Pair of Fabulous Japanese White Peacock Two-Fold Folding Screen Room-Dividers

Nagasaki School (EARLY 19TH CENTURY) Opperhoofd Hendrik Doeff with Javanese servant Kakemono, watercolor on paper, mounted on silk and textile covered paper scroll, not signed....

Anonymous Japanese painter (MEIJI PERIOD, LATE 19TH CENTURY) Portrait of Takeaki Enomoto (1836-1908) Ink, color and go fun on silk, framed. Painting: 79.5 x 50 cm With fram...

Theo Meier (1908-1982) “A Balinese woman with offerings” Signed, dated '36 and annotated Mankok (the name of the sitter) lower left Sanguine on paper, measures: 57 x 41.5 cm In a handmade and hand painted frame with address: Max Kno¨ll, Herberggasse 4/1, Basel. Provenance: Private collection, Basel (acquired directly from the artist) Private collection, London Note: Theo Meier was born in Basel, where he attended art school and became a successful portrait painter. However, after visiting an exhibition in Basel of Tahitian paintings by Paul Gaugin, he decided to follow in Gaugin’s footsteps and go to the South Pacific. To finance his voyage, he founded a club in which every member pledged a monthly sum in return of which they could choose one of Meier’s paintings upon his return. In 1932, at the age of 24, he embarked on his voyage to the South Sea. In Tahiti, he certainly discovered the beauty of the colours of the tropical world but the simplicity of the inhabitants, he had seen in Gaugin’s paintings turned out to be more in the artist’s fantasy than in reality. He returned to Basel but in 1935 again was on his way to the South Sea. In 1936 he arrived in Bali, planning to stay there for two or three weeks, but thirty years later he was still there. In Bali “a delirium laid hold of me which even today has not subsided”, he was to write much later. The present drawing was made during his first “delirius” year in Bali. In Bali, he settled and found inspiration and friendship with other artists including Walter Spies...

A Collection of Thirteen Ink and Chalk Drawings by Johan Gerard Sinia (1875-1948) All framed in gilt-metal or giltwood frames Sinia started his professional career as an army off...

Five Chinese paintings of western people by an unknown artist China, circa 1760, captions later All in giltwood frames. “A woman with Portuguese hairdo, with gold, silver and gemstone necklace, a skirt under a vest, a koi on her back, called a cloak, a woman customarily inherited the family business, the male humble, to the threshold (Qianlong year, circa 1735).” Gouache on silk, measures: 32 x 25.4 cm “He is a Westerner who had a white skin. He does not have a heavy beard but plaits his hair. He wears a triangular black hat, short jacket, leather shoes and long stockings...

An important Japanese six-fold screen, depicting episodes from The Tale of The Genji Edo period, 17th century Ink and colour on gilded paper, H. 155 x W. 380 cm The Tale of Genji...

Pair of Japanese Modern Bamboo Room Dividers Screens Decorative Panels Wall Art

A set of 4 screens, made in elm wood. Lacquer decorated in polychrome. Panels decorated with vases, flowers, etc. Former screen wall from house in Shanxi pro...

Japan folding two-panel tea screen furosaki byobu depicting a simple cream colored back ground with a blue snow flake border, colors on paper 21.5” high and...

Eagle on a pine branch with traces of white snow. A rare subject for this mid-century two-panel screen, painted in mineral pigments on gilded paper. The screen is a nice size and is ...

Extraordinary Japanese contemporary two-panel "byobu" or folding screen featuring a lady from the Heian period court, showcased in "The Tale of Genji" by Murasaki Shikibu, widely int...

Karamono with flower arrangements and rare birds Edo period, 18th century Pair of two-panel folding screens Ink, colors, gofun and gold leaf on paper Each 170 by 165 cm ...