863-1921) Meiji period, circa 1900. Ink, color and gofun on silk. Dimensions of each screen: H. 170 cm x W. 190 cm (67’’ x 75”) Despite the title, well over 100 birds are represented in this pair of two-fold Japanese screens (the title functions figuratively to convey the idea of a large number). The monumental work is rendered with a comprehensive and highly complex composition which is exquisitely executed and meticulously colored. More a celebration of naturalism than the traditional “One Hundred Birds” paintings which originated in China. This was a subject matter known for its auspicious meaning as much as its actual depiction of nature. These paintings generally had a phoenix (occasionally peacocks) placed in the center, and the other birds paying homage to it. In this quintessentially Japanese scene painted by Gyokujun, a couple of long-tailed birds modeled after paradise flycatchers are included; these are traditional auspicious motifs in Oriental bird and flower painting and denote themes such as celebration and enduring generations. In addition there is the playful inclusion of single exotic parrot. Even so, the vast majority of the birds and flowers are native to Japan. Reading the scene from right to left, from spring through to autumn, the overwhelming sense is one of movement and haste. It is almost as if the birds are in a race, with the fleetest leading the way forward. Although these native birds were commonly drawn amongst artists of the Shijo school, rarely were they painted with such drama and dynamism. It is not strictly a depiction of sketched birds whose manner was faithfully handed down through the traditions of the Shijo school. Rather we see Gyokujun seeking and achieving new expressions in the heart of the turbulent Meiji period. Hasegawa Gyokujun (1863-1921) was born in Kyoto. He was the eldest son of Hasegawa Gyokuho, a Shijo school painter who studied under Matsumura Keibun. Gyokujun studied painting under his father and became a prominent member of the Kyoto painti ng world from a young age. In 1891 he established the ‘Young Painters Social Club’ along with Takeuchi Seiho, Miyake Gogyo and Taniguchi Kokyo. Also in 1891 he was selected as a judge of the Great Private Paintings Exhibition along with Takeuchi Seiho, Yamamoto Shunkyo...Category
Antique Early 1900s Japanese Meiji Paintings and Screens
MaterialsSilk, Wood
- Japanese Silver Screen Pair, Meiji Period, Herons & Plovers, Shijo SchoolLocated in Kyoto, JPHeron & Plovers Ink and silver leaf on paper Maekawa Bunrei (1837-1917) A pair of low six-panel Japanese screens by Maekawa Bunrei, a later master of the Kyoto based Shijo school of painting. On the right screen a solitary white heron stands motionless in a stream. On the left screen plovers play along a shoreline. The elegant forms are executed employing fluid, minimalistic ink brushstrokes. The soft brushstrokes and the sharp light of the silver leaf lend the scenes a sense of translucence. The sophisticated composition superbly exploits the long, horizontal pictorial surface of the pair of folding screens...Category
Antique Early 1900s Japanese Meiji Paintings and Screens
MaterialsSilver Leaf
- Meiji Era, Circa 1900 Japanese Screen Pair, Flowers & Birds of Spring & AutumnLocated in Kyoto, JPFlowers & Birds of Spring and Autumn Unknown artist. Japan. Meiji period, circa 1900. A pair of six-fold screens. Ink, color, gofun and gold leaf on paper. Signed: Gaga S...Category
Antique 1890s Japanese Meiji Paintings and Screens
MaterialsGold Leaf
- Japanese Screen Pair, Tigers by Kishi Renzan, Late Edo PeriodLocated in Kyoto, JPKishi Renzan (1804-1859) Tigers Pair of six-panel Japanese screens. Ink and gold-leaf on paper. In this monochromatic pair of six-fold Japanese screens painted on gold-leaf, Kishi Renzan has created a breathtaking composition of a family of tigers. The screens are filled with a sense of drama which is conveyed by both the subject matter and the wet, expressive brushwork. The running mountain stream and the towering waterfall allude to refreshment during the summer months and we feel the tiger families familiarity and security within their environment. Renzan’s master, Kishi Ganku...Category
Antique Mid-19th Century Asian Edo Paintings and Screens
MaterialsGold Leaf
- Circa 1700 Japanese Screen Pair, Cranes & Pines, Kyoto Kano SchoolLocated in Kyoto, JPPines and Cranes Anonymous. Kyoto Kano School. Late 17th/early 18th centuries, circa 1700. Pair of six-panel Japanese folding screens. Ink, gofun, pigment and gold leaf on paper. This bold composition presents two pine trees extending to the left and right across a gold leaf background. One tree is silhouetted against a green ground, golden clouds obscuring its true size, the other stretches across a stylized waterway. The pines are paired with Manchurian cranes with red crests and snow white plumage. Both have been highly auspicious motifs in East Asia since Chinese antiquity. Here the artist utilized fluid and instinctive ink brushstrokes to define the trunk, branches and tail feathers, in strong contrast to the precision and sharp angularity of the crane’s legs and beaks. The adoption of this vast metallic painting support required an unerring sense of design and composition, so that the negative space surrounding motifs could imply context for the otherwise floating pictorial elements. The brushwork detailing the trunks of the pines, the exaggerated dimensions of the pine trees and the strength and dynamism of the composition are all reminiscent of Kano Eitoku...Category
Antique Late 17th Century Japanese Edo Paintings and Screens
MaterialsGold Leaf
You May Also Like
- Japanese Screen: Animals and Flowers in a Landscape with Rising SunLocated in Hudson, NYEdo period (c. 1800) screen, beautifully painted with excellent details. Kano School painting at its best. An exuberant Audobon landscape being observed by a cat and her kitten. A...Category
Antique Early 19th Century Japanese Edo Paintings and Screens
MaterialsGold Leaf
- Meiji Period Japanese Four Panel Screen Bijin At LeisureLocated in Hudson, NYJapanese four panel screen: Bijin At Leisure. Ladies in a tea house with a small dog. Seal reads "Ensan dai" (drawn by Ensan). Meiji Period (1868 - 1912) pa...Category
Antique Late 19th Century Japanese Meiji Paintings and Screens
MaterialsSilk, Wood
- Japanese Two Panel Screen Pine and Red Sun on GoldLocated in Hudson, NYMineral pigments on gold leaf. Signature and seal read: Anei H-eishin Boshun ga, dated: late spring 1766 with a dedication to Okyo (Maruyama).Category
Antique Mid-18th Century Japanese Paintings and Screens
MaterialsGold Leaf
- Japanese Meiji Two Panel Screen Geese and ReedsLocated in Rio Vista, CAFantastic Japanese late Meiji period two-panel byobu screen by Hashimoto Koshu. The large screen features two white geese amid brightly colored reeds. The symbolism of geese and reeds was introduced to Japan from China in the 13th century. This was a popular subject for Japanese zen artists of the period. Beautifully crafted with exceptional brush strokes and details. Made with natural pigments in dramatic vivid colors of white, pink, and mint green on a silk background of gilt. Circa 1900 with artist seal on bottom right corner. Koshu studied Western art under...Category
20th Century Japanese Meiji Paintings and Screens
MaterialsSilk, Wood, Paper
- Japanese Six-Panel Meiji Screen Flowering Peonies and ButterfliesLocated in Rio Vista, CAStunning Japanese Meiji period six-panel large screen. Featuring blooms of spring flowering white, pink, and red peonies with butterflies over a gilt background. Made in the Nihonga ...Category
20th Century Japanese Meiji Paintings and Screens
MaterialsBrass
$7,200 Sale Price20% Off - Japanese Two-Panel Screen: Dramatic Splash by Suzuki GoroLocated in Hudson, NYSumi ink on Mulberry paper, with black lacquer trim and gilded bronze hardware. Signature reads: Suzuki Goro.Category
Mid-20th Century Japanese Paintings and Screens
MaterialsBronze
Recently Viewed
View AllMore Ways To Browse
Antique Sun
Sun Antique
Japanese Screen Black
Japanese Character
Six Fold
Hand Painted Japanese Screen
Japanese Screen Ink
Asian Black Screens
Japanese Antique Gallery
Paper Folding Screen
Papered Folding Screen
Painting Antique Pine Furniture
Japanese Brush
Japanese Brushes
Gold Screen Japan Leaf
Japanese Painting Gold Black
Japan Folding Screens
Japanese Folding Screen Screen